263:, used standard 35 mm film running sideways through the camera gate, so that the sprocket holes were above and below frame, allowing a larger horizontal negative size per frame as only the vertical size was now restricted by the perforations. There were even a limited number of projectors constructed to also run the print-film horizontally. Generally, however, the 1.50:1 ratio of the initial VistaVision image was optically converted to a vertical print (on standard four-perforation
2389:(MAR) is a home cinema term for the aspect ratio or dimensions in which a film was modified to fit a specific type of screen, as opposed to original aspect ratio. Modified aspect ratios are usually either 1.33:1 (historically), or (with the advent of widescreen television sets) 1.43:1 aspect ratio. 1.33:1 was the modified aspect ratio used historically on 4:3 broadcast television and home videotape formats such as VHS and Beta. A modified aspect ratio transfer is achieved by means of
1365:
only the center 704 horizontal pixels carry actual 4:3 or 16:9 image. Hence, the actual pixel aspect ratio PAR for PAL video is a little different from that given by the formula, specifically 12:11 for PAL and 10:11 for NTSC. For consistency, the same effective pixel aspect ratios are used even for standard definition digital video originated in digital form rather than converted from analog. For more details refer to the
74:
1435:
2534:
2427:
2284:
1113:
1072:
1179:
2709:
645 cameras. The 4:3 digital format popularity was developed to match the then prevailing digital displays of the time, 4:3 computer monitors. This aspect ratio is also wider than the popular 16:9, thus being very popular among different E-Sports tournaments. The next several formats have their roots
296:
Square displays are rarely used in devices and monitors. Nonetheless, video consumption on social apps has grown rapidly and led to the emergence of new video formats more suited to mobile devices that can be held in horizontal and vertical orientations. In that sense, square video was popularized by
271:
in the late 1970s for special effects work that required a larger negative size (due to image degradation from the optical printing steps necessary to make multi-layer composites). It went into obsolescence largely due to better cameras, lenses, and film stocks available for standard four-perforation
249:
The goal of these various lenses and aspect ratios was to capture as much of the frame as possible, onto as large an area of the film as possible, in order to fully utilize the film being used. Some of the aspect ratios were chosen to utilize smaller film sizes in order to save film costs while other
2749:
each developed and established sensor standards for their own versions of APS-C sized and proportioned sensors. Canon actually developed two standards, APS-C and a slightly larger area APS-H (not to be confused with the APS-H film format), while Nikon developed its own APS-C standard, which it calls
1364:
However, because standard definition digital video was originally based on digitally sampling analog television, the 720 horizontal pixels actually capture a slightly wider image to avoid loss of the original analog picture. In actual images, these extra pixels are often partly or entirely black, as
2820:
For analog projection of photographic slides, projector and screen use a 1:1 aspect ratio, supporting horizontal and vertical orientation equally well. In contrast, digital projection technology typically supports vertically oriented images only at a fraction of the resolution of landscape-oriented
2816:
is 56mm, so a width of 70mm (as in 6×7) yields an aspect ratio of 4:5 — ideal for enlarging to make an 8×10" portrait. Print sizes are usually defined by their portrait dimensions (tall) while equipment aspect ratios are defined by their landscape dimensions (wide, flipped sideways). A good example
1372:
In analog images such as film there is no notion of pixel, nor notion of SAR or PAR, and "aspect ratio" refers unambiguously to DAR. Actual displays do not generally have non-square pixels, though digital sensors might; they are rather a mathematical abstraction used in resampling images to convert
2757:
The reason for DSLR's image sensors being the flatter 3:2 versus the taller point-and-shoot 4:3 is that DSLRs were designed to match the legacy 35 mm SLR film, whereas the majority of digital cameras were designed to match the predominant computer displays of the time, with VGA, SVGA, XGA and
