243:, and probably didn't meet the old ones either. It carries on the routine business of art dealing, showing works of art in the hope of selling some of them. Some of these works are by notable artists, and so may receive some press coverage, in which there may be some passing mention of the gallery. But a business does not become notable because it works on notable jobs or because it sells notable products – a car dealer does not become notable because he sells well-known brands of car, a butcher's shop does not become notable because it sells a famous kind of meat, a second-hand charity shop does not become notable because it sells clothes made by famous companies, a plumber does not become notable because he works on a famous building. I tried to rewrite this article, but couldn't find enough
683:. They started dismantling the article on June 10 and nominated it for deletion on July 2. Also, you write that "I'm not exactly overwhelmed by an abundance of great coverage, and even less impressed by the disgraceful involvement of paid editors. It's pathetic for a supposedly serious gallery to lower itself to hiring a paid hack to get an entry in an encyclopedia." While I agree with the sentiment that "It's pathetic for a supposedly serious gallery to lower itself to hiring a paid hack to get an entry in an encyclopedia", I wish to point out that that alone is not a reason for deletion.
401:"a business does not become notable because it works on notable jobs or because it sells notable products – a car dealer does not become notable because he sells well-known brands of car, a butcher's shop does not become notable because it sells a famous kind of meat, a second-hand charity shop does not become notable because it sells clothes made by famous companies, a plumber does not become notable because he works on a famous building."
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tangible asset." (Note that ABHK had 231 exhibitors in 2105, 239 in 2016, 241 in 2017 and 248 in 2018. Calling that "hundreds" to trivialize inclusion in the selection is not NPOV). But the information provided her is useless, and we already have a list of participants. I'm not convinced that participating in ABHK is even of sufficient encyclopedic interest to merit mention in the article.
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popular culture, ART REPUBLIK aims to create meaningful exchanges between established and emerging artists, collectors and the art community. Our sections on the newest art exhibitions and fairs will also showcase the fresh and diverse views of art practitioners in various forms such as architecture, literature, fashion, film, and so forth.
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1950s and ’60s". It provides analysis of the company by saying that de Sarthe
Gallery "joins a parade of new foreign-run galleries in Hong Kong’s Central district that specialize in blue-chip modern and contemporary artists" but is different because it is "the first to open with a significant show by an Asian artist".
1460:, has been involved in controversies. From a source quoted above, "After laying off staff, owner Louise Blouin outsourced editorial content to India but to make it seem as if there were still a 'cosmopolitan' staff, articles were given bylines with generic international names." This is not the case for the
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but it also provides analysis of the gallery that could be used to improve the
Knowledge article. The article notes that Pascal de Sarthe asked clients to give him loans to procure 10 Zao paintings for de Sarthe Gallery's debut in 2011. It notes that the debut show showed Zao's "evolution through the
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Originally founded in Paris in 1997, Hong Kong’s de Sarthe
Gallery is an impressive 9,820 sq ft art space that represents and exhibits a diverse spectrum of international artists from important French impressionists to Asian and western contemporary artists, as well as emerging talent. The team at de
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With two established branches in
Beijing and Hong Kong, gallery owner Pascal de Sarthe has decided to invest in the city’s South Island Cultural District (SICD) “to embrace the energy of the area and open a gallery space that is unrivaled in Hong Kong.” The gallery will move into a much more spacious
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De Sarthe
Gallery has, in the past 6 years, solidified their place in the Hong Kong art scene with headlining exhibitions, beginning with ‘Zao Wou-Ki Paintings: 1950s-1960s’, following up with the sophomore show of American artist David LaChapelle, and continuing with other well-received solo as well
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De Sarthe
