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75:, putting an end to lavish stained glass commissions. Veit the elder's workshop was then being run by Augustin's elder brother Veit; their father died the same year. The younger Hirschvogel had his own workshop by 1530, and soon formed a partnership with the potters Oswald Reinhart and Hanns Nickel.
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His pen-and-ink landscapes have been described as "strong but light, sure but delicate". The lack of shadow in his landscapes contributes to a tranquil, idyllic mood. Almost 100 drawings are attributed to him; some are likely not his own, but are similar in style to his or
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Hirschvogel took up etching late in his career, and almost all of his prints date from the last decade of his life, when he resided in Vienna. His etchings, numbering about 300, "reflect his concern with
Italianate problems of space, form, and ornament", and include
202:(1502–48). A series of 53 hunting scenes for stained glass are of questionable authorship, but Peters asserts that they are by Hirschvogel. Hirschvogel is credited with the single authentic portrait of the Swiss physician
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97:), returning to Nuremberg in 1543. During this period he produced his earliest known work as a cartographer: maps of Turkish borders (1539) and of
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184:, and book ornamentation. He was among the first etchers to use copper rather than iron plates. He contributed 23 etchings to
67:, where he was trained in glass painting by his father, Veit Hirschvogel the elder (1461–1525), who was the city's official
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in 1544, he rendered his services to the city, court, and citizenry. The city employed him in 1547 to develop designs for
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that
Hirschvogel developed. Vienna's council sent him to explain his work to Ferdinand I in
109:(for Franz Igelshofer and Christoph Khevenhüller) show that he had been in contact with the
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Koch, Robert A. (1963). "'Original or Copy?': Two
Renaissance Landscape Drawings".
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Peters, Jane S. (Winter 1979). "Early
Drawings by Augustin Hirschvogel".
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35:(1503 – February 1553) was a German artist, mathematician, and
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Hirschvogel left in 1536 for
Laibach (the German name for
332:. Oxford University Press. Retrieved 10 August 2007.
323:Record of the Art Museum, Princeton University
167:Castle yard, c. 1546. Etching, 140 × 213 mm,
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18:16th-century German artist and cartographer
293:Webster, Charles (Dec. 1998). "Review ".
148:; Ferdinand granted him a pension of 100
71:painter. In 1525, Nuremberg accepted the
328:Peters, Jane S. "Augustin Hirschvogel."
246:Jane S. Peters, "Augustin Hirschvogel".
214:'s work. His art shows the influence of
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261:"Augustin Hirschvogel | Landscape"
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47:, a circle of artists in 16th-century
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369:16th-century German mathematicians
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63:He began work in his birthplace,
394:16th-century German male writers
191:Rerum Moscoviticarum Commentarii
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26:Self Portrait as Cartographer
101:(1542), the latter made for
389:16th-century German writers
155:He died in Vienna in 1553.
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196:Notes on Muscovite Affairs
186:Sigismund von Herberstein
111:Imperial Court of Vienna
39:known primarily for his
325:, 22 (1): pp. 2–7.
169:National Gallery of Art
374:Artists from Nuremberg
344:(4): 359–392, 429–435.
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105:. His commissions for
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73:Protestant Reformation
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364:German cartographers
33:Augustin Hirschvogel
284:Peters (1979), 359.
188:'s 1549 edition of
359:German printmakers
220:Albrecht Altdorfer
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265:www.metmuseum.org
116:With his move to
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37:cartographer
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384:1553 deaths
379:1503 births
182:cartography
178:portraiture
103:Ferdinand I
353:Categories
316:References
212:Wolf Huber
204:Paracelsus
142:Charles V
134:surveying
113:by 1543.
107:armorials
91:Ljubljana
65:Nuremberg
308:Koch, 2.
270:9 August
152:for it.
146:Augsburg
122:bastions
95:Slovenia
41:etchings
150:florins
140:and to
99:Austria
53:Austria
49:Bavaria
138:Prague
118:Vienna
85:, 1542
28:(1548)
234:Notes
159:Works
296:Isis
272:2021
59:Life
51:and
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