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Handscroll

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format in East Asia used for calligraphy or paintings. A handscroll usually measures up to several meters in length and around 25–40 cm in height. Handscrolls are generally viewed starting from the right end. This kind of scroll is intended to be read or viewed flat on a table, in sections. The
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Handscrolls were introduced to Japan centuries later through the spread of Buddhism. The earliest extant Japanese handscroll was created in the eighth century and deals with the life of the Buddha. Japanese horizontal picture scrolls are called
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in the handscroll format became more common. The handscroll was one of the main formats for texts up until the
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period (220–280), the handscroll became a standard format for paintings. New styles were developed over time.
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in Taipei, the handscroll format originated with ancient Chinese text documents. From the
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The origins of the handscroll format lie in the ancient texts and documents of China.
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Reading Asian art and artifacts: Windows to Asia on American college campuses
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The traditional alternative format in East Asian paintings is the vertical
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format thus allows for the depiction of a continuous narrative or journey.
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A handscroll has a backing of protective and decorative silk (
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were bound together and used to write texts on. During the
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Transcultural Ink: The Realm of Infinite Subtleties
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New York: Sterling. pp. 58–9. 289:Admonitions of the Court Instructress 7: 652:Digital Scrolling Paintings Project 613:"Japanese Illustrated Handscrolls" 34:Section of a handscroll painting, 14: 509:Heilbrunn Timeline of Art History 425:. Richmond: Curzon. p. 273. 611:Willmann, Anna (November 2012). 352: 327: 299: 275: 28: 286:The extant nine scenes of the 261: 255: 249: 243: 237: 231: 225: 219: 213: 207: 201: 109:is a long, narrow, horizontal 88: 58: 1: 657:MoreInfo: Formats (Mounting) 641:. The Handscroll Experience. 163:period (25–220), the use of 121:, which is rarely as long. 724: 617:Metropolitan Museum of Art 619:. Timeline of Art History 394:Detroit Institute of Arts 151:(770–481 BC) through the 133:Japanese, section of the 99: 65: 27: 23: 419:Dillon, Michael (1998). 149:Spring and Autumn period 503:Delbanco, Dawn (2008). 136:Nezame Monogatari Emaki 703:East Asian calligraphy 157:bamboo or wooden slips 145:National Palace Museum 140: 505:"Chinese Handscrolls" 390:"Early Autumn (29.1)" 132: 474:Qu, Lei Lei (2008). 235:). Vertical strips ( 175:(618–907). From the 708:Manuscripts by type 155:(206 BC – 220 AD), 688:Chinese inventions 593:on 23 January 2018 253:) and a fastener ( 141: 587:"Chinese Scrolls" 487:978-1-4027-5391-6 432:978-0-7007-0439-2 400:on 2 October 2008 143:According to the 103: 102: 95: 94: 76:Standard Mandarin 42:loyalist painter 715: 693:Chinese painting 628: 626: 624: 603: 602: 600: 598: 583: 577: 574: 568: 567: 562: 560: 555:on 1 August 2020 545: 512: 501: 492: 491: 471: 465: 464: 446: 437: 436: 416: 410: 409: 407: 405: 396:. 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Index


Song
Qian Xuan
Chinese
Standard Mandarin
Hanyu Pinyin
scroll
hanging scroll

Nezame Monogatari Emaki
National Palace Museum
Spring and Autumn period
Han dynasty
bamboo or wooden slips
Eastern Han
paper
silk
Tang dynasty
Three Kingdoms
emakimono


Admonitions of the Court Instructress


Along the River During the Qingming Festival
Zhang Zeduan


Qian Xuan

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