Knowledge (XXG)

Veniamin Basner

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422: 95:, under whose advice his formation as a professional composer was furthered. They became personal friends. Basner’s widow, Lusha Basner, has elaborated on how Basner became Shostakovich’s student: "Basner wanted to take composition lessons from Shostakovich, but didn’t dare to approach him. Shostakovich, who was a sensitive person, noticed this and helped Basner by asking him to light his cigarette. That’s how Shostakovich became Basner’s teacher." 268:
for violin and piano (Opus 7 No 1) was featured. The programme was originally inspired by an invitation to participate in a St Petersburg festival commemorating the 80th anniversary of the birth of Veniamin Basner. CDs have subsequently been produced, in 2009, which also include three Russian songs
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in works which, as Uteshev puts it, express simultaneously the “confession of a lonely soul as well as a voice of national grief.” The Fourth Quartet and Violin Sonata particularly evoke the pain of personal loss - as does, for example, the song
189:(На безымянной высоте), based on a real event and is about three soldiers, fifteen of whose friends had died in battle. Melodies from his well-known songs are woven into more substantial works such as the Second Symphony and the Fifth Quartet. 102:
who, as revealed by Lusha Basner, entrusted his archive to Basner after he was released from his arrest in 1953. At the time Basner held an influential position in the
492: 169:, which have been performed to critical acclaim in Russia and beyond. At a more popular level, he became widely known, reaching millions of people through his 487: 477: 149:
Basner’s musical output spanned a wide spectrum in terms of genre and emotional substance. It encompasses, at the more academic end, thirteen works for
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The most important and impressive quality of Veniamin Basner's music, suggests Uteshev, is “an inspired lyricism powerfully permeates all his art.”
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In 1955 he was a prize-winner, for his Second String Quartet, at the International Composers' Competition in
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Much later, Basner and Weinberg were amongst the six friends of Shostakovich (the others being
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Henny van de Groep 2005 DSCH Review: “Zun mit a regn” and interview of Sofie van Lier.
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Henny van de Groep 2005 DSCH Review: “Zun mit a regn” and interview of Sofie van Lier.
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Henny van de Groep 2005 DSCH Review: “Zun mit a regn” and interview of Sofie van Lier.
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In 2004 the Amsterdam-based Jewish Music Projects compiled (2004) a programme
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as a People's Artist of Russia and a State prize-winner. An asteroid called
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Basner made his first experiments in composition at the age of fifteen.
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He drew particular inspiration from the events and pathos of the
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in 1949 with the violin as his principal instrument.
233:recorded a ‘’First German Notebook’’ in 1981, with 309:Historical Dictionary of Russian and Soviet Cinema 332:Veniamin Basner – Biography by Alexander Uteshev 311:. US: Rowman & Littlefield. pp. 89–90. 