Gallery has, through the years, been active in both the secondary and primary market, dealing in works by international modern masters as well as supporting emerging contemporary artists. Pascal’s son, Vincent, has taken up the mantle for the latter in Beijing, running a separate De Sarthe
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This article discusses and contextualizes the selection of de Sarthe and is a good example of independent reporting and analysis. This isn't just the gallery talking about itself. Interestingly, it shows that de Sarthe particpated in the 2014 edition of ABHK, the so the statement that it supports is
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with
Vincent de Sarthe, family member and Beijing gallery director, from a source upon whose Wikireliability I will leave others to decide: "After laying off staff, owner Louise Blouin outsourced editorial content to India but to make it seem as if there were still a 'cosmopolitan' staff, articles
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ART REPUBLIK is
Singapore’s premier quarterly magazine for the art lover, celebrating the language of art. It aspires to be a platform for artists, curators and critics to express their insights on the world of art. Engaging the art lover in intellectually stimulating dialogues on art, history and
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Darryl Wee is head of visual arts for Asia at BLOUIN ARTINFO. He has previously written about contemporary art for
Artforum, Art Asia Pacific, LEAP, Bijutsu Techo, the Japan Times, and the Wall Street Journal, and translated catalogues and essays on Gutai, Makoto Aida, Tadasu Takamine, Koki Tanaka
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New to the area is de Sarthe
Gallery, which moved from Central in 2016 and began programming in its new space in 2017. The gallery transformed 929 square meters to resemble an airport terminal in the imagined People's Republic of Dreamland, for "Takeoff" (9/16–10/14), a solo show by Chinese artist
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The article offers information on Carrie Lam who became Hong Kong's first female chief executive, supported by votes from the performing arts and culture subsectors. Topics discussed include role of Home Affairs Bureau in providing funds to art and culture programs for 2017 to 2018, renovation and
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De Sarthe's powerful narrative and historical journey was a perfect fit for judges of the Galleries sector of Art Basel Hong Kong, who looked for thematic presentations on the most important developments from Asia's art scene over the past 100 years. De Sarthe was thus accepted as one of more than
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In summary, I see one source that I think is any good, but it fails to provide enough information to create a comprehensive article. I'm not exactly overwhelmed by an abundance of great coverage, and even less impressed by the disgraceful involvement of paid editors. It's pathetic for a supposedly
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In 2012, after a long and successful run in first Paris then America as gallerists, Pascal and Sylvie de Sarthe opened a gallery in Hong Kong in Central, motivated by the time they were already spending in Asia for their business. Earlier this year, they moved to a bigger space at Wong Chuk Hang,
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The de Sarthe gallery joins a parade of new foreign-run galleries in Hong Kong’s Central district that specialize in blue-chip modern and contemporary artists. In the last year and a half, Ben Brown of London, Larry Gagosian of New York and Edouard Malingue of Paris have opened galleries. But de
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Pascal and Sylvie de Sarthe launched de Sarthe Gallery in Paris in 1977 and moved to America in 1981. In 2011 they opened a space in Hong Kong and were recently joined in the business by their son Vincent who is based in Beijing. For Sydney Contemporary de Sarthe will present a group exhibition
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Is used to show that the gallery participated in the Art Basel Hong Kong art fair quotes Pascal de Sarthe as saying "We did very well last year, and it was repeated this year", "We have seen a lot of money coming to the art market" and "Chinese investors and collectors understand that art is a
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Interesting. I looked at the article as it now stands and came to the opposite conclusion: the sources you found have given enough verifiable detail from reliable sources about this art gallery, over a sufficiently long period of time (2014 - 2018!) to push it over the threshold of notability.
