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870:(Museum of London) that does not necessarily advance notability. A source on an object or item can be perfectly acceptable to support content without advancing notability on itself yet give credibility of the subject to which it belongs or is attributed to. Not to mention that creating articles is a worthy goal but we should not do so when it would be better served in a parent article that would expand and enhance it. There are literally millions of artifacts and items in museums around the world. Those that receive multiple reliable and independent sourcing is deserving a stand alone article. Also, Twitter is among those considered as an unreliable source as a social network and generally removed. Another factor is I seem to have run into more than one 896:
are being penalised by having been unattended by wikipedia editors for years. As you make note here, all the links are dead and it was poorly put together to begin with. That said, I've already found offline sources on Atheron's article to back-up dead-links and exxpect to do the same on all these too. Did the news article I posted above warrant coverage for notability's sake by the way? I realise I don't think it's referenced in the article?
612:, either on Social Media or elsewhere not recognised as a valid reference within the context of the article? Especially when that reference links Atherton to the @LondonersLondon twitter account, which establishes the connection between him, the twitter account and the museum and places his diary in the exhibition and contextualises its import by using the image of 608:
seems to thik that isn't Third Party coverage of the event which seems extremely odd to me. As you've rightly pointed out, notability of an individual can be established by having work collected into a Museum, but it doesn't then follow that that work is notable? As for the Twitter reference, why is communications from the institution of the
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I've found myself embroiled in a lot of debates, when my focus was originally just on Atherton's article, but in tidying that up, it's triggered all the AFD's by HouseOfChange on his associated films which had been left alone for in some instances for over a decade. It appears to me that the articles
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but the online links are dead now, so hopefully going to retrieve the articles from the libraries of both. Would that be deemed sufficient press coverage? I also take your point about being insufficient details on Knowledge about Museum Collections and Notability an interesting article on the subject
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as a search yielded nothing of significance. The fact that an individual work of art is in the collection of museum does not in itself indicate notability because there is no guideline on wikipedia that indicates this. However, having the information about this piece being in the museum collection in
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I think the problem with this, is the object can be interpreted as three things, a diary, a film or an artwork. As a film the Museum of London could then be seen as a Secondary Source in it's own right under the inclusionary rule "Some films that do not pass the above tests may still be notable, and
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It's possible that these sources would help. It really depends on how significant the coverage in those articles is, and if the art work is the main subject of a review or not. If it's only tangentially mentioned as a part of a larger show or if it is mentioned in the context of a press release and
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That's a stretch. Let's continue by putting that guideline in context with the next sentence "The article's ability to attest to a film's notability through verifiable sources is significant." In other words, there has to be some sort of significant tangible pieces (emphasis on plural/multiple) of
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had broad consensus to use the inclusion of a work in a museum as confering notability on the artist, but it is not transferable to the artwork itself. I agree that wikipedia has a policy gap in this content area, and I personally would support an official guideline for the inclusion of artwork in
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The nature of the event, means it wouldn't be reviewed it would be reported upon, The Showcase show (as mentioned above) was to acknowledge the collection of Atherotn's Video Diary into the Museum of London. It was covered with an interview with Atherton on the news, which is cited above. Duffbeer
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or others that are relevant. I do agree that bringing up issues in this area at WikiProject Film a good idea. "The fact that an individual work of art is in the collection of museum does not in itself indicate notability" is true. A museum reporting or covering a piece of artwork or article on
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whilst drafting the article and before the experienced editor published from the "Articles for Creation" process. The over-riding criteria for this being accepted by Reader was that it was taken into the permanent collection of the
582:. One of the main issues with the article as it stands is it's use of primary source material (which is not good) and its use of highly inappropriate references like twitter. If you have questions about sourcing, please read 860:
and not in opposition or exception to them. When it seems or is deemed there is a lack of policy or specific guideline coverage to me there does not become a "gap", or hole to be possibly exploited, but we fall back on
215: 852:; I feel that I am "well versed" in policies and guidelines but that is sometimes subjected to bold changes and interpretations sometimes not actually vetted. I am among those that feel guidelines like 557:"There is as yet no specific Notability guideline written for museum objects or artworks and I believe this to be one of the greatest issues hindering greater Museum-Knowledge collaboration." 418:. Though press coverage in this instance would seem irrelevant to notability as it would simply be a measure of popularity as the notability would have been established by the institution. 474:
the absence of such a redirect would suggest that such an invention is, as yet, not widely recognised, which further complicates the issue of Notability as this would appear to be a first.
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as the standard which requires a certain level of sourcing. Unfortunately, announcements about a work are considered standard PR for the museum and do not contribute to
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I don't know if I am the best person to answer that question. I am well versed in policy, but you are digging into an obscure area. I suggest you ask this question at
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which houses over a million objects, it thus makes it a unique proposition and therefore made notable by the academic acceptance of selection.
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Non-notable film. Promotional article created and inflated by COI editor whose many edits focus on promoting London filmmaker Paul Atherton.