282:
was frequently used for television production due to its lower cost, lack of need for soundtrack space on the film itself (as it is not projected but rather transferred to video), and aspect ratio similar to 16:9 (the native ratio of Super 16 mm is 15:9). It also can be blown up to 35 mm
2684:
Common in large and medium format photography ('6x7' cameras, actual size 56 mm × 70 mm (2.2 in × 2.8 in)), which fits the common print paper size of 8 in × 10 in (20.3 cm × 25.4 cm) without cropping and is still in common use for prints
2499:
to occur (when letterbox and pillarbox happen simultaneously). For instance, a 16:9 broadcast could embed a 4:3 commercial within the 16:9 image area. A viewer watching on a standard 4:3 (non-widescreen) television would see a 4:3 image of the commercial with 2 sets of black stripes, vertical and
1754:
35 mm widescreen aspect ratio used by The Metro
Goldwyn Mayer Company and The Warner Brothers Company from 1953 to 1955 and since abandoned and The Walt Disney Company has cropped the old classic post-1950s 1.33:1 fullscreen films to the 1.75:1 widescreen aspect ratio of their DVDs including
1538:
The once-popular aspect for larger format computer monitors, especially in the guise of mass-produced 17" and 19" LCD panels or 19" and 21" CRTs, using 1280×1024 (SXGA) or similar resolutions. Notably one of the few popular display aspect ratios narrower than 4:3, and one popularised by business
452:
In 2005–2008, 16:10 (1.6:1) overtook 4:3 as the most sold aspect ratio for LCD monitors. At the time, 16:10 also had 90% of the notebook market and was the most commonly used aspect ratio for laptops. However, 16:10 had a short reign as the most common aspect ratio. Around 2008–2010, there was a
205:
specification for anamorphic projection from 1957 (PH22.106-1957) finally standardized the aperture to 2.35:1. An update in 1970 (PH22.106-1971) changed the aspect ratio to 2.40:1 in order to make splices less noticeable. This aspect ratio of 2.40:1 was confirmed by the most recent revision from
2515:
for broadcasting). These pulses are detected by television sets that have widescreen displays and cause the television to automatically switch to 16:9 display mode. When 4:3 material is included (such as the aforementioned commercial), the television switches to a 4:3 display mode to correctly
1539:(CAD, DTP) rather than entertainment use, as it is well-suited to full-page layout editing. Historically, 5:4 was also the original aspect ratio of early 405-line television broadcasts, which progressed to a wider 4:3 as the idea of broadcasting cinema films gained traction.
2791:
photography. The APS-P panorama standard is the least adhered to any APS standard, and panoramic implementation varies with by manufacturer on different cameras, with the only commonality being that the image is much longer than it is tall, in the classic "panorama" style.
2770:
Known as APS-H (30.2 mm × 16.7 mm), with the "-H" denoting "High
Definition", the 16:9 format is also the standard image aspect ratio for HDTV. 16:9 is gaining popularity as a format in all classes of consumer still cameras which also shoot High Definition
1376:
Non-square pixels arise often in early digital TV standards, related to digitalization of analog TV signals – whose horizontal and vertical resolutions differ and are thus best described by non-square pixels – and also in some digital videocameras and computer
148:) to retain the original format's aspect ratio, by stretching (hence distorting) the image to fill the receiving format's ratio, or by scaling by different factors in both directions, possibly scaling by a different factor in the center and at the edges (as in
2656:
1:1 is the classic Kodak image, and is available as a choice in some digital still cameras, and hearkens back to the days of film cameras when the square image was popular with photographers using twin lens reflex cameras. These medium format cameras used
1056:
2754:. Regardless of the different flavors of sensors, and their varying sizes, they are close enough to the original APS-C image size, and maintain the classic 3:2 image proportions that these sensors are generally known as an "APS-C" sized sensor.
172:
in 1892) is a frame that is four perforations high. The film itself is 35 mm wide (1.38 in), but the area between the perforations is 24.89 mm × 18.67 mm (0.980 in × 0.735 in), leaving the de facto ratio of 1.33:1.
