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During the first half of the 19th century
Hullmandel became one of the most important figures in the development of British lithography, and his name appears on the imprints of thousands of lithographic prints. He developed a method for reproducing gradations in tones and for creating the effect of
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63:. In 1787 he married Camille-Aurore du Cazan, who was of a noble French family, and in 1789 sent his wife to England, following her in 1790, as the
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239:: "HĂĽllmandel, Nikolaus Joseph, German harpsichord player, born at Strassburg in 1751; died at London in 1823; pupil of C. P. E. Bach..."
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222:'Hüllmandel, Nicolaus Joseph (1751–1823)' in Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans, eds.,
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and printed many of his own works. In 1818, he set up a printing press in London after a visit to
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As a young man, Charles
Hullmandel studied art and spent several years living and working in
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113:(1824) was an important handbook of lithography. In 1843 he went into partnership with
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A Biographical
Dictionary of Actors, Actresses, Musicians, Dancers, Managers
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He died at
Westminster in 1850 and was buried on the western side of
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The
Macmillan Encyclopedia of Music and Musicians: In One Volume
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and from 1780 spent ten years as a fashionable music teacher in
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Pictures of C. J. Hullmandel in the online database VIATIMAGES
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Michael Twyman, "Hullmandel, Charles Joseph (1789–1850)", in
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soft colour washes which enabled the printed reproduction of
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254:The Gentleman's Magazine and Historical Review
32:(15 June 1789 – 15 November 1850) was born in
23:"Old buildings on the West Bridge, Leicester"
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94:for the purpose of improving his printing.
279:Oxford Dictionary of National Biography
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105:of the type made popular in England by
128:Grave of Charles Joseph Hullmandel in
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181:Hullmandel, Charles Joseph (1824).
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44:from about 1819 until his death.
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47:He was born in Queen Street,
357:Burials at Highgate Cemetery
184:The art of drawing on stone
111:The Art of Drawing on Stone
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161:Twenty-four views of Italy
145:Twenty-four views of Italy
288:, accessed 9 October 2007
256:, vol. 189 (1851), p. 209
30:Charles Joseph Hullmandel
322:National Maritime Museum
235:Albert Ernest Wier, ed.
42:Great Marlborough Street
36:, where he maintained a
283:Oxford University Press
268:, vol. 3 (1976), p. 291
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109:. Hullmandel's essay
55:who became a pupil of
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119:William Louis Walton
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298:The Annual Register
103:landscape paintings
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210:References
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67:unfolded.
53:Strasbourg
88:chemistry
25:, c. 1830
141:Aventino
100:Romantic
285:, 2004
200:14 June
159:, from
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49:Mayfair
302:p. 280
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163:(1818)
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80:Munich
34:London
82:with
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202:2017
189:ISBN
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