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235:, and above all thanks to her large solo exhibitions in London (1899, 1904, 1906) and Vienna (1914) Leo von Littrow was the only woman to receive an honorable commission from the newly built museums of the Viennese court as early as the mid-1880s: the interior painting for the mezzanine residences of the Natural History Museum shows her painting
133:, successor to his father Joseph as head of the Vienna University Observatory and Rector of the University of Vienna. He was married to the women's rights activist Auguste von Littrow, co-founder of the Vienna Women's Employment Association, the Association of Wiener Frauenheim and a city's benefactor, who maintained a salon frequented by
164:, a marine health resort of the Austro-Hungarian monarchy in the outskirts of Fiume. She had come here with her father, who came to this place for professional reasons. After the Viennese painting lessons with Hans Canon, she received her artistic training from around 1875 under the influence of French
192:, with whom she corresponded and was friends throughout her life and who frequented her studio in Abbazia. Leo and Heinrich von Littrow's closest friends and collectors of their pictures included the industrialist and co-inventor of the torpedo
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in 1887, a long-standing friendship developed between the two, which was important for the artistic style of both of them. In these years Leo von
Littrow developed her own individualistic, light-flooded and pure color style of impressionism.
125:. Her mother, Caroline Fanny Barry, like Leo's uncle Alfred Barry and Richard Barry, came from a wealthy banking and merchant family from Genoa and Trieste. Leo's grandfather was the imperial court astronomer
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in
Trieste and was always called "Leo" from an early age. She used the name "Leontine" or "Leo" von Littrow. As a member of an old Austrian-Czech family, she had well known ancestors. Her father
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Even before the turn of the century, Littrow was considered a well-established impressionist of the South. She sold pictures to crowned heads and important collectors:
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The painter always signed her works with “Leo von
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Her family was elevated to hereditary nobility in 1835. One of her uncles was the astronomer
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by the equally aristocratic
Parisian painter Jean d’Alheim, a student of the romantic
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412:"Women's Art at the World's Columbian Fair & Exposition, Chicago 1893"
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Rivista di storia dell'arte. Arte in Friuli, arte a
Trieste
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City Of Women: Female artists in Vienna from 1900 to 1938
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Leo von
Littrow died in her hometown of Abbazia in 1925.
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painter known for her landscapes and marine paintings.
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223:(1893) or Chicago (1893, at the
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384:Gardonio, Matteo.
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