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Vincent de Sarthe, son of veteran dealer Pascal de Sarthe, will serve as director of the new Beijing outpost of Hong Kong– based de Sarthe Gallery, which opened in the Caochangdi arts district in April. The show “Borderless,” which runs through the end of this month, is devoted to the work of
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Here is a quote: "De Sarthe Gallery has, in the past 6 years, solidified their place in the Hong Kong art scene with headlining exhibitions, beginning with ‘Zao Wou-Ki Paintings: 1950s-1960s’, following up with the sophomore show of American artist David LaChapelle, and continuing with other
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The inaugural exhibition at de Sarthe Beijing is devoted to the work of the Beijing-born multimedia and installation artist Zhou Wendou, who completed advanced studies in fine art at the University of Complutense in Madrid after graduating from the Central Academy of Art and Design in
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The de Sarthe show tracks Mr. Zao’s evolution through the 1950s and ’60s. Two of the earlier pieces, “Bateaux au Port” (1952) and “Corrida” (1953), are still clearly figurative, showing the sketched outlines of sailing ships and bullfighting. These are also from Mr. Zao’s “Klee
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Pascal de Sarthe, who has been dealing in Zao works for about 15 years, had to ask longtime clients for loans to cobble together 10 Zao paintings for the debut of his new gallery, de Sarthe Fine Art, in Hong Kong last month. The night before the opening, only three were left
717:, same thing: For a monthly fee of only US$ 125 Ocula offers members a fully managed and comprehensive profile with features designed to raise international visibility, increase visitor engagement and deliver qualified sales leads on artworks. Did I miss anything else?
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well-received solo as well as group shows, such as ‘Gutai’ and ‘Pioneers of Chinese Modern Paintings in Paris’. The article's author wrote a positive review about the gallery following an interview with de Sarthe. I do not consider this positive review to be an
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Hong Kong-based stalwart de Sarthe Gallery, which represents a diverse roster of international artists with a particular focus on French Impressionism and modern and postwar Chinese painting, opened a new space in Beijing’s Caochangdi gallery district on April
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The Ice House Street gallery in Central was keen to show how Western art shaped these Chinese artists who worked in the French capital and inspired a yearning to break away from the old Chinese traditions in their
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Top-tier gallery de Sarthe has announced its expansion to Hong Kong’s new up-and-coming art district, Wong Chuk Hang. It will join the area’s 26 other art galleries, including Rossi & Rossi and Pékin Fine
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When de Sarthe Gallery sought a place at Art Basel Hong Kong, they wanted to continue a dialogue that started in the early 20th century between Paris-influenced Chinese artists and their Western abstract
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Lin Jingjing. Earlier in the year, a rock-climbing wall was installed as part of Andrew Luk's one-week presentation titled "Practice" (9/2–9), concluding the gallery's inaugural artist residency program.
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Mr. de Sarthe, a French-born dealer who was based in the United States before his recent move to Asia. ... The show, “Zao Wou-ki Paintings: 1950s-1960s,” will be on view at the gallery through April 29.
769:(notice I did not say "professional editor") lends more weight to the deletion argument. I mean, the article is keeling over as it is, yet aren't paid editors supposedly niftier than us plebeians?-
1403:, or evaluation of the product, company, or organization. Such coverage provides an organization with a level of attention that extends well beyond brief mentions and routine announcements, and
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attracted, as with other galleries which have opened in the area, by the lower rents and the easier access with the opening of the MTR South Island Line at the end of 2016.
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about a defamation lawsuit (resolution not included in the article) and the failure to pay former executives and freelancers do not cast into doubt the reliability of
709:, a source that Justlettersandnumbers removed, but I think it's unnecessary. Artsy is there to "Promote your works and artists to the largest online art audience" per
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per Cunard's sources. There's just enough beyond routine exhibition announcements - we now need to get the info into the article instead of just on the talk page.
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The depth of coverage of the subject by the source must be considered. Trivial or incidental coverage of a subject is not sufficient to establish notability.
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This includes detailed analysis of De Sarthe's history. The article notes that the June 2017 edition of the quarterly publishes an interview with de Sarthe.
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The sources I linked above provide "deep coverage" about the subject. They provide analysis of the company. They make "it possible to write more than a
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reopening of the Hong Kong Museum of Art, and distribution of grants for artists and nonprofit organizations by the Arts Development Council.
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de Sarthe Gallery represents international artists with a particular focus on French Impressionism and modern and postwar Chinese painting.