933:
1477:
aperture in printing, resulting in an almost square image. Films shot in this ratio are often projected or transferred to video incorrectly using a 1.375:1 mask or squashed to 1.375:1. Examples of films shot in the
Movietone ratio include
2410:
831:
200:
frame (since 1970, approximately 2.39:1) is often incorrectly described (rounded) as either 2.4:1 or 2.40:1. After 1952, a number of aspect ratios were experimented with for anamorphic productions, including 2.66:1 and 2.55:1. A
112:
photography, the most common aspect ratios are 4:3, 3:2 (1.5:1), and more recently found in consumer cameras, 16:9. Other aspect ratios, such as 5:3, 5:4, and 1:1 (square format), are used in photography as well, particularly in
258:
The development of various film camera systems must ultimately cater to the placement of the frame in relation to the lateral constraints of the perforations and the optical soundtrack area. One clever wide screen alternative,
2734:. Typical DSLRs come in two flavors, the so-called professional "full frame" (36 mm × 24 mm) sensors and variations of smaller, so called "APS-C" sensors. The term "APS" is derived from another film format known as
2117:
output from Super 16 mm negative when an anamorphic lens system has been used. Effectively, an image that is of the ratio 24:9 is squashed onto the native 15:9 aspect ratio of a Super 16 mm negative. Also used by
250:
aspect ratios were chosen to use larger film sizes in order to produce a wider higher resolution image. In either case the image was squeezed horizontally to fit the film's frame size and avoid any unused film area.
1610:
format. IMAX productions use 70 mm wide film (the same as used for 70 mm feature films), but the film runs through the camera and projector horizontally. This allows for a physically larger area for each
2811:
cameras typically have format designated by nominal sizes in centimeters (6×6, 6×7, 6×9, 6×4.5), but these numbers should not be interpreted as exact in computing aspect ratios. For example, the usable height of
2223:
In 2016, IMAX announced the release of films in "Ultra-WideScreen 3.6" format, with an aspect ratio of 36:10. Ultra-WideScreen 3.6 video format didn't spread, as cinemas in an even wider ScreenX 270° format were
1472:
ratio, this ratio was used briefly during the transitional period when the film industry was converting to sound, from 1926 to 1932 approx. It is produced by superimposing an optical soundtrack over a full-gate
3708:
2821:
images. For example, projecting a digital still image having a 3:2 aspect ratio on a 16:9 projector employs 84.3% of available resolution in horizontal orientation, but only 37.5% in vertical orientation.
2500:
horizontal (windowboxing or the postage stamp effect). A similar scenario may also occur for a widescreen set owner when viewing 16:9 material embedded in a 4:3 frame, and then watching that in 16:9.
2738:
and the "-C" refers to "Classic" mode, which exposed images over a smaller area (25.1 mm × 16.7 mm) but retaining the same "classic" 3:2 proportions as full frame 35 mm film cameras.
2378:, altering the aspect ratio to the television standard of 1.33:1. Because of the varied ways in which films are shot, IAR (Intended Aspect Ratio) is a more appropriate term, but is rarely used.
531:
or adding black bars within the image itself. The 16:9 aspect ratio was used often in
British TVs in the United Kingdom in the 1990s, and is also used in how smartphones, laptops, and desktops.
3130:
BT.1379 - Framing of wide-screen 16:9 and standard 4:3 aspect ratio productions to achieve a common production format during a transition period to wide-screen 16:9 production and broadcasting
355:. By having TV match this aspect ratio, movies originally photographed on 35 mm film could be satisfactorily viewed on TV in the early days of the medium (i.e. the 1940s and the 1950s).
246:(up to 2.00:1) to name just a few. The flat 1.85:1 aspect ratio was introduced in May 1953, and became one of the most common cinema projection standards in the United States and elsewhere.
2487:
Multiple aspect ratios create additional burdens on directors and the public, and confusion among TV broadcasters. It is common for a widescreen film to be presented in an altered format (
1726:, later a standard among several European countries. It is also the native Super 16 mm frame ratio. Sometimes this ratio is rounded to 1.67:1. From the late 1980s to the early 2000s,
441:" which is approximately 1.618. LCD computer displays using the 16:10 ratio started to appear in the mass market from 2003. By 2008, 16:10 had become the most common aspect ratio for
272:
formats, in addition to increased lab costs for making prints in comparison to more standard vertical processes. (The horizontal process was also adapted to 70 mm film by
739:
327:
4:3 (1.33:1) (generally read as Four-Three, Four-by-Three, or Four-to-Three) for standard television for fullscreen aspect ratio 1.33:1 has been in use since the invention of
132:, converting formats of unequal ratios is achieved by enlarging the original image to fill the receiving format's display area and cutting off any excess picture information (
267:) to show with the standard projectors available at theaters, and was then masked in the projector to the United States standard of 1.85:1. The format was briefly revived by
2787:
3:1 is yet another format that can find its roots in the APS film camera. Known as APS-P (30.2 × 9.5 mm), with the -P" denoting "Panorama", the 3:1 format was used for
1965:. The anamorphic standard has subtly changed so that contemporary anamorphic productions are actually 2.39:1, but often referred to as 2.35:1 anyway, due to old convention.
