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Small boys (ages 3 through 6) commonly wore a tunic suit. The jackets were fitted to the waist and then flared out to a full skirt ending at knee length. This was worn over trousers, or for very small boys with drawers. A round-collared shirt was usually worn underneath the jacket. Elementary to older age boys wore an Eton suit, which was a short, waist-level jacket, trousers, round-collared shirts, vest and sometimes neckties. In 1840 flat caps were popularly worn for boys. Small girls wore cotton drawers, cotton chemise, petticoats and stockings. As girls got older in age they followed the trend of their mothers and began to wear stays or tight corsets. "Barley" or "sugar" curls became a popular hairstyle for both girls and boys: they were long, droopy curls that framed the face.
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756:) had a high influence on male fashion, primarily because of his young age at the time of his wife's coronation, and his great attention to his appearance. Therefore, the clothing, particularly of upper class gentleman, continued to follow the trend of earlier decades with full shoulders and chest, and a tightly cinched waist.
734:
wears a broad-brimmed hat for a painting tour of Italy. He wears a striped ascot and his waistcoat has the rounded chest and lowered waistline of the late 1840s. The waistcoat is finished with two points at the lowered waist and contrasts with both his striped trousers and brown coat. Similar styles
1229:
In this period, children's wear followed trends found in adult fashion. Wool and cashmere were popular textiles for baby cloaks while cotton was still widely accepted for toddler dresses, drawers and play wear. A popular silhouette for toddlers was a cotton bodice, pleated skirt and long sleeves.
157:
for street wear were smaller than in the previous decade, and were less heavily decorated. The decorations that did adorn bonnets included flowers on the inside brim or a veil that could be draped over the face. Married women wore their caps under their bonnets. The crown and brim of the bonnet
335:, c. 1840. The fullness at the shoulder has moved down the arm, and although the dress is still belted in the 1830s manner, the fabric is gathered in to accentuate the V-shaped front rather than the breadth of the shoulders. This is an early image of hair worn in cascades of curls or ringlets.
143:
The wide hairstyles of the previous decade gave way to fashions which kept the hair closer to the head, and the high bun or knot on the crown descended to the back of the head. Hair was still generally parted in the center. Isolated long curls dangling down towards the front (sometimes called
78:
Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists. Where pleated fabric panels had wrapped the bust and shoulders in the previous decade, they now formed a triangle from the shoulder to the waist of day dresses.
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returned to fashion. These were generally knee-length with a cape-like collar. Ankle-length cloaks with cape-collars to cover slits for the arms were worn in cold or wet weather. Ermine muffs with attached handkerchiefs were worn to keep hands warm and be fashionable.
86:
using organ or cartridge pleats which cause the skirt to spring out from the waist. Full skirts were achieved mainly through layers of petticoats. The increasing weight and inconvenience of the layers of starched petticoats would lead to the development of the
205:
was a popular name for wide, capelike collars that extended over the shoulders and covered the upper chest. Sometimes they had layers of tiered fabric, long front panels hanging down from center front, or were also belted at the natural waistline.
158:
created a horizontal line and when tied under the chin, the brim created a nice frame around the face. This style was also often called the "coal-scuttle" bonnet because of its resemblance to the metals scoops used to shovel coal into furnaces.
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144:"spaniel curls") were worn, often without much relationship to the way that the rest of the hair was styled. Alternately the side hair could be smoothed back over the ears or looped and braided, with the ends tucked into the bun at the back.
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remained a requirement for formal functions at the
British court (as they would be throughout the century). Breeches continued to be worn for horseback riding and other country pursuits, especially in Britain, with tall fitted boots.
320:
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wears a pink satin gown with rows of ruching at the hem and lace frills at the collar and sleeves, all trimmed with ribbon bows. Her hair is smoothed over her ears and decorated with ostrich plumes, 1848.
