332:
345:; some were grouped in entire housing developments, e.g. as council estates. Around 60 designs were related to single-family estates, ranging from modest urban houses to prestigious villas to imposing rural properties. Around 25 projects are categorized as public educational establishments, including crèches, various types of schools or entire compounds known as “colonia escolar”. Around 20 works are related to schooling institutions managed by religious orders, including colegios, gymnasiums or seminars. Constructions serving strictly religious purposes amount to some 35: they range from chapels to monuments, monasteries, churches and even
328:; he is so much associated with the city that some authors name him “el Gaudí de Pamplona”. Most of the remaining constructions are located in Navarre and undertakings beyond his native region are very few. Some 40 of his works were contracted by the Navarrese Diputación Foral, around 15 by the Pamplona town hall, around 30 by other ayuntamientos (mostly in Navarre), and around 30 by religious orders. Among Eusa's private or commercial customers the one which stands out is Caja de Ahorros de Navarra (around 60 projects); further 400 contracts were signed with other business entities, various institutions and numerous private individuals.
563:
653:
367:
414:(1931). Planned on massive scale for the plot of 98,000 sq.m., with numerous wings and internal yards, it was designed as a Pamplona landmark. Its giant cross on the front facade spoke volumes at the time when newly adopted law prohibited presence of religious symbols in public space. Residential multi-apartment buildings at calle García Castañón, chalé de Erroz villa and a tennis club followed (1933). Eusa returned to major projects with schooling establishments in Zudaire and
591:
492:
1919:
307:
430:
277:
202:
574:. He was among the first Spanish architects who realized its flexibility and enormous potential compared to traditional techniques; its usage was symbolically demonstrated by enormous cross at the San Miguel facade. Another preferred material was bricks, especially used jointly with concrete; this combination is thought to be related to influence of the Dutch architectural
559:. Later Eusa's works, dated at the late 1950s and later, are described as constructions marked by functional design and decreasing stylistic features. Apart from the above major categorizations, other style references sporadically applied to his architecture are symbolism, medieval historicism, Dutch neoplasticism, beaux arts, “simplismo” and the neomudejár style.
582:, applied in different and ingenious ways. The result is not only enhanced functionality but also the look of his buildings after dark, e.g. the landmark role of Casino Eslava in the centre of Pamplona, patios and internal yards of Casa de Misericordia, or cross of San Miguel, originally visible for tens of kilometers in the countryside north-east of the city.
349:. There are some 55 sepulchral projects, especially family mausoleums; they include also military pantheons, monuments, crematoria or general cemetery designs. Constructions intended for health and related services are clinics, elderly wards, sanatoria, charity establishments and hospitals (around 20). Some 30 projects designed for travel &
314:
Eusa was professionally active between 1920 and 1973; throughout this period he was engaged in around 560 projects, some 80 to 120 every decade, though his most productive period ranged from the mid-1920s to the early-1950s. Except his juvenile drawings and few designs which for one reason or another
1050:
in the 1920s Eusa was engaged in 83 projects. For the following decades the figures are as follows: 1930s: 128, 1940s: 128, 1950s: 101, 1960s: 104, 1970s: 15, see the list in
Tabuenca González 2016, pp. 435-444. After the early 1950s his work “carece de la creatividad de la época anterior”, Tabuenca
660:
There is little known of Eusa's engagement in
Carlist structures in late 1936 and early 1937; some claim he was co-responsible for arrests carried out in Navarre and decided the fate of detainees. His architectural work ceased almost entirely. The exception was a giant altar, drafted probably in the
644:
the
Navarrese Carlists formed Junta Central Carlista de Guerra de Navarra, their regional wartime executive; within this structure Eusa took seat as the representative of Pamplona. He also entered Inspección de Requeté and Régimen de Gobernación, two sub-bodies of unclear purpose. Starting September
