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Carnival of Venice

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638: 619: 548: 210: 894: 872: 57: 591: 1068:. He is meant to be a type of "noble savage", devoid of reason and full of emotion, a peasant, a servant, even a slave. His originally wooden and later leather half-mask painted black depicts him as having a short, blunt, ape-like nose, a set of wide, round, arching eyebrows, a rounded beard, and always a "bump" upon his forehead meant to signify a devil's horn. He is a theatrical counterpoint to and often servant of Pantalone, and the two characters often appeared together on the stage. 1800: 2325: 458: 665: 2311: 809: 1052: 1083: 770:(also known as Columbine) is a half-mask, only covering the wearer's eyes, nose, and upper cheeks. It is often highly decorated with gold, silver, crystals, and feathers. It is held up to the face by a baton or is tied with ribbon as with most other Venetian masks. The Colombina mask is named after a stock character in the 1096:
class of characters is another classic of the stage. Theirs is a half mask in leather, presenting themselves with low forehead, bulging eyebrows and a long nose with a reverse curve towards the end. It is said that the longer the nose, the more stupid the character. The low forehead is also seen as a
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who followed De Lorme's example wore the usual black hat and long black cloak as well as the mask, white gloves and a staff (so as to be able to move patients without having to come into physical contact with them). They hoped these precautions would prevent them contracting the disease. The mask was
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perfume, and tossed by young men at their friends or at young women they admired. However, in some cases, the eggs were filled with ink or other damaging substances. Gambling in public was normally illegal, except during Carnival; the Great Council document decrees that masked persons were forbidden
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victims. The mask is often white, consisting of a hollow beak and round eyeholes covered with crystal discs, creating a bespectacled effect. Its use as a Carnival mask is entirely a modern convention, and today these masks are often much more decorative. Although the mask and costume is worn almost
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who was an adored part of the Italian theatre for generations. It is said it was designed for an actress because she did not wish to have her beautiful face covered completely. In fact, the Colombina is entirely a modern creation. There are no historic paintings depicting its use on the stage or in
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After a long absence, the Carnival returned in 1979. The Italian government decided to bring back the history and culture of Venice and sought to use the traditional Carnival as the centrepiece of its efforts. The redevelopment of the masks began as the pursuit of some Venetian college students for
820:("The Plague Doctor" in English), with its long beak, is one of the most bizarre and recognizable of the Venetian masks, although it did not start out as Carnival mask at all but as a method of preventing the spread of disease. The striking design originates from 17th-century French physician 527:
and are hand-painted, using natural feathers and gems to decorate. However, this makes them rather expensive when compared to the widespread, low-quality masks produced abroad. This competition accelerates the decline of this historical craftsmanship particular to the city of Venice.
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mask invented in France in the 16th century, but differed in not having a hole to speak through. The mask was only just large enough to conceal a woman's identity and was held in place by the wearer biting on a button or bit (the women wearing this mask were unable to speak, hence
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had become a standardized society mask and disguise regulated by the Venetian government. It was obligatory to wear it at certain political decision-making events when all citizens were required to act anonymously as peers. Only citizens (i.e., men) had the right to use the
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Venetian masks can be made of leather or porcelain, or by using the original glass technique. The original masks were rather simple in design, decoration, and often had a symbolic and practical function. Nowadays, most Italian masks are made with the application of
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There is less evidence explaining the motive for the earliest mask being worn in Venice. One scholar argues that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. During Carnival, the
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Near the end of the Republic, the wearing of the masks in daily life was severely restricted. By the 18th century, it was limited only to about three months from December 26. The masks were traditionally worn with decorative beads matching in colour.
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Carnival preserved the prestigious image of Venice in the world. It was very famous during the 18th century. It encouraged licence and pleasure, but it was also used to protect Venetians from present and future anguish. However, under the rule of the
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practiced at that time: the hollow beak allowed for the containment of flowers and other sweet-smelling substances designed to keep away the foul odors that were thought to spread infection. Those who wear the plague doctor mask often also wear the
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referencing the conquests of Venice and the origin of this character, is usually represented as a sad old man with an oversized nose like the beak of a crow with high brows and slanted eyes (meant to signify intelligence on the stage). Like other
