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184:. Before taking up this post in 1838 he and a colleague were sent to visit France and Germany to enquire into design education there and prepare a report. He left the school in 1843, to be able to paint more, but remained a member of the Council of the school. The ideas that were turned in the following decade into the "South Kensington system" that dominated English art education for the rest of the century really have their origin in Dyce's work.
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379:'s tales to Victorian mores. The Arthurian legend became popular later in the Victorian period, but when Dyce received the commission to decorate the room in 1847, it was still an obscure subject. The legend soon became a major problem for Dyce, as it turns on the unfaithfulness of a queen, which causes the fall of a kingdom.
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beneath them. The actions of the figures in his frescoes appear to the modern viewer to convey qualities whose status as virtues is uncertain, and the connection between the episodes from the
Arthurian legend and the virtues they represent is sometimes difficult to discern. The virtues depicted are
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After initially experimenting with a narrative sequence in which the tale would unfold in the room's panels, Dyce abandoned this in favour of an allegorical approach. In their finished form, Dyce's frescoes depict scenes from the
Arthurian legend that are intended to exemplify the virtues inscribed
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Dyce is less known for, but nevertheless important as, the founder of the Motett
Society (1840–1852), which sought to advance the restoration and liturgical use of long-neglected works of the English church. He was noted as an able organist, and is also reputed to have composed some musical works
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In 1849 when the new 'godless' florin coins were introduced by the Royal Mint, Dyce was responsible for the reverse design showing crowned cruciform shields bisected with emblems of the rose, thistle and shamrock in the angles. He also took on the similar design used on the reverse of the later
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on 14 February 1864. He is buried in the churchyard of St
Leonard’s Church in Streatham. He is also memorialised on his parents' grave in St Nicholas Churchyard on Union Street in Aberdeen, and there is a street in Streatham named for him – William Dyce Mews. A stained glass window in
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In 1837 Dyce was given charge of the School of Design in
Edinburgh, and was then invited to London, where he was based thereafter, to head the newly established Government School of Design, later to become the
176:. After these travels, Dyce settled for several years in Edinburgh. He supported himself by painting portraits at first, but soon took to other subjects of art, especially the religious subjects he preferred.
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at the newly completed the Palace of
Westminster. In preparation for work at Westminster, he returned to Italy in 1845–47, to observe the fresco techniques employed there. He was particularly impressed by
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Dyce was working on the frescoes in
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367:(1846) in the House of Lords Chamber, Dyce was commissioned to decorate the Queen's Robing Room in the Palace. He chose as his subject the
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Dyce was born on the 19 September 1806 at 48 Marischal Street in
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71: – 14 February 1864) was a Scottish painter, who played a part in the formation of public
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Dyce's most highly thought of painting today is his exceptionally detailed seaside landscape of
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A Converted
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Biographical Index of Former
Fellows of the Royal Society of Edinburgh 1783–2002
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140:, Dyce early showed an aptitude for design and began his artistic career at the
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303:. His later work was Pre-Raphaelite in its spirituality, as can be seen in his
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Queen Victoria 'gothic head' florins which were issued from 1851 to 1887.
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The Royal College of Art: One Hundred and Fifty Years of Art and Design
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style by Dyce, was subsequently dedicated to him by the parishioners.
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The complex history surrounding the decoration is best summarized by
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Knights of the Round Table Departing on the Quest for the Holy Grail
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The Quest for the Grail: Arthurian Legend in British Art, 1840–1920
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This article incorporates text from a publication now in the
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311:(both 1860), which contain a Pre-Raphaelite attention to detail.
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Phryne's list of pictures in accessible collections in the UK
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This article incorporates text from a publication now in the
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A lengthy assessment of his art and influence was written by
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Dyce is the figure in Scottish art most associated with the
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Dyce grave, churchyard of the Kirk of St Nicholas, Aberdeen
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The Decorations of the New Palace of Westminster 1841–1863
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in 1860. The largest collection of Dyce's work is held at
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In 1844, having been appointed professor of fine art in
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In 1850 Dyce married Jane Bickerton Brand (died 1885).
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Pegwell Bay, Kent – a Recollection of October 5th 1858
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Pegwell Bay, Kent – a Recollection of October 5th 1858
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Titian Preparing To Make His First Essay In Colouring
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I Am Half-Sick of Shadows, Said the Lady of Shalott
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195:. In 1835 he had been elected an associate of the
618:, pp. 17–22, 1987, Barrie & Jenkins, London,
921:. Vol. 8 (11th ed.). pp. 743–744.
418:. A nearby drinking fountain, designed in the
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572:. The Royal Society of Edinburgh. July 2006.
259:. A rather atypical work, it is fully titled
87:and played a part in their early popularity.
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662:"Dr William Dyce (1770-1835) - Find a Grave"
243:in Aberdeen is jointly dedicated to Dyce.
