197:
77:
36:
384:
In this documentary series Gütschow combines photographic fragments with computer-generated drawings. Z stands for "Zellengefängnis". "Zellengefängnis" is the German translation for a former solitary confinement prison in Berlin. Gütschow has taken photo fragments from this location and processed it
396:
Gütschow takes motifs from contemporary architecture surroundings and transfers them to a parallel perspective with the help of photogrammetry. She uses this historical reference as a tool not only to challenge the viewer's perception but also to negotiate current developments in 3D photography.
348:) Gütschow uses photographic means to reconstruct depictions of landscape in 17th- and 18th-century paintings. With the aid of computer software, she montages scores of image fragments to create photographs that adhere to the compositional principles of the ideal landscape.
360:(city) consists of large black-and-white photographs that are also composed of multiple images. Diverse architectural structures and geographical locations are combined within a single picture. These works clearly reference
642:
Edited by Ray
Fotografieprojekte Frankfurt/RheinMain. Exh. cat. MMK Museum für moderne Kunst Frankfurt am Main, Museum für angewandte Kunst Frankfurt, Forum für Fotografie Frankfurt. Heidelberg and Berlin, 2015,
376:), Gütschow undertakes a critical investigation of advertising photography, composing mundane objects such as a car battery, ergonomic chair, and overhead projector into surrealistic scenes in her studio.
573:
edited by darktaxa-project, the artists, Cologne 2022, pp. 28–29, 38–45, 59, 62–63, 72, 76, 89, 114–118, 131, 143, 168–171, 205–206, 258–259, 260, 276, 318–319, 326–327, 418, 428–432, 434–470, 539, 570,
332:
Gütschow's work explores the relationship between photographic representation and reality. It also investigates how our visual perception is informed and influenced by prior knowledge of other images.
427:
Gütschow uses documentary photography and text to address the issue of the climate crisis. She photographs protests and resistance, while also documenting the damage caused by the climate crisis.
903:
404:
prize awarded by the
Kulturkreis der deutschen Wirtschaft (2006) and the Otto-Dix-Prize/IBM Art Award for New Media, Gera (2001). In 2001 she also held a fellowship at
318:
226:
592:. Edited by Ulrich Pohlmann, Christina Leber, Katharinner Zimmermann, Erec Gellautz, Munich, 2019. Exh. Cat. Stadtmuseum München. Munich, 2019, pp. 20–27.
851:
393:
In her series „HC“ Gütschow deals with the pictorial representation of gardens in medieval and early
Renaissance art. HC stands for Hortus Conclusus.
105:
85:
530:
488:
465:
307:
49:
311:
266:
248:
178:
63:
159:
518:
131:
861:
649:. Edited by Thomas Köhler and Ursula Müller. Exh. cat. Berlinische Galerie Berlin. Tübingen and Berlin, 2015, pp. 194–95.
610:
Edited by
Stephan Barber and Michael Benson. Exh. cat. on the occasion of the Prix Pictet. London, 2017, pp. 73, 106–07.
138:
555:
edited by
Michael Reisch, Barbara J. Scheuermann, Bonn 2023. Exh. Cat. Kunstmuseum Bonn. Bonn, 2023, pp. 108–109, 138–143.
326:
781:
Edited by Martin Engler. Exh. cat. Kestnergesellschaft, Kunstverein
Hannover, Sprengel Museum, Hanover. Ostfildern, 2007.
598:
Pedro
Gadanho, Munich, 2019. Exh. Cat. MAAT – Museum of Art, Architecture and Technology, Lisboa, 2019, pp. 146–149.
898:
514:
893:
145:
522:
109:
101:
762:
Lübbke-Tidow, Maren. "Aufführungen des Glücks und seiner Zerstörung." Kunst-Bulletin (March 2008), pp. 38–44.
209:
127:
219:
213:
205:
90:
361:
94:
888:
629:. Edited by Albert Lutz and Hans von Trotha. Exh. cat. Museum Rietberg Zurich. Cologne, 2016, p. 212.