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A frock coat was a tight fitting coat with the front cut up to the waistline, this was for casual wear. A vest replaces the waistcoat at this time, they were still very decorative with no collar. A
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Another accessory was a small bag. At home, bags were often white satin and embroidered or painted. Outdoor bags were often green or white and tasseled. There were also crocheted linen bags.
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190:, with a long matching petticoat or skirt. Contrasting waistcoats or vests cut like those worn by men were briefly popular. Tall hats or broad-brimmed hats like those worn by men were worn.
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With the narrow, sloping shoulder line of the 1840s, the shawl returned to fashion, where it would remain through the 1860s. It was now generally square and worn folded on the diagonal.
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Shoes were made from the same materials as handbags. There were slippers of crocheted linen and bright colored brocade satin slippers that tied around the ankle with silk ribbon.
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wears her hair parted in the center and hanging in sausage curls. Her skirt is gathered with wide, flat pleats, and the pleating on her bodice is visible through the black lace.
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summer fashions for 1841 feature pleated panels at the breast and sloping shoulder over long sleeves. The waist is narrow and slightly pointed, and skirts are bell-shaped.
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Sleeves were narrower and fullness dropped from just below the shoulder at the beginning of the decade to the lower arm, leading toward the flared pagoda sleeves of the
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of 1849. The lady on the left wears a low-waisted morning dress and an outdoor bonnet. The lady on the right wears a short jacket over her dress and a lacey indoor cap.
350:
113:. Other greatly worn hand accessories were a new kind of gloves, usually reaching the forearm in length. These gloves had a lace trim in sophisticated flower designs.
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shows the short sleeves, lace flounce collar, and long pointed waist of the early 1840s. The tiny pleats that gather her skirt can be seen at the waistline. 1840–1844.
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For evening, feathers, pearls, lace, or ribbons were worn in the hair. There was also a small brimless bonnet worn with the ribbon untied at the nape of the neck.
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34:
Queen
Victoria and the Prince Consort at home, 1841. Her dress shows the fashionable silhouette, with its pointed waist, sloping shoulder, and bell-shaped skirt.
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of a riding habit c. 1847 features a cutaway jacket over a contrasting waistcoat and shirt with a stiff turned-down collar. The lady wears a dashing plumed hat.
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shows lower sleeve fullness, triangular or V-shaped emphasis in the bodice, and a sloping shoulder line. The indoor cap is trimmed with ribbon loops and frills.
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In this period, men's fashion plates show the lowered waistline taking on a decided point at the front waist, which was accompanied by a full rounded chest.
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806:(in French redingotes) were worn for informal day wear, were calf length, and might be double-breasted. Shoulders were narrower and slightly sloped.
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with frills, lace, and ribbons were worn by married women indoors, especially for daywear. These could also be worn in the garden with a parasol.
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531:: This woman is unlacing her corset, having stepped out of her petticoats. Her chemise is knee-length, with sleeves ending just above the elbow.
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wears a dark coat and breeches with a deep red waistcoat. His black cravat is fastened with a stick pin, and he wears heeled boots in 1845.
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or vests were single- or double-breasted, with shawl or notched collars, and might be finished in double points at the lowered waist.
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Gowns were worn off the shoulder and featured wide flounces that reached to the elbow, often of lace. They were worn with sheer
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shows the lowered waistline and full, rounded chest popular in the latter 1840s (compare to the waistline of the 1841 styles).
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Knotted in a wide pointy bow. Dark cravats were popular for day wear and patterned ones were worn in the country.
509:, with a central part, long sausage curls, and a bun on the back of the crown, is a fashionably romantic echo of
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which seems to play up the contrast between a menswear-influenced riding habit and more ordinary high fashion.
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wears a boldly checked waistcoat and a patterned cravat with fly-front trousers and a dark frock coat, 1840s.
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were worn outdoors in sunny climates. Curled hair and sideburns remained fashionable, along with mustaches.
