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contorted attitudes. One technique involved setting down arbitrary points on a sheet, which then became the extreme points of the various limbs. Notable examples of these drawings were made in concert with George
Richmond when the two artists were together in Rome. He rarely drew figures from life, basing his art on study of the antique and Michelangelo.
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in 1761, Fuseli was forced to leave the country as a result of having helped
Lavater to expose an unjust magistrate, whose powerful family sought revenge. He travelled through Germany, and then, in 1765, visited England, where he supported himself for some time by miscellaneous writing. Eventually,
734:
He was a thorough master of French, Italian, English and German, and could write in all these languages with equal facility and vigour, although he preferred German as the vehicle of his thoughts. His principal written work was his series of twelve lectures delivered to the Royal
Academy, begun in
585:
Though not noted as a colourist, Fuseli was described as a master of light and shadow. Rather than setting out his palette methodically in the manner of most painters, he merely distributed the colours across it randomly. He often used his pigments in the form of a dry powder, which he hastily
634:
His sketches or designs numbered about 800; they have admirable qualities of invention and design and are frequently superior to his paintings. In his drawings, as in his paintings, his methods included deliberately exaggerating the proportions of the human body and throwing his figures into
515:, with a view to forming a Milton gallery comparable to Boydell's Shakespeare gallery. There were 47 Milton paintings, many of them very large, completed at intervals over nine years. The exhibition proved a commercial failure and closed in 1800. In 1805 he brought out an edition of
443:, to whom he showed his drawings. Following Reynolds' advice, he decided to devote himself entirely to art. In 1770 he made an art-pilgrimage to Italy, where he remained until 1778, changing his name from Füssli to the more Italian-sounding Fuseli. In
807:
490:, whose portrait he had painted, planned a trip with him to Paris, and pursued him determinedly, but communication between the two was stopped by Rawlins. Fuseli later said "I hate clever women. They are only troublesome". In 1790 he became a full
504:. In 1799 Fuseli was appointed professor of painting to the Academy. Four years later he was chosen as Keeper, and resigned his professorship, but resumed it in 1810, continuing to hold both offices until his death. He was succeeded as keeper by
541:
As a painter, Fuseli favoured the supernatural. He pitched everything on an ideal scale, believing a certain amount of exaggeration necessary in the higher branches of historical painting. In this theory he was confirmed by the study of
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he excelled in the art of setting his figures in motion. Though the lofty and terrible was his proper sphere, Fuseli had a fine perception of the ludicrous. The grotesque humour of his fairy scenes, especially those taken from
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When Louis XVI was executed in France in 1793, Fuseli condemned the revolution as despotic and anarchic, although he had first welcomed it as a sign of "an age pregnant with the most gigantic efforts of character".
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594:, regardless of the quantity, and depending on accident for the general effect. This recklessness may perhaps be explained by the fact that he did not paint in oil until the age of 25.
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642:—"Damn Nature! she always puts me out" was his characteristic exclamation—and painted only two portraits. However, similar to contemporary landscape painters such as
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529:, when on his visit to England, was much taken with Fuseli's works, and on returning to Rome in 1817 caused him to be elected a member of the first class in the
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427:. He intended Henry for the church, and sent him to the Caroline college of Zürich, where he received a classical education. One of his schoolmates there was
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His figures are full of life and earnestness, and seem to have an object in view which they follow with intensity. Like
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Fuseli painted more than 200 pictures, but he exhibited only a small number of them. His earliest painting represented
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Early in 1779 he returned to
Britain, visiting Zürich on the way. In London, he found a commission awaiting him from
763:, who was 16 years his junior, recognized a debt to him, and for a time many English artists copied his mannerisms.
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466:. Fuseli painted a number of pieces for Boydell, and published an English edition of Lavater's work on
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and created his own "Milton
Gallery". He held the posts of Professor of Painting and Keeper at the
37:
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Many interesting anecdotes of Fuseli, and his relations to contemporary artists, are given in his
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After a life of uninterrupted good health he died at the house of the
Countess of Guildford on
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One or more of the preceding sentences incorporates text from a publication now in the
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and prominent figure in radical
British political and intellectual life. He also visited
1680:
Hammelmann, Hans (1957). "Eighteenth-Century
English Illustrators: Henry Fuseli, R.A.,"
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In 1799 Fuseli exhibited a series of paintings from subjects furnished by the works of
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623:, exhibited in 1782, a painting of which he painted several versions. Themes seen in
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279:. His style had a considerable influence on many younger British artists, including
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Royal
Academy of Arts Collections, 5 February 2014. Retrieved 5 February 2014.
