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:Articles for deletion/Ayana Evans - Knowledge

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422:- A substantial part of a significant exhibition. I quote from WP article: "The next year she completed a 10-hour endurance based, citywide performance and 100 person performative dinner party in the Barnes Foundation museum as part of "A Person of the Crowd" which was a major performance art survey featuring Marina Abramovic, Tania Bruguera, and William Pope L., among others." The Barnes Foundation is considered a significant art institution located in Philadelphia. It was founded by Albert Coombs Barnes (1872 – 1951) who, at the time, was avant-garde and a friend of the black community by inviting students of Lincoln University with a black president to collaborate, providing further context for the historical importance of Evan's large scale performance project. However, that is a side-note. In addition other notable venues that have shown Evan's work includes Museo Del Barrio, and Queens Museum. 597:'s interpretation of the notability criteria in relation to this subject. For example, I don't agree that someone who is an associate professor and mentioned in one textbook meets the criteria of "important in their field/widely cited by peers". I also don't agree that the catsuit is a "significant new concept", given that it's only recognisable in Chelsea, NY (as per the explanation above). I don't agree that participation in the Barnes Foundation event qualifies for criteria 4 (how many performers were involved? Was her contribution significant?). Matriarch-info has also added information above which doesn't relate to the WP criteria for notability e.g. that there are several editors working on this article (not measured towards a person's notability); that she is a member of under-represented groups (also not measured towards a person's notability). 386:. Taylor & Francis. The signature catsuit has also from time to time had considerable street credibility and recognition in Chelsea, NY. Performance is not a new phenomenon nor is street performance or participataory performance, but Evan's queer-friendly, feminist, and camp style that merges high and low, incorporating black visual culture in traditionally white spaces, including the public space, and her visual language is unique and something that has begun to be appropriated by other artists through her teaching and the dissemination of her practice. 382:- Signature Public Guerrilla style, technique. "I Just Came Here to Find a New Husband"-series gained popularity and recognition within the art world and the mainstream - see press coverage. This project was also widely recognized in the black music community for a time. In addition, Evans is praised for her public Guerrila style work - encompassing "I Just Came Here to Find Husband," but also the use of her signature catsuit including but not limited to "Operation Catsuit" - as mentioned in the New York Times article and 612:
independent, reliable sources. What that practically means to me is that if I were to start the article from scratch, using only the information provided by those sources used now that are by consensus considered independent and reliable, I'd be able to write an article that comprehensively covers the subject. I support
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there is sufficient critical commentary or analysis in multiple independent, reliable secondary sources. A bit buried in all the primary sources and interviews perhaps, but it's there. I can only get Re-envisioning the contemporary art canon through an inter-library loan, so I have not yet checked
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who reviewed the article once it was developed from its insufficient form and the user on the chat that helped me get the article to that point. In addition, I noticed that an image has been added from another user. To me this proves that there are many users who are working to keep this article
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On Knowledge there is a lack of representation of African American artists, female artists, and performance artists - these individuals and groups are also marginalized beyond the Knowledge sphere - in addition to being notable and recognized in the art world and the mainstream, the artist falls
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I agree with the objections that MurielMay raises against claims of notabilty. Those claims are either not supported by policy at all, or idiosyncratic interpretations of policy. Having said that, after reading all the sources I was able to access, I find that there is significant coverage in
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It should be noted that Evan's is primarily a performance artist meaning that she has little physical work, nor does she have gallery representation. However, this is the case for many prominent performance and social practice based artists and should not constitute a reason to lessen her
371:. Taylor & Francis). These source examples (recognition from notable non-profit/grant-giving body, mainstream press, and employment) show that the artist is widely notable within the art world - as a practitioner but also as an educator teaching the next generation - and beyond. 413:
4. The person's work (or works) has: (a) become a significant monument, (b) been a substantial part of a significant exhibition, (c) won significant critical attention, or (d) been represented within the permanent collections of several notable galleries or
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Vexations, when I run it through a plagiarism checker it only caught on to the Knowledge articles and the quotes which are cited. Please give some indication to which parts are copy-pasted as I think you are incorrect and may be referring to the quotes.