939:
2910:
1841:
202:
1288:, then these ratios agree. If, instead, non-square ("rectangular") pixels are used, then these ratios differ. The aspect ratio of the pixels themselves is known as the
2779:. When still cameras have an HD video capability, some can also record stills in the 16:9 format, ideal for display on HD televisions and widescreen computer displays.
2718:) film camera. The APS camera was capable of selecting any of three image formats, APS-H ("High Definition" mode), APS-C ("Classic" mode) and APS-P ("Panoramic" mode).
1563:
video compression. This format is still used in many personal video cameras today and has influenced the selection or design of other aspect ratios. It is the standard
837:
439:
592:, respectively. This aspect ratio is similar to the 1.90:1 standard acquisition formats mandated by these content platforms and is not necessarily a creative choice.
2061:
Rounded notation of 2.39:1 also known as 2.40:1. All film releases may use 800 lines of the 1920×800 resolution resulting in the 2.40:1 aspect ratio of Blu-ray Disc.
449:
displays. Since 2010, however, 16:9 has become the mainstream standard, driven by the 1080p standard for high definition television and lower manufacturing costs.
3185:"Product Planners and Marketers Must Act Before 16:9 Panels Replace Mainstream 16:10 Notebook PC and Monitor LCD Panels, New DisplaySearch Topical Report Advises"
2923:
1668:
Widescreen aspect ratio sometimes used in shooting commercials etc. as a compromise format between 4:3 and 16:9. When converted to a 16:9 frame, there is slight
1848:
digital cinema basic resolution container aspect ratio. Exact ratio is 256:135 but it is commonly referred to as 1.9:1 or 1.90:1 and sometimes 1.896:1. Used by
3919:
2269:. Uses nine 4:3 35 mm projectors to show an image that completely surrounds the viewer. Used in subsequent Disney theme parks and other past applications.
2504:
is a mechanism used in digital broadcasting to avoid this problem. It is also common that a 4:3 image is stretched horizontally to fit a 16:9 screen to avoid
3541:
3074:
2835:
2644:
Many digital still cameras offer user options for selecting multiple image aspect ratios. Some achieve this through the use of multi-aspect sensors (notably
745:
453:
rapid shift by computer display manufacturers to the 16:9 aspect ratio and by 2011 16:10 had almost disappeared from new mass market products. According to
1971:
1596:
348:
669:
or other visual recording media with a non-widescreen native aspect ratio. When projected the image is then stretched back into the original proportions.
2817:
of this a 4×6 print (6 inch wide by 4 inch tall landscape) perfectly matches the 3:2 aspect ratio of a DSLR/35 mm, since 6/2=3 and 4/2=2.
313:. It can fill nearly twice as much screen space compared to 16:9 format (when the device is held differently while viewing from how video was recorded).
388:
14:9 (generally named as
Fourteen-by-Nine, Fourteen-Nine, and Fourteen-to-Nine) is the aspect ratio mainly used when the 4:3 programs are cropped.