55:. There is a clear consensus that the article should not exist as is, and the next most supported option is the proposed merge and redirect. 411: 141: 136: 829:. This is a direct indication that the article does not warrant stand-alone status so if this option is not deemed viable I will agree to 145: 128: 767:. Are there are any excpetional films, that do not comply with the "above tests" and if so what were the conditions they passed on? 759:
Which appears oxymoronic to me. The statement opens with "Some films that do not pass the above tests" which includes the tests of
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museums. However, that is not the policy currently in use and, in the absence of a consensus based guideline, we must use
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makes the issue clear, though it surprised me that there have been no further developments on this issue for nine years?
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Third Party coverage of the event is going to focus on him, it's his Video Diary, It's his and his son's life.
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and see if others would support that interpretation. Who knows, you may find consensus to support you there.
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Surely if the show "Recording A Life" wasn't of news interest, Atherton wouldn't have been invited onto the
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The following discussion is an archived debate of the proposed deletion of the article below.
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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The film was taken into the Museum of London's collection through an exhibition entitled
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evidence of the work's importance as dictated by other core policies like
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where it was screened, and did receive coverage in the media including on
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the article on the artist would help that article by showing he meets
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The above discussion is preserved as an archive of the debate.
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to generate a more thorough discussion and clearer consensus.
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Talking about your own film is not independent coverage.
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list of United Kingdom-related deletion discussions
866:display, even if Tweeter was accepted, would be a 319:as cited and on that basis is therefore notable. 43:). No further edits should be made to this page. 968:). No further edits should be made to this page. 363:Note: This discussion has been included in the 282:Note: This discussion has been included in the 262:Note: This discussion has been included in the 690:Video-Diary in the Museum of London Collection 578:not a review than it would not count towards 236: 8: 470:on Knowledge and should in fact redirect to 365:list of England-related deletion discussions 116:Help, my article got nominated for deletion! 542:'s suggestion, I am attmepting to tidy up 362: 281: 261: 684:should be evaluated on their own merits" 656:. The artwork being reviewed would count. 264:list of Film-related deletion discussions 466:incorrectly in my opinion, redirects to 732:Knowledge:Reliable sources/Noticeboard 7: 24: 863:the general notability guidelines 310:declared her COI with the editor 101:Introduction to deletion process 904:) 13:22, 25 October 2019 (UTC) 794:Knowledge talk:WikiProject Film 18:Knowledge:Articles for deletion 1: 933:is in the Museum of London's 505:. On its own, the work fails 947:18:01, 26 October 2019 (UTC) 914:14:50, 25 October 2019 (UTC) 884:11:54, 25 October 2019 (UTC) 843:11:54, 25 October 2019 (UTC) 806:09:51, 25 October 2019 (UTC) 777:08:37, 25 October 2019 (UTC) 744:20:14, 24 October 2019 (UTC) 702:19:13, 24 October 2019 (UTC) 666:16:32, 24 October 2019 (UTC) 629:16:10, 24 October 2019 (UTC) 596:11:01, 24 October 2019 (UTC) 569:08:45, 24 October 2019 (UTC) 524:17:47, 23 October 2019 (UTC) 484:08:45, 24 October 2019 (UTC) 446:02:11, 23 October 2019 (UTC) 428:12:09, 22 October 2019 (UTC) 397:04:13, 19 October 2019 (UTC) 377:02:17, 16 October 2019 (UTC) 356:02:09, 16 October 2019 (UTC) 329:20:46, 14 October 2019 (UTC) 71:00:54, 27 October 2019 (UTC) 50:Selective Merge/Redirect to 296:02:27, 9 October 2019 (UTC) 276:15:43, 8 October 2019 (UTC) 256:15:43, 8 October 2019 (UTC) 91:(AfD)? Read these primers! 