Knowledge (XXG)

Umberto D.

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Flike, the dog finds him hiding under a footbridge. Finally in desperation, Umberto takes the dog in his arms and walks on to a railway track as a speeding train approaches. Flike becomes frightened, wriggles free and flees. Umberto runs after him. At first Flike warily hides, but eventually Umberto coaxes Flike out to play with a pine cone. Still homeless, Umberto scampers down the park lane while playing with his dog.
491:, the minister responsible for cinema at the time, published an open letter against De Sica, saying that if the movie was perceived as a realistic depiction of mid-twentieth century Italy, he " have rendered a very bad service to country". However, it was quite popular overseas and the film remained the one he was most proud of (even dedicating the film to his father). 419:
and he is discharged after a few days. When he returns to the apartment, he finds workmen renovating the entire place. The landlady is getting married. Umberto's room has a gaping hole in the wall. The maid tells him it is to become part of an enlarged living room. The maid was taking care of his dog
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Umberto attempts to find a place for Flike, first with a couple who board dogs, then a little girl he knows, but the latter's nanny makes her give the dog back. Flike goes to play with some children and Umberto slips away, hoping that one of them will adopt him. Despite Umberto's attempt to abandon
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Umberto rushes to the city pound and is relieved to find his dog; however, when he makes a veiled plea for a loan to one of his friends who has a job, the friend refuses to listen. Unable to bring himself to beg from strangers on the street Umberto contemplates suicide, but knows he must first see
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has rented it out for an hour to a young couple to have sex. She threatens to evict Ferrari at the end of the month if he cannot pay the overdue rent, fifteen thousand lire. He sells a watch and some books, but only raises a third of the amount. The landlady refuses to accept partial payment.
1270: 536:(1952) is the story of the old man's struggle to keep from falling from poverty into shame. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear." 1263: 71:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG). 1256: 135: 1279: 543:, the film holds a 98% "Certified Fresh" score based on 41 critic reviews, with an average rating of 9.0/10. The website's critics consensus reads, "Anchored by Carlo Battisti's moving performance as 404:
Meanwhile, the sympathetic maid confides in Umberto that she has her own problems. She is three months pregnant, but is unsure which of her two lovers (both soldiers) is the father, the tall one from
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that Flike is taken care of. He packs his belongings and leaves the apartment. His parting advice to the maid is to get rid of the boyfriend from Florence.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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of elderly men demanding a raise in their meager pensions. One of the marchers is Umberto D. Ferrari, a retired government worker.
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Content in this edit is translated from the existing Italian Knowledge (XXG) article at ]; see its history for attribution.
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as too critical of the pride they were trying to engender in themselves. It evoked such opposition in conservatives that
2136: 2096: 2086: 1892: 1731: 1011: 1003: 577: 378: 763: 2131: 1555: 1545: 987: 741: 1248: 2111: 1942: 1325: 1035: 2081: 2071: 1852: 943: 565: 496: 547:, Vittorio de Sica's deeply empathetic character study is a bracing glimpse into the lives of the downtrodden." 1621: 1591: 636: 552: 90: 859: 111: 1842: 1832: 1641: 1535: 1179: 1067: 1982: 1235: 1147: 1721: 1525: 1295: 1195: 360: 381:, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." 2002: 1992: 1962: 1822: 1219: 1083: 929: 913: 390: 234: 2066: 1912: 1882: 1791: 1631: 1581: 1480: 1420: 1315: 1019: 581: 196: 555:, assigned the film a score of 92 out of 100, based on 9 critics, indicating "universal acclaim". 1741: 1305: 1187: 1075: 608: 502: 329: 790: 244: 200: 2042: 1932: 1761: 1601: 1515: 1380: 1171: 995: 891: 713: 604: 595: 443: 349: 188: 86: 1671: 1390: 1350: 1227: 1155: 1115: 1091: 1051: 1027: 979: 967: 488: 461: 333: 321: 204: 170: 155: 145: 352:) and his dog Flike (called 'Flag' in some subtitled versions of the film) are of no help. 1872: 1450: 1410: 1400: 1370: 1340: 1043: 813: 540: 523: 370: 365: 326: 104: 835: 479:
De Sica said that the film was quite unpopular in Italy because it was in a period after
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Gundle, Stephen (2014). "Neorealism and Left-wing Culture". In Bondanella, Peter (ed.).
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included the film in his selection of Great Movies, writing that "Vittorio De Sica's
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included it on a list of "39 Essential Foreign Films for a Young Filmmaker."
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Feeling ill, Umberto gets himself admitted to a hospital. It turns out to be
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who plays the title role of Umberto Domenico Ferrari, a poor elderly man in