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covers the entire face of the wearer, including the whole of the chin. Unlike a typical mask, it also extends farther back to just before the ears and upwards to the top of the forehead; also unlike the
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The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The Great Council made it a crime for masked people to throw scented eggs. These
970:("ghost" in English) is the iconic modern Venetian mask: it is often made of stark white porcelain or thick plastic, although also frequently gilded and decorated, and is commonly worn with a 2366: 744: 1343: 571:
Another law in 1339 forbade Venetians from wearing vulgar disguises and visiting convents while masked. The law also prohibited painting one's face, or wearing false beards or wigs.
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belonged to the fringe of painters and were helped in their task by sign-painters who drew faces onto plaster in a range of different shapes and paying extreme attention to detail.
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at the modern festival, it is typically worn with a headdress, scarf, veil, another mask, or a combination of all four. It is secured in the back with a ribbon. Unlike the
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the tourist trade. Since then, approximately 3 million visitors have been coming to Venice every year for the Carnival. One of the most important events is the contest for
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exclusively by males, the enhancement in decoration also suggests that women are now more probably to wear the mask and costume than in previous years at the Carnival.
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Ignatio Toscani: Die venezianische Gesellschaftsmaske. Ein Versuch zur Deutung ihrer Ausformung, ihrer Entstehungsgründe und ihrer Funktion. Diss. Saarbrücken 1970.
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were suspended, and people could dress as they liked, instead of according to the rules that were set down in law for their profession and social class.
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Several distinct styles of mask are worn in the Venice Carnival, some with identifying names. People with different occupations wore different masks.
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in modern democracies. Also, the bearing of weapons along with the mask was specifically prohibited by law and enforceable by the Venetian police.
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cannot be worn while eating and drinking because the coverage of the chin and cheeks is too complete and tight (although the jaw on some original
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masks, Pantalone is also a half mask. This mask is almost exclusively worn by men, although its popularity at the modern festival has declined.
2376: 1335: 270:("the most beautiful mask"), which is judged by a panel of international costume and fashion designers. Since 2007 the winners have been: 31: 476:
have always been an important feature of the Venetian Carnival. Traditionally people were allowed to wear them between the festival of
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James H. Johnson, Venice incognito: masks in the Serene Republic, Berkeley: University of California Press, 2011; Gilles Bertrand,
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was usually worn by men, but many paintings done in the 18th century also depict women wearing this mask and tricorn hat.
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See Pauline Frommer's Italy by Keith Bain, Reid Bramblett, Pippa de Bruyn, William Fink, Barbie Latza Nadeau p. 333
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announced the decision to call off the Carnival celebrations in an attempt to contain the spread of the
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Gilles Bertrand, Histoire du carnaval de Venise, XIe-XXIe siècle, Paris, Pigmalion, 2013, p. 237-310.
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Arlecchino's half-mask is painted black with an ape-like nose and a "bump" to signify a devil's horn.
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performance, often fulfilling similar societal roles as Arlecchino, although with smaller parts.
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is also quite heavier than a typical mask and has a much tighter fit; many people who experience
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Danilo Reato, Les masques de Venise, Paris, Hersher, 1991 (first published in italian, 1988)
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In the 18th century, together with a black circular or semicircular clasped cape called a
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The Historical Anthropology of Early Modern Italy: Essays on Perception and Communication
241:, in the year 1162. In honour of this victory, the people started to dance and gather in 1681:
Frommer's Northern Italy: Including Venice, Milan & the Lakes by John Moretti p. 168
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by Paolo and Cinzia Pagliasso and Anna Rotonaia, best costume for the official theme
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According to legend, the Carnival of Venice began after the military victory of the
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piece of art was characterized by the inclusion of an over-prominent nose, a thick
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who adopted the mask together with other sanitary precautions while treating
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at the Carnival. If worn by a woman, who are the most common wearers of the
