87:. They borrowed an antique dressing table and rug, made lace curtains and covered the bed with satin and lace to create the effect of a boudoir. They filled the closet with old-looking clothes and veiled hats, and wallpapered the walls to add a feeling of nostalgia. LeCocq sat at the dressing table dressed in a nineteenth-century-style costume as Léa, studiously applying make-up over and over and then removing it, replicating the character’s attempts to save her fading beauty.
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program in the United States. LeCocq received a BA degree from Fresno State
College in 1971. She attended California Institute of the Arts (
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is an
American artist. She is a nationally-known sculptor whose work combines organic materials and found objects.
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Harper, Paula (Summer 1985). "The First
Feminist Art Program: A View from the 1980s".
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LeCocq returned to Fresno State
College where she received an MA degree in 1976.
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A Studio of Their Own: The
Legacies of the Fresno Feminist Experiment
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created a room in
Womanhouse they called “Leah’s Room” from
161:(1 ed.). Fresno, CA: Press@CSUF. pp. 3, 23, 155.
61:) in Valencia, CA in 1972 where she participated in the
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Shapiro, Miriam (Summer 1987). "Recalling
Womanhouse".
211:"Feminist Art in the 1970s: A Lecture by Karen LeCocq"
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41:LeCocq was born in 1949 in
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