635:
militant. From this moment Eusa underwent political radicalization and some time afterwards joined
Carlist organization in Pamplona and facilitated its operations, e.g. by enabling access to premises in some buildings. According to his own testimony in the spring of 1936 he represented the movement
319:
or minor refurbishments of existing buildings. He delivered most of the projects as independent, contracted-out architect. However, during two spells he worked as self-governmental employee. In 1937-1941 Eusa acted as provisional municipal architect of the city of
Pamplona; in 1945-1962 he held the
284:
In 1929 and when already a known architect, Eusa married a girl from
Pamplona, Florencia Eugui Garro (1906-2009). She was descendant to another local bourgeoisie family. Her father ran a sugar mill in the Cuatro Vientos district and later developed it into the alcohol and vinegar business; he also
50:
630:
During works on Casa de
Misericordia Eusa frequently interfaced with its administrator, Blas Inza Cabasés, a Carlist militant. Historians speculate that it was because of him that Eusa started to approach Carlism. The decisive moment was assassination of his friend and fellow architect Ezequiel
357:
or tourist shelters. Administrative and other institutional projects include municipal houses, town halls and exposition halls (around 15). Contracts with banks and other financial institutions amount to around 75, from headquarters of major insurance or bank companies to branch offices. Other
551:, the Eslava casino and above all, the San Miguel seminary. Afterwards and well into the late 1930s Eusa underwent a “rationalist evolution”, demonstrated by utilitarian turn to residential buildings in the Pamplonese II Ensanche and in the San Juan clinic. In the 1940s this phase gave way to
386:
was the first monumental, multi-volume establishment, designed with no restraints related to size. It included a number of in-built facilities, like a large chapel (1927). Residential villa for
Eguinoa brothers demonstrated ingenuity embodied in mid-size construction (1928). Eusa returned to
681:
lost his job and as temporary stopgap measure, Eusa was appointed “arquitecto municipal interino”. From this moment onwards there is no information available on any further Eusa's engagements in
Carlist structures, though Carlist connections were related to his further professional career.
221:. Also his grandfather, Martín José Eusa Ardaiz, was the native of Alzuza, but in the mid-19th century he settled in Pamplona. Víctor's father, Salustiano Eusa Goñi (1852-1919) was born already in the Navarrese capital; in 1889 he married Tomasa Razquin Ijurco (1862-1958) from
526:
quoted as the key sample. The following phase is by some categorized as regionalism, exemplified by villas in II Ensanche. Others also admit brief regionalist leaning, but categorize it as “episodes” falling on the early 1930s and prefer to quote colonias escolares in
546:
The late 1920s and the early 1930s produced full esthetic maturity embodied in the trademark Eusa's style of art déco, at times referred to as “déco expressionism” or simply as “expresionismo”. Its best achievements are the Paules convent, the
Escolapios college, the
293:
and had 4 children, born between 1930 and 1940: Carmen, María Jesús, Isabel and Miguel Angel Eusa Eugui. None of them became a public figure. Neither Víctor's grandchildren are known nationally, though Reyes Marquiegui Eusa tried her hand as translator of
2135:
233:. Over time he grew to wealth; while in the early 1880s there were no possessions registered against his name, in the 1910s he was known as “rico propietario”, categorized as member of “clases pasivas” and ranked 44. on the list of key
358:
commercial projects cover bars, workshops, garages, service stations, retail or service premises (around 20). Finally, general urban projects include parks, gardens, bus stations, plazas, viewpoints, monuments, a tunnel and a bridge.
248:
school, later to enter Instituto General y Técnico de Pamplona. Reportedly from early childhood he demonstrated a gift for drawing, and in his teens he developed interest in design and architecture. In 1911 or 1912 Víctor moved to
1800:
in his unedited manusctript, written in 1967, Eusa wrote: „marcada francamente la situación de cada uno, intervengo como Enlace con el General Mola en la preparación del Movimiento”, referred after Tabuenca González 2016, p.