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The Venetian Carnival tradition is most famous for its distinctive masks.
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The Masks of Menander: Sign and Meaning in Greek and Roman Performance
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sign of stupidity. The Zanni are often the supporting characters in a
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Il carnivale in età moderna: 30 agni di carnivale a Venezia 1980-2010
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masks. The women's mouth is just visible under the beak of the mask.
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While both men and women now wear this mask, it began as a woman's
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by Anna and Lorenzo Marconi, best costume for the official theme
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Masked men threw eggshells filled with perfume during carnival.
1288:"Italy cancels Venice Carnival in bid to halt spread of virus" 1211: 500:, people could spend a large portion of the year in disguise. 1306:"Cinzia Mandrelli vince il concorso della Maschera più bella" 658:
masks, black tricorn hats, grey tabarros, and black zendales.
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Carnivalofvenice.com: History, photos and videos since 1998
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is also set in the Carnival of Venice in the year of 1486.
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Images of plague and pestilence: iconography and iconology
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Given this history and its grotesque design elements, the
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Bruno and D'Emilio, Luca and Frances (23 February 2020).
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mask and so is never hinged—the lips are always sealed).
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originally beaked with a purpose in congruence with the
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by Horst Raack, best costume for the official theme
2287: 2271: 2144: 2076: 2006: 1807: 1752: 707:was often accompanied by a red or black cape and a 136: 128: 112: 102: 92: 84: 74: 66: 39: 1027:Another classic character from the Italian stage, 2367:Recurring events established in the 12th century 1122:Venetian masks feature prominently in the films 1265:Histoire du carnaval de Venise, XIe-XXIe siècle 1239:Histoire du carnaval de Venise, XIe-XXIe siècle 1086:A leather version of a Zanni mask, profile view 465:worn at the Venice Carnival, which portray the 1507:Venice incognito: masks in the serene republic 1430:Venice incognito: masks in the serene republic 1241:(in French), Paris, Pigmalion, 2013, p. 37-94. 511:, with their own statute dated 10 April 1436. 1729: 1624:(Truman State University Press, 2000), p. 27. 1185: 1183: 372:by Salvatore Occhipinti and Guglielmo Miceli. 8: 1399:"Venetian Masquerade Ball - Hawthorne Hotel" 1366:"What you need to know about Venetian Masks" 357:by Tanja Schulz-Hess, most creative costume 1467:. Cambridge University Press. p. 186. 397:by Borboni si Nasce, most original costume 319:Il servizio da thè del settecento (teatime) 1736: 1722: 1714: 927:) and was often finished off with a veil. 650:, detail. A man and a woman, both wearing 314:by Lea Luongsoredju and Roudi Verbaanderd. 1267:(in French), Paris, Pigmalion, p. 95-235. 1154:is popularized by violinist and composer 756:are two examples of this from the 1750s. 405:In February 2020, the Governor of Veneto 393:by Horst Raack, best traditional costume 1634: 1632: 1630: 1559:"TABARRO: The Medieval Gentleman's Cape" 1486: 1484: 1119:, is set in Venice during the carnival. 844:associated clothing of the plague doctor 807: 798:Medico Della Peste ("The Plague Doctor") 332:by Anna Marconi, most colourful costume 208: 186:), which is the day before the start of 1179: 197:The Carnival traces its origins to the 1252:Il Carnivale di Venezia nel Settecento 469:and exaggerated appearances often used 321:by Horst Raack, most creative costume 36: 1645:. Cambridge University. p. 126. 1456: 1454: 1452: 1450: 1346:from the original on 21 February 2023 1201: 1199: 401:by Nicola Pignoli and Ilaria Cavalli. 292:by Horst Raack and Tanja Schulz-Hess. 7: 1254:(in Italian), Roma, Jouvence, 1992. 1206:Adams, William Lee (4 March 2014). 434:4 elements: fire, air, earth, water 32:Carnival of Venice (disambiguation) 25: 1141:The 9th Sequence of the story of 691:) is a mask, today often heavily 492:). As masks were also allowed on 2323: 2309: 1798: 1342:(in Italian). 20 February 2023. 1316:from the original on 18 May 2022 1015:masks was hinged, this is not a 892: 870: 663: 636: 617: 589: 355:La regina della cucina veneziana 166:) is an annual festival held in 55: 1226:Storia del carnivale di Venezia 899:Closer view, in a 1745 portrait 881:, and another holding one, in 563:that were usually filled with 490:during February or early March 330:Alla Ricerca del Tempo Perduto 258:and later Emperor of Austria, 1: 2377:1162 establishments in Europe 1531:Ackroyd, Peter (2010-11-02). 1031:, possibly stemming from the 432:by Karen Duthoit. Second was 1312:(in Italian). 1 March 2022. 600:mask with black zendale and 384:L'amore al tempo del campari 359:Monsieur Sofa et Madame Coco 1461:Burke, Peter (2005-11-17). 912:("dark one" in English) or 839:miasmatic theory of disease 346:by Maria Roan di Villavera. 249:. In the 17th century, the 2393: 1504:Johnson, James H. (2011). 1427:Johnson, James H. 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Index

Venetian mask
Carnival of Venice (disambiguation)

Carnival
Venice
Italy
Italian
Venetian
Venice
Carnival
Shrove Tuesday
Mardi Gras
Lent
Ash Wednesday
Middle Ages

Venice
Giovanni Domenico Tiepolo
Venetian Republic
Patriarch
Aquileia
Ulrich II von Treven
St Mark's Square
Renaissance
Baroque
Holy Roman Emperor
Francis II
Luca Zaia
coronavirus disease
Rimini

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