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126:. On the continent his reputation was very high. He failed, however, to make a great impression on his first visit to England and America, though his audiences were compelled to admire his marvelous technical feats, especially his left hand pizzicato, and rapid runs in thirds and tenths. His less than impeccable intonation, however, somewhat limited his success; he also suffered from having worn the end of his first finger down to the nerve.
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147:, a violin teacher at the Helsinki Conservatory. The premiere performance was a disaster. Sibelius revised the work and the new version premiered in 1905. Willy Burmester was again asked to be the soloist, but he was again unavailable, so the performance went ahead without him, the
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Burmester's rendering of the classics was said to be somewhat cold and devoid of feeling. Nonetheless, he was a well-developed artist: his taste was broad enough to include all schools of composition in his repertoire. His was at his best as an interpreter of the works of
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In his later years, Burmester had remedied these defects, and those who heard him play at his later concerts were much impressed with his sterling musical qualities.
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stepping into the soloist's shoes. Burmester was so offended that he refused ever to play the concerto, and
Sibelius re-dedicated it to the Hungarian "wunderkind"
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in 1904, and since
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184:(in German). Vol. 2 (2nd ed.). Walter de Gruyter. p. 328.
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98:(16 March 1869 – 16 January 1933) was a German violinist.
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233:"Madison Symphony Orchestra program notes"
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32:This article includes a list of general
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