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Chattopadhay, Tagore used the
Bengali meaning of the word, Jorasanko ('double bridge') to develop this idea in the form of a mythical map of the city. The map was, indeed, not of Calcutta, but an imaginary city, Halisahar, and was the central guide in a children's story Putur Boi (Putu's Book). The nineteenth-century place names of Calcutta, however, appear on this map, thus suggesting that this imaginary city be read with the colonial city as a frame of reference. The map used the structure of a board game (golokdham) and showed a city divided along a main artery; on one side a lion-gate leads to the Lal-Dighi in the middle of which is the 'white island.'
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lane. As only a small number of the artist's paintings had been collected or given away in his lifetime, the
Rabindra Bharati Society became the main repository of Tagore's works throughout his life. Banished into trunks inside the dark offices of the society, these paintings have remained in permanent storage ever since. As a result, the full range and brilliance of Tagore's works has never be effectively projected into the public domain. They remained intimately known only to a tiny circle of art connoisseurs and scholars in Bengal, some of whom like
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Within a few years of the artist's death in 1951, his eldest son, Alokendranath, bequeathed almost the entire family collection of
Abanindranath Tagore's paintings to the newly founded Rabindra Bharati Society Trust that took up residence on the site of their famous house on No. 5, Dwarakanath Tagore
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Tagore believed in the traditional Indian techniques of painting. His philosophy rejected the "materialistic" art of the West and came back to Indian traditional art forms. He was influenced by the Mughal school of painting as well as
Whistler's Aestheticism. In his later works, Tagore started
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For Tagore, the house he grew up in (5 Dwarakanath Tagore Lane) and its companion house (6 Dwarakanath Tagore Lane) connected two cultural worlds – 'white town' (where the
British colonisers lived) and 'black town' (where the natives lived). According to architectural historian Swati
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He believed that
Western art was "materialistic" in character, and that India needed to return to its own traditions to recover its spiritual values. Despite its Indo-centric nationalism, this view was already commonplace within British art of the time, stemming from the ideas of the
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661:(2008) is a path-breaking book redefining Tagore's art. Another book that constitutes a serious reconsideration of Tagore's art, contextualising it as a critique of modernity and the nation-state is Debashish Banerji's The Alternate Nation of Abanindranath Tagore (2010).
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His finest achievement was the
Arabian Nights series which was painted in 1930. In these paintings he uses the Arabian Nights stories as a means of looking at colonial Calcutta and picturing its emergent cosmopolitanism.
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have long argued that the true measure of Tagore's talent is to be found in his works of the 1920s, 1930s and 1940s but could do little to offer up a comprehensive profile of the master for the contemporary art world.
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manner, learning the full range of techniques, but with a particular interest in watercolour. It was during this period that he developed his interest in Mughal art, producing a number of works based on the life of
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In 1888, he married
Suhasini Devi, daughter of Bhujagendra Bhusan Chatterjee, a descendant of Prasanna Coomar Tagore. He left Sanskrit College after nine years of study and studied English as a special student at
447:, Tagore worked with him to revitalise and redefine teaching of art at the Calcutta School of Art, a project also supported by his brother Gaganendranath, who set up the Indian Society of Oriental Art.
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However limited
Rothenstein's experiments with the styles of early Modernist Indian painting were, the friendship between him and Abanindranath Tagore ushered in a crucial cultural event. This was
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340:. Along with other artists from the Bengal school of art, Tagore advocated in favour of a nationalistic Indian art derived from Indian art history, drawing inspiration from the
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291:: অবনীন্দ্রনাথ ঠাকুর; 7 August 1871 – 5 December 1951) was the principal artist and creator of the "Indian Society of Oriental Art". He was also the first major exponent of
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364:, to Gunendranath Tagore and Saudamini Devi. His grandfather was Girindranath Tagore, the second son of "Prince" Dwarkanath Tagore. He was a member of the distinguished
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magazine, and in
Chitrangada, and other works by Rabindranath Tagore. He also illustrated his own books. Around 1897 he took lessons from the vice-principal of the
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movement. Tagore believed that Indian traditions could be adapted to express these new values, and to promote a progressive Indian national culture.
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in English brought the Tagore family international renown, which helped to make Abanindranath Tagore's artistic projects better known in the West.
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Samsad Bangali Charitabhidhan (Biographical Dictionary), Chief Editor: Subodh Chandra Sengupta, Editor: Anjali Bose, 4th edition 1998,
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where he learnt to use pastels from O. Ghilardi, and oil painting from C. Palmer, European painters who taught in that institution.