985: 306:The author of the article 720:Knowledge:Reliable source 957:Please do not modify it. 923:Selective Merge/Redirect 856:work with those such as 823:Selective Merge/Redirect 499:Selective Merge/Redirect 32:Please do not modify it. 688:. As this is the only 825:to Paul Atherton per 89:Articles for deletion 412:"Recording A Life" 548:Time Out Magazine 379: 358: 298: 278: 106:Guide to deletion 96:How to contribute 976: 959: 894: 791: 758: 724:WP:VERIFIABILITY 716: 682: 643: 610:Museum of London 584:WP:VERIFIABILITY 552:Evening Standard 416:London Live News 345: 343: 341: 317:Museum of London 241: 240: 226: 178: 166: 148: 125:Our London Lives 86: 77:Our London Lives 63: 34: 984: 983: 979: 978: 977: 975: 974: 973: 972: 966:deletion review 955: 888: 785: 752: 710: 676: 637: 359: 336: 334: 312:ReaderOfThePack 183: 174: 139: 123: 120: 83: 80: 57: 48:The result was 41:deletion review 30: 22: 21: 20: 12: 11: 5: 982: 980: 971: 970: 950: 949: 919: 918: 917: 916: 868:primary source 846: 845: 819: 818: 817: 816: 815: 814: 813: 812: 811: 810: 809: 808: 780: 779: 747: 746: 705: 704: 673: 672: 671: 670: 669: 668: 632: 631: 599: 598: 572: 571: 527: 526: 495: 494: 493: 492: 491: 490: 489: 488: 487: 486: 449: 448: 431: 430: 400: 399: 381: 380: 344: 333: 332: 331: 300: 299: 279: 244: 243: 180: 119: 118: 113: 103: 98: 81: 79: 74: 46: 45: 25: 23: 15: 14: 13: 10: 9: 6: 4: 3: 2: 981: 969: 967: 963: 958: 952: 951: 948: 944: 940: 939:- ChrisWar666 936: 932: 928: 927:Paul Atherton 924: 921: 920: 915: 911: 907: 906:Itsallnewtome 903: 899: 898:Itsallnewtome 892: 887: 886: 885: 881: 877: 873: 869: 864: 859: 855: 851: 848: 847: 844: 840: 836: 832: 828: 824: 821: 820: 807: 803: 799: 795: 789: 788:Itsallnewtome 784: 783: 782: 781: 778: 774: 770: 769:Itsallnewtome 766: 762: 756: 751: 750: 749: 748: 745: 741: 737: 733: 729: 725: 721: 714: 713:Itsallnewtome 709: 708: 707: 706: 703: 699: 695: 694:Itsallnewtome 691: 687: 680: 675: 674: 667: 663: 659: 655: 651: 646: 641: 640:Itsallnewtome 636: 635: 634: 633: 630: 626: 622: 621:Itsallnewtome 619: 618:WP:Twitter-EL 615: 611: 606: 603: 602: 601: 600: 597: 593: 589: 585: 581: 576: 575: 574: 573: 570: 566: 562: 561:Itsallnewtome 558: 555:back in 2010 553: 549: 545: 544:Paul Atherton 541: 537: 534: 531: 530: 529: 528: 525: 521: 517: 513: 508: 504: 503:Paul Atherton 500: 497: 496: 485: 481: 477: 476:Itsallnewtome 473: 469: 465: 461: 457: 453: 452: 451: 450: 447: 443: 439: 438:duffbeerforme 435: 434: 433: 432: 429: 425: 421: 420:Itsallnewtome 417: 413: 409: 406: 405: 404: 403: 402: 401: 398: 394: 390: 389:duffbeerforme 386: 383: 382: 378: 374: 370: 366: 361: 360: 357: 353: 349: 342: 339: 330: 326: 322: 321:Itsallnewtome 318: 313: 309: 305: 302: 301: 297: 293: 289: 288:Coolabahapple 285: 280: 277: 273: 269: 268:HouseOfChange 265: 260: 259: 258: 257: 253: 249: 248:HouseOfChange 239: 235: 232: 229: 225: 221: 217: 214: 211: 208: 205: 202: 199: 196: 193: 189: 186: 185:Find sources: 181: 177: 173: 170: 164: 160: 156: 152: 147: 143: 138: 134: 130: 126: 122: 121: 117: 114: 111: 107: 104: 102: 99: 97: 94: 93: 92: 90: 85: 78: 75: 73: 72: 69: 68: 64: 62: 61: 54: 53: 52:Paul Atherton 44: 42: 38: 33: 27: 26: 19: 956: 953: 922: 862: 849: 830: 827:User:4meter4 822: 614:Samuel Pepys 540:Girth Summit 532: 498: 407: 384: 335: 303: 245: 233: 227: 219: 212: 206: 200: 194: 184: 171: 82: 66: 59: 58: 49: 47: 31: 28: 765:WP:Reliable 464:Video diary 460:Independent 308:Amanda Paul 210:free images 935:collection 645:WP:NARTIST 550:& the 512:WP:NARTIST 962:talk page 931:this film 872:dead link 654:WP:SIGCOV 580:WP:SIGCOV 507:WP:SIGCOV 37:talk page 964:or in a 850:Comments 686:WP:MOVIE 369:feminist 348:feminist 338:Relisted 169:View log 110:glossary 39:or in a 854:NARTIST 798:4meter4 755:4meter4 736:4meter4 679:4meter4 658:4meter4 605:4meter4 588:4meter4 536:4meter4 533:Comment 516:4meter4 408:Comment 216:WP refs 204:scholar 142:protect 137:history 87:New to 891:Otr500 876:Otr500 835:Otr500 831:Delete 761:WP:GNG 728:WP:GNG 726:, and 650:WP:GNG 458:. 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Index

Knowledge:Articles for deletion
talk page
deletion review
Paul Atherton
bd2412
T
00:54, 27 October 2019 (UTC)
Our London Lives

Articles for deletion
How to contribute
Introduction to deletion process
Guide to deletion
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Help, my article got nominated for deletion!
Our London Lives
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