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shortly afterwards, an example of the enduring influence Simone's prototypes would have on other artists throughout the 14th century. Perpetuating the
Sienese tradition, Simone's style contrasted with the sobriety and monumentality of
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209:. Very little documentation of Simone's life survives, and many attributions are debated by art historians. According to E. H. Gombrich, he was a friend of Petrarch and had painted a portrait of Laura.
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265:, Naples); this work was painted during a stay in Naples at the request of the king. During this stay, putative pupils were his son Francesco,
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art, and is noted for its soft, stylized, decorative features, sinuosity of line, and courtly elegance. Simone's art owes much to French
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Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the
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Il costume antico e moderno, ovvero Storia del governo, della milizia, delle religion, delle arte, scienza ed usanze de tutti
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182:. He was a major figure in the development of early Italian painting and greatly influenced the development of the
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and ivory carving: examples of such art were brought to Siena in the fourteenth century by means of the
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Elucubrazioni storico-diplomatiche su
Giovanna I.a, regina di Napoli e Carlo III di Durazzo
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Matteo Camera refers to him erroneously as Simone Memmi, conflating
Martini and his pupil
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became a friend of Simone's while in
Avignon, and two of Petrarch's sonnets (
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that Simone supposedly painted for the poet (according to Vasari). A
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Saint Louis of
Toulouse Crowning His Brother Robert of Anjou
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Saint Louis of
Toulouse Crowning His Brother Robert of Anjou
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Frescoes by Simone
Martini in the Lower Basilica in Assisi
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Vasari, Giorgio; translation by George Bull (1965).
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705:Annunciation with Saint Margaret and Saint Ansanus
697:Guidoriccio da Fogliano at the Siege of Montemassi
16:Italian painter from the 14th century (1284–1344)
329:Simone Martini died while in the service of the
50:Illuminated manuscript, 29,5 x 20 cm
357:Annunciation with St. Margaret and St. Ansanus
287:Annunciation with St. Margaret and St. Ansanus
150:Annunciation with St. Margaret and St. Ansanus
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634:
614:Simone Martini at the National Gallery of Art
420:The Miracle of the Child Attacked and Rescued
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550:, volume 3, by Giulio Ferrario (1833) p. 72.
537:. Vol. 17 (11th ed.). p. 801.
322:(1342) is in the collections of Liverpool's
314:96 and 130) make reference to a portrait of
201:, with whom he went to Rome to paint at the
178:– July 1344) was an Italian painter born in
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189:It is thought that Martini was a pupil of
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1104:Influence of Italian humanism on Chaucer
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681:Saint Catherine of Alexandria Polyptych
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390:Saint Catherine of Alexandria Polyptych
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278:Saint Catherine of Alexandria Polyptych
255:Simone's other major works include the
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1094:Petrarch's and Shakespeare's sonnets
593:. New York: Robert Appleton Company.
298:(1333), as well as frescoes in the
304:Basilica of San Francesco d'Assisi
14:
760:(brother-in-law and collaborator)
689:Blessed Agostino Novello Triptych
581:Herbermann, Charles, ed. (1913).
424:Blessed Agostino Novello Triptych
467:
446:
439:Christ Discovered in the Temple,
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320:Christ Discovered in the Temple
231:. Lippo Memmi painted a similar
197:, Simone was instead a pupil of
873:De remediis utriusque fortunae
407:(Boston Polyptych), c. 1321–25
1:
1155:14th-century Italian painters
1145:13th-century Italian painters
989:Dionigi di Borgo San Sepolcro
172:
65:
42:
405:Virgin and Child with Saints
235:for the Palazzo Comunale in
52:Biblioteca Ambrosiana, Milan
567:, Salerno (1889): page 139.
302:in the lower church of the
1191:
827:(Rerum vulgarium fragmenta
523:Rossetti, William Michael
28:
994:Francescuolo da Brossano
893:Rerum memorandarum libri
276:Simone also painted the
203:Old St. Peter's Basilica
1160:Italian Roman Catholics
534:Encyclopædia Britannica
528:"Martini, Simone"
246:manuscript illumination
1058:Robert, King of Naples
1053:Philippe de Cabassoles
917:Ascent of Mont Ventoux
584:"Simone Martini"
39:'s Virgil (title page)
1150:Italian male painters
603:Art of Simone Martini
590:Catholic Encyclopedia
191:Duccio di Buoninsegna
123:Duccio di Buoninsegna
963:Itinerarium syriacum
887:De otio religiosorum
866:De viris illustribus
503:Lives of the Artists
489:Memmo di Filippuccio
374:Annunciation Diptych
263:Museo di Capodimonte
184:International Gothic
161:International Gothic
1165:Painters from Siena
938:Letter to Posterity
700:(disputed; c. 1330)
505:. Penguin Classics.
1084:Petrarch's library
1030:Ildebrandino Conti
1004:Giovanni Boccaccio
735:San Martino Chapel
324:Walker Art Gallery
300:San Martino Chapel
1175:Catholic painters
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1121:
1089:Petrarchan sonnet
1040:Lodewijk Heyligen
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924:Liber sine nomine
880:De vita solitaria
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199:Giotto di Bondone
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92:(aged 59–60)
78:Republic of Siena
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1019:Giovanni Colonna
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1011:Giovanni Colonna
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717:Orsini Polyptych
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610:– Gothic Painter
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308:Francis Petrarch
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1035:Laura de Noves
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129:Known for
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144:Notable work
104:Papal States
90:(1344-07-00)
35:
1140:1344 deaths
1025:Guido Sette
758:Lippo Memmi
737:(1313–1318)
720:(1334–1340)
710:Lippo Memmi
692:(1324–1328)
561:Lippo Memmi
331:Papal court
261:(1317, now
207:Lippo Memmi
176: 1284
111:Nationality
69: 1284
46: 1336
1129:Categories
910:Familiares
823:Canzoniere
312:Canzoniere
242:Florentine
1009:Cardinal
858:Treatises
676:(c. 1317)
657:Paintings
458:, 1315,
426:, c. 1328
422:from the
337:in 1344.
271:Stefanone
213:Biography
119:Education
88:July 1344
1047:Petracco
956:Secretum
902:Epistles
801:Petrarch
754:(master)
525:(1911).
483:See also
296:Florence
157:Movement
133:Painting
37:Petrarch
931:Seniles
841:Trionfi
745:Related
728:Chapels
712:; 1333)
495:Sources
462:, Siena
341:Gallery
335:Avignon
290:at the
186:style.
114:Italian
96:Avignon
948:Others
834:Africa
815:Poetry
752:Giotto
708:(with
684:(1320)
668:(1315)
665:MaestĂ
476:Maesta
455:MaestĂ
392:, 1319
377:, 1333
360:, 1333
292:Uffizi
269:, and
233:MaestĂ
220:MaestĂ
137:Fresco
808:Works
563:, in
229:Siena
180:Siena
74:Siena
1045:Ser
1017:Fra
441:1342
354:The
282:Pisa
85:Died
58:Born
333:at
294:in
280:in
227:in
1131::
587:.
531:.
514:^
326:.
306:.
273:.
173:c.
135:,
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66:c.
48:)
43:c.
919:"
915:"
829:)
793:e
786:t
779:v
642:e
635:t
628:v
171:(
41:(
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