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407:, Switzerland, the second of 18 children. Among his brothers and sisters were
482:(originally one of his models), and he soon after became an associate of the
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such as horror, dark magic and sexuality, were echoed in his 1796 painting,
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1658:. Vol. 11 (11th ed.). Cambridge University Press. p. 368.
1380:. Vol. 11 (11th ed.). Cambridge University Press. p. 368.
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16:
Swiss-born
British painter, draughtsman and writer on art (1741–1825)
1469:(Letter to Miss Leslie December 1816). Boston: Ticknor & Fields.
1635:
This article incorporates text from a publication now in the
1170:
Passion and Obsession: Henry Fuseli, 1741–1825: painter and writer
668:
596:
475:
385:
314:
2265:
551:
444:
2001:
1834:
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1997:
1933:
Britomart Delivering Amoretta from the Enchantment of Busirane
1154:
Britomart Delivering Amoretta from the Enchantment of Busirane
290:
1696:
Gothic Nightmares: Fuseli, Blake and the Romantic Imagination
265:. Many of his works depict supernatural experiences, such as
207:
186:
681:
In 1788 Fuseli started to write essays and reviews for the
222:
216:
198:
192:
1728:
The Fuseli Circle in Rome: Early Romantic Art of the 1770s
1671:
Fuseli's Milton Gallery: 'Turning readers into spectators'
1575:"Putney | Old and New London: Volume 6 (pp. 489–503)"
1952:
The Artist's Despair Before the Grandeur of Ancient Ruins
798:
The artist's despair before the grandeur of ancient ruins
779:. He was comparatively wealthy at the time of his death.
1233:
The American Heritage Dictionary of the English Language
257:; 7 February 1741 – 17 April 1825) was a Swiss painter,
474:
some valuable assistance in preparing a translation of
419:, a painter of portraits and landscapes, and author of
318:
615:
Joseph Interpreting the Dreams of the Baker and Butler
231:
213:
204:
189:
183:
1710:
Antiquity, Theatre, and the Painting of Henry Fuseli
447:
he moved in the same circles as the Scottish artist
219:
195:
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3705:
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2518:
2440:
2359:
2350:
2236:
2104:
2035:
1962:
1943:
1868:
1748:
775:, at the age of 84, and was buried in the crypt of
617:, but the first to excite particular attention was
210:
180:
141:
131:
117:
109:
99:
80:
51:
23:
261:, and writer on art who spent much of his life in
646:, he evoked qualities of terror and the sublime.
1730:. New Haven: Yale Center for British Art, 1979.
1599:p. 465: London; Chapman & Hall, Ltd; 1909.
586:combined on the end of his brush with oil, or
2013:
1846:
8:
1800:Profile on Royal Academy of Arts Collections
1556:. London: Tate Gallery Publications. p. 14.
1515:10.1093/benz/9780199773787.article.b00069309
1509:, Oxford University Press, 31 October 2011,
323:introducing citations to additional sources
3223:
2356:
2020:
2006:
1998:
1853:
1839:
1831:
1418:. London: Tate Gallery Publishing, p. 53.
36:
20:
1691:. Zürich: Scheidegger & Spiess, 2005.
1345:
1343:
1341:
1339:
1337:
1335:
1333:
1331:
862:The two murderers of the Duke of Clarence
1481:"The Night-Hag Visiting Lapland Witches"
1465:Leslie, C. R. (1855). Tom Taylor (ed.).
1329:
1327:
1325:
1323:
1321:
1319:
1317:
1315:
1313:
1311:
313:Relevant discussion may be found on the
1219:
1079:Romeo stabs Paris at the bier of Juliet
937:consulting the Vision of the Armed Head
786:
548:the marble statues of the Monte Cavallo
523:, which did little for his reputation.
1745:
1392:Scotland and the Origins of Modern Art
629:Night-Hag visiting the Lapland Witches
4367:Romanticism and the French Revolution
1577:. British-history.ac.uk. 22 June 2003
431:, with whom he became close friends.
