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Gentileschi received his last payment for the work from the royal family in July 1632 and a frame was made ready for it at
Greenwich between 1633 and 1634. It remains in the
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206.0 cm × 261.9 cm (81.1 in × 103.1 in)
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Paintings in the Royal
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This article about a seventeenth-century painting is a
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466:Paintings of Joseph and Potiphar's Wife
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135:The theme relates to the story told in
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153:List of works by Orazio Gentileschi
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202:Orazio and Artemisia Gentileschi
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461:Paintings by Orazio Gentileschi
16:Painting by Orazio Gentileschi
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399:. You can help Knowledge by
200:Christiansen, Keith (2001),
446:17th-century painting stubs
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337:Joseph and Potiphar's Wife
141:Joseph in Potiphar's house
85:Joseph and Potiphar's Wife
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471:Henrietta Maria of France
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281:Assumption of the Virgin
324:(Bilbao; c. 1628)
355:Artemisia Gentileschi
321:Lot and His Daughters
297:Lot and His Daughters
113:, it was created for
96:'s court. Along with
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111:(Private Collection)
108:Apollo and the Muses
99:The Finding of Moses
340:(c. 1630–1632)
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249:Orazio Gentileschi
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363:(major influence)
211:978-1-58839-006-6
184:"Catalogue entry"
171:Christiansen 2001
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64:Dimensions
372:Mannerism
265:Paintings
123:Greenwich
106:) and an
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147:See also
72:Location
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36:Artist
313:Danaë
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
