819:, in cases like this it is often better to let the AfD run its course and show a consensus on the subject's non-notability. This can be helpful in the event of future recreation, and this may well happen. The paid editing operation behind this article and dozens of others is relentless. They have re-created deleted articles multiple times using different throw-away sock accounts each time, including the ploy used here where one sock creates the draft and another sock moves it into article space. Alternatively, the subject might choose a different paid editing "service".
575:. The theatrical career (as actor and/or director) is referenced to theatricalia.com. and uktw.co.uk, both of which are databases with user-generated content or not referenced at all. There are no reviews of his performances or productions and they were all in small provincial theatres. The only review from an independent source was in the Oxford student paper for his theatrical adaptation of
626:
649:"While script associate Peter Kenvyn also takes credit in a programme note for the translations, at least six of the songs, to my reckoning, are delivered in the English versions that were first heard in Mort Shuman and Eric Blau’s celebrated 1966 off-Broadway compilation, Jacques Brel Is Alive and Well and Living in Paris."
255:
It's very strange. The infobox stated that Peter Kenvyn Jones had a CBE and MC. I sent an email to him to check whether this was correct, and within minutes of listing this AfD and making the email query, these honorifics were removed, not by the article's creator but by another new editor who had
237:
This seems to be a vanity biography created by a single-purpose account with a likely undeclared conflict of interest. The subject has had a career in provincial theatre and the media but I can find no substantial coverage in reliable independent sources to provide notability.
583:
have only passing mentions of him. As an added note, the shenanigans re the phony CBE and
Military Cross and the moving of the article out of Draft space strongly suggest undeclared paid editing and quite possibly socking as well.
206:
511:
mentions I could find for this individual, given that the article claims he is a CBE. I was able to find only glancing mentions in reliable sources, nothing that would indicate notability under either
344:
384:
272:
I think I can also contribute to the debate, I was the one that move the page. I looked through the whole article before moving it with the taught that it will also be looked at by other editors.
629:. In my view that's still not enough to pass any of the criteria cited above. Worse, there are several assertions in this article which appear to be untrue, e.g. him having some sort of role in
627:"Laurels should be heaped on Peter Kenvyn, a comedy writer of considerable TV and radio experience, for coming up with a sparkling translation which has all sorts of contemporary resonance"
444:
200:
159:
484:
464:
364:
606:
424:
404:
91:
106:
166:
635:. Or, very misleading. For example, the small part of Prince Albert was in a program produced by the BBC, but it was for the children's TV program
132:
127:
136:
119:
665:
86:
79:
17:
221:
188:
605:. The subject used "Peter Kenvyn" (without "Jones") as his professional name until the early 2000s. Under that name, I found
546:
100:
96:
648:
761:
pages created by banned or blocked users in violation of their ban or block, and that have no substantial edits by others
868:
641:, not a mainstream production. The various credits taken for Jacques Brel translations are also dubious. The critic in
40:
182:
524:
752:
845:
828:
810:
768:
727:
710:
669:
593:
551:
528:
496:
476:
456:
436:
416:
396:
376:
356:
333:
312:
288:
265:
247:
61:
178:
755:, a prolific sockmaster and paid editing operation. The article possibly qualifies for speedy deletion under
123:
536:. The Clacton Gazette and The Oxford Student are both reliable sources, although not a national newspaper.
653:
824:
764:
661:
589:
284:
228:
864:
786:
520:
115:
67:
36:
694:
568:
564:
261:
243:
698:
279:
To the issue of editing the article earlier today, I guess the duties of editors is to fix articles.
841:
806:
723:
706:
329:
308:
214:
560:
516:
512:
736:
631:
571:. There are no reviews of his compositions. They are all "referenced" by his postings of them at
542:
194:
820:
798:
740:
677:
657:
585:
297:
280:
75:
29:
The following discussion is an archived debate of the proposed deletion of the article below.
863:
Subsequent comments should be made on the appropriate discussion page (such as the article's
743:
aka "Armyman", who moved it from draft to article space and removed the spurious claims to a
300:
35:
Subsequent comments should be made on the appropriate discussion page (such as the article's
778:
492:
472:
452:
432:
412:
392:
372:
352:
57:
782:
833:
611:
321:
257:
239:
794:
756:
508:
837:
816:
802:
748:
719:
702:
325:
304:
538:
579:
performed by the Oxford
Theatre Guild, an amateur company. The references from the
153:
488:
468:
448:
428:
408:
388:
368:
348:
53:
637:
572:
643:
621:
751:, have been confirmed by a checkuser as socks of the indefinitely blocked
781:
records 8 June 2018 as the date on which the article was created. The
859:
The above discussion is preserved as an archive of the debate.