252:
7:
1821:31 artworks by or after Henry Fuseli
1735:Henry Fuseli and the Engraver's Art
1595:"Memorials of St Paul's Cathedral"
1453:Papal Palace on Monte Cavallo, Rome
1177:and David H. Weinglass, Zurich 1997
1909:Thor Battering the Midgard Serpent
1436:Thor battering the Midgard Serpent
1016:Horseman attacked by a giant snake
497:Thor Battering the Midgard Serpent
395:was Fuseli's diploma work for the
392:Thor Battering the Midgard Serpent
273:John Boydell's Shakespeare Gallery
14:
4521:19th-century British male artists
1901:The Vision of Catherine of Aragon
1805:Fuseli's Lecture on Painting 1801
1737:. Boston: World Wide Books, 1982.
1530:. London: Academy Editions. p. 7.
657:(1831). He influenced the art of
254:[ˈjoːhanˈhaɪ̯nʁɪçˈfyːsli]
4420:
4419:
1925:Lady Macbeth Seizing the Daggers
1754:
1628:
1541:The Life and Art of Henry Fuseli
1350:
1145:
1130:
1109:
1101:Lady Macbeth Seizing the Daggers
1092:
1071:
1050:
1029:
1008:
989:
968:
944:
926:
907:
892:
869:
854:
836:
826:The artist in conversation with
818:
806:
789:
677:, 1824, National Gallery, London
306:relies largely or entirely on a
295:
176:
42:Henry Fuseli, 1778. Portrait by
4526:19th-century Swiss male artists
4506:18th-century Swiss male artists
154:
4471:Burials at St Paul's Cathedral
1782:Works by or about Henry Fuseli
1467:Autobiographical Recollections
900:Falstaff in the laundry basket
813:Anna Magdalena Schweizer, 1779
462:, who was then setting up his
1:
4466:19th-century British painters
4456:18th-century British painters
4390:Wanderer above the Sea of Fog
1621:Lexicon on art in Switzerland
1507:Benezit Dictionary of Artists
1455:. Retrieved 28 December 2011.
1236:(5th ed.). HarperCollins
1120:
1082:
1040:
1019:
958:
882:
4476:Keepers of the Royal Academy
1687:Lentzsch, Franziska, et al.
1001:visiting the Lapland Witches
4516:19th-century Swiss painters
4501:18th-century Swiss painters
1760:Fuseli's Titania and Bottom
1723:. London: Allen Lane, 1973.
1543:. New York: Praeger. p 211.
4547:
4307:Coleridge's theory of life
1390:Macmillan, Duncan (2023),
1261:Collins English Dictionary
673:Henry Fuseli (aged 83) by
439:he became acquainted with
4481:British portrait painters
4399:
4362:Romanticism and economics
2377:Manuel Antônio de Almeida
1753:
1684:6 No.4 (winter): 350–363.
1642:Rossetti, William Michael
1539:Tomory, Peter A. (1972).
1364:Rossetti, William Michael
1204:(brother of Henry Fuseli)
1117:Puck, or Robin Goodfellow
608:Detroit Institute of Arts
579:A Midsummer-Night's Dream
478:. In 1788 Fuseli married
451:and the Swedish sculptor
247:
113:Painting, draughtsmanship
35:
2142:German historical school
1614:"Johann Heinrich Füssli"
1554:Henry Fuseli 1741–1825:
1194:(father of Henry Fuseli)
559:William Michael Rossetti
4486:Swiss portrait painters
2789:Józef Ignacy Kraszewski
1714:Oxford University Press
1655:Encyclopædia Britannica
1377:Encyclopædia Britannica
1298:Oxford University Press
564:Encyclopædia Britannica
271:. He painted works for
4372:Romanticism in science
4327:Middle Ages in history
4322:List of Romantic poets
3034:Josiah Gilbert Holland
1877:The Oath on the Grütli
1689:Fuseli: The Wild Swiss
1526:Keay, Carolyn (1974).
1414:Myrone, Martin (2001)
1209:References and sources
678:
610:
583:
557:Describing his style,
400:
249:Johann Heinrich Füssli
56:Johann Heinrich Füssli
4461:British male painters
4342:Romantic epistemology
4332:Opium and Romanticism
2901:Stojadinović-Srpkinja
2127:Counter-Enlightenment
1791:Works by Henry Fuseli
1773:Works by Henry Fuseli
1721:Fuseli: The Nightmare
1552:Schiff, Gert (1975).
