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267:, a fine example of eighteenth-century domestic architecture, had fallen and, as Dr K. M. E. Murray wrote "his generous offer ... was made deliberately as a means of securing the restoration of the house and its opening to the public". In 1982 Hussey was present at the official opening of the house and saw his paintings and other works of art displayed in the same informal domestic setting as they had been at the deanery where he had taken so much pleasure in showing them to friends and strangers alike.
276:, Hussey gave his sole recreation as "enjoying the arts". This enjoyment, not just of the arts, but of all aspects of his life, shines through the archive of his papers and through the enduring legacy of his life and work, in Chichester Cathedral and at Pallant House, the Chichester gallery that opened in 1982 to inherit and show his personal collection.
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By the time Hussey retired from
Chichester in 1977 to live in London he had acquired an important and varied collection of his own. He offered to leave the greater part of it to the city which he had done so much to promote as a centre of the arts. Like many others he was concerned about the neglect
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By the time Hussey became vicar of St
Matthew's he was already making plans to bring about a rapprochement between the Church and the arts. An early opportunity presented itself as he starting planning the forthcoming golden jubilee celebrations due to take place at St Matthew's in 1943. He had
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During his school and university years Hussey had shown an interest in the arts, music, drama, painting and sculpture. His years in London gave him the opportunity of seeing and hearing much that the city had to offer in its concert halls, theatres and art galleries, and he began to take an
89:, Hussey wrote "Perhaps my succeeding him may suggest nepotism, but I don't think it was. I was not anxious to go there; it seemed that there was little one could do but let the parish down ... my various authorities advised me that it was right that I should go."
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for many years and knew that they shared the same attitude to art and the Church. Consequently, the work he had begun in St
Matthew's continued almost uninterrupted in the cathedral. Among his commissions for Chichester were several works of visual art: the altarpiece
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until 1937, during which time he was in charge of the daughter church of St Paul, Kensington, from 1935 to 1936. He then succeeded his father as vicar of St
Matthew's, Northampton, a position he held until 1955. In his book,
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increasing interest in contemporary art. It became a cause of regret to him to realise how little of this work was being encouraged by the Church. As he later wrote, "the arts had become largely divorced from the Church".
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Buoyed by the success of the 1943-4 commissions (which attracted national and international media attention), Hussey continued to commission new works of art. Other musical commissions included
57:, a living which he had held since the church was built in 1893. As a small boy Walter attended The Knoll, a preparatory school at Woburn Sands, from where he won a foundation scholarship to
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already had the experience of making arrangements for such a jubilee at St Paul's, Kensington, but now he wanted to incorporate a modern musical work into the festival service.
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and directed by
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As vicar of St
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Church and patronage in 20th century
Britain : Walter Hussey and the arts
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Church and patronage in 20th century
Britain : Walter Hussey and the arts
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Church and patronage in 20th century Britain : Walter Hussey and the arts
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Church and patronage in 20th century Britain : Walter Hussey and the arts
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Church and patronage in 20th century Britain : Walter Hussey and the arts
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Church and patronage in 20th century Britain : Walter Hussey and the arts
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Church and patronage in 20th century Britain : Walter Hussey and the arts
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This article contains quotations from this source, which is available under a
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Patron of the Arts - The Revival of a Great Tradition Among Modern Artists
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Church and patronage in 20th century Britain: Walter Hussey and the arts
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Stefan van Raay; Frances Guy; Simon Martin; Andrew Churchill (2004).
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John Piper's tapestry commissioned by Hussey for Chichester Cathedral
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which was published in 1985 and a documentary about his life,
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After his ordination Hussey became curate of the church of
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Walter Hussey, as he was known, was born on 15 May 1909 in
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657:. London. pp. 147–186.
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563:. London. pp. 100–108.
516:. London. pp. 108–118.
357:Open Government Licence v3.0
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375:. London. pp. 21–23.
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338:"Dean Hussey Papers"
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1339:Deans of Chichester
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175:. Facing the Moore
112:George Thalben-Ball
103:Rejoice in the Lamb
59:Marlborough College
1194:William Ashburnham
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794:Dean of Chichester
285:Patron of the Arts
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1119:Francis Dee
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263:into which
203:George Bell
181:Crucifixion
165:W. H. Auden
127:The Revival
116:Henry Moore
51:Northampton
1313:Categories
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