626:
authorities, which decided to re-run the entire Pamplonese election process. The right-wing coalition was rebuilt as “candidatura católico-fuerista”, but for reasons which are not clear, Eusa was not on the list.
422:, designed with adjacent church. (1933). A group of twelve 5-storey buildings hosting 400 flats is his most notable work in large-scale urbanistic design (1933). The last project completed before the war was the
2145:
1912:; Eusa signed over 50 contracts with Caja. Eusa's appointment to Navarrese arquitecto provincial was related to influence of conde de Rodezno, former Carlist leader in the region, Tabuenca González 2016, p. 179
463:, a monumental construction which jointly with re-arrangement of the quarter was intended as Pamplona's landmark. Following a number of refurbishment projects new masterpiece works were Casa Consistorial in
289:. The marriage proved to be lasting and happy; Florencia was ingenious and resourceful, which allowed Víctor to focus on architecture. The couple lived in the Eusa family house at the central Pamplonese
535:(1933), works classified by others rather as marked by “romanticismo”. The mid-1920s is viewed as the period of prevailing secessionist influence of the Vienna branch, marking the Immaculada convent,
1727:
his father administered estates of the local Liberal politician, while his father-in-law served as councilor in the Pamplona town hall elected on the liberal ticket, Tabuenca González 2016, p. 141
555:, marked by parks, gardens, cemeteries and other public zones, including monuments. This is also when Eusa embraced classicism or “estilo clásico nacional”; its most powerful demonstration is
483:(1951). A number of other lesser projects followed, e.g. numerous multi-dwellings, refurbishments or branch offices. Some monumental designs, like Ego Sum Veritas church, remained on paper.
578:. Steel is used mostly for decorative and auxiliary roles, like railings and bannisters. In terms of interior design scholars note that Eusa was among architects who mastered
1857:
640:, though documents do not confirm this. He might have also left some of his personal assets, among them a car, at the disposal of the plotters. During first days of the
543:
bridge. A competitive approach places the Alcoy construction within the current defined as “French rationalism”, as demonstrated also by the Paulist college and church.
258:
183:
styles. His best known works are the San Miguel seminary and the Piarist college, both in Pamplona. In the mid-1930s he was engaged in politics and held a seat in the
391:(1928). Colegio de los PP. Escolapios, a 3-storey enormous multi-wing building, was Eusa's most ambitious project so far and is one of his most iconic works (1928).
618:, liberal and independent candidates; Eusa was among the independents. The list proved hugely successful and Eusa was easily voted into the town hall. However,
1230:
the Vasco Navarra project adhered to the holistic Gesamtkunstwerk concept and included also interior design down to minor detail Tabuenca González 2016, p. 47
719:
Víctor great-great-great-great grandfather was Carlos Eusa, his great-great-great- grandfather was Miguel Eusa Elain; in 1728 he married Graciosa Errea Ecay,
315:
remained on paper, almost all were completed as finished constructions; they ranged from massive buildings or entire living quarters to sepulchral family
677:; details of the position he took are not clear. In May 1937 the new Pamplona ayuntamiento performed purges among its employees; the municipal architect
2120:
2090:
447:(1938). Religious projects of Convento de las Esclavas and Colegio de Sagrado Corazón (1939) are compact compared to earlier projects. Mausoleum to
670:
331:
244:
of the late 19th century, tending to conservative outlook, adhering to traditional values, and profoundly Catholic. He initially frequented the
240:
Víctor was born as the only son; he had two sisters, an older and a younger one. They were raised in a family considered typical for Pamplonese
999:
in 1973, when Eusa found i difficult to climb the stairs, the couple moved to an elevator-equipped house at Plaza del Vínculo, Ion Stegmeier,
548:
1853:
2105:
190:
2155:
2130:
674:
388:
335:
1410:
the original design was centred upon an 83-metre-high tower, which would make it the highest point in the city, Javier Rodrigo,
556:
460:
2115:
673:. It is known that in the spring of 1937 Eusa was taking part in sittings of the Navarrese junta when discussing the threat of
1909:
602:, though he was brought up in the conservative, Catholic family. Until mid-age he was not active in politics. However, during
225:. Eusa Goñi worked as administrator of estates, held by local landholders and aristocrats; his customers were e.g. the former
2100:
378:(1924). Along few large residential villas the same year Eusa produced the plan of the Hijas de María Immaculada monastery.
