Knowledge (XXG)

Portrait of a Man in Red Chalk

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Renaissance portraits and suggests, as now, a person of sagacity. The face has a somewhat aquiline nose and is marked by deep lines on the brow and pouches below the eyes. It appears as if the man has lost his upper front teeth, causing deepening of the grooves from the nostrils. The eyes of the figure do not engage the viewer but gaze ahead, veiled by the long eyebrows. The drawing has been drawn in fine unique lines, shadowed by hatching and executed with the left hand, as was Leonardo's habit. The paper has brownish "fox marks" caused by the accumulation of iron salts due to moisture.
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century is that the drawing depicts a man of a greater age than Leonardo himself achieved, as he died at the age of 67 and allegedly made the drawing between the age of 58 and 60. It has been suggested that the sitter represents Leonardo's father Piero da Vinci or his uncle Francesco, based on the
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The portrait is drawn in red chalk on paper. It depicts the head of an elderly man in three-quarter view, his face turned towards the viewer. The subject is distinguished by his long hair and long waving beard which flow over the shoulders and chest. The length of the hair and beard is uncommon in
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Other portraits of Leonardo by himself and other hands exist, presenting a different image of Leonardo to the man as represented in the red chalk drawing. Another red chalk drawing, a profile portrait at Windsor, is attributed to his pupil
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Since the mid-to-late 20th century, the identification of the drawing as a self-portrait has been questioned. The claim that it represents Leonardo has been criticized by a number of Leonardo scholars and experts, such as
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and on the high quality of the drawing, consistent with others by Leonardo. It was also decreed to be a self-portrait based on its likeness to the frontispiece portrait of Leonardo in
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reflected that "This red chalk drawing has largely determined our idea of Leonardo's appearance for it was long taken to be his only authentic self-portrait."
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at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of Leonardo as a
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bears an inscription indicating that it is a self-portrait of Leonardo; this would be the earliest depiction of the artist.
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In 1839, Giovanni Volpato, an antiques dealer who may have purchased the drawing in England or France, sold it to Prince
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In the early 21st century, the presumed self-portrait of Leonardo was used to help identify the subject of a drawing by
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101 things you didn't know about Da Vinci: the secrets of the world's most eccentric and innovative genius revealed!
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or "Renaissance Man". Despite this, some historians and scholars disagree as to the true identity of the sitter.
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Conte, A. Mosca; Pulci, O.; Misiti, M. C.; Lojewska, J.; Teodonio, L.; Violante, C.; Missori, M. (2014).
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century, based on the similarity of the sitter to the possible portrait of Leonardo as
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added by a later hand, reads: "Leonardo da Vinci, portrait of himself as an old man"
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depicts the artist at age 53. Leonardo may have also included a self-portrait in
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33.3 cm × 21.6 cm (13.1 in × 8.5 in)
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Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle
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to Leonardo, but it has at least on occasion been attributed to him. The
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Leonardo was known for playing another stringed instrument, the
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The Virgin and Child with Saint Anne and Saint John the Baptist
1182: 361:(1511). He may have been the model for two works by his master 1906:
Museo Nazionale Scienza e Tecnologia Leonardo da Vinci (Milan)
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The Young Leonardo: Art and Life in Fifteenth-Century Florence
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fact they both had a long life and lived until the age of 80.
