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In the 1990s, Didman collaborated with another legendary name of
Turkish comics history, Ergün Gündüz, within the framework of such short-lived magazines like Resimli Roman and Akrebin Gölgesi. For almost a decade, he remained unproductive. This period ended as he began to write and draw for
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Didman was part of the legendary humor magazine Girgir. After doing cartoons and humorous weekly comics, he converted to more realistic storytelling, which meant taking a huge risk of unemployment in the conditions of
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235:An article on Minus Eighty
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