2661:
rolled onto spools. The 6 × 6 cm image size was the classic 1:1 format in the recent past. 120 film can still be found and used today. Many
3869:
3781:
2511:
Both PAL and NTSC have provision for some data pulses contained within the video signal used to signal the aspect ratio (See ITU-R BT.1119-1 –
2147:(65 mm with 1.25× anamorphic squeeze). Used only on a handful of films between 1957 and 1966 and some in the 2010s, for some sequences of
502:
213::1 as the wide screen standard. The "Academy ratio" of 1.375:1 was used for all cinema films in the sound era until 1953 (with the release of
3298:
2555:
2448:
2305:
1207:
1134:
1085:
3184:
2902:
1731:
2741:
When discussing DSLRs and their non-SLR derivatives, the term APS-C has become an almost generic term. The two major camera manufacturers
3624:
3448:
527:
standard. DVD producers can also choose to show even wider ratios such as 1.66:1, 1.75:1, 1.77:1 and 1.78:1 within the 16:9 DVD frame by
1880:. Used as a flat ratio for some American studios in the 1950s and abandoned in the 1960s. Also used in recent mobile phones such as the
1428:
582:
3963:
2159:
1738::1 ratio (a compromise between the 1.85:1 theatrical ratio and the 1.33:1 ratio used for home video); this format is also used by the
2973:
2950:
2581:
2474:
2331:
1623:
The aspect ratio of 35 mm film used for still photography when eight perforations are exposed. Also the native aspect ratio of
1243:
1225:
1160:
1099:
3492:
3567:
3428:
2397:, the latter meaning removing the cinematic matte from a 2.40:1 film to open up the full 1.33:1 frame or from 2.40:1 to 1.43:1 in
3220:
3809:
572:" that uses a 2.00:1 format. Univisium has gained little traction in the theatrical film market, but has recently been used by
523:
cameras have the capability to record in 16:9 (= 4:3), and 16:9 is the only widescreen aspect ratio natively supported by the
505:
originally started with a 5:3 (= 15:9) ratio but converted when the international standards group introduced a wider ratio of
370:
continue to use 4:3 displays (despite other Apple products typically using widescreen aspect ratios) to better suit use as an
3968:
3933:
3913:
2559:
2452:
2360:
or visual production was produced, as envisioned by the people involved in the creation of the work. As an example, the film
2309:
1138:
2998:
2927:
1727:
1480:
489:(1.77:1) (generally named as Sixteen-by-Nine, Sixteen-Nine, and Sixteen-to-Nine) is the international standard format of
3518:
677:
Often, screen specifications are given by their diagonal length. The following formulae can be used to find the height (
2094:
at full height (three specially captured 35 mm images projected side by side into one composite widescreen image).
547:
aspect ratios in order to differentiate the film industry from TV, with one of the most common being the 1.85:1 ratio.
230::1, became a perceived threat to movie studios. Hollywood responded by creating a large number of wide-screen formats:
3241:
2149:
2114:
1757:
3916:
1591:
35 mm full-screen sound film image, nearly universal in films between 1932 and 1953. Officially adopted as the
1845:
1780:
1498:
1421:
490:
359:
98:
3733:
3128:
3082:
2004:". But this aspect ratio is still seen on some higher-end monitors, which are sometimes called UltraWide monitors.
3943:
2830:
2501:
2180:
1194:
1091:
322:
50:
3206:
2702:
2648:), while others simply crop their native image format to have the output match the desired image aspect ratio.
2544:
2437:
2294:
1787:
video compression. Also used increasingly in personal video cameras. Sometimes this ratio is rounded to 1.78:1.
1123:
30:
This article is about aspect ratio of still images, films, and digital imagery. For display aspect ratio, see
3403:
1967:(Anamorphic refers to the compression of the image on film to maximize an area slightly taller than standard
1358:
but is displayed on a 4:3 display (DAR = 4:3), so by this formula it would have a PAR of (4:3)/(5:4) = 16:15.
3672:
3572:
2850:
2563:
2548:
2456:
2441:
2313:
2298:
2246:
2191:
1492:
1142:
1127:
588:
193:
165:
2710:
in classic film photography image sizes, both the classic 35 mm film camera, and the multiple format
2694:
1673:
1469:
1382:
141:
41:
of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon,
3750:
3388:
2772:
2735:
2715:
2711:
2362:
2033:
1901:
1677:
652:
632:
624:
209:
In
American cinemas, the common projection ratios are 1.85:1 and 2.40:1. Some European countries have 1.