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featuring Gilbert & George, Richard Long, Lin Jingjing, Mariko Mori, Zhao Jinhe, Zhou Wendou, Bernar Venet, and Wang Guofeng.
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It's true that we ought to consider the entire history of the article in a deletion discussion. I don't think we need to discuss
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744:), do you have any thoughts about the sources I provided since the relisting admin would like editors to focus on the sources?
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The creator of the article may not have been remunerated. They requested deletion per {t|db-author}}. We wouldn't be here had
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articles I linked above, which were written by Darryl Wee, Claire Bouchara, and Nicholas Forrest, who are all real people:
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765:: The subject lacks sufficiently convincing evidence of independent notability. The fact that the gallery is employing a
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serious gallery to lower itself to hiring a paid hack to get an entry in an encyclopedia. Until we get better sources:
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That tedious nonsense is largely irrelevant yet you've posted it or a variation of it not only at this article but
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location inside the Global Trade Square building towards the end of the year, joining Japanese gallery Whitestone.
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I don't have a subscription to Barron's. The title indicates that the article is not primarily about de Sarthe.
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The Beijing outpost's inaugural show was "Borderless," which featured the work of Beijing-born Zhou Wendou.
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overview, description, commentary, survey, study, discussion, analysis, or evaluation of the organization
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The previous discussions have been tainted by personal attacks. If you want to topic ban somebody, go to
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ArtAsiaPacific. 2018 supplement, p103-107. 5p. 6 Color Photographs, 1 Black and White Photograph, 1 Map.
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Beijingborn Zhou Wendou, who attended graduate school in Madrid and continues to live there part-time.
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de Sarthe Gallery opened a second outpost at Beijing's Caochangdi gallery district on April 4, 2015.
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said was accurate. Please do not badger this AfD as you have done at other AfDs. If you keep up the
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Sarthe really knows how to utilise the space and present some incredibly innovative exhibitions.
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published multiple articles about de Sarthe Gallery that make "it possible to write more than a
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398:—stop burdening us with the same nonsense that you are posting at so many of these discussions:
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The following discussion is an archived debate of the proposed deletion of the article below.
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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about the organization". Here is information closely paraphrased or copied from the articles:
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https://www.artsy.net/show/de-sarthe-gallery-de-sarthe-gallery-at-art-basel-in-hong-kong-2017
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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and make your case. Otherwise, just focus on the merits of the article and its sources.
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inadequate reliable sources to establish notability, per Vexation's excellent analysis.
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trivial or incidental coverage of a subject is not sufficient to establish notability
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article, which is specifically about the gallery, has very little solid information.
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as group shows, such as ‘Gutai’ and ‘Pioneers of Chinese Modern Paintings in Paris’.
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Gallery at Caochangdi, set up in 2014 as a platform for emerging Chinese artists.
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Mostly quotes from Pascal de Sarthe, referring to opening of Hong Kong location.
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876:"International art dealers in Asia: De Sarthe Gallery, Hong Kong on Asian art"
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1236:. We do not have this in the links painstakingly (and admirably) gathered by
960:"De Sarthe Gallery to Open New Space in South Island Cultural District in HK"
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provides an overview, description, commentary, survey, study, discussion,
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The Beijing outpost is led by Vincent de Sarthe, Pascal de Sarthe's son.
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Pascal and Sylvie de Sarthe launched de Sarthe Gallery in Paris in 1977.
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Knowledge:Notability (organizations and companies)#Significant coverage
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Sarthe is the first to open with a significant show by an Asian artist.
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1386:, for changing from "delete" to "keep" after I posted the sources.
1105:"De Sarthe gallery revives French connection with Chinese artists"
999:"What Chinese Galleries Will Show at Sydney Contemporary Art Fair"
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170 galleries featured in the main Galleries section of the fair.
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The above discussion is preserved as an archive of the debate.
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mentions of the gallery, with almost all the texts being about
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and walls of text, I would say you are headed for a topic ban.