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consisted of a high-necked, tight-waisted jacket with long snug sleeves, worn over a tall-collared shirt or
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was a calf-length, fur-lined coat, with a fur collar, cuffs and lapels. There was also no waistline seam.
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82:
Skirts evolved from a conical shape to a bell shape, aided by a new method of attaching the skirts to the
1407:
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of 1841 shows at-home wear (a patterned dressing gown) and visiting wear. The top hat is becoming taller.
979:
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was introduced, a false shirt-front usually made of satin. It was worn as an "intentionally messy" look.
771:, occasionally turned down, and were worn with wide cravats or neck ties tied in several different ways:
248:
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were straighter than in the previous period, and grew taller on the way to the stovepipe shape of the
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Around the neck, knotted in front and puffed up to hide the shirt collar and create a pigeon like neck
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is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the
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wears a red velvet gown with a pointed waist. Her hair is worn in a mass of sausage curls, 1841.
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of August 1844 show detail on lower sleeves. The dress on the left is an evening style.
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wears the V-neckline, sloped shoulder, and cascades of side curls fashionable in 1842.
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of
Holland wears a lace collar and ruffled chemise or chemisette with her dark dress.
110:
53:. The narrower shoulder was accompanied by a lower waistline for both men and women.
1704:(full text available online from the Metropolitan Museum of Art Digital Collections)
1756:
814:
183:
71:
1752:
1840s
Fashions in the Staten Island Historical Society Online Collections Database
697:
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17:
828:
for men was a large, black formal cape with a yoke across the shoulder line. A
1734:
803:
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styles. This style would remain popular into the next decade. German, c. 1845.
187:
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807:
88:
379:. Morning dress (left) with cape-collared jacket and evening gown (right).
1012:
wears tan fly-front trousers with a dark coat and waistcoat. Italy, 1841.
845:
841:
825:
202:
177:
42:
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83:
1834:
1709:
Fabric of
Society: A Century of People and their Clothes 1770–1870
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171:
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1742:— c. 1840 Men's Fashion Photos (Daguerreotypes) with Annotations
1053:
wears his cravat loosely tied and secured with a stickpin, 1847.
1760:
1485:
Calotype of Ellen Milne & Agnes Milne between 1843 and 1848
778:
Similar to the first version but tucked down into the waistcoat
503:
wears her hair parted in the center and smoothed over her ears.
176:
A daguerreotype of a
Victorian couple from the 1840s showing a
869:
817:
was worn with light trousers for any formal daytime occasion;
148:
1254:
Fashion plate of young girl's and young boy's costumes, 1841
1729:
1840s
Fashion Plates of men, women, and children's fashion
865:. They were essential for formal occasions and in cities.
213:
was a general name for any small cape worn as outerwear.
1593:
1591:
1589:
1587:
545:
Princess Maria
Carolina Augusta of Bourbon-Two Sicilies
717:
Woman wearing glasses with white dress and pink ribbon
784:
The "Osbaldiston", a barrel shape knot under the chin
2261:
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2185:
2154:
2123:
2053:
1990:
1889:
1815:
139:1848 fashion plate shows bonnets and winter-wear.
1693:From Queen to Empress: Victorian Dress 1837–1877
1678:The Art of Dress: Clothing and Society 1500–1914
1668:. Minneapolis: Burgess Publishing Company, 1979.
1696:, Metropolitan Museum of Art, New York, 1988,
1772:
1731:from The Metropolitan Museum of Art Libraries
1242:Young boy in tunic, shirt, and trousers, 1840
1068:Daguerreotype of poet Edgar Allan Poe, C.1849
8:
1622:
1620:
1298:Fashion plate of young girl's costume, 1849
767:of linen or cotton featured lower standing
1779:
1765:
1757:
821:called for a dark tail coat and trousers.
781:Around the neck and knotted into a bow tie
1629:Victorian costume and costume accessories
1655:. New York: Drama Book Publishers. 1987.
1601:. New York: Drama Book Publishers, 1987.