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682:"William Dyce Mews · London SW16 6AQ, UK"
1435:The Finding of the Saviour in the Temple
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694:Stained Glass in St Machar's Cathedral
371:, He had some difficulty adapting the
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205:Pennsylvania Academy of the Fine Arts
83:system. Dyce was associated with the
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1332:Our English Coasts ('Strayed Sheep')
880:58 artworks by or after William Dyce
339:Later in his career, Dyce turned to
162:Bacchus nursed by the Nymphs of Nysa
751:(London: Thames and Hudson, 2000),
554:Aberdeen Post Office Directory 1824
211:. Around this time, Dyce moved to
100:King Lear and the Fool in the Storm
1828:19th-century Scottish male artists
1803:Academics of King's College London
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416:St Leonard's Church, Streatham
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1226:John Roddam Spencer Stanhope
1151:Robert Braithwaite Martineau
27:Edgar George Papworth Senior
16:19th-century Scottish artist
1818:Royal Scottish Academicians
799:"The Legend of King Arthur"
265:, and was exhibited at the
215:in the artistic quarter of
193:The Theory of the Fine Arts
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1241:Algernon Charles Swinburne
985:Pre-Raphaelite Brotherhood
939:"William Dyce (1806–1864)"
403:. Two projected frescoes,
85:Pre-Raphaelite Brotherhood
1553:The Roses of Heliogabalus
1176:Valentine Cameron Prinsep
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324:The Return of King Arthur
1538:The Legend of Briar Rose
1367:The Awakening Conscience
1024:Frederic George Stephens
1019:William Michael Rossetti
844:The Nuttall Encyclopædia
365:The Baptism of Ethelbert
278:William Michael Rossetti
81:South Kensington Schools
1833:Pre-Raphaelite painters
1723:Rossetti and His Circle
1664:Marie Spartali Stillman
1251:John William Waterhouse
1236:John Melhuish Strudwick
1231:Marie Spartali Stillman
1101:Charles Allston Collins
918:Encyclopædia Britannica
411:, were never executed.
309:David in the Wilderness
283:Encyclopædia Britannica
67:; 19 September 1806 in
1793:Scottish male painters
1325:The Light of the World
1261:William Lindsay Windus
1009:Dante Gabriel Rossetti
728:Scottish Art 1460–1990
640:British History Online
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1470:A Vision of Fiammetta
1374:The Hireling Shepherd
1086:Georgiana Burne-Jones
788:17:1954, pp. 319–358.
612:Frayling, Christopher
495:The Highland Ferryman
439:Meredith Jemima Brown
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201:Royal Academy of Arts
189:King's College London
172:, who admired Dyce's
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1141:Edward Robert Hughes
1106:Frank Cadogan Cowper
1051:Lawrence Alma-Tadema
1004:John Everett Millais
941:. Art Renewal Center
535:Aberdeen Art Gallery
517:Aberdeen Art Gallery
499:Aberdeen Art Gallery
463:Aberdeen Art Gallery
315:Westminster frescoes
271:Aberdeen Art Gallery
255:in Kent, now in the
182:Royal College of Art
25:William Dyce RA, by
1747:Desperate Romantics
1609:The Lady of Shalott
1545:The Lady of Shalott
1489:Cymon and Iphigenia
1456:The Shadow of Death
1408:Oxford Union murals
1353:The Last of England
1311:Ecce Ancilla Domini
1256:William James Webbe
999:William Holman Hunt
717:, pp. 743–744.
1823:Royal Academicians
1517:Dante and Beatrice
1181:Christina Rossetti
1121:Henry Treffry Dunn
1081:Edward Burne-Jones
1056:George Price Boyce
345:a series of murals
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170:Friedrich Overbeck
136:After studying at
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860:Missing or empty
853:cite encyclopedia
369:Arthurian legends
363:After completing
138:Marischal College
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1634:Elizabeth Siddal
1531:The Magic Circle
1524:Love's Messenger
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1757:(2014 film)
1733:(1967 film)
1726:(1922 book)
1684:Fanny Eaton
1659:Jane Morris
1649:Sophie Gray
1595:Lady Godiva
1482:The Beloved
1421:Roman Widow
1414:Lady Lilith
1273:well-known
1191:Emma Sandys
1186:John Ruskin
1039:Associated
988:(paintings)
839:Wood, James
646:21 December
389:Hospitality
301:John Ruskin
253:Pegwell Bay
247:Collections
213:Cheyne Walk
144:schools in
131:Robert Dyce
1772:Categories
1755:Effie Gray
1644:Effie Gray
1463:Proserpine
1381:April Love
1061:John Brett
945:30 January
786:Institutes
757:0500203334
736:0500203334
542:References
420:neo-Gothic
393:Generosity
79:, and the
911:(1911). "
784:Courtauld
759:, p. 100.
738:, p. 348.
477:St Joseph
232:Streatham
146:Edinburgh
1706:The Germ
533:, 1859,
531:Beatrice
497:, 1857,
479:, 1847,
461:, 1835,
409:Fidelity
401:Courtesy
397:Religion
358:Perugino
168:painter
166:Nazarene
69:Aberdeen
1698:Related
1318:Mariana
1290:Ophelia
1043:figures
906::
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780:Warburg
405:Courage
280:in the
158:Poussin
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1627:Models
1611:(Hunt)
1560:Lilith
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426:Family
399:, and
377:Malory
341:fresco
236:Surrey
154:Titian
150:London
133:FRSE.
29:, 1864
1388:Found
1275:works
1271:Some
570:(PDF)
385:Mercy
354:Siena
1581:Hope
1360:Work
947:2006
886:site
866:help
807:2012
782:and
753:ISBN
732:ISBN
648:2022
620:ISBN
574:ISBN
407:and
307:and
156:and
148:and
127:FRSE
91:Life
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1567:Eos
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