526:
474:
230:
55:
616:. Edited by Uwe Fleckner and Bettina Steinbrügge. Reader Kunstverein Hamburg. Hamburg, pp. 28–37.
883:
481:
787:
Edited by Sabine
Eckmann. Exh. cat. Mildred Lane Kemper Art Museum, St. Louis, MO. Ostfildern, 2007.
768:
Edited by Lesley A. Martin. Exh. cat. Museum of
Contemporary Photography, Chicago. New York, 2007.
549:
edited by Alex Grein, Beate Gütschow, Susanne
Holschbach, Inga Schneider, Cologne 2023, pp. 12–16.
846:
726:. Exh. cat. Kunsthalle Emden, Kunsthalle der Hypo-Kulturstiftung, Munich. Emden and Munich, 2010.
152:
856:
401:
704:
Gebbers, Anna-Catharina, ed. Exh. Cat. Moderne Kunst Nürnberg. Berlin, 2011. (pp. 15–16)
416:
116:
17:
534:
785:
Reality Bites: Making Avant-garde Art in Post-Wall Germany / Kunst nach dem Mauerfall.
774:
vol. 2. Edited by Harriet Bee and Robert Storr. Exh. cat. 52nd Biennale, Venice, 2007.
877:
868:
807:
Edited by Rei Masuda et al. Exh. cat. The National Museum of Modern Art. Tokyo, 2005.
604:. Edited by Manuela Reissmann. Exh. cat. Kunsthaus Zürich. Zurich, 2017, pp. 85.
586:
Edited by Dana Bergmann, Ralph Goertz, Gregor Jansen, Cologne 2020, pp. 198, 258–259.
837:
Literature about Beate Gütschow in the database of the Deutschen Nationalbibliothek
405:
287:
733:
Exh. cat. Samuel P. Harn Museum of Art, University of Florida. Gainesville, 2010.
723:
805:
Zwischen Wirklichkeit und Bild: Positionen deutscher Fotografie der Gegenwart.
662:. Janser, Daniela, Thomas Seelig and Urs Stahel, ed. Zurich 2013, p. 157.
759:
Edited by Lesley A. Martin. Exh. cat. Haus am Waldsee, Berlin. Cologne, 2008.
619:
Florian Ebner, Anna-Catharina Gebbers, Maren Lübke Tidow, Friedrich Tietjen:
345:
710:
Denaro, Dolores, ed. Exh. cat. CentrePasquArt. Biel, 2010, pp. 84–89.
841:
561:
Edited by Christina Leber, Katrin Thomschke, Heidelberg 2022, pp. 58–65
364:, but at the same time contradict it with their photographic fictions.
322:
291:
559:
Licht ins Dunkel: Wohin entwickelt sich die künstlerische Fotografie?.
708:
Felicità – Freude, Glück und Emotionen in der zeitgenössischen Kunst.
692:
Deichtorhallen Hamburg, ed. Heidelberg Berlin, 2011. (pp. 68–75)
295:
801:
Exh. cat. Staatliche Kunstsammlungen Dresden, 2006, pp. 97–106.
772:
Think with the Senses, Feel with the Mind: Art in the Present Tense,
686:
Arp Museum Bahnhof Rolandseck, ed. Bielefeld. 2011. (pp. 58–61)
411:
Gütschow was one of the urbanites portrayed in the 2009 documentary
794:
Exh. cat. Staatliche Kunstsammlungen Dresden, 2006, pp. 66–96.
716:
Exh. cat. Galerie Rudolfinum. Prague, 2010, pp. 47–52, 96–109.
283:
836:
831:
567:
Edited by Danièle Méaux, Jonathan Tichit, Paris 2022, pp.214–222
746:
Exh. cat. Staatliche Kunstsammlungen Dresden. Ostfildern, 2009.
690:
Veto – Zeitgenössischen Positionen in der deutschen Fotografie.