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Tagore maintained throughout his life a long friendship with the London-based artist, author and eventual president of London's
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Rupert Richard Arrowsmith, "An Indian Renascence and the rise of global modernism: William Rothenstein in India, 1910–11"
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476:'s Aestheticism. Partly for this reason many British arts administrators were sympathetic to such ideas, especially as
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Swati Chattopadhyay, Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. Routledge 2006.
607:'s time living at Rothenstein's London home, which led to the publication of the English-language version of
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The making of a new "Indian" art : artists, aesthetics, and nationalism in Bengal, c. 1850-1920
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artistic tradition which would merge the common aspects of Eastern spiritual and artistic cultures.
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The International Studio, Vol. 35: An Illustrated Magazine of Fine and Applied Art: Jul-Oct 1908
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Video of a London University Lecture detailing Abanindranath's Importance to Global Modernism
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philosophy was becoming increasingly influential in the West following the spread of the
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integrating Chinese and Japanese calligraphic traditions into his style.
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Abanindranath Tagore, A Survey of the Master’s Life and Work by Mukul Dey
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Abanindranath Tagore's Konnagar Baganbari in 2014 (before restoration)
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With the success of Tagore's ideas, he came into contact with other
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Govt of India official website on paintings of Abanindranath Tagore
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traditions into his art, seeking to construct a model for a modern
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In the early 1890s several of his illustrations were published in
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Abanindranath Tagore became chancellor of Visva Bharati in 1942.
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1237:"Book Review for The Alternate Nation of Abanindranath Tagore"
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1083:. Cambridge : Cambridge University Press. pp. 147–179.
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Chaitanya with his followers on the sea beach of Puri (1915)
1055:"Chokher Bali: Tagore's literary women and his kinswomen"
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and the subsequent award to Rabindranath in 1913 of the
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Celebrating Tagore - The Man, The Poet and The Musician
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cultural figures, such as the Japanese art historian
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Radhika gazing at the portrait of Sri Krishna (1913)
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Abanindranath's complete literary works in Bengali.
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56:. Unsourced material may be challenged and removed.
979:. Forgotten Books. pp. 107–116, E.B. Havell.
699:Aurangzeb examining the head of Dara Shikoh (1911)
336:models of art, as taught in art schools under the
398:, which he attended for about a year and a half.
1003:A history of Indian painting: the modern period
668:made a documentary film on the artist, titled
268:honorary doctor of the University of Calcutta
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680:A list of paintings by Abanindranath Tagore:
8:
1837:Companions of the Order of the Indian Empire
1827:Academic staff of the University of Calcutta
1817:Government College of Art & Craft alumni
1138:The Alternate Nation of Abanindranath Tagore
759:Summer, from Ritu Sanghar of Kalidasa (1905)
472:. Tagore's work also shows the influence of
443:in a Mughal-influenced style. After meeting
1204:, vol.152 no.1285 (April 2010), pp.228–235.
1812:The Sanskrit College and University alumni
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1174:London University School of Advanced Study
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129:
932:. Laurence King Publishing. p. 304.
618:The publication of Rabindranath Tagore's
372:. His grandfather and his elder brother,
116:Learn how and when to remove this message
1321:Mukul Dey Archives, Santiniketan, India
913:
802:
434:, studying in the traditional European
417:"Ganesh-janani" by Abanindranath Tagore
134:শিল্পাচার্য - Great Teacher of the Arts
1307:Works by or about Abanindranath Tagore
1336:Abanindranath Tagore's Artist Profile
1006:. Abhinav Publications. p. 145.
962:, reprinted from "Abanindra Number,"
379:Tagore learned art while studying at
16:Indian painter and writer (1871–1951)
7:
1141:. New Delhi: SAGE. pp. 85–108.
756:Sri Radha by the River Jamuna (1913)
744:Poet's Baul-dance in Falgurni (1916)
723:Illustrations of Omar Khayyam (1909)
582:the ancient Buddhist caves of Ajanta
54:adding citations to reliable sources
1053:Das, Dattatraya (22 January 2024).
332:styles to counter the influence of
303:, which led to the development of
14:
1110:. Pratikshan Books. p. 384.
