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168:, who taught him to work in the tradition of copying famous Chinese paintings. This is most likely the reason why critics claim that his work is conservative and reflects the Yuan and Song traditions. One critic claimed that "his landscape paintings reflect his nostalgic attachment to classical Chinese aesthetics." Along with the other Wangs, Wang Hui helped to perpetuate the tradition of copying the ancient masters rather than creating original work.
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Beijing, Shanghai and Taipei museums loaned works for "Landscapes Clear and
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periods. Of the Four Wangs, Wang Hui is considered the best-known today.
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Wang Hui in the collection of the
National Palace Museum, Taipei
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Wang Hui in the collection of the
Metropolitan Museum, New York
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Landscapes clear and radiant: the art of Wang Hui (1632-1717)
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348:. New York: The Metropolitan Museum of Art.
261:Fisherman Huts and Clearing Skies in Autumn
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313:"Master of Many Styles, and Many Mentors"
380:United States Government Printing Office
275:The Beauty of Green Mountains and Rivers
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375:Eminent Chinese of the Ch'ing Period
231:Mountains, Streams, and Autumn Trees
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290:Tree in Autumn and Crows
18:Wang Hui (Qing Dynasty)
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29:Chinese name
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468:Wang Yuanqi
447:Wang Shimin
166:Wang Shimin
33:family name
484:Categories
435:Four Wangs
322:2008-09-12
298:References
259:Wang Hui,
244:Wang Hui,
229:Wang Hui,
213:Wang Hui,
185:Wang Hui,
141:and early
135:Four Wangs
454:Wang Jian
156:Biography
131:landscape
93:Shan shui
461:Wang Hui
162:Zhang Ke
126:Wáng Huī
101:Wang Hui
70:Changshu
48:Wang Hui
27:In this
172:Gallery
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31:, the
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81:Died
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63:Born
38:Wang
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