513:
Works of Beate Gütschow can be found in the collections of the
799:
ars viva 2006/2007: Erzählung/Narration, Galerie Neue Meister.
792:
ars viva 2006/2007: Erzählung/Narration, Galerie Neue Meister.
674:. Kunsthalle Hamburg, ed. Bielefeld, 2012, S. 44- 49, 140–141.
190:
115:
from the article and its talk page, especially if potentially
70:
29:
437:
2024 Widerstand, Flut, Brand, Widerstand. Fotoarsenal, Vienna
714:
Double Fantasy – Jan Jedlička, Michal Šeba, Beate Gütschow.
790:
Amelunxen, Hubertus von. “Die Erzählung vor dem Bild.” In
290:) is a contemporary German artist. She lives and works in
698:
Deutsche Börse AG, ed. Ostfildern, 2011, (pp. 74–77)
553:
Expect the Unexpected. Current Concepts for Photography
317:
She served as guest professor from 2009 to 2010 at the
521:, Kunsthaus Zurich, Pinakothek der Moderne in Munich,
668:. The National Gallery ed. London 2012, pp. 184.
400:
Gütschow has received numerous awards, including the
385:
together with archive material in digital drawings.
678:
Malerei in der Fotografie. Strategien der Aneignung
440:
2019/2020 „LS“ und „S“, Berlinische Galerie, Berlin
533:, Staatlichen Kunstsammlungen Dresden and in the
797:Bischoff, Ulrich. “Gestaltete Landschaften.” In
218:but its sources remain unclear because it lacks
634:Gegenwartskunst 1945 bis Heute im Städel Museum
580:edited by Gregor Hens, Berlin 2021, p. 172–173.
547:PHOTOGRAPHIC MATERIALS. Archives and New Tools,
452:2011 St Paul St Gallery, Auckland, New Zealand
340:In her first series, "LS" (an abbreviation of
810:Gefter, Philip. "The Picnic That Never Was."
654:Landmark. The Fields of Landscape Photography
8:
852:Beate Gütschow at Produzentengalerie Hamburg
666:Seduced By Art: Photography Past and Present
817:Gebbers, Anna-Catharina. "Beate Gütschow."
731:Project Europa: Imagining the (Im)possible.
720:Realismus – Das Abenteuer der Wirklichkeit.
64:Learn how and when to remove these messages
108:about living persons that is unsourced or
267:Learn how and when to remove this message
249:Learn how and when to remove this message
179:Learn how and when to remove this message
904:Oslo National Academy of the Arts alumni
842:Beate Gütschow at Barabara Gross Galerie
740:no. 201 (March–April 2010), pp. 281–282.
684:BELVEDERE – Warum ist Landschaft schön?
660:Concrete – Photography und Architecture
325:. Since 2011 she is a professor at the
847:Beate Gütschow at Eric Franck Fine Art
736:Unruh, Rainer. “Beate Gütschow: ‘I’.”
672:Lost Places – Orte in der Photographie
565:Arts contemporains & anthropocène.
509:Works in public collections (selected)
7:
680:.Städel Museum, ed. Heidelberg 2012.
584:Subjekt und Objekt. Foto Rhein Ruhr,
857:Beate Gütschow at Sonnabend Gallery
596:Fiction and Fabrication. Edited by
531:San Francisco Museum of Modern Art
500:2004 Galerie Barbara Gross, Munich
489:Museum of Contemporary Photography
466:Staatliche Kunstsammlungen Dresden
458:2010 Galerie Barbara Gross, Munich
356:The body of work entitled "S" for
308:University of Fine Arts of Hamburg
25:
312:Oslo National Academy of the Arts
45:This article has multiple issues.
636:. Ostfildern, 2016, p. 335.
571:darktaxa- project no publication
519:Los Angeles County Museum of Art
503:2004 Danziger Projects, New York
497:2005 Produzentengalerie, Hamburg
470:2009 Sonnabend Gallery, New York
461:2010 Produzentengalerie, Hamburg
443:2018 Produzentengalerie, Hamburg
195:
75:
34:
832:Beate Gütschow official website
722:Edited by Christiane Lange and
632:Martin Engler and Max Hollein.