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In addition, such work must have been the primary subject of an independent and notable work (for example, a book, film, or television series, but usually not a single episode of a television series) or of multiple independent periodical articles or
409:- Independent reviews include New York Times, Hyperallergic, MadameNoire, NY Art Beat, AP Press, and the WP aricle lists many more (this is in addition to passing mentions in major art publication artnet and a number of blogazines) 208: 639:"People are presumed notable if they have received significant coverage in multiple published secondary sources that are reliable, intellectually independent of each other, and independent of the subject." 479:
The problem with this article is not that the subject is not notable, but that much of the article has been copy/pasted from copyrighted sources. That material MUST be removed and possibly revdel'd.
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Draft was declined by two AfC reviewers then improved and moved to main article space. Still insufficient evidence that subject meets the notability criteria for an artist.
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https://copyvios.toolforge.org/?lang=en&project=wikipedia&title=Ayana+Evans&oldid=&action=search&use_engine=1&use_links=1&turnitin=0
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https://copyvios.toolforge.org/?lang=en&project=wikipedia&title=&oldid=999395377&action=search&use_engine=1&use_links=1&turnitin=1
116: 101: 367:- See Franklin Furnace Award, New York Times feature article, Professorship at Brown University, and the inclusion in an art history text book. ( 337:
Thanks for clarifying, the article sufficiently meets the requirements on notability strengthened by reliable sources. See rundown of
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within these three categories of marginalized groups that we must give the representation and recognition that they deserve.
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For its clear notability and the issue of representation I urge the community to do all they can for this article to remain.
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3. The person has created or played a major role in co-creating a significant or well-known work or collective body of work.
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Authors, editors, journalists, filmmakers, photographers, artists, architects, and other creative professionals:
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The following discussion is an archived debate of the proposed deletion of the article below.
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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article and other hefty sources in this article. It needs clean-up, but AFD isn't for that.
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1. The person is regarded as an important figure or is widely cited by peers or successors.
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I randomly looked at a few of the references (i.e. NYTimes.com), and they seem to meet
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2. The person is known for originating a significant new concept, theory, or technique.
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https://en.wikipedia.org/Wikipedia:Notability_(people)#Creative_professionals
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Re-envisioning the Contemporary Art Canon: Perspectives in a Global World
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Re-envisioning the Contemporary Art Canon: Perspectives in a Global World
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which of the criteria listed at the link below does the subject meet?
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who currently does not have a gallery but is leading in the field.
397:- "Operation Catsuit" and "I Just Came Here to Find a Husband" 658:
The above discussion is preserved as an archive of the debate.
