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Velvet (film)

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noted; "The biggest drawback of the pilot was that the physical stunts performed by the four athletic women seemed too obviously the work of stunt people." Bok continued, " had the usual liberal dollops of slickness and posh locations that Aaron Spelling is noted fo...the Spelling veneer always
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working undercover as aerobics instructors at a global aerobic center franchise. Their disguise is in order to entrap a group of criminals that have kidnapped a defensive specialist and his son. They aim to prevent the sale of the abducted father and his son to the highest bidder.
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presented women as far more tough than did shows of the past.” Nevertheless, it was still tainted by the unrealistic depiction of picture perfect women that were tough, but also still had overly exaggerated stereotypical obsession with themselves:
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Ernest Callenbach compared screenwriter Ned Wynn's work was compared positively to his successful father: "surprisingly well written: affluence, the sixties, drugs, sex, alcoholism like his father’s, done with wry humor now well in control."
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which ran from 1969 to 1975. It encouraged the saga of movies that were named 'made-for-television.' These films typically had significantly lower budgets than
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screenplay aimed to further relay the idea of tough female characters in an action genre, with less emphasis on the stereotypes of self-obsessed women.
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erred a suggestive tone: "The music on the soundtrack…tells us that tampering with the national defense may not be nice, but sexism is unforgiveable."
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is a show that focuses on beautiful women who are more interested in wearing designer clothes than in solving crimes.”
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films, however notable directors and producers often jumped aboard these projects to boost their appeal. Filmmaker
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Callenbach, Ernest (1991). "We Will Always Live in Beverly Hills: Growing up Crazy in Hollywood by Ned Wynn".
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suggests a fighting chance to get at least a moderate audience reaction, but in this instance, ABC passed on
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a beautiful, secret government agent tasked to camouflage herself as an aerobics instructor.
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after mostly a modelling-based career. Her success as a model assisted in her casting in
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The film portrays a team of unlikely female secret agents as they disguise themselves as
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in the early part of the 1980s. Shortly after, she was cast as one of the lead roles in
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introduced a new idea of characterization for female characters with independence: “
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which translates to ‘Women like Velvet and Steel.’ In French, it is referred to as
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As Velvet took upon inspiration from the unique independent portrayal of women in
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in the United States. It was later released in Germany on November 11, 1995 as
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which translates to 'Charming Spies.' Also released in Spanish, it was named
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The original running time was 100 minutes. Much of the film was shot at the
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is almost interesting here; it is showing us the ideal American woman."
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Corry, John (1984). "TV Review; ABC's 'Velvet', Aerobics and Spying".
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initially premiered in English on August 27, 1984 in color for the
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Tough Girls: Women Warriors and Wonder Women in Popular Culture
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NorthStar Travel Media (1984). "The Westin Bonaventure".
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The casting decisions made reflected the common theme in
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Bok (September 5, 1984). "Television Reviews: Velvet".
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in 1984. It followed the weekly anthology series of
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Unsourced material may be challenged and 635:' career debuted daytime television series 53:Learn how and when to remove these messages 1176: 1162: 1154: 252: 241: 2974:Films directed by Richard Lang (director) 752:Learn how and when to remove this message 230:Learn how and when to remove this message 212:Learn how and when to remove this message 150:Learn how and when to remove this message 680:of very attractive female protagonists. 651:joined the cast after her 1982 debut in 945: 669:was cast after winning beauty contest 455:The screenplay was written by Ned Wynn 7: 2727:Back to the Streets of San Francisco 1032: 1030: 996: 994: 992: 990: 988: 973:Anonymous (2017). 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Ned Wynn
Richard Lang
Leah Ayres
Shari Belafonte
Mary-Margaret Humes
Sheree J. Wilson
Dominic Frontiere
Douglas S. Cramer
Aaron Spelling

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