51:
260:
247:
228:
204:
181:
154:
284:
127:
274:
279:
17:
50:
115:
77:. The Romantic movement validated intense emotions. The movementwas placing new emphasis on emotions as authentic
111:
245:
212:– I'd initially been unsure of this artwork but the more I've looked at it, the more I've been attracted to it.
221:
199:
135:
119:
74:
236:
90:
174:
150:
93:
of untamed nature and its picturesque qualities: new aesthetic categories, and very different from
78:
213:
194:
82:
162:
146:
268:
257:
86:
254:
Promoted File:John Martin - The Great Day of His Wrath - Google Art
Project.jpg
98:
102:
94:
60:
193:
image brings to life your description of intense emotions very well.
49:
65:. - (This is how it looks like when somebody makes God angry).
89:— especially that which is experienced in confronting the
189:: Nice teaching moment and good description, Hafs. This
105:
experience. Very EV-ish, has actually two own articles.
35:
Voting period is over. Please don't add any new votes.
73:Most striking image from the romantic painter
8:
285:Featured picture nominations/September 2014
18:Knowledge:Featured picture candidates
7:
108:Articles in which this image appears
116:The Last Judgment (Martin painting)
275:Ended featured picture nominations
24:
261:15:57, 19 September 2014 (UTC)
248:18:57, 14 September 2014 (UTC)
229:07:51, 13 September 2014 (UTC)
205:14:47, 10 September 2014 (UTC)
182:03:06, 10 September 2014 (UTC)
1:
155:15:56, 9 September 2014 (UTC)
280:Featured picture nominations
301:
124:FP category for this image
112:The Great Day of His Wrath
28:The Great Day of His Wrath
57:– The painting shows the
66:
39:Voting period ends on
120:John Martin (painter)
53:
143:Support as nominator
67:
128:Artwork/Paintings
83:horror and terror
47:
292:
243:
242:
226:
218:
217:
179:
172:
167:
59:"Destruction of
38:
36:
300:
299:
295:
294:
293:
291:
290:
289:
265:
264:
240:Bellus Delphina
238:
237:
222:
215:
214:
175:
168:
163:
101:as a source of
37:
34:
31:
22:
21:
20:
12:
11:
5:
298:
296:
288:
287:
282:
277:
267:
266:
251:
250:
231:
207:
184:
157:
139:
138:
133:
130:
125:
122:
109:
106:
71:
45:15:56:36 (UTC)
33:
30:
25:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
297:
286:
283:
281:
278:
276:
273:
272:
270:
263:
262:
259:
255:
249:
246:
244:
241:
235:
232:
230:
227:
225:
219:
216:SagaciousPhil
211:
208:
206:
203:
202:
198:
197:
196:Fylbecatulous
192:
188:
185:
183:
180:
178:
173:
171:
166:
161:
158:
156:
152:
148:
144:
141:
140:
137:
134:
131:
129:
126:
123:
121:
117:
113:
110:
107:
104:
100:
96:
92:
88:
84:
80:
76:
72:
69:
68:
64:
62:
56:
52:
48:
46:
42:
29:
26:
19:
253:
252:
239:
233:
223:
209:
200:
195:
190:
186:
176:
169:
164:
159:
142:
136:John Martin
79:apprehension
58:
54:
44:
41:19 Sep 2014
40:
32:
27:
75:John Martin
269:Categories
99:Classicism
147:Hafspajen
103:aesthetic
91:sublimity
258:Armbrust
55:Original
234:Support
210:Support
187:Support
165:///Euro
160:Support
132:Creator
95:Realism
61:Babylon
85:, and
70:Reason
191:vivid
16:<
224:Chat
201:talk
151:talk
97:and
170:Car
114:;
87:awe
43:at
271::
256:--
220:-
177:GT
153:)
145:–
118:,
81:,
149:(
63:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