1398:, London, pp. 65–71,
1304:on 25 September 2020.
1294:UK English Dictionary
1198:Füssli, Johann Kaspar
1188:Füssli, Johann Caspar
672:
600:
570:
531:Accademia di San Luca
521:Lives of the Painters
486:. The early feminist
429:Johann Kaspar Lavater
389:
4406:Age of Enlightenment
2048:England (literature)
1976:Johann Kaspar Füssli
1970:Johann Caspar Füssli
1733:Weinglass, David H.
981:Scylla and Charybdis
743:His pupils included
417:Johann Caspar Füssli
319:improve this article
4511:Swiss male painters
4496:Artists from Zürich
4357:Romantic psychology
2152:Hudson River School
2096:Sweden (literature)
2081:Russia (literature)
1200:(1743–1786), Swiss
1190:(1706–1782), Swiss
915:The Creation of Eve
828:Johann Jakob Bodmer
777:St Paul's Cathedral
705:Mary Wollstonecraft
675:Edward Hodges Baily
488:Mary Wollstonecraft
464:Shakespeare Gallery
441:Sir Joshua Reynolds
403:Fuseli was born in
4491:Royal Academicians
2342:White Mountain art
2283:Historical fiction
2091:Spain (literature)
1917:Titania and Bottom
1726:Pressly, Nancy L.
1682:The Book Collector
878:Titania and Bottom
679:
611:
517:Matthew Pilkington
449:Alexander Runciman
401:
4433:
4432:
4347:Romantic medicine
4317:List of romantics
3756:
3755:
3407:Felix Mendelssohn
3402:Fanny Mendelssohn
3213:
3212:
2927:Rosalía de Castro
2865:Soares dos Passos
2213:Transcendentalism
2177:Nazarene movement
2137:Düsseldorf School
1995:
1994:
1815:Books and Writers
1809:Petri Liukkonen.
1777:Project Gutenberg
1769:
1768:
1719:Powell, Nicolas.
1505:"Fuseli, Henry",
1404:978-1-84822-633-3
952:The daughters of
684:Analytical Review
659:Fortunato Duranti
550:, which, when at
415:. His father was
384:
383:
369:
164:
163:
94:, London, England
4538:
4423:
4422:
4382:Evolution theory
3224:
2357:
2218:Ukrainian school
2022:
2015:
2008:
1999:
1855:
1848:
1841:
1832:
1786:Internet Archive
1758:
1757:
1746:
1694:Myrone, Martin.
1659:
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1306:
1305:
1300:. Archived from
1283:
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1272:
1252:
1246:
1245:
1243:
1241:
1224:
1192:portrait painter
1149:
1134:
1125:
1124: 1810–1820
1122:
1113:
1096:
1087:
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1054:
1045:
1044: 1800–1810
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822:
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697:Joseph Priestley
566:Eleventh Edition
460:Alderman Boydell
399:, accepted 1790.
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4352:Romantic poetry
4337:Romantic ballet
4312:German idealism
4295:
4261:Lacoue-Labarthe
4187:
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3752:
3701:
3670:
3651:Rimsky-Korsakov
3594:
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2910:
2869:
2823:
2765:
2706:Maria Edgeworth
2642:
2635:
2514:
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2325:Romantic genius
2255:Gesamtkunstwerk
2232:
2193:Sturm und Drang
2100:
2031:
2026:
1996:
1991:
1958:
1939:
1864:
1859:
1755:
1749:External videos
1744:
1700:Tate Publishing
1675:Clarendon Press
1666:
1664:Further reading
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749:Benjamin Haydon
741:
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644:J. M. W. Turner
638:He produced no
539:
470:. He also gave
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4300:Related topics
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4003:David d'Angers
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3165:Oehlenschläger
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2261:Gothic fiction
2258:
2251:
2249:British Marine
2246:
2240:
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2230:
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2220:
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2174:
2169:
2164:
2159:
2154:
2149:
2147:Gothic revival
2144:
2139:
2134:
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2124:
2119:
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1811:"Henry Fuseli"
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1742:External links
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1442:Archived here.