739:
Víctor's great-great-grandfather was Francisco Eusa Errea; in 1780 he married Maria Josepha Ardanaz Azacarate from Alzuza,
2125:
603:
346:
536:
2150:
2140:
2095:
519:
410:
The first project of the Republican era was perhaps Eusa's most important work, usually listed first among his designs:
392:
522:. His early designs are referred to as eclecticism or historicist eclecticism, with interior of Casino Gran Kursaal in
375:
1821:
El carlismo en la guerra del 36. La formación de un cuasi-estado nacional-corporativo y foral en la zona vasco-navarra
148:
849:
808:
788:
768:
748:
728:
562:
383:
321:
652:
160:
2062:
1952:
The intervention of Victor Eusa in the 2nd Ensanche of Pamplona: the artistic transformation of a technical model
641:
503:
325:
164:
423:
266:
479:, a 10-storey corner building (1949). Eusa's last major work is Colegio Santa María la Real, contracted by the
476:
156:
143:, which hosts numerous prestigious and monumental buildings he designed. Eusa is best known for his version of
400:
1275:
the Eguinoa brothers residence is currently known as chalé de la Mutua (1928), Tabuenca González 2016, p. 61
623:
448:
366:
254:
799:
she was daughter to Jose Francisco Razquin and Braulia Vicenta Yjurjo Adrian from Lizarraga de Ergoyena,
607:
440:
1008:
930:
611:
2165:
2160:
979:
455:, was built 3 years later with major changes introduced (1940). In 1940-1941 Eusa joined forces with
433:
411:
286:
270:
210:
1749:
456:
49:
2017:
Creatividad viva: Del expresionismo poético de Víctor Eusa al rigor constructivo de Moneo y Mangado
599:
571:
404:
342:
295:
262:
1338:
Javier Dronda Martínez, Con Cristo o contra Cristo, Tafalla 2013, ISBN 9788415313311, pp. 274-275
959:
819:
e.g. individuals which did not perform any specific job and lived off what they already possessed
759:
Víctor's great-grandfather was Pedro Miguel Eusa Ardanaz; he married Maria Andres Ardaiz Roncal,
619:
217:
foothills. Víctor's great-great-grandfather and great-grandfather originated from the village of
1582:
La basílica del Puy de Víctor Eusa, una obra en el legado religioso de O. Bartning y de D. Böhm
2110:
615:
606:
he joined a local coalition list named “candidatura antirrevolucionaria”. It was dominated by
579:
187:
514:; some add his direct master, Anasagasti. Later on he absorbed styles advanced by the Vienna
230:
1879:
El Carlismo, la República y la Guerra Civil (1936-1937). De la conspiración a la unificación
666:
379:
350:
180:
172:
1104:
his works divided according to geographical location in Tabuenca González 2016, pp. 447-455
622:
lodged a protest claiming irregularities. The claim was examined already by the makeshift,
590:
491:
1938:
Emigración, urbanismo y arquitectura en Huarte: la familia Ros, Villa Teresa y Víctor Eusa
515:
468:
407:, with meticulously designed interior, was Eusa's last major work of the monarchy (1931).
396:
152:
2071:
290:
257:, required before commencing dedicated architectural studies. In 1914 he was admitted to
1918:
341:
Present-day historian divides Eusa's works into 13 categories. Some 65 projects covered
306:
678:
662:
429:
176:
129:
91:
1432:
it is Yárnoz currently considered the principal author, Tabuenca González 2016, p. 175
2084:
507:
354:
298:. The Eusa branch is likely to extinguish; Víctor's son has only female descendancy.
