341:, an eminent writer and philosopher of art, religion and language. The book attempts at offering a comprehensive account of his treatment of poetry, presents the historical data in its theoretical perspectives, surveys the development of Sanskrit poetics from the earlier times till his entry, and discusses different topics he considered relevant for a complete examination and assessment of the subject matter he deals with such as the definition, structure and end of poetry. The book has two long chapters with an elaborate introduction to the life and works of Vishvanatha providing all historical data. While the first chapter deals with Sanskrit poetics in the making, the second one discusses Vishvanatha's theory of poetry explaining the intricate structure of his poetics.
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Viswanatha was not just prolific he was equally versatile. Apart from studying and researching aesthetics, he created a number of literary works, in all the branches of literature – poetry, prose, criticism, and drama. He wrote equally easily in
Sanskrit and Prakrit. Viswanatha is supposed to have
121:(the modern Orissa) – King Narasimha Deva IV and King Nishanka Bhanudeva IV. In absence of availability of exact dates of his birth and date, the periods of their rules (i.e. 1378 AD – 1434 AD) is assumed to be the time of Viswanatha.
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has often been criticised as being more a compilation than an original work. However, even its harshest critics agree that it is the most comprehensive work on the subject. Many also particularly point to the lucid style of
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Also, while earlier writers on the subject, had by and large confined themselves to their own school of thought, only referring intermittently, if at all to other schools, Viswanatha, in
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has ten chapters. In the first chapter, it defines poetry. In the second chapter, it defines what a sentence or composition is. In the third – and one of the most important – it defines
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aspect (dramaturgy) of aesthetics. Before
Viswanatha, aestheticians had confined themselves largely to one aspect, though they often referred to the other.
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is different from earlier works in aesthetics in two major ways. One, for the first time, it combined, in one treatise, both the
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Sahitya
Akademi, Delhi (India) has published a book on the life and works of Vishvanatha Kaviraja, under its '
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as one of the prime reasons for its popularity in large parts of India, from the Deccan to
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as classified by ninth century
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family of scholars and poets. His grandfather, Narayana Dasa, wrote a commentary on
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s or styles, while the last chapter explains the theories with examples.
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Viswanatha's son, Ananta Dasa, also wrote commentaries and notes on
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Acknowledging
Visvanatha Kaviraja as the author of Sahitya-darpana
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mastered eighteen languages. In fact, he wrote one of his works,
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Book on Orissa’s great scholar
Vishvanatha Kaviraja unveiled
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152:) in the courts of the kings of Kalinga.
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34:This article includes a list of general
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284:Sahityadrpana's definition of poetry –
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175:Some of his major works include
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199:(poem in sixteen languages),
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814:Bhagabati Charan Panigrahi
296:, centuries later, called
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441:27 September 2007 at the
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129:Viswanatha was born to a
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281:is what defines poetry.
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207:(study in aesthetics),
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424:Text of Sahityadarpana
172:in sixteen languages.
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420:on Sanskrit Wikibooks
298:objective correlative
250:aspect (poetics) and
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909:Kanhu Charan Mohanty
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720:Laxmikanta Mohapatra
665:Fakir Mohan Senapati
388:, Sahitya Akademi's
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924:Chandra Sekhar Rath
854:Sitakanta Mahapatra
705:Kalicharan Pattnaik
533:Viswanatha Kaviraja
386:Ananta Charan Sukla
339:Ananta Charan Sukla
195:(poem in Prakrit),
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181:Prabhavati Parinaya
163:Works of Viswanatha
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177:Chandrakala Natika
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294:T. S. Eliot
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271:Dhvanyālóka
179:(playlet),
135:Gitagovinda
53:introducing
16:Indian poet
1167:Categories
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773:Sabuja era
647:Bhima Bhoi
551:Sarala Das
543:Sarala era
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379:References
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117:rulers of
107:aesthetics
61:April 2010
36:references
958:Post 1970
919:Manoj Das
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604:Reeti era
345:Footnotes
183:(drama),
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897:Pre 1970
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203:(poem),
191:(poem),
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49:improve
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510:Saraha
365:11 May
275:dhvani
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248:sravya
131:Vaidya
38:, but
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367:2020
312:riti
308:rasa
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