2258:
1051:{\displaystyle A={\frac {r\times d^{2}}{{r^{2}}+1}}\quad ={\frac {x\times y\times d^{2}}{x^{2}+y^{2}}}}
3542:"'Nobody will ask why they need vertical videos now': Snap on why it welcomes competition from rivals"
711:
3873:
2662:
2512:
2119:
1262:
406:
31:
3902:
2262:
2165:
2140:
1854:
2730:
cameras using a 36 mm × 24 mm image size, and their digital derivatives represented by
3786:
3680:
2698:
2375:
1893:
1873:
1800:
1723:
1366:
1290:
1281:
1200:
928:{\displaystyle w={\frac {r\times d}{\sqrt {{r^{2}}+1}}}={\frac {x\times d}{\sqrt {x^{2}+y^{2}}}}}
604:
402:
397:
102:
180:, and the frame size reduced to maintain an image that is wider than tall; this resulted in the
3695:
is presented on Blu-ray courtesy of Film
Movement with an AVC encoded 1080p transfer in 1.90:1.
3363:
3577:
3445:
3294:
2946:
2874:
2855:
2845:
2796:
2211:
In 2017, Samsung and
Phillips announced "Super UltraWide displays", with aspect ratio of 32:9.
2175:
2170:
2001:
1968:
1905:
1897:
1885:
1808:
1804:
1523:
1189:
648:
628:
620:
486:
481:
424:
383:
54:
3646:
3288:
3167:
1811:
to save cost of film stock. Also the ratio of Ultra 16 mm. One of two common formats in
184:
aperture of 22 mm × 16 mm (0.866 in × 0.630 in) or 1.375:1 aspect ratio.
3104:
3050:
2758:
UXGA all being 4:3. Widescreen computer monitors did not become popular until the advent of
2496:
2488:
2414:
1828:
1636:
1632:
1507:
1453:
565:
454:
410:
336:
332:
264:
3897:
3958:
3937:
3923:
3906:
3452:
2977:
2751:
2742:
666:
616:
457:, by October 2012 the market share of 16:10 displays had dropped to less than 23 percent.
414:
367:
362:, the majority of modern televisions are now produced with 16:9 displays instead. Apple's
3339:
3149:
R93-1998 - Compromise
Scanned Area Dimensions for Television from 35 mm Wide-Screen Films
3944:
SCADplus: 16:9 Action plan for the television in the 16:9 screen format – European Union
3290:
Civil
Servants on the Silver Screen: Hollywood's Depiction of Government and Bureaucrats
3026:
2668:
were designed as square formats. Furthermore, up until August 2015, photo-sharing site
2077:
2045:
2036:
theatrical viewings, commercials, and some music videos. Often commercially branded as
1812:
1799:
35 mm American and British widescreen standard for theatrical film. Introduced by
1647:
1503:
826:{\displaystyle h={\frac {d}{\sqrt {r^{2}+1}}}={\frac {y\times d}{\sqrt {x^{2}+y^{2}}}}}
658:
302:
214:
137:
46:
2076:
before optical sound was added to the film in 1954. This was also the aspect ratio of
1599:. Rarely used in theatrical context nowadays, but occasionally used in other contexts.
3952:
2808:
2706:
2144:
1640:
1592:
1486:
1343:
and if displayed on a 4:3 display (DAR = 4:3), has square pixels, hence a PAR of 1:1.
1268:
540:
520:
352:
344:
181:
177:
169:
114:
3601:
2804:
2672:
only allowed users to upload images in 1:1 format. In 2017, Fujifilm added the 1:1
2665:
2390:
1739:
1438:
Comparison of several film aspect ratios with the heights forced to be equal images
1378:
1285:
577:
561:
The 2.00:1 aspect ratio was first used in the 1950s for the RKO Superscope format.
528:
418:
328:
218:
133:
129:
118:
109:
3782:"'Ultra Widescreen' Version of Terrence Malick's 'Voyage of Time' Set for Release"
3465:
73:
3928:
3315:
164:
perforations determines the image's size. The universal standard (established by
2595:
2533:
2492:
2426:
2353:
2283:
2123:
2073:
2041:
2000:
TVs were produced with this aspect ratio between 2009 and 2012 and marketed as "
1958:
1624:
1386:
1112:
469:
465:
442:
340:
260:
243:
231:
82:
81:
The common film aspect ratios used in cinemas are 1.85:1 and 2.40:1. Two common
2189:(2016), but the image was cropped to 2.39:1 in post; Edwards would later shoot
1434:
417:. The width of the display is 1.6 times its height. This ratio is close to the
3833:
3429:"So, what is this 2:1 Univisium display ratio on the LG G6 and likely the S8?"