324:. Around 320 of his projects are related to Pamplona, many in the district known as
1908:
e.g. the business manager of Caja de Ahorros in Navarre was the Carlist politician
1113:
his works divided according to customer type in Tabuenca González 2016, pp. 471-480
779:
Víctor's grandfather Martin Josef Eusa Ardaiz in 1845 married Maria Goni Esquiroz,
637:
532:
415:
20:
1707:
374:
Chronologically the first major project was headquarters of the insurance company
1239:
e.g. for Rafael Aizpún and Sebastián Goicoechea, Tabuenca González 2016, p. 47-48
511:
241:
168:
144:
276:
201:
646:
480:
575:
316:
234:
132:
1441:
some were targeting his own earlier works, like the Vasco Navarra building
696:
691:
552:
523:
452:
444:
399:
turned an essay in geometry (1929), while residential multi-dwellings at
214:
140:
67:
261:. The curriculum lasted 6 years; throughout this period, his master was
1615:
Tabuenca González 2016, pp. 139-167, Caballero Lobera 2016, pp. 239-290
860:
María Dolores Eusa Razquin did not marry, Tabuenca González 2016, p. 19
701:
528:
419:
245:
222:
184:
136:
117:
24:
2136:
Spanish military personnel of the Spanish Civil War (National faction)
502:
During his formative years Eusa was influenced by 3 grand architects:
439:
First arrangements of the Francoist period are exercises in urbanism:
265:. Eusa graduated in 1920, together with other later known architects
250:
218:
651:
589:
561:
540:
495:
490:
472:
464:
403:
marked his urbanistic capacity (1930). A 7-storey edifice hosting
365:
305:
275:
226:
200:
632:
661:
fall of 1936; the construction was to be erected at the Madrid
598:
Eusa's ancestors and distant relatives were loosely related to
382:
in Alcoy turned out to be the only bridge he designed (1926).
273:. He then returned to Navarre seeking first design contracts.
1846:
Presentación del libro sobre simbología franquista en Navarra
387:
religious theme with the church of Padres Paúles, known as
2146:
Spanish people of the Spanish Civil War (National faction)
1787:
Pablo Larraz Andía, Víctor Sierra-Sesúmaga Ariznabarreta,
1657:
Arquitectura contemporánea en Navarra. Hitos e influencias
1970:
Primer arquitectura moderna en y de Navarra (1900-1950)
570:
In terms of materials Eusa is considered the master of
475:(1949), and the headquarters of the insurance company
213:, a Navarrese community near Pamplona, already at the
1958:, Valencia 2017, ISBN 9788490485743, pp. 881–889
253:. During first few years he was attending courses at
426:, another complex, large scale construction (1935).
209:
The Eusa family has been for generations related to
113:
105:
97:
87:
75:
56:
40:
1956:24th ISUF International Conference. Book of Papers
1060:entire list in Tabuenca González 2016, pp. 435-444
1412:Fascist Italy in the Spanish Civil War, 1936-1939
1940:, Huarte 2005, ISBN 8492278757, pp. 215–260
443:(1937), Plaza de la Cruz, war cemetery and the
229:of Pamplona José Javier Colmenares Vidarte and
31: and the second or maternal family name is
1856:. So far, calle Victor Eusa still exists, see
418:(1933), and then with crèche of San Manuel in
353:cover hotels, casinos, cinemas, tennis clubs,
1945:Arquitectura española de la segunda república
649:as jefe técnico of 1. compañía de zapadores.
