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183:. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court.
270:
Dosso Dossi is known less for his naturalism or attention to design, and more for cryptic allegorical conceits in paintings around mythological themes, a favored subject for the humanist
Ferrarese court (see also
375:, and is set upon by an army of thumb-size pygmies, whom he defeats. He gathers them in his lion skin. Paintings depicting a powerful Hercules were commonly made for the then-ruler Duke
1054:
579:
293:(i.e. "studied carelessness", or artistic nonchalance). Dossi is also known for the atypical choices of bright pigment for his cabinet pieces. Some of his works, such as the
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251:. The works he produced for the dukes included the ephemeral decorations of furniture and theater sets. He is known to have worked alongside
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1038:
907:
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279:). Dossi employed eccentric distortions of proportion, which may appear caricature-like or even 'primitivist'. The art historian
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Recently, "Portrait of a Youth" at the
National Gallery of Victoria, has been identified by the museum as a portrait of
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by Dosso Dossi, having previously been regarded as the portrait of an unknown young male by an unknown painter.
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305:'s works. Most of his works feature Christian and Ancient Greek themes and use oil painting as a medium.
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with the lyre flits in the forest; in the background are the ghostly horses of dead warriors.
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The Age of
Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries
818:– Australian Broadcasting Corporation 26 November 2008, retrieved on 26 November 2008.
30:
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207:. His early training and life are not well documented; his father, originally of
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564:, c.1530; oil on canvas, 178 × 216.5 cm, J. Paul Getty Museum, Los Angeles
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243:, becoming principal court artist. Dosso worked frequently with his brother
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Picture collector's manual adapted to the professional man, and the amateur
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The Virgin
Appearing to Sts John the Baptist and John the Evangelist.
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960:, a full text exhibition catalog from The Metropolitan Museum of Art
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The Virgin
Appearing to Sts John the Baptist and John the Evangelist
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72:
902:(First ed.). Cambridge University Press. pp. 111–128.
996:
926:
Ciammitti, Luisa; Ostrow, Steven F.; Settis, Salvatore (1998).
992:
443:, c. 3rd decade of the 16th century, Lanckoroński Collection,
928:
Dosso's fate: painting and court culture in
Renaissance Italy
283:
sees this characteristic as an expression of the
Renaissance
917:
Freedberg, Sydney J. (1993). Pelican
History of Art (ed.).
878:, (2nd edn.)1987, Thames & Hudson (US Harry N Abrams),
344:; this scene by Dossi is book 6, lines 635–709, wherein
898:
J. Carter Brown (1986). National
Gallery of Art (ed.).
1055:
Virgin of the
Assumption and St. Michael the Archangel
816:
Infamous Renaissance woman subject of mystery portrait
580:
Virgin of the Assumption and St. Michael the Archangel
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in the Este Castle, decorated with canvases depicting
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Jupiter painting Butterflies, Mercury and the Virtue
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Dosso and Battista Dossi; court painters at Ferrara
112:
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78:
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40:
21:
834:, 26 November 2008, retrieved on 26 November 2008.
168:From 1514 to his death he was court artist to the
957:Dosso Dossi: Court Painter in Renaissance Ferrara
441:Jupiter Painting Butterflies, Mercury and Virtue
1008:
635:(Choice of Hercules between Vice and Virtue)
8:
893:. Princeton, NJ: Princeton University Press.
538:, c.1524; oil on canvas, 164 × 145 cm,
934:for the History of Art and the Humanities.
247:, who had trained in the Roman workshop of
153:, painting in a style mainly influenced by
1015:
1001:
993:
988:Census of Ferrarese Paintings and Drawings
732:"NGV's Renaissance mystery woman revealed"
29:
18:
340:. The frieze paintings were based on the
227:. He may have had training locally with
693:
921:. pp. 315–322 Penguin Books Ltd.
650:(Staatliche Kunstsammlungen, Dresden)
644:(Staatliche Kunstsammlungen, Dresden)
7:
752:. London: T&W Boone. p. 77.
458:. с. 1530, Galleria Estense, Modena
1125:Artists from the Province of Mantua
1039:Circe and Her Lovers in a Landscape
467:Circe and her Lovers in a Landscape
348:is guided over the bridge into the
876:History of Italian Renaissance Art
828:Gallery unveils portrait of infamy
416:In Ferrara, among his pupils were
397:, now claimed to be a portrait of
371:has fallen asleep after defeating
14:
849:Museo Nacional Thyssen-Bornemisza
123:Ercole II d'Este, Duke of Ferrara
119:Alfonso I d'Este, Duke of Ferrara
301:qualities that suggest some of
845:"The Stoning of Saint Stephen"
324:and erotic subjects including
173:Dukes of Ferrara and of Modena
16:Italian painter (c. 1489–1542)
1:
1130:16th-century Italian painters
806:Retrieved September 23, 2008.
786:Retrieved September 23, 2008.
766:Retrieved September 23, 2008.