2840:
2394:
2266:
2241:
2233:
2037:
1980:
films released after 1972 are shot in this standard for theatrical exhibition.
1962:
1849:
1449:
1349:
662:
612:
544:
494:
279:
197:
58:
3581:
2520:
connection, one of the status lines is used to signal 16:9 material as well.
3892:
2669:
2645:
2505:
2185:
1977:
1877:
1862:
1669:
1643:
1515:
569:
556:
524:
298:
268:
145:
105:. Other cinematic and video aspect ratios exist, but are used infrequently.
3267:
2495:
or expanded beyond the original aspect ratio). It is also not uncommon for
3389:". . : : VITTORIO STORARO : : . .: What is UNIVISIUM?"
283:
for theatrical release and therefore is sometimes used for feature films.
160:
In motion picture formats, the physical size of the film area between the
2813:
2788:
2727:
2658:
2516:
display the material. Where a video signal is transmitted via a European
2367:
2154:
2091:
1924:
1831:
computers in the 1990s, with the resolution being specified as 1920×1024.
1628:
1564:
1511:
1295:– for square pixels this is 1:1 – and these are related by the identity:
636:
371:
306:
226::1). During that time, television, which had a similar aspect ratio of 1.
161:
2409:
335:
used to employ the same aspect ratio. 4:3 was the aspect ratio used for
3838:
3625:"Things to Consider Before Making a DCP: Aspect Ratio & Frame Size"
2803:) include 4×6 (1.5), 5×7 (1.4), 4×5 and 8×10 (1.25), and 11×14 (1.27);
1939:
1889:
1698:
Widescreen computer monitor ratio (for instance, 1920×1200 resolution).
1519:
1427:
For a full listing of film formats, including their aspect ratios, see
619:, are embracing the 2.00:1 format (advertised as 18:9), as well as the
608:
573:
498:
461:
310:
305:
and has since been supported by other major social platforms including
239:
3734:
Philips discontinuing super-wide Cinema 21:9 TVs due to lack of demand
3147:
2366:
was released to theaters in the 2.40:1 aspect ratio. It was filmed in
1555:
35 mm original silent film ratio, today commonly known in TV and
17:
2673:
2370:
and, in addition to being presented in cinemas and television in the
1943:
1920:
1784:
1560:
1522:—which all offer means for publishing vertical videos as content and
600:
446:
62:
1807:("perfs") of image space per four-perf frame; films can be shot in
3810:"Introducing Screen X, Cinema in 270 Degrees | Filmmaker Magazine"
3480:
The Speed of Sound: Hollywood and the Talkie Revolution, 1926–1930
2776:
2746:
2517:
2408:
1881:
1688:
1556:
1433:
596:
72:
3903:
Aspect – combined aspect ratio, frame size and bitrate calculator
3404:"What Amazon and Netflix's Demand for 4K Means for Documentaries"
3168:"With 10% of the U.S. Notebook Market, Where Will Apple Go Next?"
2032:
35 mm anamorphic from 1970 onwards. Aspect ratio of current
374:; however, the 2018 iPad Pro 11-inch uses a 1.43:1 aspect ratio.
3758:
3364:"The Aspect Ratio of 2.00 : 1 is Everywhere | VashiVisuals"
2800:
2759:
2731:
2398:
2357:
1769:
1662:
1607:
363:
273:
90:
3493:"'The Lighthouse,' 'The Witch' and the Horror of Robert Eggers"
468:
switched to a taller aspect ratio of approximately 1.54:1. The
2527:
2420:
2277:
1334:
1172:
1106:
1065:
125:
3887:
1420:
For a listing of computer resolutions and aspect ratios, see
3709:"Digital Cinema Technologies from the Archive's Perspective"
3340:"Widescreen Museum – CinemaScope Derivatives – Superscope 1"
1502:. A trend arising from the widespread use of smartphones is
1256:
This article primarily addresses the aspect ratio of images
3466:"The Man with a Flower in His Mouth (TV Movie 1930) - IMDb"
1510:. The format was popularized in particular by apps such as
3455:
displays that it has an 18:9 ratio (visit the gaming tab).
