643:Ă 29 ans, un Ăąge qui sonne bien souvent le glas d'une carriĂšre chez les tops, Saskia se fait trĂšs vite une place. En 2010, elle dĂ©file pour Balenciaga et Givenchy. Et tape dans l'Ćil de Riccardo Tisci qui la propulse Ă©gĂ©rie de sa collection en 2011. Il l'aime tellement qu'elle dĂ©file Ă©galement pour sa collection homme. Dans la foulĂ©e, le crĂ©ateur italien la prĂ©sente Ă Carine Roitfeld, alors patronne de « Vogue Paris ». SubjuguĂ©e par sa silhouette masculine, elle la prend sous son aile et lui consacre un numĂ©ro. Sa coupe Ă la Jeanne d'Arc fait aussi son petit effet chez Chanel oĂč Karl Lagerfeld lui fait ouvrir et fermer son dĂ©filĂ© haute couture en 2011. En 2012, elle fait encore mieux : elle devient le nouveau visage de Chanel. Bref, une star est nĂ©e. (Tr: At 29, an age that often marks the end of a career with the tops, Saskia quickly carved out a place. In 2010, she walked for Balenciaga and Givenchy. And it catches the eye of Riccardo Tisci, who propels her as the face of his collection in 2011. He loves her so much that she also walks for her men's collection. In the process, the Italian designer presents it to Carine Roitfeld, then patron of "Vogue Paris". Captivated by her masculine figure, she takes it under her wing and devotes an issue to her. Her Joan of Arc cut also had an effect at Chanel, where Karl Lagerfeld had her open and close her haute couture show in 2011. In 2012, she did even better: she became the new face of Chanel. In short, a star is born.)
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In her case, campaigns for Armani, Chanel, Givenchy, Versace, etc.), and is seen as notable for having a great career âover 25â (Christ.) but itâs hard to find enough significant coverage to keep the actual article out of. Iâve seen things in Vogue and what not, but sadly itâs not sufficient
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The industry icons are models who have built stellar careers, they've snagged every cover, walked every show, booked every campaign, and lived to tell the tale. Before you can be a true supermodel, you have to become one of the industry's preferred stars and these girls are all bonafide
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I didnât ask you if AfD was cleanup. One of the many issue templates said that the articleâs only attribution was a primary source. I considered whether or not general notability was met.
412:: "When the Dutch artist and fashion model Saskia de Brauw first started traveling to New York for work, eight or so years ago, she found the city âa really overwhelming place.â NYtimes
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These sources barely substantiate the contents of the article (which had about 5 issue notices before I removed 3 of them). Net-a-porter, at the end of the day, is a clothing website.
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The problem is, she is a notable model in that she is considered an "industry icon" (not exactly a supermodel, but someone who has had longevity in the industry. Or
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Her androgynous look led to the project that perhaps best unites her artistic and modeling skills â the 2013 video for David Bowie's "
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420:: "Saskia de Brauw and Vincent van de Wijngaard Go Off the Grid With a Multimedia Project, Ghosts Donât Walk in Straight Lines".
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Then I guess we will need to have a shorter article. There are many, many sources out there. GNG is clearly established.
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The following discussion is an archived debate of the proposed deletion of the article below.
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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416:: "A Walk Through Manhattan With Saskia de Brauw" Vogue
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628:"Saint Laurent Paris : qui est Saskia de Brauw?"
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