772:, historical figures and architectural elements in the form of women, Maksymowicz addresses the significance and power of women as structural support for society. She sees this imagery as a metaphor for the women as the pillars of civilization, stating, "My current interest in the female body lies in exploring metaphors for the foundational but often unrecognized role of women in supporting social structures. These include the architectural forms of canephorae and caryatids, columns and capitals, and their mythological underpinnings through
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537:, a UCSD history major who had set himself on fire in protest of the Vietnam war. Without securing administrative permission, in 1976 Maksymowicz and Tobia dug a 4-foot by 6-foot impression in the earth and positioned the blocks, with the hope that it would last the year. Forty years later, it remains, having gained mythical status as a relic of Winne's actual immolation.
548:, had managed to commandeer a channel on the Hilton's closed circuit TV. The broadcasts included Suzanne Lacy in her hotel room tending to a bedridden, dead sheep and a talk show moderated by Ross where Harry Kipper was interviewed, and Linda Montano threaded dental floss up her nose and pulled it out her mouth. The
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magazine, published by the
Foundation for the Community of Artists (1986–89). She became involved with some of the politically active artists' groups active at the time: Art Against Apartheid, Artists for Nuclear Disarmament, Artists Call Against U.S. Intervention in Central America, Visual AIDs, and
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In 1991, Maksymowicz and Tobia moved to
Philadelphia. Maksymowicz began teaching in part-time and visiting positions at a number of colleges and universities. Maksymowicz continued her affiliation with the Women's Caucus for Art, and her work began to shift more decisively towards the female body as
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During graduate school, Maksymowicz began casting the human body, creating a series of outdoor sculptures that became part of the ground itself. Many of these were intended to self-destruct, either because they were made of unfired clay or because they were intentionally made to crack and shatter.
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Maksymowicz has been the recipient of a number of grants and awards including a
National Endowment for the Arts fellowship in sculpture (1984), Artists Space/Artists Grants (1985, 87, 88), an Art Matters Incorporated artist fellowship (1988), Leeway Foundation Window of Opportunity grant (1999),
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were already five years old, and the feminist scene had begun to flourish. Maksymowicz witnessed outrageous performances by women artists both in the hotel lobby and around town. In 1978, Maksymowicz joined the Women's Caucus for Art; she remains a member to this day.
726:, who has been beatified by the Roman Catholic Church, was made in response to a call for artworks by the Alliance for Cultural Democracy addressing the cinquecentennial of Columbus's arrival in the new world. It was eventually exhibited in 1995 at the
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SOS Grants (2002; 2005). She has been a visiting artist at the
American Academy in Rome (2006; 2012; 2014), an artist-in-residence at the Powel House Museum in Philadelphia (2006–07), and a fellow at the Vermont Studio Center (2007).
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Maksymowicz subsidized her income by working as a secretarial temp on Wall Street, and produced a body of work based on her experiences there as well as her experiences during the two years she spent in
Detroit.
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390:(New York) to working-class parents of Polish-Irish-German-English heritage. Her father worked as a bartender at the Seafarers International Union. She studied art on the undergraduate level at
481:; David Antin was teaching semiotics. Newton and Helen Harrison were growing catfish, brine shrimp and orange trees and beginning to develop their dialogue-based, map-like proposals with the
612:, Maksymowicz (with Tobia) moved back to Brooklyn. She worked as executive director for Amos Eno Gallery (1983–86), an artist cooperative then in SoHo, and as Articles Editor for
374:(born February 19, 1952) is an American artist whose sculptural installations incorporate a variety of media. She lives in Philadelphia, PA and is married to artist-photographer,
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and David Ross. During that time, she was a research assistant to Gerry MacAllister, the
Director of the Mandeville Gallery, which put her in contact with artists such as
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where she studied figurative sculpture with Barney Hodes. She met Blaise Tobia at
Brooklyn College and in 1974, both Maksymowicz and Tobia entered the MFA program at the
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and Sandra
Esteves; and dancers Audrey Jung and Jane Goldberg. As a CETA artist, Maksymowicz taught classes, mounted exhibitions and produced several public artworks.