464:2009 Kunsthalle im Lipsiusbau,
53:or discuss these issues on the
814:November 21, 2004, p. 34.
310:from 1993 to 2000, and at the
1:
327:Academy of Media Arts Cologne
821:Nr. 51 (2002), pp. 4–7.
656:. London, 2014, p. 226.
515:Solomon R. Guggenheim Museum
306:Gütschow studied art at the
86:biography of a living person
494:2007 ArtSway, Hampshire, UK
113:must be removed immediately
920:
578:Die Stadt und der Erdkreis
523:Metropolitan Museum of Art
864:The Picnic That Never Was
738:Kunstforum International,
431:Solo exhibitions (select)
751:Photography After Frank.
449:2011 Fotogalleriet, Oslo
204:This article includes a
18:User:Morenewsfromnowhere
455:2011 ph-projecs, Berlin
372:In the series "I" (for
362:documentary photography
233:more precise citations.
766:Beate Gütschow LS / S.
757:Beate Gütschow LS / S.
621:Beate Gütschow: ZISLS.
541:Literature und sources
527:Saint Louis Art Museum
517:, Kunsthalle Hamburg,
446:2017 O+O Depot, Berlin
319:Academy of Visual Arts
100:Please help by adding
777:"Beate Gütschow." In
729:Oliver-Smith, Kerry.
419:and Ciro Cappellari.
819:Artist Kunstmagazin,
106:Contentious material
899:Artists from Berlin
812:The New York Times,
602:Architektur im Bild
475:Kunsthalle Nürnberg
894:Artists from Mainz
744:Beate Gütschow: S.
652:Ewing, William A.
206:list of references
696:XL Photography 4.
623:Heidelberg, 2016.
277:
276:
269:
259:
258:
251:
189:
188:
181:
163:
89:needs additional
68:
16:(Redirected from
911:
779:Made in Germany.
749:Gefter, Philip.
640:Imagine Reality.
614:The History Show
417:Michael Ballhaus
408:in Los Angeles.
272:
265:
254:
247:
243:
240:
234:
229:this article by
220:inline citations
199:
198:
191:
184:
177:
173:
170:
164:
162:
128:"Beate Gütschow"
121:
102:reliable sources
79:
78:
71:
60:
38:
37:
30:
21:
919:
918:
914:
913:
912:
910:
909:
908:
874:
873:
828:
753:New York, 2009.
643:pp. 44–47.
627:Gärten der Welt
543:
511:
506:
482:Haus am Waldsee
433:
425:
391:
382:
370:
354:
338:
304:
273:
262:
261:
260:
255:
244:
238:
235:
224:
210:related reading
200:
196:
185:
174:
168:
165:
122:
120:
99:
80:
76:
39:
35:
28:
23:
22:
15:
12:
11:
5:
917:
915:
907:
906:
901:
896:
891:
886:
876:
875:
872:
871:
859:
854:
849:
844:
839:
834:
827:
826:External links
824:
823:
822:
815:
808:
802:
795:
788:
782:
775:
769:
763:
760:
754:
747:
741:
734:
727:
717:
711:
705:
699:
693:
687:
681:
675:
669:
663:
657:
650:
647:Radikal Modern
644:
637:
630:
624:
617:
611:
605:
599:
593:
587:
581:
575:
568:
562:
556:
550:
542:
539:
535:Staedel Museum
510:
507:
505:
504:
501:
498:
495:
492:
485:
478:
471:
468:
462:
459:
456:
453:
450:
447:
444:
441:
438:
434:
432:
429:
424:
421:
390:
387:
381:
378:
369:
366:
353:
350:
337:
334:
303:
300:
282:(born 1970 in
280:Beate Gütschow
275:
274:
257:
256:
214:external links
203:
201:
194:
187:
186:
110:poorly sourced
83:
81:
74:
69:
43:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
916:
905:
902:
900:
897:
895:
892:
890:
889:Living people
887:
885:
882:
881:
879:
870:
869:Philip Gefter
866:
865:
860:
858:
855:
853:
850:
848:
845:
843:
840:
838:
835:
833:
830:
829:
825:
820:
816:
813:
809:
806:
803:
800:
796:
793:
789:
786:
783:
780:
776:
773:
770:
767:
764:
761:
758:
755:
752:
748:
745:
742:
739:
735:
732:
728:
725:
721:
718:
715:
712:
709:
706:
703:
700:
697:
694:
691:
688:
685:
682:
679:
676:
673:
670:
667:
664:
661:
658:
655:
651:
648:
645:
641:
638:
635:
631:
628:
625:
622:
618:
615:
612:
609:
606:
603:
600:
597:
594:
591:
588:
585:
582:
579:
576:
572:
569:
566:
563:
560:
557:
554:
551:
548:
545:
544:
540:
538:
537:, Frankfurt.