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This business apparently does not satisfy our new and improved
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In 2011, the de Sarthes moved de Sarthe Gallery to Hong Kong.
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to generate a more thorough discussion and clearer consensus.
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to generate a more thorough discussion and clearer consensus.
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cites the place of publication of an exhibition catalogue of
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to generate a more thorough discussion and clearer consensus.
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52:. Cunard's sources seem to just raise this beyond the bar.
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Yes, and all of those articles were deleted, because what
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to show that the Gallery had a location in San Francisco.
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were given bylines with generic international names." (
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Those sources have now been presented by Cunard below.
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Not independent, just the gallery talking about itself.
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per the significant coverage in multiple independent
1362:Please add new comments below this notice. Thanks,
791:not declined the deletion as "may be notable". See
655:Please add new comments below this notice. Thanks,
382:Please add new comments below this notice. Thanks,
1494:, Claire Bouchara is a digital content manager at
1184:Knowledge:Notability#General notability guideline
715:https://ocula.com/art-galleries/de-sarthe-gallery
705:, that should be obvious. I suppose could review
43:). No further edits should be made to this page.
1610:). No further edits should be made to this page.
1531:provides detailed analysis of the gallery. From
921:"de Sarthe Gallery Unveils New Space in Beijing"
333:list of Visual arts-related deletion discussions
331:Note: This discussion has been included in the
311:Note: This discussion has been included in the
291:Note: This discussion has been included in the
271:Note: This discussion has been included in the
1224:as a guide. And the guideline states that the
1471:http://artloftasia.com/blog/author/darryl-wee/
1266:published in the "luxury lifestyle" magazine
313:list of Hong Kong-related deletion discussions
1484:https://muckrack.com/claire-bouchara/articles
1228:. The guideline goes on to explicitly demand
293:list of Business-related deletion discussions
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109:Help, my article got nominated for deletion!
1099:The 1997 date is a typo. It should be 1977.
479:does verify that de Sarthe participated in
460:Let's look at the available online sources
1503:https://www.instagram.com/theartmarketeye/
1456:is a reliable source. Its parent company,
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711:https://www.artsy.net/gallery-partnerships
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1488:https://www.instagram.com/clairebouchara/
273:list of Arts-related deletion discussions
675:—you are evaluating an article that has
251:to say anything much about it. Even the
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241:notability requirements for companies
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1533:http://www.heart-media.com/magazines
1264:"International art dealers in Asia"
1182:to allow de Sarthe Gallery to pass
1155:More information about the source:
703:https://www.desarthe.com/about.html
1492:https://twitter.com/clairebouchara
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1514:Louise Blouin Media#Controversies
1288:Louise Blouin Media#Controversies
1477:and many other Japanese artists.
1255:, for example, refers to artist
1178:There is sufficient coverage in
1162:Here is the article's abstract:
1146:Chu, Chloe (2018). "Hong Kong".
1069:"Wong Chuk Hang: Ultimate Guide"
997:Forrest, Nicholas (2013-08-21).
481:Art Silicon Valley San Francisco
94:Introduction to deletion process
958:Bouchara, Claire (2016-10-07).
18:Knowledge:Articles for deletion
1253:"Chinese Master, Modern Brush"
824:"Chinese Master, Modern Brush"
1:
1397:Deep or significant coverage
1248:, an artist, the owner, etc.
1230:deep or significant coverage
1220:'s notability? We only have
1103:Kareem, Nazvi (2014-05-15).
249:independent reliable sources
1555:article primarily is about
1527:The quarterly art magazine
1512:The other controversies at
1427:very brief, incomplete stub
1416:very brief, incomplete stub
1407:very brief, incomplete stub
596:per Cunard's sources below.
84:(AfD)? Read these primers!
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1591:20:13, 2 August 2018 (UTC)
1290:.) And so on and so forth.
1067:Lai, Olivia (2017-07-21).
1032:Wee, Darryl (2017-12-08).
919:Wee, Darryl (2015-04-06).