159: 155: 151: 215: 43:). No further edits should be made to this page. 670:). No further edits should be made to this page. 229: 8: 281:, convince me that this article is notable. 117:Help, my article got nominated for deletion! 321:that, but it looks like a reliable source. 7: 535:All amended. That was very helpful. 273:The references and text, as well as 24: 447:I appreciate the dedication from 102:Introduction to deletion process 18:Knowledge:Articles for deletion 1: 651:16:11, 13 January 2021 (UTC) 626:22:07, 14 January 2021 (UTC) 607:11:07, 12 January 2021 (UTC) 584:22:36, 11 January 2021 (UTC) 548:00:26, 12 January 2021 (UTC) 526:13:44, 11 January 2021 (UTC) 505:00:57, 11 January 2021 (UTC) 489:13:13, 10 January 2021 (UTC) 474:00:45, 11 January 2021 (UTC) 331:12:54, 12 January 2021 (UTC) 309:18:34, 10 January 2021 (UTC) 289:11:04, 10 January 2021 (UTC) 264:07:55, 10 January 2021 (UTC) 249:07:52, 10 January 2021 (UTC) 72:21:25, 17 January 2021 (UTC) 92:(AfD)? Read these primers! 687: 660:Please do not modify it. 32:Please do not modify it. 458:What is your response 426:credibility. See also 593:- I don't agree with 568:. There is already a 90:Articles for deletion 341:checklist below: :: 239:non-notable artist 649: 107:Guide to deletion 97:How to contribute 678: 643: 234: 233: 219: 167: 149: 87: 58: 34: 686: 685: 681: 680: 679: 677: 676: 675: 674: 668:deletion review 176: 140: 124: 121: 84: 81: 70: 54: 48:The result was 41:deletion review 30: 22: 21: 20: 12: 11: 5: 684: 682: 673: 672: 654: 653: 630: 629: 628: 595:Matriarch-info 587: 586: 571:New York Times 556:- another per 540:Matriarch-info 529: 528: 511:Matriarch-info 497:Matriarch-info 492: 491: 466:Matriarch-info 452:published. 334: 333: 314: 313: 312: 311: 267: 266: 237: 236: 173: 120: 119: 114: 104: 99: 82: 80: 75: 60: 46: 45: 25: 23: 15: 14: 13: 10: 9: 6: 4: 3: 2: 683: 671: 669: 665: 661: 656: 655: 652: 647: 642: 638: 634: 631: 627: 623: 619: 615: 610: 609: 608: 604: 600: 596: 592: 589: 588: 585: 581: 577: 573: 572: 567: 563: 559: 555: 552: 551: 550: 549: 545: 541: 538: 534: 527: 523: 519: 516: 512: 509: 508: 507: 506: 502: 498: 490: 486: 482: 478: 477: 476: 475: 471: 467: 463: 461: 456: 453: 450: 445: 442: 441:Editors note: 438: 436: 431: 429: 423: 421: 416: 415: 410: 408: 404: 403: 398: 396: 392: 391: 387: 385: 381: 377: 376: 372: 370: 366: 362: 361: 357: 355: 351: 350: 346: 345: 344: 340: 332: 328: 324: 319: 316: 315: 310: 306: 302: 299: 295: 292: 291: 290: 287: 284: 280: 276: 272: 269: 268: 265: 261: 257: 253: 252: 251: 250: 246: 242: 232: 228: 225: 222: 218: 214: 210: 207: 204: 201: 198: 195: 192: 189: 186: 182: 179: 178:Find sources: 174: 171: 165: 161: 157: 153: 148: 144: 139: 135: 131: 127: 123: 122: 118: 115: 112: 108: 105: 103: 100: 98: 95: 94: 93: 91: 86: 79: 76: 74: 73: 68: 64: 59: 57: 51: 44: 42: 38: 33: 27: 26: 19: 659: 657: 632: 613: 590: 569: 553: 530: 493: 464: 457: 454: 446: 440: 439: 434: 432: 428:Suzanne Lacy 424: 419: 417: 412: 411: 406: 405: 400: 399: 394: 393: 389: 388: 383: 379: 378: 374: 373: 368: 364: 363: 359: 358: 353: 352: 348: 347: 336: 335: 317: 279:WP:POTENTIAL 270: 238: 226: 220: 212: 205: 199: 193: 187: 177: 83: 55: 49: 47: 31: 28: 562:WP:CREATIVE 339:WP:CREATIVE 203:free images 126:Ayana Evans 78:Ayana Evans 67:revolutions 599:MurielMary 460:MurielMary 343:MurielMary 301:MurielMary 256:MurielMary 241:MurielMary 664:talk page 618:Vexations 566:WP:SIGCOV 558:WP:BEFORE 533:Vexations 518:Vexations 481:Vexations 356:- artist 323:Vexations 37:talk page 666:or in a 637:WP:BASIC 531:Thanks! 414:museums. 402:reviews. 170:View log 111:glossary 39:or in a 641:Jeepday 591:Comment 576:Bearian 449:Chicdat 294:Chicdat 286:Chicdat 275:WP:NBIO 209:WP refs 197:scholar 143:protect 138:history 88:New to 63:spin me 564:, and 181:Google 147:delete 224:JSTOR 185:books 164:views 156:watch 152:links 56:78.26 16:< 646:talk 633:Keep 622:talk 614:Keep 603:talk 580:talk 554:Keep 544:talk 522:talk 501:talk 485:talk 470:talk 327:talk 318:Keep 305:talk 277:and 271:Keep 260:talk 245:talk 217:FENS 191:news 160:logs 134:talk 130:edit 50:keep 462:? 435:YES 433:C) 420:YES 418:B) 407:YES 395:YES 380:YES 365:YES 354:YES 231:TWL 168:– ( 624:) 616:. 605:) 582:) 560:, 546:) 524:) 503:) 487:) 472:) 329:) 307:) 283:🐔 262:) 247:) 211:) 162:| 158:| 154:| 150:| 145:| 141:| 136:| 132:| 65:/ 52:. 648:) 644:( 620:( 601:( 578:( 542:( 520:( 499:( 483:( 468:( 325:( 303:( 258:( 243:( 235:) 227:· 221:· 213:· 206:· 200:· 194:· 188:· 183:( 175:( 172:) 166:) 128:( 113:) 109:( 69:) 61:(

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Knowledge:Articles for deletion
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21:25, 17 January 2021 (UTC)
Ayana Evans

Articles for deletion
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Ayana Evans
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