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His early career was dedicated to advertising and the production of posters, but his best known work was in ceramics, begun when he was appointed artistic leader of
Gustavsberg in 1917, remaining there until 1949, when he was succeeded by
121:(1933), a simply designed and stackable set of tableware aimed at working-class families. Praktika was a commercial failure, as the intended buyers preferred more traditional and ornate products.
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The focus of Kåge's early ceramic designs, as of much of
Swedish design of this period was on practical solutions to social issues, an example of which was his
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75:(6 March 1889 – 25 November 1960) was a Swedish artist and designer, mainly known as a ceramic designer and as the artistic leader of the
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earthenware with decorations in silver, that was produced in many shapes and with many different surface designs.
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Kåge's most commercially successful design was the green-glazed
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102:in Munich, where he learnt graphic techniques.
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238:, Stockholm: Signum, 2007, pp. 137–222.
236:Konst och visuell kultur i Sverige 1810-2000
249:Fiell, Charlotte; Fiell, Peter (2005).
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88:in Stockholm and later for the painter
16:Swedish artist and designer (1889–1960)
227:Lundgren, Tyra: "Kåge, Wilhelm", in:
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311:Recipients of the Prince Eugen Medal
82:Kåge studied decorative painting at
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206:Lundgren p. 744; Lärkner, p. 186
46:ceramics by Wilhelm Kåge (1917)
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77:Gustavsberg porcelain factory
301:Swedish industrial designers
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110:. He was presented with the
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251:Design of the 20th Century
31:Wilhelm Kåge (left) and
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175:"Prins Eugen Medaljen"
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96:in Copenhagen and at
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112:Prince Eugen Medal
90:Carl W. Wilhelmson
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92:in Gothenburg,
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23:Wilhelm Kåge
291:1960 deaths
286:1889 births
183:14 February
94:Johan Rohde
280:Categories
222:References
269:809539744
35:, c. 1938
119:Praktika
66:Practika
44:Liljeblå
126:Argenta
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178:(PDF)
135:Notes
265:OCLC
255:ISBN
185:2015
55:Pyro
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