874:Wang, Nadya (2017-05-29).
64:22:22, 2 August 2018 (UTC)
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1372:05:17, 25 July 2018 (UTC)
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1307:15:28, 24 July 2018 (UTC)
1205:09:05, 24 July 2018 (UTC)
822:Lau, Joyce (2011-03-31).
803:14:09, 23 July 2018 (UTC)
779:13:48, 23 July 2018 (UTC)
754:01:01, 29 July 2018 (UTC)
727:11:50, 18 July 2018 (UTC)
693:08:02, 18 July 2018 (UTC)
666:23:36, 17 July 2018 (UTC)
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606:01:46, 26 July 2018 (UTC)
583:19:27, 17 July 2018 (UTC)
561:10:50, 24 July 2018 (UTC)
543:21:26, 13 July 2018 (UTC)
452:20:31, 17 July 2018 (UTC)
426:14:03, 13 July 2018 (UTC)
1600:Please do not modify it.
1418:about the organization".
1110:South China Morning Post
389:07:26, 9 July 2018 (UTC)
365:16:28, 3 July 2018 (UTC)
345:13:58, 3 July 2018 (UTC)
325:23:35, 2 July 2018 (UTC)
305:23:35, 2 July 2018 (UTC)
285:23:35, 2 July 2018 (UTC)
265:23:32, 2 July 2018 (UTC)
253:South China Morning Post
32:Please do not modify it.
1507:http://www.thealist.art
1251:The NYT archived text
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82:Articles for deletion
1216:How do we justify a
1458:Louise Blouin Media
1169:The article notes:
677:already been gutted
489:Paul Kasmin Gallery
1552:The New York Times
1357:Relisting comment:
1127:The article notes:
1091:The article notes:
1056:The article notes:
1021:The article notes:
982:The article notes:
943:The article notes:
896:The article notes:
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118:De Sarthe Gallery
99:Guide to deletion
89:How to contribute
70:De Sarthe Gallery
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381:
379:
377:
234:
233:
219:
171:
159:
141:
79:
61:
34:
1626:
1625:
1621:
1620:
1619:
1617:
1616:
1615:
1614:
1608:deletion review
1522:
1375:
1347:
1345:
1334:
1328:Julietdeltalima
1327:
1293:We do not have
1286:, but also see
1145:
1120:
1118:
1102:
1084:
1082:
1066:
1049:
1047:
1031:
1014:
1012:
996:
975:
973:
957:
936:
934:
918:
889:
887:
873:
839:
837:
821:
669:
636:
634:
392:
383:
372:
370:
176:
167:
132:
116:
113:
76:
73:
57:
48:The result was
41:deletion review
30:
22:
21:
20:
12:
11:
5:
1624:
1622:
1613:
1612:
1594:
1593:
1575:
1511:
1510:
1499:
1480:
1450:
1449:
1446:
1443:
1440:
1437:
1434:
1384:96.127.242.226
1360:
1355:
1344:
1343:
1342:
1314:
1313:
1312:
1311:
1310:
1309:
1291:
1275:
1260:
1249:
1246:something else
1209:
1208:
1177:
1176:
1149:ArtAsiaPacific
1143:
1100:
1064:
1029:
994:
955:
916:
871:
808:
807:
806:
805:
782:
781:
759:
758:
757:
756:
729:
696:
695:
653:
644:
633:
632:
631:
630:
629:
628:
627:
612:96.127.242.226
598:96.127.242.226
587:
586:
575:96.127.242.226
567:
566:
565:
564:
563:
526:
521:
515:
510:
504:
503:(Paul Kasmin).
