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During the first half of the 19th century
Hullmandel became one of the most important figures in the development of British lithography, and his name appears on the imprints of thousands of lithographic prints. He developed a method for reproducing gradations in tones and for creating the effect of
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74:. In 1787 he married Camille-Aurore du Cazan, who was of a noble French family, and in 1789 sent his wife to England, following her in 1790, as the
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250:: "HĂĽllmandel, Nikolaus Joseph, German harpsichord player, born at Strassburg in 1751; died at London in 1823; pupil of C. P. E. Bach..."
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233:'Hüllmandel, Nicolaus Joseph (1751–1823)' in Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans, eds.,
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and printed many of his own works. In 1818, he set up a printing press in London after a visit to
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As a young man, Charles
Hullmandel studied art and spent several years living and working in
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124:(1824) was an important handbook of lithography. In 1843 he went into partnership with
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A Biographical
Dictionary of Actors, Actresses, Musicians, Dancers, Managers
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He died at
Westminster in 1850 and was buried on the western side of
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The
Macmillan Encyclopedia of Music and Musicians: In One Volume
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and from 1780 spent ten years as a fashionable music teacher in
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Pictures of C. J. Hullmandel in the online database VIATIMAGES
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Michael Twyman, "Hullmandel, Charles Joseph (1789–1850)", in
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soft colour washes which enabled the printed reproduction of
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265:The Gentleman's Magazine and Historical Review
43:(15 June 1789 – 15 November 1850) was born in
34:"Old buildings on the West Bridge, Leicester"
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105:for the purpose of improving his printing.
290:Oxford Dictionary of National Biography
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116:of the type made popular in England by
139:Grave of Charles Joseph Hullmandel in
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192:Hullmandel, Charles Joseph (1824).
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55:from about 1819 until his death.
277:Antiquarian Book Monthly Review
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58:He was born in Queen Street,
368:Burials at Highgate Cemetery
195:The art of drawing on stone
122:The Art of Drawing on Stone
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172:Twenty-four views of Italy
156:Twenty-four views of Italy
299:, accessed 9 October 2007
267:, vol. 189 (1851), p. 209
41:Charles Joseph Hullmandel
333:National Maritime Museum
246:Albert Ernest Wier, ed.
53:Great Marlborough Street
47:, where he maintained a
294:Oxford University Press
279:, vol. 3 (1976), p. 291
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120:. Hullmandel's essay
66:who became a pupil of
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130:William Louis Walton
126:Joseph Fowell Walton
309:The Annual Register
114:landscape paintings
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83:continental Europe
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180:Highgate Cemetery
141:Highgate Cemetery
95:Rudolph Ackermann
76:French Revolution
51:establishment on
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363:1850 deaths
358:1789 births
87:printmaking
347:Categories
311:for 1850,
221:References
205:1334340749
78:unfolded.
64:Strasbourg
18:Hullmandel
99:chemistry
36:, c. 1830
152:Aventino
111:Romantic
296:, 2004
211:14 June
170:, from
154:, from
60:Mayfair
313:p. 280
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174:(1818)
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101:under
91:Munich
45:London
93:with
72:Paris
213:2017
200:ISBN
166:The
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