622:Tubalcain (Allegory of Music)
142:
135:Giovanni di Niccolò de Luteri
1145:Italian Renaissance painters
964:Short biography and pictures
919:Painting in Italy, 1500–1600
673:The stoning of Saint Stephen
668:National Gallery of Victoria
616:Alte Galerie of the Joanneum
572:, 1530–1535; oil on canvas,
494:Aeneas in the Elysian Fields
403:National Gallery of Victoria
310:Aeneas in the Elysian Fields
966:at the J. Paul Getty Museum
648:Saint George and the Dragon
585:Galleria nazionale di Parma
147:Italian Renaissance painter
1166:
975:Gallery at MuseumSyndicate
656:, Uffizi Gallery, Florence
598:Metropolitan Museum of Art
498:National Gallery of Canada
488:Philadelphia Museum of Art
275:and the decoration of the
832:The Sydney Morning Herald
746:Hobbes, James R. (1849).
679:, Madrid, on loan to the
677:Thyssen-Bornemisza Museum
426:Giovanni Francesco Surchi
261:Giovanni Francesco Surchi
128:
108:
28:
986:Works by Dosso Dossi at
970:Images of some paintings
932:Getty Research Institute
889:Gibbons, Felton (1968).
613:Hercules and the Pygmies
365:Hercules and the Pygmies
259:. One of his pupils was
596:; 77.5 × 11.8 cm,
484:Holy Family with Donors
473:National Gallery of Art
179:, who had worked under
795:J. Paul Getty Museum.
775:J. Paul Getty Museum.
479:
459:
447:
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379:. The subjects of the
193:San Giovanni del Dosso
1140:Painters from Ferrara
1135:Italian male painters
654:Portrait of a Warrior
637:Galleria degli Uffizi
465:
453:
439:
393:
1063:Allegory of Hercules
797:Allegory of Fortune.
762:Web Gallery of Art.
540:J. Paul Getty Museum
314:Camerino d'Alabastro
149:who belonged to the
1047:Portrait of a Woman
777:Mythological Scene.
660:Portrait of a Youth
569:Portrait of a Woman
562:Allegory of Fortune
395:Portrait of a Youth
281:Sydney J. Freedberg
223:) for the Dukes of
145:1489–1542), was an
103:Italian Renaissance
980:2010-09-13 at the
802:2007-05-30 at the
782:2010-07-18 at the
536:Mythological Scene
480:
460:
448:
418:Gabriele Capellini
407:
381:Mythological Scene
277:Palazzo Schifanoia
191:Dossi was born in
137:, better known as
1102:
1101:
1089:School of Ferrara
1071:Allegory of Music
734:. Brisbane Times.
590:Three Ages of Man
547:Allegory of Music
422:Jacopo Panicciati
326:Feast of the Gods
255:in the Costabili
155:Venetian painting
151:School of Ferrara
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58:1542 (aged 52–53)
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607:Barber Institute
477:Washington, D.C.
456:Alfonso I d'Este
401:by Dosso Dossi,
377:Ercole II d'Este
330:Giovanni Bellini
312:was part of the
241:Ercole II d'Este
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245:Battista Dossi
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354:Cumaean Sibyl
351:
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343:
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334:Venus Worship
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35:Self-portrait
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852:. Retrieved
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594:Rustic Idyll
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526:Wawel Castle
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454:Portrait of
445:Wawel Castle
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1120:1542 deaths
1050:(1530–1535)
1024:Dosso Dossi
633:Stregoneria
625:Museo Horne
574:Musée Condé
552:Museo Horne
322:bacchanalia
290:sprezzatura
273:Cosimo Tura
253:il Garofalo
139:Dosso Dossi
69:Nationality
23:Dosso Dossi
1109:Categories
884:0500235104
866:References
854:2019-09-24
721:Hartt, 617
712:Hartt, 617
683:Barcelona.
550:, (1530s,
295:Deposition
217:spenditore
161:and early
1066:(c. 1535)
1042:(c. 1525)
1031:Paintings
630:Witchraft
524:, (1524,
514:Gallery,
385:Tubalcain
318:Alfonso I
303:Correggio
285:aesthetic
265:il Dielai
257:polyptych
237:Alfonso I
187:Biography
159:Giorgione
114:Patron(s)
79:Education
978:Archived
800:Archived
780:Archived
556:Florence
516:Florence
510:(1520s,
369:Hercules
211:, was a
201:province
99:Movement
93:Painting
1082:Related
1074:(1530s)
486:(1514,
471:at the
373:Antaeus
358:Orpheus
352:by the
299:lambent
249:Raphael
225:Ferrara
221:fattore
199:in the
197:village
181:Raphael
73:Italian
62:Ferrara
938:
906:
882:
700:From:
603:Aeneas
530:Kraków
512:Uffizi
502:Ottawa
424:, and
346:Aeneas
342:Aeneid
338:Titian
233:Mantua
231:or in
213:bursar
209:Trento
205:Mantua
163:Titian
48:Mantua
688:Notes
297:have
936:ISBN
904:ISBN
880:ISBN
681:MNAC
618:Graz
383:and
332:and
239:and
195:, a
170:Este
55:Died
44:1489
41:Born
592:or
363:In
336:by
328:by
316:of
287:of
267:).
219:or
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