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During the 1970s UCSD was a catalyst for political and feminist art. When
Maksymowicz and Tobia arrived, the department was just about to move into the newly built,
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765:. She returned to the AAR in 2012 and 2014, and has traveled to Vienna and Munich, and to cities in the U.S., in search of these female figures.
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in
Lancaster, Pennsylvania. Her sculptural installations became increasingly referential to the architecture of the various exhibition spaces (
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in Manhattan. Almost three decades later, some of these works were shown in a retrospective in Philadelphia in connection with the
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in community residence assignments during 1978 and 1979. During the project, Maksymowicz met and worked with visual artists
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built an enclosure in one of the Mandeville classrooms and lived in it for five days as part of a performance called
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Maksymowicz and Tobia returned to New York City, where they both were hired for the Cultural Council Foundation
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in Illinois. More works followed, with Maksymowicz casting her own body and the bodies of other women.
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at the Fort Collins Museum of Art). In 2007, as part of an artist-in-residence program at the
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In the year 2000, Maksymowicz assumed a full-time position as a sculpture professor at
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1108:"A Wall Street refugee's art takes an acid look at her old world," Stephan Salisbury,
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and Study Center, New York University, Thomas W. Sokolowski, editor, 1985
899:"Fanfare For Maksymowicz: A Campus Legend in the Shadow of 'Fallen Star'"
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held its annual conference in Los Angeles. David Ross, a curator at the
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1182:, Franklin D. Vagnone, Deborah E. Ryan, Routledge Press, 2015 p. 150
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to take up his new post in San Diego. Moira Roth had come down from
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were still a presence in the department. Allan Kaprow had just left
761:, her work began to focus upon the architectural convention of the
972:, NYC: Political Art Documentation/ Distribution, issue #5/6, 1986
1125:"A Wall Street refugee's art takes an acid look at her old world"
1194:, Laurence Goldstein, editor, University of Michigan Press, 1991
925:"Edna, May Victor, Mary and Me: An All Night Benediction (1976)"
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During the 1980s, after having taught in temporary positions at
1035:#11, Lippard, Perr, Sutherland and Wexler, editors, Winter 1985
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directed the Center for Music Experiment. Visitors included
1157:"The Physical Boundaries of This World: Sculpture Magazine"
414:, where each earned an MFA (1977). Maksymowicz worked with
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Excess Assets, Homeless Woman Kills Wall Street Financier
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One sculpture, however, was designed differently. Called
948:, Moira Roth, editor, Los Angeles, CA: Astro Artz, 1984
686:, was part of the "Money/Power" exhibition (along with
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and a group of undergraduate students as a memorial to
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IKON Magazine: Art Against Apartheid/Works for Freedom
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Amazing Decade: Women and Performance Art, 1970-1980
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1010:"Art in the 1980s: The Forgotten History of PAD/D"
706:, the latter of which was shown in the windows of
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1180:The Anarchist's Guide to Historic House Museums
1192:The Female Body: Figures, Styles, Speculations
741:at the Elizabeth Foundation for the Arts, and
8:
666:fellowship in sculpture, as well as several
797:Maksymowicz's artwork has been reviewed in
639:. During this time, she crossed paths with
53:Learn how and when to remove these messages
461:-designed, Mandeville Center. Recent MFAs
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294:Learn how and when to remove this message
276:Learn how and when to remove this message
208:Learn how and when to remove this message
985:"ARTIST CALL- Against U.S. Intervention"
621:Political Art Documentation/Distribution
958:Foundation for the Community of Artists
846:
698:. Other works from this period include
753:and Roxanna Perez Mendez, she created
493:. Downstairs in the Music Department,
477:. Eleanor Antin had recently finished
144:Please improve this article by adding
739:The Physical Boundaries of This World
680:Contemporary Art Institute of Detroit
406:. From 1973 to 1974 she attended the
7:
412:University of California, San Diego
402:, Morris Dorsky, Murray Israel and
354:University of California, San Diego
1155:Honigman, Ana Finel (2003-03-01).