1583:
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879:
561:
400:
220:
2310:History of clothing (Western fashion)
1509:Family of Johann O.P. Bartels ca 1848
7:
1825:Prehistory of nakedness and clothing
1735:The Romantic Era: Fashions 1825–1845
41:in European and European-influenced
351:Marie-Louise, Queen of the Belgians
70:Princess di Sant' Antimo's gown of
25:
1746:Men's fashion plates of the 1840s
1278:Prince Albert Edward, The future
91:of the second half of the 1850s.
1880:
1801:History of clothing and textiles
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650:1842 evening cream-colored dress
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27:Costume and fashion of the 1840s
2208:impact of the COVID-19 pandemic
1631:. Costume & Fashion Press.
1614:. London: Crafts Council, 1979.
193:With the new narrower sleeves,
1707:Tozer, Jane and Sarah Levitt,
1:
2124:1920s–1950s Western fashion
2054:1830s–1910s Western fashion
1991:1500s–1820s Western fashion
2326:
1461:Elizabeth Eastlake ca 1847
541:In Winterhalter's portrait
507:Friederike von Gumppenberg
388:African-American preacher
1878:
1806:History of fashion design
1795:
397:Style gallery — 1845–1849
217:Style gallery — 1840–1844
2131:Suffrage Movement period
1610:Baynes, Ken & Kate.
1562:1850s in Western fashion
1557:1830s in Western fashion
1019:Charles Edward Trevelyan
1790:of clothing and fashion
1521:Emily Dickinson ca 1848
1437:The Brothers Grimm 1847
1224:
721:
511:mid-seventeenth century
501:Countess d'Haussonville
333:Rosalie Julie von Bonar
123:Hairstyles and headgear
56:
1711:, Laura Ashley Press,
1690:Goldthorpe, Caroline:
1664:Bigelow, Marybelle S.
1329:between 1842 and 1844
1317:Dorothy Draper ca 1840
1041:in formal dress, 1843.
1039:Alexander von Humboldt
1004:Viennese fashion plate
740:
718:
710:
702:
694:
670:Dress fabric in detail
377:Le Moniteur de la Mode
180:
140:
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75:
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2219:By country and region
1545:Clark Sisters ca 1848
1497:Between 1843 and 1848
1016:British civil servant
729:
716:
708:
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175:
138:
130:
69:
33:
2186:2000–present fashion
1740:1840s Men's Fashions
1045:The Duke of Beaufort
799:Coats and waistcoats
583:2 - 1840 court dress
551:Fashion illustration
390:Juliann Jane Tillman
2226:Indian subcontinent
2155:1960s-1990s fashion
1653:Fashion Accessories
1627:Buck, Anne (1997).
1599:Fashion Accessories
1266:French boy, 1843–44
853:Hats and hairstyles
686:New Orleans fashion
535:Baroness Rothschild
111:opera-length gloves
1666:Fashion In History
1651:Warren, Geoffrey.
1597:Warren, Geoffrey.
1567:Corset controversy
1225:Children's fashion
1062:1848 fashion plate
1057:1847 fashion plate
1010:Alessandro Manzoni
791:At this time, the
760:Shirts and cravats
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730:Landscape painter
719:
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339:1841 fashion plate
181:
141:
133:
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36:
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1748:at Victoriana.com
1676:Ashelford, Jane:
1572:Victorian fashion
1449:H C Andersen 1847
1051:Alexandre Cabanel
830:chesterfield coat
735:were worn in the
529:Underwear of 1847
367:Fanny Mendelssohn
195:coats and jackets
131:Hairstyle of 1840
16:(Redirected from
2317:
2038:Directoire style
1884:
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1680:, Abrams, 1996.
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1533:Jenny Lind, 1848
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844:had fly fronts.