8:
1963:Víctor Eusa – arquitécto: Pamplona 1894-1990
1934:Construcción de Villa Teresa por Víctor Eusa
1479:Víctor Eusa – arquitécto: Pamplona 1894-1990
1646:, Zaragoza 2012, ISBN 9781365219160, p. 175
48:
37:
1791:, Madrid 2011, ISBN 9788499700465, p. 812
1414:, London 2021, ISBN 9781000378054, p. 203
320:post of official provincial architect of
1917:
1881:, Madrid 1996, ISBN 9788487863523, p. 64
428:
330:
952:La azucarera de Eugui en Iruña/Pamplona
712:
645:he was also formally incorporated into
167:periods, with occasional references to
1877:Juan Carlos Peñas Bernaldo de Quirós,
675:forced amalgamation into a state party
665:plaza, as the city was expected to be
1789:Requetés: de las trincheras al olvido
7:
1580:details in Andrés Caballero Lobera,
285:served as councilor in the Pamplona
1769:Tabuenca González 2016, pp. 141-142
1718:Tabuenca González 2016, pp. 205-207
1606:Tabuenca González 2016, pp. 105-135
1423:Tabuenca González 2016, pp. 157-166
1392:Tabuenca González 2016, pp. 141-145
1383:Tabuenca González 2016, pp. 115-118
1374:Tabuenca González 2016, pp. 114-115
1365:Tabuenca González 2016, pp. 111-113
1356:Tabuenca González 2016, pp. 123-127
1347:Tabuenca González 2016, pp. 109-111
1212:Tabuenca González 2016, pp. 466-467
1203:Tabuenca González 2016, pp. 465-466
1167:Tabuenca González 2016, pp. 463-464
1158:Tabuenca González 2016, pp. 462-463
1140:Tabuenca González 2016, pp. 461-461
1131:Tabuenca González 2016, pp. 460-461
1122:Tabuenca González 2016, pp. 459-460
631:Lorca, who in 1934 was killed by a
518:, the Paris art deco and the Dutch
147:style, though he went also through
1672:Tabuenca González 2016, pp. 65, 93
1633:Caballero Lobera 2016, pp. 157-188
1571:Caballero Lobera 2016, pp. 189-237
1535:Caballero Lobera 2016, pp. 115-156
1526:Tabuenca González 2016, p. 123-127
1329:Tabuenca González 2016, pp. 91-101
1185:Tabuenca González 2016, p. 464-465
393:Basilica of Nuestra Señora del Puy
343:multi-family residential buildings
14:
2021:Revista del Ministerio de Fomento
1553:Caballero Lobera 2016, pp. 97-114
1544:Tabuenca González 2016, pp. 39-59
1320:Tabuenca González 2016, pp. 79-91
1311:Tabuenca González 2016, pp. 69-71
1302:Tabuenca González 2016, pp. 75-77
1293:Tabuenca González 2016, pp. 65-67
1266:Tabuenca González 2016, pp. 53-58
1257:Tabuenca González 2016, pp. 49-51
1032:, Madrid 2013, ISBN 9788487045325
412:Seminario Conciliar de San Miguel
1644:Zaragoza. Arquitectura. Siglo XX
1517:Caballero Lobera 2016, pp. 83-96
1499:Caballero Lobera 2016, pp. 67-81
1284:Tabuenca González 2016, p. 61-63
336:Church of La Milagrosa, Pamplona
259:Escuela Superior de Arquitectura
2121:Spanish neoclassical architects
2091:20th-century Spanish architects
1997:Jesus Leache, Victor Tabuenca,
1481:, San Sebastián 2016, pp. 29-66
1176:Tabuenca González 2016, pp. 464
139:; he left his personal mark on
135:, active almost exclusively in
2050:La arquitectura de Víctor Eusa
2039:La arquitectura de Víctor Eusa
2028:La arquitectura de Víctor Eusa
1899:Tabuenca González 2016, p. 143
1868:Tabuenca González 2016, p. 143
1836:Tabuenca González 2016, p. 143
1810:Tabuenca González 2016, p. 141
1778:Tabuenca González 2016, p. 141
1760:Tabuenca González 2016, p. 141
1736:Tabuenca González 2016, p. 139
1681:Tabuenca González 2016, p. 201
1624:Tabuenca González 2016, p. 177