536:
532:
528:
524:
520:
516:
508:
502:
499:
496:
493:
490:
486:
483:
479:
476:
472:
469:
467:
463:
460:
457:
454:
451:
448:
445:
442:
439:
436:
435:
430:
428:
422:
420:
418:
414:
409:
407:
403:
398:
394:
388:
386:
379:
377:
375:
367:
365:
363:
359:
351:
349:
347:
343:
335:
333:
330:
328:
324:
320:
315:
313:
309:
302:Life and work
301:
299:
297:
293:
289:
285:
281:
271:
268:
253:
250:
242:
232:
228:
222:
221:
215:
211:
207:
202:
193:
192:
183:
180:
172:
161:
158:
154:
151:
147:
144:
140:
137:
133:
130: –
129:
125:
124:Find sources:
118:
114:
111:
107:
103:
97:
96:
92:
87:
82:
73:
72:
67:
65:
58:
57:
52:
51:
46:
41:
32:
31:
27:German artist
19:
863:
862:NYT article
818:
811:
804:
798:
791:
784:
778:
771:
765:
756:
750:
743:
737:
730:
719:
713:
707:
701:
695:
689:
683:
677:
671:
665:
659:
653:
646:
639:
633:
626:
620:
613:
607:
601:
595:
589:
583:
577:
570:
564:
558:
552:
546:
512:
426:
412:
410:
406:Villa Aurora
399:
395:
392:
383:
373:
371:
357:
355:
341:
339:
331:
316:
305:
288:West Germany
279:
278:
263:
245:
236:
225:Please help
217:
175:
166:
156:
149:
142:
135:
123:
112:
95:verification
88:
61:
54:
48:
47:Please help
44:
884:1970 births
724:Nils Ohlsen
702:WERT/SACHE.
477:, Nuremberg
231:introducing
878:Categories
590:LAND_SCOPE
342:Landschaft
239:March 2024
169:March 2024
139:newspapers
50:improve it
491:, Chicago
413:In Berlin
389:HC Series
346:landscape
336:LS Series
314:in 1997.
91:citations
56:talk page
484:, Berlin
423:K Series
402:ars viva
380:Z Series
374:Interior
368:I Series
352:S Series
117:libelous
323:Leipzig
292:Cologne
227:improve
153:scholar
608:Space.
296:Berlin
155:
148:
141:
134:
126:
487:2007
480:2008
473:2008
358:Stadt
344:, or
284:Mainz
212:, or
160:JSTOR
146:books
84:This
574:665.
294:and
132:news
93:for
867:by
415:by
321:in
880::
529:,
525:,
329:.
298:.
286:,
216:,
208:,
104:.
59:.
270:)
264:(
252:)
246:(
241:)
237:(
223:.
182:)
176:(
171:)
167:(
157:·
150:·
143:·
136:·
119:.
98:.
66:)
62:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.