399:Release of Jewish Music Projects Foundation CDs 8: 91:Veniamin Basner, while still a student, met 69:from the age of six and graduated from the 420: 299: 98:Another in his circle of friends was 65:Veniamin Basner had been playing the 7: 493:Saint Petersburg Conservatory alumni 488:20th-century Russian male musicians 14: 478:Russian male film score composers 125:) who rejected the controversial 483:20th-century classical composers 463:Russian male classical composers 269:by Basner from the 1994 musical 223:String Quartets recorded by the 55:St Petersburg Union of Composers 161:, vocal symphonic cycles, two 106:- and "Weinberg trusted him." 61:Early life and initial success 1: 498:People's Artists of the RSFSR 468:Russian film score composers 245:. Compozitor, St. Petersburg 473:Soviet film score composers 45:. He was recognized by the 28:Вениами́н Ефи́мович Ба́снер 514: 27: 20:Veniamin Efimovich Basner 256:element in the music of 307:Peter Rollberg (2016). 87:Basner and Shostakovich 260:, Veniamin Basner and 218:Leningrad Philharmonic 210:The Leningrad Symphony 187:On The Nameless Height 71:Leningrad Conservatory 34:– 3 September 1996 in 448:People from Yaroslavl 252:(Sun and Rain) - the 239:Vladimir Shcherbachov 206:The Immortal Garrison 388:23:13-17 (July 2005) 362:23:13-17 (July 2005) 347:23:13-17 (July 2005) 200:Recordings include: 30:, 1 January 1925 in 262:Dmitri Shostakovich 258:Mieczysław Weinberg 241:, Veniamin Basner, 100:Mieczysław Weinberg 93:Dmitri Shostakovich 277:) after the novel 271:Yevreiske Styastye 119:Karen Khachaturian 204:Suites for Films 505: 424: 401: 396: 390: 381: 375: 370: 364: 355: 349: 340: 334: 329: 323: 322: 304: 264:. Basner’s 1950 235:Sergei Leiferkus 214:Destiny of a Man 182:Second World War 155:symphonic suites 123:Boris Tishchenko 104:Composers’ Union 29: 16:Russian composer 513: 512: 508: 507: 506: 504: 503: 502: 428: 427: 414:Veniamin Basner 410: 405: 404: 397: 393: 382: 378: 371: 367: 356: 352: 341: 337: 330: 326: 319: 306: 305: 301: 296: 231:Valery Gavrilin 225:Taneyev Quartet 198: 151:musical theatre 147: 89: 63: 17: 12: 11: 5: 511: 509: 501: 500: 495: 490: 485: 480: 475: 470: 465: 460: 455: 450: 445: 440: 430: 429: 426: 425: 409: 408:External links 406: 403: 402: 391: 376: 365: 350: 335: 324: 318:978-1442268425 317: 298: 297: 295: 292: 291: 290: 285:, libretto by 283:David Freedman 279:Mendel Marantz 250:Zun mit a regn 246: 228: 221: 197: 194: 177:compositions. 146: 143: 88: 85: 62: 59: 15: 13: 10: 9: 6: 4: 3: 2: 510: 499: 496: 494: 491: 489: 486: 484: 481: 479: 476: 474: 471: 469: 466: 464: 461: 459: 456: 454: 451: 449: 446: 444: 441: 439: 436: 435: 433: 423: 419: 415: 412: 411: 407: 400: 395: 392: 389: 387: 380: 377: 374: 369: 366: 363: 361: 354: 351: 348: 346: 339: 336: 333: 328: 325: 320: 314: 310: 303: 300: 293: 288: 287:Boris Pantser 284: 280: 276: 272: 267: 263: 259: 255: 251: 247: 244: 240: 236: 232: 229: 226: 222: 219: 215: 211: 207: 203: 202: 201: 195: 193: 190: 188: 183: 178: 176: 172: 168: 164: 160: 156: 152: 144: 142: 140: 139: 134: 133:Свидетельство 130: 129: 124: 120: 116: 112: 107: 105: 101: 96: 94: 86: 84: 82: 77: 74: 72: 68: 60: 58: 56: 52: 48: 44: 41: 37: 36:St Petersburg 33: 25: 21: 453:Russian Jews 418:Find a Grave 394: 386:DSCH Journal 385: 379: 368: 360:DSCH Journal 359: 353: 345:DSCH Journal 344: 338: 327: 308: 302: 278: 274: 270: 265: 249: 199: 191: 179: 148: 145:Compositions 136: 132: 126: 115:Yury Levitin 111:Kara Karayev 108: 97: 90: 78: 75: 64: 47:Soviet Union 19: 18: 458:Soviet Jews 443:1996 deaths 438:1925 births 275:Jewish Luck 51:4267 Basner 432:Categories 294:References 243:Yuri Falik 196:Recordings 171:film music 159:symphonies 165:and five 163:concertos 138:Testimony 128:Testimony 32:Yaroslavl 167:quartets 157:, three 43:composer 38:) was a 40:Russian 24:Russian 315:  254:Jewish 121:, and 81:Warsaw 67:violin 281:, by 313:ISBN 266:Poem 175:song 416:at 212:", 208:, " 141:.) 434:: 153:, 117:, 113:, 57:. 26:: 321:. 289:. 273:( 227:. 220:. 131:( 22:(

Index

Russian
Yaroslavl
St Petersburg
Russian
composer
Soviet Union
4267 Basner
St Petersburg Union of Composers
violin
Leningrad Conservatory
Warsaw
Dmitri Shostakovich
Mieczysław Weinberg
Composers’ Union
Kara Karayev
Yury Levitin
Karen Khachaturian
Boris Tishchenko
Testimony
Testimony
musical theatre
symphonic suites
symphonies
concertos
quartets
film music
song
Second World War
On The Nameless Height
The Immortal Garrison

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