1562:Tabuenca González 2016, pp. 61
1468:Tabuenca González 2016, p. 186
1459:Tabuenca González 2016, p. 185
1450:Tabuenca González 2016, p. 183
1401:Tabuenca González 2016, p. 155
1221:Tabuenca González 2016, p. 467
1194:Tabuenca González 2016, p. 465
1149:Tabuenca González 2016, p. 462
869:Tabuenca González 2016, p. 139
830:La arquitectura de Víctor Eusa
656:Eusa in Junta Central Carlista
1:
2065:Eusko Aunamendi Entziklopedia
1936:, José Javier Azanza López,
1690:Tabuenca González 2016, p. 75
1597:Tabuenca González 2016, p. 61
1508:Tabuenca González 2016, p. 19
1490:Tabuenca González 2016, p. 23
1248:Tabuenca González 2016, p. 49
1019:Tabuenca González 2016, p. 73
1001:Los personajes de Víctor Eusa
990:Tabuenca González 2016, p. 73
941:Tabuenca González 2016, p. 71
913:Tabuenca González 2016, p. 29
904:Tabuenca González 2016, p. 23
895:Tabuenca González 2016, p. 21
636:during conspiracy talks with
604:local elections of April 1931
2074:Real Academia de la Historia
2048:Fernando Tabuenca González,
2023:509 (2002), pp. 190–195
1852:service 26.02.16, available
1655:Mariano González Presencio,
958:service 22.01.21, available
828:Fernando Tabuenca González,
79:1990 (aged 95–96)
23:, the first or paternal
2012:90-91 (1973), pp. 2–37
1890:Peñas Bernaldo 1996, p. 267
950:Víctor Manuel Egia Astiba,
322:Diputación Foral de Navarra
2182:
2032:Composición Arquitectónica
1932:José Javier Azanza López,
1078:Eusa Eugui 2016, pp. 32-33
424:Clinic of San Juan de Dios
205:with graduation colleagues
18:
2045:31 (1999), pp. 26–35
2004:José Ignacio Linazasoro,
1994:137 (1970), pp. 2–23
1961:Andrés Caballero Lopera,
1950:Andres Caballero Lopera,
1477:Andrés Caballero Lobera,
1089:Eusa el Gaudí de Pamplona
586:Politics: Carlist episode
47:
2106:Expressionist architects
1983:68 (1971), pp. 6–30
1819:Javier Ugarte Tellería,
761:Martin Josef Eusa Ardaiz
741:Pedro Miguel Eusa Ardaiz
2156:Spanish Roman Catholics
2131:Spanish anti-communists
2034:4 (1989), pp. 1–12
1975:Juan Daniel Fullaondo,
884:Víctor Eusa. Arquitecto
449:fallen Italian soldiers
401:Plaza Príncipe de Viana
2116:Historicist architects
1999:Victor Eusa arquitecto
1988:La obra de Víctor Eusa
1923:
1922:Aurora office building
1910:José Martínez Berasaín
1825:Historia contemporánea
1642:Jesús Martínez Verón,
1069:Eusa Eugui 2016, p. 32
886:, Pamplona 2009, p. 31
657:
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557:Monumento a los Caidos
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2101:Beaux Arts architects
2015:Raquel Santos Calpe,
1921:
1051:González 2016, p. 187
1028:see Leigh Sauerwein,
923:Florencia Eugui Garro
801:Tomasa Razquin Ijurco
655:
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487:Styles and techniques
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2126:People from Pamplona
1965:, San Sebastián 2016
1748:14.04.31, available
1588:21 (2016), pp. 73-78
1007:08.10.10, available
978:01.11.13, available
781:Salustiano Eusa Goñi
727:service, available
537:Casa de Misericordia
441:Parque de Media Luna
384:Casa de Misericordia
271:Manuel Sanchez Arcas
2151:Spanish politicians
2141:Spanish monarchists
2096:Art Deco architects
2037:Fernando Tabuenca,
2026:Fernando Tabuenca,
1986:Francisco de Inza,
1706:service, available
1095:7 (2010), pp. 78-82
972:El mausoleo de Eusa