854:onemorefoldedsunset (2015-08-27).
241:link to broken or outdated sources
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1123:Salisbury, Stephen (2011-11-10).
34:This article has multiple issues.
791:Pennsylvania Council on the Arts
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1144:Alliance for Cultural Democracy
1082:, (exhibition catalogue), NYC:
735:Franklin & Marshall College
664:National Endowment for the Arts
623:. Her sculptural installation,
42:or discuss these issues on the
1008:Morgan, Tiernan (2014-04-17).
678:, originally exhibited at the
629:Federal Hall National Memorial
1:
768:By referencing caryatids and
643:, Herb Perr, Greg Scholette,
256:or discuss this issue on the
146:secondary or tertiary sources
983:Lippard, Lucy (2007-09-25).
897:Hampton, Dave (2013-05-09).
835:University of Michigan Press
597:; writers/poets Judd Tully,
722:, which treats the life of
662:In 1984, she was awarded a
420:Newton & Helen Harrison
16:American artist (born 1952)
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829:, appears on the cover of
780:, and the bread of life."
408:Brooklyn Museum Art School
1060:"NEA Annual report 1984"
759:American Academy in Rome
546:Long Beach Museum of Art
386:Maksymowicz was born in
382:Early life and education
1238:Brooklyn College alumni
1046:Call Us Guerrilla Girls
542:College Art Association
1098:, May 11, 1987, p. 102
610:Wayne State University
575:Ursula von Rydingsvard
550:Women's Caucus for Art
540:In February 1977, the
394:, CUNY (BA 1973) with
157:"Virginia Maksymowicz"
133:relies excessively on
1130:Philadelphia Inquirer
1110:Philadelphia Inquirer
822:Philadelphia Inquirer
485:. Performance artist
1161:virginia-maksymowicz
856:"The Mermaid Lives!"
567:CETA Artists Project
372:Virginia Maksymowicz
310:Virginia Maksymowicz
95:improve this article
1112:, November 10, 2011
833:, published by the
720:Lily of the Mohawks
684:Pennies from Heaven
388:Bay Ridge, Brooklyn
333:Bay Ridge, Brooklyn
254:addressing link rot
249:improve the article
99:independent sources
876:"Learning to Talk"
827:The History of Art
806:The New York Times
800:Sculpture Magazine
747:Powel House Museum
712:Occupy Wall Street
398:, Ronald Mehlman,
1096:New York Magazine
904:KPBS Public Media
755:Rules of Civility
743:Peripheral Vision
724:Kateri Tekakwitha
718:social metaphor.
670:/Artists Grants.
615:Art & Artists
571:worked as artists
444:Mary Beth Edelson
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880:lindamontano.com
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812:New York Newsday
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554:Women's Building
495:Pauline Oliveros
491:Learning to Talk
404:Walter Rosenblum
392:Brooklyn College
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676:Home of Model T
606:Oberlin College
589:, Susan Share,
587:Cynthia Mailman
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841:References
778:Persephone
770:canephorae
714:movement.
599:Bob Holman
591:Dawoud Bey
432:Ree Morton
322:1952-02-19
168:newspapers
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39:improve it
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45:talk page
1080:Precious
1067:arts.gov
819:and the
763:caryatid
552:and the
471:Cal Arts
344:American
97:and add
1033:Upfront
774:Demeter
708:10 on 8
637:Upfront
424:Eleanor
246:Please
182:scholar
1049:poster
815:, the
784:Awards
561:Career
513:, the
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1063:(PDF)
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