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when the country was just getting back on its feet. Subsequently, they saw
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magazine's "All-TIME 100 Movies" in 2005. The film's sets were designed by
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is ... a movie I have seen a hundred times, that I may love most of all."
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to the source of your translation. A model attribution edit summary is
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Seeing Clearly Through Tears: On the Smart Sentiment of Umberto D.
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New York Film Critics Circle Award for Best Foreign Language Film
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who is desperately trying to keep his rented room. His landlady (
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named Flike, but a door was left open and Flike ran away.
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New York Film Critics Circle Award for Best Foreign Film
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Vittorio De Sica was nominated for the Grand Prix –
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Time Entertainment. 12 February 2005 770:from the original on February 7, 2015 680: 678: 375:Italian Ministry of Cultural Heritage 320: 27:1952 Italian film by Vittorio De Sica 7: 2127:Films scored by Alessandro Cicognini 912:a 1990 essay by Peter Becker at the 458:Elena Rea as the nun at the hospital 494:In an interview where he discussed 2092:Films directed by Vittorio De Sica 1662:The Decline of the American Empire 25: 766:. Open Culture. 15 October 2014. 619:and Francis Huster among others. 2122:Films produced by Angelo Rizzoli 1204:The Garden of the Finzi-Continis 860:"Festival de Cannes: Umberto D." 734:"Bergman about other filmmakers" 452:as Antonia Belloni, the landlady 34: 789:Ebert, Roger (April 28, 2002). 99:You may also add the template 1: 2077:Italian black-and-white films 2023:The Worst Person in the World 1140:Yesterday, Today and Tomorrow 389:Police disperse an organized 379:100 Italian films to be saved 2147:Italian-language drama films 2102:1950s Italian-language films 1893:4 Months, 3 Weeks and 2 Days 1012:The Children Are Watching Us 1004:A Garibaldian in the Convent 578:Academy Award for Best Story 464:as a patient at the hospital 101:{{Translated|it|Umberto D.}} 988:Maddalena, Zero for Conduct 738:Ingmar Bergman Face to Face 603:, co-written by Huster and 440:as Umberto Domenico Ferrari 112:Knowledge (XXG):Translation 2163: 1943:Blue Is the Warmest Colour 63:Machine translation, like 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Aldo 152:Written by 128:Umberto D. 51:in Italian 1573:1978–2000 1296:Mayerling 1287:1937–1977 1196:Sunflower 1100:Two Women 1028:Shoeshine 980:Red Roses 820:August 5, 545:Umberto D 534:Umberto D 475:Reception 245:Dear Film 221:Edited by 201:Elena Rea 105:talk page 18:Umberto D 2003:Parasite 1993:Cold War 1963:Timbuktu 1461:My Uncle 1451:Gervaise 1441:The Road 1084:The Roof 903:AllMovie 768:Archived 410:Florence 398:landlady 302:Language 231:Music by 181:Starring 81:provide 2013:Bacurau 1772:Ponette 1381:L'Amore 1316:Harvest 1132:Il Boom 928:at the 584:in 1957 580:at the 327:Italian 305:Italian 294:Country 271: ( 260: ( 171:De Sica 167:Rizzoli 103:to the 85:in the 2046:(2023) 2036:(2022) 2026:(2021) 2016:(2020) 2006:(2019) 1996:(2018) 1986:(2017) 1976:(2016) 1966:(2015) 1956:(2014) 1946:(2013) 1936:(2012) 1926:(2011) 1916:(2010) 1913:Carlos 1906:(2009) 1896:(2008) 1886:(2007) 1876:(2006) 1866:(2005) 1856:(2004) 1846:(2003) 1836:(2002) 1826:(2001) 1805:(2000) 1795:(1999) 1785:(1998) 1775:(1997) 1765:(1996) 1755:(1995) 1745:(1994) 1735:(1993) 1725:(1992) 1715:(1991) 1705:(1990) 1695:(1989) 1685:(1988) 1675:(1987) 1665:(1986) 1655:(1985) 1645:(1984) 1635:(1983) 1625:(1982) 1615:(1981) 1612:Pixote 1605:(1980) 1595:(1979) 1585:(1978) 1559:(1968) 1549:(1967) 1539:(1966) 1529:(1965) 1519:(1964) 1509:(1963) 1494:(1961) 1484:(1960) 1474:(1959) 1464:(1958) 1454:(1957) 1444:(1956) 1434:(1955) 1424:(1954) 1414:(1953) 1404:(1952) 1394:(1951) 1384:(1950) 1374:(1949) 1364:(1948) 1361:Paisan 1354:(1947) 1344:(1946) 1329:(1940) 1319:(1939) 1309:(1938) 1299:(1937) 1239:(1974) 1231:(1973) 1223:(1972) 1215:(1970) 1207:(1970) 1199:(1970) 1191:(1968) 1183:(1967) 1175:(1967) 1167:(1966) 1159:(1966) 1151:(1964) 1143:(1963) 1135:(1963) 1127:(1962) 1119:(1962) 1111:(1961) 1103:(1960) 1095:(1958) 1087:(1956) 1079:(1954) 1071:(1953) 1063:(1952) 1055:(1951) 1047:(1948) 1039:(1948) 1031:(1946) 1023:(1945) 1015:(1944) 1007:(1942) 999:(1941) 991:(1940) 983:(1940) 748:26 May 716:  589:Remake 503:Psycho 406:Naples 1933:Amour 1802:Yi Yi 643:1 Jan 570:1955 297:Italy 175:Amato 65:DeepL 1863:2046 892:IMDb 822:2024 776:2015 750:2011 714:ISBN 645:2012 506:and 432:Cast 385:Plot 366:TIME 342:Rome 79:must 77:You 1953:Ida 1652:Ran 901:at 890:at 377:’s 359:of 67:or 53:. 2063:: 2033:EO 1506:8½ 838:. 811:. 793:. 736:. 677:^ 661:. 615:, 512:, 500:, 412:. 1272:e 1265:t 1258:v 959:e 952:t 945:v 932:. 916:. 871:. 848:. 824:. 797:. 778:. 752:. 722:. 671:. 647:. 316:( 275:) 264:) 173:- 169:- 114:. 107:. 20:)

Index

Umberto D
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Vittorio De Sica
Cesare Zavattini
Rizzoli
De Sica
Amato
Carlo Battisti
Maria-Pia Casilio
Lina Gennari
Ileana Simova
Elena Rea
Memmo Carotenuto
G. R. Aldo
Eraldo Da Roma
Alessandro Cicognini
Dear Film
[umˈbɛrtodi]
Italian
neorealist
Vittorio De Sica
Carlo Battisti

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