878:Miguel Angel Eusa,
848:service, available
842:Felisa Eusa Razquin
832:, Marid 2016, p. 20
807:service, available
787:service, available
767:service, available
747:service, available
620:Basque nationalists
572:reinforced concrete
434:San Miguel seminary
380:Puente de San Jorge
296:juvenile literature
255:Universidad Central
126:Víctor Eusa Razquin
61:Víctor Eusa Razquin
42:Víctor Eusa Razquin
1924:
929:srvice, available
658:
614:current, with few
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263:Teodoro Anasagasti
231:Condesa de Ripalda
207:
128:(1894–1990) was a
1663:76 (2015), p. 235
1661:Príncipe de Viana
1005:Diario de Navarra
976:Diario de Navarra
721:Miguel Eusa Elain
580:electric lighting
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16:Spanish architect
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1947:, Barcelona 1970
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520:Amsterdam school
445:Taconera gardens
376:La Vasco Navarra
351:leisure industry
326:Segundo Ensanche
302:Works (overview)
197:Family and youth
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2001:, Pamplona 1989
1972:, Pamplona 2009
1943:Oriol Bohigas,
1929:
1927:Further reading
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566:Casa Goicoechea
549:El Puy basilica
489:
469:Coliseo theatre
370:Piarist college
364:
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267:José de Azpiroz
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21:Spanish name
2166:1990 deaths
2161:1894 births
2010:Nueva Forma
2006:Víctor Eusa
1981:Nueva Forma
1977:Víctor Eusa
1700:Víctor Eusa
1093:Revista NAV
457:José Yárnoz
362:Major works
242:bourgeoisie
177:neo-mudejár
169:historicism
157:rationalist
153:regionalist
88:Nationality
2085:Categories
1850:Plazaberri
667:soon taken
624:republican
600:liberalism
481:Marianists
459:to design
347:hermitages
317:mausoleums
173:beaux arts
98:Occupation
1704:Urbipedia
1586:En Blanco
956:Ondaregia
708:Footnotes
633:socialist
616:Integrist
610:from the
576:modernism
516:secession
498:town hall
287:town hall
235:taxpayers
191:executive
179:or Dutch
133:architect
109:architect
101:architect
2111:Carlists
2072:Eusa at
2063:Eusa at
1702:entry,
925:entry,
880:Mi padre
844:entry,
803:entry,
783:entry,
763:entry,
743:entry,
723:entry,
697:Pamplona
692:Art Deco
686:See also
612:Jaimista
553:urbanism
524:Donostia
453:Zaragoza
215:Pyrenean
149:eclectic
145:art déco
141:Pamplona
68:Pamplona
19:In this
2076:service
2067:service
702:Carlism
669:by the
647:requeté
539:or the
529:Zudaire
420:Tafalla
397:Estella
280:wedding
246:Piarist
223:Arruazu
188:wartime
185:Carlist
137:Navarre
130:Spanish
118:Carlism
92:Spanish
70:, Spain
33:Razquin
25:surname
1746:El Sol
970:A.O.,
512:Wagner
508:Guadet
504:Durand
477:Aurora
251:Madrid
219:Alzuza
1030:Itché
541:Alcoy
496:Olite
473:Eibar
465:Olite
227:mayor
1858:here
1854:here
1750:here
1708:here
1009:here
980:here
960:here
931:here
927:Geni
850:here
809:here
789:here
769:here
749:here
729:here
642:coup
531:and
510:and
269:and
163:and
76:Died
64:1894
57:Born
29:Eusa
2041:,
2030:,
2019:,
2008:,
1990:,
1979:,
1954:,
1848:,
1823:,
1801:141
1659:,
1584:,
1091:,
1003:,
974:,
954:,
882:,
471:in
395:in
27:is
2087::
506:,
175:,
171:,
159:,
155:,
151:,
35:.
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