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There is no scholarly consensus on the attribution of the
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Madonna and Child with the Infant Saint John the Baptist
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By the same accounts, Bramante portrayed himself as
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were made after his lifetime. Romantic paintings by
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Cambridge University Press. p. 63. 559: 557: 555: 553: 551: 549: 547: 27: 18: 1572:Head of the Infant Saint John the Baptist 612: 540:. New York: Time-Life Books. p. 172. 1116:. New York: Time-Life Books. p. 12. 697:(1st ed.). Doubleday. p. 344. 628:Muñoz-Alonso, Lorena (3 November 2014). 528: 491: 347:Leonardo is thought to be portrayed as 564:Scaramella, A. D. (21 December 2012). 453:and other French artists, as well as 7: 1373:The Virgin and Child with Saint Anne 1039:della Chiesa, Angela Ottino (1967). 422:, but this has yet to be verified. 188:. In 1839, it was acquired by King 718:Feinberg, Larry J. (29 Aug 2011). 475:List of works by Leonardo da Vinci 113:self-portrait of Leonardo da Vinci 14: 1644:Drapery of the Virgin's Right Arm 808:Strickland, Ashley (4 May 2019). 408:(1481) may be a self-portrait. A 184:, possibly as a self-portrait by 1994: 1993: 1530:Studies of the Fetus in the Womb 1509:The Martyrdom of Saint Sebastian 1495:Study for the Madonna of the Cat 1114:The World of Leonardo: 1452–1519 538:The World of Leonardo: 1452–1519 457:depict the legendary account of 996:Adams Media; pp. 167–168. 896:. 4 April 2017; 88(14): 1381–82 834:McMahon, Barbara (1 May 2005). 416:may portray Leonardo playing a 1948:replicas and reinterpretations 1894:Museo Ideale Leonardo da Vinci 1537:Portrait of a Man in Red Chalk 1291:Saint Jerome in the Wilderness 963:Cascone, Sarah (2 June 2015). 97:portrait of a man in red chalk 1: 2025:Drawings by Leonardo da Vinci 906:Knapton, Sarah (5 May 2016). 447:Jean-Auguste-Dominique Ingres 178: 100: 54: 1937:Conservation-restoration of 1704:Codex on the Flight of Birds 1637:Drapery of the Virgin's Legs 1263:The Madonna of the Carnation 860:Bodkin, Henry (4 May 2019). 572:. Helium Inc. Archived from 327:Codex on the Flight of Birds 16:Drawing by Leonardo da Vinci 1863:Giovanni Ambrogio de Predis 1818:Giovanni Antonio Boltraffio 1523:Portrait of Isabella d'Este 1128:"Self Portrait of Leonardo" 1099:The Great Artists: Da Vinci 672:news.universityproducts.com 451:François-Guillaume Ménageot 2061: 1889:Museo leonardiano di Vinci 1426:The Holy Infants Embracing 1020:(in Italian). 21 June 2018 781:Ghose, Tia (3 June 2014). 755:Brown, Mark (1 May 2019). 141:Charles Albert of Sardinia 131:Description and provenance 22:Portrait of an elderly man 1988:✻✻ Possible collaboration 1981: 1838:Giovanni Agostino da Lodi 1284:The Adoration of the Magi 1216: 536:Wallace, Robert (1972) . 395:Heraclitus and Democritus 260:, Larry J. Feinberg, and 26: 1112:Wallace, Robert (1966). 938:Muscarelle Museum of Art 274:Giovanni Ambrogio Figino 221:The Lives of the Artists 601:Applied Physics Letters 365:: the bronze statue of 173:History and attribution 166:Applied Physics Letters 2035:16th-century portraits 1715:A Treatise on Painting 1433:The Battle of Anghiari 1394:Saint John the Baptist 1313:Portrait of a Musician 1226:Science and inventions 1161:Royal Library of Turin 693:Payne, Robert (1978). 371:(c. 1476) in the 316: 296: 1932:Portraits of Leonardo 1607:Child with Saint Anne 1255:The Baptism of Christ 1097:Bacci, Mina (1978) . 461:in the hands of King 405:Adoration of the Magi 302: 291: 218:'s second edition of 115:. It is thought that 1828:Bernardino de' Conti 1328:La Belle Ferronnière 576:on November 29, 2014 414:Marcantonio Raimondi 385:Tobias and the Angel 358:The School of Athens 313:The School of Athens 211:The School of Athens 1973:(Galleria Borghese) 1958:Mathematics and art 1922:Cultural references 1785:Rapid fire crossbow 1775:Self-propelled cart 1549:Virgin of the Rocks 1321:Lady with an Ermine 1306:Virgin of the Rocks 912:The Daily Telegraph 674:. Archival Products 463:Francis I of France 2045:Drawings of people 1738:Divina proportione 1694:Codex Trivulzianus 1658:Head of the Virgin 1651:Head of Saint Anne 888:; Deo, Saudamini. 886:Charlier, Philippe 431:engraving portrait 337:Divina proportione 317: 297: 151:. 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Index


Leonardo da Vinci
Royal Library
Turin
Royal Library
Turin
Leonardo da Vinci
self-portrait
polymath
Charles Albert of Sardinia
Raphael
Michelangelo
Turin
Royal Library
chromophores
Applied Physics Letters
Leonardo da Vinci
Carlo Alberto
Savoy
Plato
Raphael
The School of Athens
Vasari
The Lives of the Artists
World War II
taken by
Nazis
Frank Zöllner
Robert Payne
Martin Kemp

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