1107:Paintings of Abanindranath Tagore
898:Buddha and the gospel of Buddhism
753:Shah Jahan Dreaming of Taj (1909)
735:Moonrise at Mussouri Hills (1916)
729:Krishna Lal series (1901 to 1903)
659:Paintings of Abanindranath Tagore
352:Abanindranath Tagore was born in
1902:20th-century Indian male artists
1877:20th-century Indian male writers
1283:"Abanindranath Tagore Biography"
886:
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794:Tagore_family § Family_tree
30:
1030:. Express India. Archived from
321:children's literature and art.
41:needs additional citations for
1331:Abanindranath Tagore's Profile
1262:"ABANINDRANATH - Film / Movie"
1079:Guha-Thakurta, Tapati (1992).
762:Tales of Arabian Nights (1928)
1:
1867:20th-century Indian novelists
1822:University of Calcutta alumni
1326:Dolls by Abanindranath Tagore
693:Fairyland Illustration (1913)
637:Abanindranath Tagore, c. 1907
600:style into his own practice.
386:In 1890, Tagore attended the
309:Rajkahini, Buro Angla, Nalak,
299:. He founded the influential
1862:20th-century Indian painters
1267:Complete Index To World Film
964:The Visva-Bharati Quarterly,
768:The Call of the Flute (1910)
732:Moonlight Music Party (1906)
586:the Jain carvings of Gwalior
533:His close students included
348:Personal life and background
1316:Biography (Calcuttaweb.com)
1135:Banerji, Debashish (2010).
1000:Chaitanya, Krishna (1994).
588:; and the Hindu panoply of
324:Tagore sought to modernise
186:(now in West Bengal, India)
1928:
1912:Writers from British India
1907:Artists from British India
1887:Novelists from West Bengal
1852:Indian arts administrators
791:
613:Nobel Prize for Literature
229:Drawing, painting, writing
18:
1882:Painters from West Bengal
1847:Indian children's writers
831:The Passing of Shah Jahan
771:The Feast of Lamps (1907)
726:Kacha and Devajani (1908)
499:and the Japanese painter
368:and a nephew of the poet
244:The Passing of Shah Jahan
144:
1857:Indian portrait painters
1842:Bengali-language writers
714:Buddha and Sujata (1901)
541:, Surendranath Ganguly,
537:, Samarendranath Gupta,
432:Government School of Art
383:, Kolkata in the 1880s.
19:Not to be confused with
1585:Sarala Devi Chaudhurani
1560:Indira Devi Chaudhurani
1201:The Burlington Magazine
1104:Siva Kumar, R. (2008).
720:End of Dalliance (1939)
539:Kshitindranath Majumdar
1504:Jyotirindranath Tagore
1465:Sourindra Mohun Tagore
1028:"All Those Good Years"
862:Fairyland illustration
708:Banished Yaksha (1904)
638:
530:
459:
418:
388:Calcutta School of Art
305:modern Indian painting
65:"Abanindranath Tagore"
1717:Saranindranath Tagore
1624:Saumyendranath Tagore
1615:Kanakendranath Tagore
1550:Gaganendranath Tagore
1519:Prodyot Coomar Tagore
1455:Gnanendramohan Tagore
1426:Prasanna Kumar Tagore
966:May – Oct. 1942.
783:Jatugriha Daha (1912)
739:Passing of Shah Jahan
684:Ashoka's Queen (1910)
664:Indian film director
636:
525:Rabindranath Tagore,
524:
457:
416:
376:, were also artists.
374:Gaganendranath Tagore
137:Abanindranath Tagore
1892:Writers from Kolkata
1807:Artists from Kolkata
1792:Indian male painters
1643:Kunwar Jyoti Prasada
1595:Rathindranath Tagore
1565:Lakshminath Bezbaroa
1555:Abanindranath Tagore
1494:Satyendranath Tagore
1489:Dwijendranath Tagore
1460:Jatindramohan Tagore
958:4 March 2010 at the
765:Temple Dancer (1912)
696:Ganesh Janani (1908)
574:Royal College of Art
396:St. Xavier's College
301:Bengal school of art
280:Abanindranath Tagore
259:Contextual Modernism
255:Bengal school of art
151:Abanindranath Tagore
50:improve this article
1657:Gitindranath Tagore
1619:Dinendranath Tagore
1590:Surendranath Tagore
1524:Jnanadanandini Devi
1509:Rabindranath Tagore
1499:Hemendranath Tagore
1485:Gunendranath Tagore
1481:Ganendranath Tagore
1450:Debendranath Tagore
1446:Girindranath Tagore
1401:Darpanarayan Tagore
1034:on 29 November 2011
902:Ananda Coomaraswamy
780:Veena Player (1911)
747:Pushpa-Radha (1912)
605:Rabindranath Tagore
578:William Rothenstein
370:Rabindranath Tagore
21:Rabindranath Tagore
1575:Pramatha Chaudhuri
1570:Pragyasundari Devi
1351:Celebrating Tagore
1217:, Vol I, page 23,
930:Atlas of World Art
711:Yay and Yay (1915)
705:Baba Ganesh (1937)
639:
592:. He ended up in
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460:
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317:were landmarks in
139:অবনীন্দ্রনাথ ঠাকুর
1779:
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1738:Jayaditya Prasada
1639:Krishna Kripalani
1634:Asit Kumar Haldar
1514:Swarnakumari Devi
1421:Hara Kumar Tagore
1416:Gopi Mohan Tagore
1411:Dwarkanath Tagore
1117:978-81-89323-09-7
1013:978-81-7017-310-6
894:The Final Release
676:List of paintings
644:K. G. Subramanyan
565:and Ranada Ukil.
