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in the
Rijksmuseum, a canvas with 19 life-size figures full of animation in the faces, "radiant with Rembrandtesque colour," and admirably distributed. Flinck here painted his own likeness to the left in a doorway. The mannered period of Flinck is amply illustrated in the
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In the same year he received a flattering acknowledgment from the town council of Cleves and the completion of a picture of
Solomon which was a counterpart of the composition at Amsterdam. This and other pictures and portraits, such as those of Friedrich Wilhelm and
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at
Amsterdam. Here it is that Flinck shows most defects, being faulty in arrangement, gaudy in tint, flat and shallow in execution, that looks as if it had been smeared with violet powder and rouge.
205:, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of
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and other figures at the cradle of the first-born son of the elector, have disappeared. Of several pictures which were painted for the Great
Elector, none are preserved except the
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221:, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse with the Ulenburgs. Certainly
240:, which led to many commissions for official and diplomatic painting. Flinck's relations with Cleves became in time very important. He was introduced to the court of the
232:
For many years Flinck laboured on the lines of
Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a
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and the treasurer
Johannes Uitenbogaard. In his house, adorned with casts after the Antique, costumes, and a noble collection of prints, he often received the
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225:, who visited Holland in 1637, found Flinck acknowledged as one of Rembrandt's best pupils, and living habitually in the house of the dealer
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The chronology of Flinck's works, so far as they are seen in public galleries, comprises, in addition to the foregoing, the
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Amsterdam. Both are thoroughly
Rembrandtesque in effect as well as in vigour of touch and warmth of flesh tints. The four
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In
November 1659 the burgomaster of Amsterdam contracted with Flinck for 12 canvases to represent four heroic figures of
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In 1652 a citizen of
Amsterdam, Flinck married in 1656 an heiress, Sophie van der Houven, daughter of a director of the
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334:, are fine specimens of composed portrait groups. But the best of Flinck's productions in this style is the
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was asked to fill one of the commissions, and produced his last great history picture, the
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Pieter C. Vis: Andries de Graeff (1611–1678) ’t Gezagh is heerelyk: doch vol bekommeringen
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263:. Flinck was already well known in the patrician circles over which the brothers
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186:, but having secretly acquired a passion for etching and drawing, was sent to
728:. Vol. 10 (11th ed.). Cambridge University Press. pp. 519–520.
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John
Maurice, whose portrait is still preserved in the work of the learned
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Militia Company of District XVIII under the Command of Captain Albert Bas
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422:. Flinck was unable to finish more than the sketches. After his death
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This article incorporates text from a publication now in the
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236:, however, he looked to the swelling forms and grand action of
158:(25 January 1615 – 2 February 1660) was a Dutch
198:, better known as an itinerant preacher than as a painter.
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Marcus Curius Dentatus refuses the gifts of the Samnites
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Angels announcing the birth of Christ to the shepherds
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with their president in an arm-chair (1648); in the
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presided; he was on terms of intimacy with the poet
217:in 1634. Other members of the same family lived at
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387:, a portrait group of a male and female (1646) at
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306:The earliest of Flinck's authentic pieces is a
287:. Flinck died in Amsterdam on 2 February 1660.
256:, who was made stadtholder of Cleves in 1649.
444:Louisa of Orange attended by Victory and Fame
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310:of a lady, dated 1636, in the gallery of
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695:Works and literature on Govert Flinck
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524:. Historically mistaken as being by
314:. His first subject picture is the
190:, where he boarded in the house of
430:, which the authorities rejected.
246:Friedrich Wilhelm I of Brandenburg
44:Kelvingrove Art Gallery and Museum
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528:. It was stolen in 1990 from the
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506:as shepherd with staff and flute
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547:(1645) (Rijksmuseum, Amsterdam)
530:Isabella Stewart Gardner Museum
428:Conspriracy of Claudius Civilis
252:. He obtained the patronage of
488:Portrait of Susanna van Baerle
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662:An Introduction to Rembrandt
38:, circa 1640, Oil on panel,
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201:Here Flinck was joined by
757:Dutch Golden Age painters
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16:Dutch painter (1615–1660)
261:Dutch East India Company
207:Rombertus van Uylenburgh
725:Encyclopædia Britannica
227:Hendrick van Uylenburgh
521:Landscape with Obelisk
453:in the Berlin museum.
414:, and scenes from the
408:Manius Curius Dentatus
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254:John Maurice of Nassau
685:at Wikimedia Commons
328:the twelve musketeers
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277:Joost van den Vondel
223:Joachim von Sandrart
767:Pupils of Rembrandt
762:Dutch male painters
629:, pp. 519–520.
391:, a lady (1651) at
332:Stadhuis, Amsterdam
377:Wallace Collection
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192:Lambert Jacobszoon
116:Rembrandt van Rijn
752:People from Kleve
681:Media related to
375:from 1640 in the
356:Palace on the Dam
316:Blessing of Jacob
300:Blessing of Jacob
271:and the alderman
269:Andries de Graeff
238:Peter Paul Rubens
209:, whose daughter
178:, capital of the
156:Teuniszoon Flinck
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40:66 Ă— 51.4 cm
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352:receiving Wisdom
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250:Louisa of Orange
164:Dutch Golden Age
136:Dutch Golden Age
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318:(1638), in the
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234:history painter
180:Duchy of Cleves
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683:Govert Flinck
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772:Remonstrants
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575:Portrait of
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203:Jacob Backer
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85:(1660-02-02)
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747:1660 deaths
742:1615 births
365:of 1639 at
320:Rijksmuseum
281:stadtholder
102:Nationality
46:, Glasgow,
736:Categories
697:at PubHist
586:References
438:, and the
363:Grey Beard
188:Leeuwarden
61:1615-01-25
532:. Boston.
526:Rembrandt
504:Rembrandt
424:Rembrandt
416:Batavians
389:Rotterdam
354:, in the
312:Brunswick
219:Amsterdam
215:Rembrandt
196:Mennonite
112:Education
91:Amsterdam
440:allegory
308:portrait
265:Cornelis
213:married
174:Born at
132:Movement
126:Painting
48:Scotland
713::
457:Gallery
367:Dresden
350:Solomon
273:Jan Six
162:of the
160:painter
152:Govaert
140:Baroque
707:
580:(1654)
490:(1655)
420:Romans
404:Samson
393:Berlin
385:Louvre
379:, the
347:, and
302:(1638)
211:Saskia
184:mercer
148:Govert
450:Hagar
400:David
291:Works
176:Kleve
106:Dutch
69:Kleve
418:and
410:and
406:and
402:and
381:Girl
267:and
194:, a
170:Life
150:(or
80:Died
55:Born
722:".
442:of
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660:,
634:^
594:^
395:.
369:,
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59:(
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