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1396:Lund Humphries
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1372:Chisholm, Hugh
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725:William Roscoe
723:, the home of
709:Joseph Johnson
701:Erasmus Darwin
693:William Godwin
666:
663:
538:
535:
527:Antonio Canova
480:Sophia Rawlins
472:William Cowper
382:
381:
334:"Henry Fuseli"
317:. Please help
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147:Sophia Rawlins
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3120:Nikolai Gogol
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2731:Mary Robinson
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2460:Chateaubriand
2458:
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2289:Mal du siècle
2286:
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2034:
2030:
2023:
2018:
2016:
2011:
2009:
2004:
2003:
2000:
1988:
1985:
1983:
1982:Neoclassicism
1980:
1977:
1974:
1971:
1968:
1967:
1965:
1961:
1954:
1953:
1949:
1948:
1946:
1942:
1935:
1934:
1930:
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1922:
1919:
1918:
1914:
1911:
1910:
1906:
1903:
1902:
1898:
1895:
1894:
1893:The Nightmare
1890:
1887:
1886:
1882:
1879:
1878:
1874:
1873:
1871:
1867:
1863:
1856:
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1765:
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1752:
1747:
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1736:
1732:
1729:
1725:
1722:
1718:
1715:
1711:
1707:
1704:
1701:
1697:
1693:
1690:
1686:
1683:
1679:
1676:
1672:
1669:Calè, Luisa.
1668:
1667:
1663:
1657:
1656:
1651:
1647:
1646:Fuseli, Henry
1643:
1638:
1637:public domain
1626:
1622:
1620:
1615:
1611:
1610:
1606:
1598:
1592:
1589:
1576:
1570:
1567:
1563:
1562:9780900874888
1559:
1555:
1549:
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1512:
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1421:
1417:
1411:
1408:
1405:
1401:
1397:
1393:
1387:
1384:
1379:
1378:
1373:
1369:
1368:Fuseli, Henry
1365:
1360:
1359:public domain
1346:
1344:
1342:
1340:
1338:
1336:
1334:
1332:
1330:
1328:
1326:
1324:
1322:
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1318:
1316:
1314:
1312:
1308:
1303:
1299:
1295:
1293:
1288:
1282:
1279:
1267:
1266:HarperCollins
1263:
1262:
1257:
1251:
1248:
1235:
1234:
1229:
1223:
1220:
1213:
1208:
1203:
1199:
1196:
1193:
1189:
1186:
1185:
1181:
1176:
1175:Gaudenz Meili
1172:
1171:
1167:
1166:
1162:
1156:
1155:
1148:
1143:
1139:
1133:
1128:
1118:
1112:
1107:
1103:
1102:
1095:
1090:
1080:
1074:
1069:
1065:
1064:
1060:
1053:
1048:
1038:
1032:
1027:
1017:
1011:
1006:
1002:
1000:
992:
987:
983:
982:
978:
971:
966:
956:
955:
947:
942:
938:
936:
929:
924:
920:
919:Paradise Lost
916:
910:
905:
901:
895:
890:
880:
879:
872:
867:
863:
857:
852:
848:
847:
844:The death of
839:
834:
830:
829:
821:
816:
809:
804:
800:
799:
792:
787:
782:
780:
778:
774:
766:
764:
762:
761:William Blake
758:
754:
750:
746:
738:
736:
732:
728:
726:
722:
718:
717:Allerton Hall
714:
710:
706:
702:
698:
694:
690:
686:
685:
676:
671:
664:
662:
660:
656:
652:
647:
645:
641:
636:
632:
630:
626:
625:The Nightmare
622:
621:
620:The Nightmare
616:
609:
605:
604:
603:The Nightmare
599:
595:
593:
589:
582:
580:
575:
569:
567:
565:
560:
555:
553:
549:
546:'s works and
545:
536:
534:
532:
528:
524:
522:
518:
514:
509:
507:
506:Henry Thomson
503:
499:
498:
494:, presenting
493:
489:
485:
484:Royal Academy
481:
477:
473:
469:
465:
461:
456:
454:
453:Tobias Sergel
450:
446:
442:
437:
434:After taking
432:
430:
426:
424:
421:Lives of the
418:
414:
410:
409:Johann Kaspar
406:
398:
397:Royal Academy
394:
393:
388:
378:
367:
364:
360:
357:
353:
350:
346:
343:
339:
336: –
335:
331:
330:Find sources:
324:
320:
316:
310:
309:
308:single source
304:This section
302:
298:
293:
292:
286:
284:
282:
281:William Blake
278:
277:Royal Academy
274:
270:
269:
268:The Nightmare
264:
260:
255:
250:
245:
241:
240:
235:-zə-lee, few-
227:
172:
168:
144:
140:
137:
134:
130:
127:
126:
125:The Nightmare
122:
116:
112:
108:
105:
102:
98:
93:
84:17 April 1825
83:
79:
75:
71:
54:
50:
45:
39:
34:
30:
22:
19:
4418:
4411:
4404:
4388:
4108:Porto-Alegre
4022:
3762:Philosophers
3646:Rachmaninoff
3095:Chavchavadze
3085:Baratashvili
2845:João de Deus
2814:Wincenty Pol
2606:Küchelbecker
2334:
2300:Noble savage
2287:
2253:
2228:Wallenrodism
2205:
2191:
2122:Coppet group
2056:(literature)
1950:
1931:
1923:
1915:
1907:
1899:
1891:
1883:
1875:
1862:Henry Fuseli
1861:
1823: at the
1814:
1795:Open Library
1764:Smarthistory
1734:
1727:
1720:
1709:
1695:
1688:
1681:
1670:
1653:
1617:
1597:Sinclair, W.
1591:
1579:. Retrieved
1569:
1553:
1548:
1540:
1535:
1528:Henry Fuseli
1527:
1522:
1506:
1500:
1488:. Retrieved
1484:
1475:
1466:
1460:
1448:
1435:
1430:
1416:Henry Fuseli
1415:
1410:
1391:
1386:
1375:
1302:the original
1290:
1281:
1269:. Retrieved
1259:
1250:
1238:. Retrieved
1231:
1222:
1202:entomologist
1169:
1152:
1137:
1116:
1099:
1078:
1057:
1036:
1015:
996:
979:in front of
975:
951:
933:
918:
914:
899:
876:
861:
843:
825:
796:
770:
753:William Etty
745:David Wilkie
742:
733:
729:
689:Thomas Paine
682:
680:
655:John Knowles
650:
648:
637:
633:
628:
624:
618:
614:
612:
601:
584:
578:
571:
563:
561:in the 1911
556:
544:Michelangelo
540:
525:
520:
510:
502:diploma work
495:
457:
433:
420:
402:
390:
372:
362:
355:
348:
341:
329:
305:
266:
248:
167:Henry Fuseli
166:
165:
123:
119:Notable work
86:(1825-04-17)
25:Henry Fuseli
18:
4451:1825 deaths
4446:1741 births
4098:Michałowski
3930:Wackenroder
3895:F. Schlegel
3890:A. Schlegel
3666:Tchaikovsky
3555:Bortkiewicz
3427:R. Schumann
3422:C. Schumann
3387:Kalkbrenner
3356:Saint-Saëns
2661:Anne Brontë
2546:Eichendorff
2531:B. v. Arnim
2526:A. v. Arnim
2336:Weltschmerz
2295:Medievalism
2244:Blue flower
2172:Nationalist
2117:Bohemianism
2029:Romanticism
1987:Romanticism
1955:(1778–1780)
1880:(1779–1781)
1490:12 November
1140:, 1815–1820
1104:, 1810–1812
1086: 1809
1023: 1800
984:, 1794–1796
962: 1795
886: 1790
864:, 1780–1782
831:, 1778–1781
773:Putney Hill
513:John Milton
492:academician
468:physiognomy
375:August 2022
259:draughtsman
136:Romanticism
100:Nationality
92:Putney Hill
74:Switzerland
4440:Categories
3973:Chassériau
3948:Aivazovsky
3656:Rubinstein
3641:Mussorgsky
3590:Wieniawski
3575:Paderewski
3417:Moszkowski
3200:Vörösmarty
3190:Shevchenko
3044:Longfellow