543:Asit Kumar Haldar
401:He had a sister,
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1897:Buddhist artists
1741:Janmejay Prasada
1675:Jayendra Prasada
1671:Jitendra Prasada
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1311:Internet Archive
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1285:. iloveindia.net
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1124:on 2 March 2014.
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702:Avisarika (1892)
666:Purnendu Pattrea
551:Kalipada Ghoshal
527:Uccelli migranti
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319:Bengali language
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1698:Sharmila Tagore
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470:Pre-Raphaelites
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1764:9th generation
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1735:Jaidev Prasada
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1732:Jagrit Prasada
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1726:8th generation
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1705:Jivesh Prasada
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1406:Nilmoni Tagore
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1394:1st generation
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67: –
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61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
1678:Jaya Prasada
1666:Himanshu Rai
1629:Amiya Tagore
1600:Pratima Devi
1580:Purnima Devi
1554:
1287:. Retrieved
1276:
1265:
1256:
1244:. Retrieved
1240:
1230:
1215:(in Bengali)
1209:
1199:
1191:
1182:
1172:
1164:
1152:. Retrieved
1137:
1130:
1122:the original
1106:
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1080:
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1062:. Retrieved
1058:
1048:
1036:. Retrieved
1032:the original
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512:calligraphic
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463:Later career
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445:E. B. Havell
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342:Ajanta Caves
323:
314:Khirer Putul
312:
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279:
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235:Notable work
197:(1951-12-05)
174:Jorasanko,
127:
112:
103:
93:
86:
79:
72:
60:
48:Please help
43:verification
40:
1872:1871 births
1797:1951 deaths
1682:Krishna Roy
1661:Devika Rani
1289:11 December
1241:caa.reviews
922:John Onians
900:(1916), by
814:Bharat Mata
788:Family tree
688:Bharat Mata
672:, in 1976.
629:Rediscovery
555:Manishi Dey
547:Sarada Ukil
338:British Raj
240:Bharat Mata
218:Nationality
207:West Bengal
1786:Categories
939:1856693775
909:References
422:Early life
297:Indian art
295:values in
167:1871-08-07
76:newspapers
881:(c. 1913)
849:(1912–13)
847:My Mother
817:(c. 1905)
620:Gitanjali
609:Gitanjali
559:Mukul Dey
516:pan-Asian
482:Theosophy
354:Jorasanko
161:Jorasanko
956:Archived
924:(2004).
594:Calcutta
509:Japanese
474:Whistler
436:academic
358:Calcutta
293:Swadeshi
251:Movement
203:Calcutta
176:Calcutta
106:May 2015
1309:at the
1246:19 June
1154:19 June
1064:24 July
799:Gallery
590:Benares
505:Chinese
441:Krishna
428:Sadhana
334:Western
289:Bengali
90:scholar
1221:
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1038:20 May
1010:
983:
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864:(1913)
834:(1902)
777:(1913)
741:(1900)
690:(1905)
330:Rajput
326:Mughal
265:Awards
180:Bengal
92:
85:
78:
71:
63:
493:Asian
478:Hindu
221:India
211:India
97:JSTOR
83:books
1291:2011
1248:2021
1219:ISBN
1156:2021
1143:ISBN
1112:ISBN
1085:ISBN
1066:2024
1040:2009
1008:ISBN
981:ISBN
934:ISBN
646:and
507:and
328:and
311:and
192:Died
157:Born
69:news
657:'s
284:CIE
52:by
1788::
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104:(
94:·
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46:.
23:.
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