732:Oswald Achenbach
701:1840 New Orleans
660:1840 white dress
655:1840 court dress
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18:1840s in fashion
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665:Blue silk dress
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357:A fashion plate
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57:Women's fashion
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39:1840s fashion
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815:morning coat
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752:(husband of
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72:watered silk
38:
37:
2262:By clothing
1925:Western Xia
1915:Jurchen Jin
1897:Anglo-Saxon
1890:Middle Ages
1835:Han Chinese
1304:Photographs
1284:sailor suit
819:eveningwear
804:Frock coats
709:Creole girl
446:4 – c. 1847
422:2 – c. 1845
230:1 – c. 1840
47:later 1820s
2299:Categories
1982:Vietnamese
1940:400s–1000s
1638:0896762203
1578:References
1025:Travellers
813:A cutaway
808:Waistcoats
680:1840 dress
675:1840 dress
517:Young lady
188:chemisette
2146:1945–1960
2141:1930–1945
2103:Edwardian
2061:Victorian
2033:1795–1820
2028:1775–1795
2023:1750–1775
2018:1700–1750
2013:1650–1700
2008:1600–1650
2003:1550–1600
1998:1500–1550
1977:Tocharian
1902:Byzantine
1029:steamship
997:10 – 1849
913:3 – 1840s
859:tall hats
826:pardessus
543:of 1848,
165:Outerwear
89:crinoline
2284:Swimwear
2248:Thailand
1906:Chinese
1872:Thracian
1857:Biblical
1847:Egyptian
1788:Timeline
1551:See also
1035:Portrait
985:9 – 1848
973:8 – 1847
961:7 – 1847
949:6 – 1845
937:5 - 1843
925:4 – 1842
901:2 – 1841
889:1 – 1841
846:Breeches
842:trousers
836:Trousers
744:Overview
643:7 - 1840
631:6 - 1840
571:1 - 1842
494:8 – 1849
482:7 – 1848
470:6 – 1848
458:5 – 1847
434:3 – 1846
410:1 – 1845
345:Viennese
326:9 – 1844
314:8 – 1844
302:7 – 1844
290:6 – 1842
278:5 – 1842
266:4 – 1841
254:3 – 1841
242:2 – 1841
203:pelerine
178:pelerine
43:clothing
1972:Ottoman
1936:Europe
1932:English
1817:Ancient
1473:ca 1847
1425:1843–47
1031:, 1842.
769:collars
595:3- 1840
558:Dresses
392:, 1844.
383:Dresses
361:La Mode
211:mantlet
155:Bonnets
2274:Corset
2269:Bikini
1967:Korean
1715:
1700:
1684:
1635:
1286:, 1846
1037:shows
793:dickey
765:Shirts
147:Linen
107:shawls
84:bodice
2241:Meiji
2236:Japan
2231:Italy
2203:2020s
2198:2010s
2193:2000s
2177:1990s
2172:1980s
2167:1970s
2162:1960s
2136:1920s
2113:1910s
2108:1900s
2096:1890s
2091:1880s
2086:1870s
2081:1860s
2076:1850s
2071:1840s
2066:1830s
2045:1820s
1960:1400s
1955:1300s
1950:1200s
1945:1100s
1867:Roman
1862:Greek
1852:Inuit
1830:China
1282:in a
1135:1843
1111:1841
1027:on a
863:1850s
375:from
359:from
100:1860s
96:1850s
62:Gowns
51:1830s
2279:Hide
1920:Yuan
1910:Liao
1713:ISBN
1698:ISBN
1682:ISBN
1633:ISBN
1413:1845
1401:1845
1389:1845
1377:1845
1365:1844
1353:1843
1341:1843
1219:1849
1207:1848
1195:1847
1183:1846
1171:1845
1159:1844
1147:1843
1123:1841
1099:1841
1087:1840
870:hats
209:The
201:The
149:caps
109:and
98:and
49:and
1840:Shu
2301::
1619:^
1586:^
102:.
1780:e
1773:t
1766:v
1641:.
619:5
607:4
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