2968:Batyushkov
2963:Baratynsky
2932:Espronceda
2799:Mickiewicz
2794:Malczewski
2761:Wordsworth
2746:M. Shelley
2701:de Quincey
2566:Günderrode
2450:Baudelaire
2330:Wanderlust
2167:Lake Poets
1712:. Oxford:
1706:Andrei Pop
1698:. London:
1673:. Oxford:
1424:1854373579
1214:References
640:landscapes
588:turpentine
568:said that:
345:newspapers
62:1741-02-07
4413:Modernism
4073:Kiprensky
4033:Géricault
4018:Friedrich
4008:Delacroix
3983:Constable
3963:Bonington
3953:Bierstadt
3905:Senancour
3880:Schelling
3835:Lamennais
3830:Khomyakov
3795:Coleridge
3790:Chaadayev
3697:Stanković
3692:Mokranjac
3611:Balakirev
3570:Moniuszko
3519:Donizetti
3514:Cherubini
3412:Meyerbeer
3397:Marschner
3372:Beethoven
3285:Moscheles
3219:Musicians
3205:Wergeland
3170:Orbeliani
3125:Grundtvig
3029:Hawthorne
2998:Zhukovsky
2993:Vyazemsky
2978:Lermontov
2937:Gutiérrez
2896:Radičević
2860:Herculano
2784:Krasiński
2726:Radcliffe
2696:Coleridge
2671:E. Brontë
2666:C. Brontë
2596:Jean Paul
2591:Hölderlin
2480:Lamartine
2417:Magalhães
2407:Guimarães
2315:Pantheism
2305:Nostalgia
2157:Indianism
2105:Movements
2036:Countries
1978:(brother)
1869:Paintings
1644:(1911). "
1366:(1911). "
1271:14 August
1240:14 August
1138:Fairy Mab
1059:Kriemhild
999:Night-Hag
954:Pandareus
801:, 1778–79
739:Influence
721:Liverpool
713:publisher
592:gold size
315:talk page
287:Biography
4425:Category
4241:Dahlhaus
4226:Blanning
4193:Scholars
4163:Tropinin
4158:Tidemand
4148:Stattler
4143:Scheffer
4043:Głowacki
4013:Edelfelt
3968:Bryullov
3910:Snellman
3885:Schiller
3875:Rousseau
3855:Michelet
3800:Constant
3770:Belinsky
3743:Sibelius
3687:Konjović
3661:Scriabin
3631:Lyapunov
3565:Lipiński
3534:Spontini
3524:Paganini
3468:Goldmark
3259:Thalberg
3254:Schubert
3234:Bruckner
3195:Topelius
3185:Runeberg
3175:Prešeren
3145:Leopardi
3110:Frashëri
3100:Eminescu
3080:Andersen
2988:Tyutchev
2973:Karamzin
2947:Zorrilla
2942:Saavedra
2840:Castilho
2828:Portugal
2819:Słowacki
2721:Polidori
2651:Barbauld
2586:Hoffmann
2541:Brentano
2455:Bertrand
2276:Romantic
2112:Ancients
2086:Scotland
1972:(father)
1944:Drawings
1256:"Fuseli"
1228:"Fuseli"
1182:See also
977:Odysseus
846:Achilles
665:Writings
606:(1781),
425:Painters
423:Helvetic
132:Movement
4266:Lovejoy
4201:Abraham
4123:Richard
4113:Préault
4038:Girodet
3920:Thoreau
3865:Novalis
3850:Mazzini
3845:Maistre
3820:Hazlitt
3805:Emerson
3785:Carlyle
3775:Berchet
3718:Berwald
3713:Bennett
3682:Hristić
3636:Medtner
3616:Borodin
3606:Arensky
3529:Rossini
3504:Bellini
3483:Joachim
3456:Hungary
3437:Strauss
3365:Germany
3331:Berlioz
3300:Voříšek
3295:Smetana
3273:Czechia
3227:Austria
3160:Maturin
3155:Manzoni
3130:Heliade
3105:Foscolo
3075:Alfieri
3070:Abovian
3024:Emerson
2983:Pushkin
2922:Bécquer
2855:Garrett
2809:Potocki
2756:Southey
2716:Maturin
2686:Carlyle
2643:Britain
2616:Novalis
2571:Gutzkow
2519:Germany
2485:Mérimée
2470:Gautier
2397:Barreto
2392:Azevedo
2372:Alencar
2352:Writers
2271:Byronic
2207:Purismo
2061:Germany
2043:Denmark
1963:Related
1784:at the
1716:, 2015.
1702:, 2006.
1677:, 2006.
1652:(ed.).
1639::
1607:Sources
1485:The Met
1438:, 1790.
1374:(ed.).
1361::
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