485:Robert Indiana
475:
466:
457:
456:
455:
454:
444:96.127.242.226
440:WP:IDONTLIKEIT
429:
428:
380:
369:
368:
367:
349:
348:
328:
308:
288:
237:
236:
173:
112:
111:
106:
96:
91:
74:
72:
67:
46:
45:
25:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
1623:
1611:
1609:
1605:
1601:
1596:
1595:
1592:
1589:
1587:
1585:
1584:
1579:
1576:
1574:
1573:
1569:
1565:
1561:
1558:
1554:
1553:
1547:
1541:
1536:
1534:
1530:
1521:
1520:
1515:
1508:
1504:
1501:According to
1500:
1497:
1493:
1489:
1485:
1482:According to
1481:
1478:
1472:
1468:
1467:
1465:
1464:
1459:
1455:
1454:
1447:
1444:
1441:
1438:
1435:
1432:
1431:
1430:
1428:
1424:
1423:
1417:
1412:
1410:
1408:
1402:
1398:
1392:
1390:
1385:
1381:
1377:
1376:
1373:
1369:
1365:
1359:Final relist.
1358:
1353:
1350:
1341:
1338:
1337:
1331:
1330:
1323:
1319:
1316:
1315:
1308:
1304:
1300:
1296:
1295:verifiability
1292:
1289:
1285:
1280:
1276:
1273:
1269:
1265:
1261:
1258:
1254:
1250:
1247:
1243:
1239:
1235:
1231:
1227:
1223:
1219:
1215:
1214:
1213:
1212:
1211:
1210:
1207:
1206:
1202:
1198:
1193:
1189:
1185:
1181:
1174:
1167:
1160:
1156:
1151:
1150:
1144:
1141:
1137:
1133:
1132:counterparts.
1128:
1117:on 2018-07-24
1116:
1112:
1111:
1106:
1101:
1097:
1092:
1081:on 2018-07-24
1080:
1076:
1075:
1070:
1065:
1062:
1057:
1046:on 2018-07-24
1045:
1041:
1040:
1035:
1030:
1027:
1022:
1011:on 2018-07-24
1010:
1006:
1005:
1000:
995:
992:
988:
983:
972:on 2018-07-24
971:
967:
966:
961:
956:
953:
949:
944:
933:on 2018-07-24
932:
928:
927:
922:
917:
913:
909:
906:
902:
897:
886:on 2018-07-24
885:
881:
877:
872:
869:
865:
862:
858:
855:
852:
847:
836:on 2018-07-24
835:
831:
830:
825:
820:
819:
817:
813:
810:
809:
804:
800:
796:
793:
790:
786:
785:
784:
783:
780:
776:
772:
768:
764:
761:
760:
755:
751:
747:
743:
740:
737:
733:
730:
728:
724:
720:
716:
712:
708:
704:
700:
699:
698:
697:
694:
690:
686:
682:
678:
674:
671:
670:
667:
664:
662:
660:
659:
651:
647:
642:
639:
625:
621:
617:
613:
609:
608:
607:
603:
599:
595:
591:
590:
589:
588:
585:
584:
580:
576:
572:
568:
562:
558:
554:
550:
546:
545:
544:
540:
536:
532:
527:
524:
522:
518:
516:
513:
511:
507:
505:
502:
498:
494:
490:
486:
482:
478:
476:
473:
472:Marie Raymond
469:
467:
464:
462:
461:
459:
458:
453:
449:
445:
441:
437:
433:
432:
431:
430:
427:
423:
419:
415:
411:
407:
403:
402:
397:
394:
393:
390:
386:
385:North America
378:
375:
366:
363:
360:
356:
351:
350:
346:
342:
338:
334:
329:
326:
322:
318:
314:
309:
306:
302:
298:
294:
289:
286:
282:
278:
274:
269:
268:
267:
266:
262:
258:
254:
250:
246:
242:
232:
228:
225:
222:
218:
214:
210:
207:
204:
201:
198:
195:
192:
189:
186:
182:
179:
178:Find sources:
174:
170:
166:
163:
157:
153:
149:
145:
140:
136:
131:
127:
123:
119:
115:
114:
110:
107:
104:
100:
97:
95:
92:
90:
87:
86:
85:
83:
78:
71:
68:
66:
65:
62:
60:
55:
51:
44:
42:
38:
33:
27:
26:
19:
1599:
1597:
1583:TimTempleton
1582:
1577:
1562:
1550:
1549:
1538:
1529:Art Republik
1528:
1526:
1517:
1475:
1461:
1451:
1420:
1419:
1404:
1400:
1396:
1394:
1387:
1356:
1346:
1332:
1325:
1317:
1267:
1245:
1241:
1232:which means
1195:
1171:
1164:
1158:
1154:
1147:
1138:
1134:
1130:
1126:
1119:. Retrieved
1115:the original
1108:
1094:
1090:
1083:. Retrieved
1079:the original
1072:
1059:
1055:
1048:. Retrieved
1044:the original
1037:
1024:
1020:
1013:. Retrieved
1009:the original
1002:
989:
985:
981:
974:. Retrieved
970:the original
963:
950:
946:
942:
935:. Retrieved
931:the original
924:
910:
907:
903:
899:
895:
888:. Retrieved
884:the original
880:Art Republik
879:
866:
863:
859:
856:
853:
849:
845:
838:. Retrieved
834:the original
827:
811:
762:
738:
657:
645:
635:
593:
570:
569:
548:
530:
501:Bernar Venet
493:Yayoi Kusama
400:
371:
354:
252:
238:
226:
220:
212:
205:
199:
193:
187:
177:
164:
75:
58:
49:
47:
31:
28:
1546:infomercial
1525:s articles.
1519:Art+Auction
1463:Art+Auction
1453:Art+Auction
1422:Art+Auction
1378:Thank you,
1272:infomercial
1192:independent
1039:Art+Auction
1004:Art+Auction
965:Art+Auction
926:Art+Auction
789:Atlantic306
203:free images
1557:Zao Wou-Ki
1257:Zao Wou-Ki
1242:incidental
1121:2018-07-24
1085:2018-07-24
1050:2018-07-24
1015:2018-07-24
976:2018-07-24
937:2018-07-24
890:2018-07-24
840:2018-07-24
658:Ritchie333
592:Change to
520:incorrect.
1604:talk page
1578:Weak keep
1380:Vexations
1364:Vanamonde
1299:The Gnome
1279:interview
1190:that are
1136:artworks.
795:Vexations
771:The Gnome
719:Vexations
673:Vexations
616:The Gnome
553:Vexations
535:Vexations
355:Weak keep
337:Vexations
37:talk page
1606:or in a
1401:analysis
1349:Relisted
1262:We have
1074:Time Out
952:Beijing.
861:period.”
742:contribs
732:Bus stop
685:Bus stop
638:Relisted
418:Bus stop
374:Relisted
162:View log
103:glossary
39:or in a
1496:Bonhams
1218:gallery
851:unsold.
209:WP refs
197:scholar
135:protect
130:history
80:New to
1564:Cunard
1490:, and
1391:says:
1335:(talk)
1322:WP:ORG
1318:Delete
1284:Source
1238:Cunard
1222:WP:ORG
1197:Cunard
763:Delete
746:Cunard
650:WP:ANI
571:Delete
531:delete
499:) and
412:, and
359:Deryck
317:Hhkohh
297:Hhkohh
277:Hhkohh
181:Google
139:delete
1469:From
1324:. -
1268:Luxuo
987:Arts.
224:JSTOR
185:books
169:Stats
156:views
148:watch
144:links
16:<
1568:talk
1382:and
1368:talk
1303:talk
1201:talk
812:Keep
799:talk
775:talk
750:talk
736:talk
723:talk
689:talk
620:talk
602:talk
594:Keep
579:talk
557:talk
549:Keep
539:talk
448:talk
422:talk
414:here
410:here
406:here
341:talk
321:talk
301:talk
281:talk
261:talk
217:FENS
191:news
152:logs
126:talk
122:edit
54:ansh
50:keep
1297:. -
908:...
864:...
857:...
679:by
491:),
247:in
231:TWL
160:– (
59:666
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