744:
256:
previously moved the article out of the creator's draftspace.
697:. May otherwise be notable, and handsomely too, but not for
345:
list of Actors and filmmakers-related deletion discussions
385:
list of Bands and musicians-related deletion discussions
149:
145:
141:
213:
619:
and a mention of his translation in a 1991 review in
320:
You've been in
Knowledge (XXG) "since October 2010,"
785:
was banned on 8 August 2016. The contested article "
227:
43:). No further edits should be made to this page.
871:). No further edits should be made to this page.
483:Note: This discussion has been included in the
463:Note: This discussion has been included in the
443:Note: This discussion has been included in the
423:Note: This discussion has been included in the
403:Note: This discussion has been included in the
383:Note: This discussion has been included in the
363:Note: This discussion has been included in the
343:Note: This discussion has been included in the
445:list of Television-related deletion discussions
801:. This AfD has just been rendered redundant. -
507:I was actually a little surprised at how few
8:
485:list of England-related deletion discussions
465:list of Theatre-related deletion discussions
365:list of Authors-related deletion discussions
107:Help, my article got nominated for deletion!
651:
482:
462:
442:
425:list of Radio-related deletion discussions
422:
402:
382:
362:
342:
405:list of Film-related deletion discussions
559:Comprehensively fails the criteria for
18:Knowledge (XXG):Articles for deletion
7:
615:of his 2001 performance in the play
718:per lack of significant coverage.
24:
92:Introduction to deletion process
324:. It should not be "strange." -
625:of a Pierre de Marivaux play:
1:
779:history of the contested page
676:Above unsigned commentary by
735:Both the article's creator,
693:per nomination, for failing
296:Striking off commentary by
82:(AfD)? Read these primers!
888:
846:12:27, 13 July 2018 (UTC)
829:12:16, 13 July 2018 (UTC)
811:11:47, 13 July 2018 (UTC)
769:14:12, 12 July 2018 (UTC)
753:User:Daniel Kobe Ricks Jr
313:11:47, 13 July 2018 (UTC)
62:07:08, 15 July 2018 (UTC)
861:Please do not modify it.
728:02:11, 9 July 2018 (UTC)
711:20:10, 8 July 2018 (UTC)
670:13:21, 8 July 2018 (UTC)
594:10:44, 8 July 2018 (UTC)
552:09:05, 8 July 2018 (UTC)
529:06:48, 8 July 2018 (UTC)
497:06:32, 8 July 2018 (UTC)
477:06:32, 8 July 2018 (UTC)
457:06:32, 8 July 2018 (UTC)
437:06:32, 8 July 2018 (UTC)
417:06:32, 8 July 2018 (UTC)
397:06:32, 8 July 2018 (UTC)
377:06:32, 8 July 2018 (UTC)
357:06:32, 8 July 2018 (UTC)
334:20:10, 8 July 2018 (UTC)
289:13:23, 8 July 2018 (UTC)
266:09:33, 8 July 2018 (UTC)
248:06:29, 8 July 2018 (UTC)
32:Please do not modify it.
797:, as stated above by
80:Articles for deletion
815:On the other hand,
787:Peter Kenvyn Jones
577:Pride and Prejudice
737:User:Artsmusicfeel
116:Peter Kenvyn Jones
68:Peter Kenvyn Jones
741:User:197something
681:
672:
656:comment added by
499:
479:
459:
439:
419:
399:
379:
359:
315:
292:
274:
97:Guide to deletion
87:How to contribute
879:
791:Speedily Deleted
675:
617:The Incarcerator
521:PohranicniStraze
295:
277:
270:
232:
231:
217:
169:
157:
139:
77:
34:
887:
886:
882:
881:
880:
878:
877:
876:
875:
869:deletion review
834:Nolo contendere
699:Knowledge (XXG)
612:The Independent
581:Clacton Gazette
509:reliable source
174:
165:
130:
114:
111:
74:
71:
48:The result was
41:deletion review
30:
22:
21:
20:
12:
11:
5:
885:
883:
874:
873:
855:
854:
853:
852:
851:
850:
849:
848:
772:
771:
749:Military Cross
730:
713:
687:
686:
685:
684:
683:
682:
597:
596:
554:
531:
501:
500:
480:
460:
440:
420:
400:
380:
360:
340:
339:
338:
337:
336:
318:
317:
316:
275:
235:
234:
171:
110:
109:
104:
94:
89:
72:
70:
65:
46:
45:
25:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
884:
872:
870:
866:
862:
857:
856:
847:
843:
839:
835:
832:
831:
830:
826:
822:
818:
814:
813:
812:
808:
804:
800:
796:
792:
788:
784:
780:
776:
775:
774:
773:
770:
766:
762:
758:
754:
750:
746:
742:
738:
734:
731:
729:
725:
721:
717:
714:
712:
708:
704:
700:
696:
692:
689:
688:
679:
674:
673:
671:
667:
663:
659:
655:
650:
646:
645:
640:
639:
634:
633:
628:
624:
623:
618:
614:
613:
608:
604:
601:
600:
599:
598:
595:
591:
587:
582:
578:
574:
570:
566:
562:
558:
555:
553:
550:
548:
544:
540:
535:
532:
530:
526:
522:
518:
514:
510:
506:
503:
502:
498:
494:
490:
486:
481:
478:
474:
470:
466:
461:
458:
454:
450:
446:
441:
438:
434:
430:
426:
421:
418:
414:
410:
406:
401:
398:
394:
390:
386:
381:
378:
374:
370:
366:
361:
358:
354:
350:
346:
341:
335:
331:
327:
323:
319:
314:
310:
306:
302:
299:
294:
293:
291:
290:
286:
282:
276:
273:
269:
268:
267:
263:
259:
254:
253:
252:
251:
250:
249:
245:
241:
230:
226:
223:
220:
216:
212:
208:
205:
202:
199:
196:
193:
190:
187:
184:
180:
177:
176:Find sources:
172:
168:
164:
161:
155:
151:
147:
143:
138:
134:
129:
125:
121:
117:
113:
112:
108:
105:
102:
98:
95:
93:
90:
88:
85:
84:
83:
81:
76:
69:
66:
64:
63:
59:
55:
51:
44:
42:
38:
33:
27:
26:
19:
860:
858:
821:Voceditenore
799:Voceditenore
790:
789:" should be
760:
732:
715:
690:
678:Voceditenore
658:Voceditenore
652:— Preceding
642:
636:
630:
620:
616:
610:
602:
586:Voceditenore
580:
576:
556:
537:
533:
504:
278:
271:
236:
224:
218:
210:
203:
197:
191:
185:
175:
162:
73:
49:
47:
31:
28:
695:WP:CREATIVE
569:WP:MUSICBIO
565:WP:CREATIVE
201:free images
783:sockmaster
638:Blue Peter
607:one review
573:SoundClick
322:Cwmhiraeth
301:sockpuppet
258:Cwmhiraeth
240:Cwmhiraeth
865:talk page
838:The Gnome
817:The Gnome
803:The Gnome
720:Tillerh11
703:The Gnome
644:The Stage
622:The Stage
561:WP:ANYBIO
517:WP:NACTOR
513:WP:ANYBIO
326:The Gnome
305:The Gnome
298:confirmed
37:talk page
867:or in a
666:contribs
654:unsigned
603:Followup
547:contribs
539:Eastmain
160:View log
101:glossary
39:or in a
534:Comment
281:Armyman
207:WP refs
195:scholar
133:protect
128:history
78:New to
739:, and
716:Delete
691:Delete
647:wrote
632:Luther
557:Delete
505:Delete
489:Hhkohh
469:Hhkohh
449:Hhkohh
429:Hhkohh
409:Hhkohh
389:Hhkohh
369:Hhkohh
349:Hhkohh
179:Google
137:delete
54:Michig
50:delete
795:WP:G5
222:JSTOR
183:books
167:Stats
154:views
146:watch
142:links
16:<
842:talk
825:talk
807:talk
793:per
777:The
765:talk
747:and
733:Note
724:talk
707:talk
662:talk
590:talk
567:and
543:talk
525:talk
493:talk
473:talk
453:talk
433:talk
413:talk
393:talk
373:talk
353:talk
330:talk
309:talk
285:talk
262:talk
244:talk
215:FENS
189:news
150:logs
124:talk
120:edit
58:talk
836:. -
763:. (
745:CBE
701:. -
609:in
515:or
303:. -
229:TWL
158:– (
844:)
827:)
809:)
767:)
759::
757:G5
726:)
709:)
668:)
664:•
592:)
563:,
545:•
527:)
519:.
495:)
487:.
475:)
467:.
455:)
447:.
435:)
427:.
415:)
407:.
395:)
387:.
375:)
367:.
355:)
347:.
332:)
311:)
287:)
264:)
246:)
209:)
152:|
148:|
144:|
140:|
135:|
131:|
126:|
122:|
60:)
52:.
840:(
823:(
805:(
722:(
705:(
680:.
660:(
588:(
549:)
541:(
523:(
491:(
471:(
451:(
431:(
411:(
391:(
371:(
351:(
328:(
307:(
283:(
260:(
242:(
233:)
225:·
219:·
211:·
204:·
198:·
192:·
186:·
181:(
173:(
170:)
163:·
156:)
118:(
103:)
99:(
56:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.