3075:"Eizo's 27-inch 3K display is perfectly square - Geek.com"
2901:
The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the
1722:
Early 35 mm widescreen ratio, originally invented by
1680:'s SD feed until January 2016 was presented in this ratio.
196:
convention assigns a value of 1 to the image's height; an
3568:"Marketers Test YouTube Shorts, One More Rival to TikTok"
2508:
but distorts the image so subjects appear short and fat.
89::1), the universal video format of the 20th century, and
3242:"MacBook Pro 16 vs. MacBook Pro 14: All the Differences"
2240::1 images projected side by side. First used in 1927 on
2153:(1962) with a slight crop when converted to three-strip
3929:
Explanation of TV Aspect Ratio format description codes
276:, which was first shown at the Osaka '70 Worlds Fair.)
3714:. International Federation of Film Archives. p. 4
3051:"Sony SmartWatch 3 SWR50 – Full phone specifications"
942:
840:
748:
714:
427:
77:
Common aspect ratios used in film and displays images
1974:
aperture, but presents the widest of aspect ratios.)
1627:, for which the film runs horizontally. Used on the
1456:'s 30-line mechanical television in the early 1930s.
639:
also has a similar screen ratio of 19.5:9 (2.16:1).
2374:(OAR) of 2.40:1, it was also broadcast without the
2356:term for the aspect ratio or dimensions in which a
2807:cameras typically use one of these aspect ratios.
1050:
927:
825:
733:
433:
3519:"Grabyo Adds Square, Vertical Video Capabilities"
3027:"BlackBerry Passport – Full phone specifications"
635:with a slightly similar 18.5:9 format. The Apple
3482:, New York, Simon & Schuster (1997), p. 222.
3179:
3177:
2676:format to their lineup of instant film cameras.
2401:. Another name for it is rescaled aspect ratio.
45:. Common aspect ratios are 1.85:1 and 2.40:1 in
673:Obtaining height, width, and area of the screen
1938:70 mm standard. Originally developed for
1957:35 mm anamorphic prior to 1970, used by
8:
2897:
2895:
2893:
2836:Index of articles related to motion pictures
3934:IMDb – Number of DVDs for each aspect ratio
3755:: The IMAX® Experience in Ultra-Widescreen"
3666:
3664:
2562:. Unsourced material may be challenged and
2455:. Unsourced material may be challenged and
2312:. Unsourced material may be challenged and
1141:. Unsourced material may be challenged and
1100:Learn how and when to remove these messages
693:stands for ratio, written as a fraction of
595:Moreover, some mobile devices, such as the
539:Equivalent to integer ratio of 37:20. When
349:Academy of Motion Picture Arts and Sciences
3888:The Letterbox and Widescreen Advocacy Page
3834:"'Kiesza - What Is Love (Official Video)'"
3207:"Widescreen LCDs going widescreen by 2010"
3105:"Why Apple chose the iPad's screen format"
1876:. Original SuperScope ratio, also used in
1803:in May 1953. Projects approximately three
1260:which is more formally referred to as the
351:as a standard after the advent of optical
2582:Learn how and when to remove this message
2475:Learn how and when to remove this message
2332:Learn how and when to remove this message
1927:, XS, XS Max, 11, 11 Pro, and 11 Pro Max.
1672:, while conversion to 4:3 creates slight
1579:16 mm and 35 mm standard ratio.
1416:Previous and currently used aspect ratios
1400:, though the latter can be confused with
1389:between resolutions with different SARs.
1244:Learn how and when to remove this message
1226:Learn how and when to remove this message
1161:Learn how and when to remove this message
1039:
1026:
1014:
995:
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885:
866:
861:
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801:
783:
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755:
747:
721:
713:
460:Notably, Apple used 16:10 for all of its
426:
176:With a space designated for the standard
3671:Kauffman, Jeffrey (September 19, 2020).
3268:"MacBook Air - Technical Specifications"
3136:. ITU Radiocommunication Assembly. 1998.
2762:, which uses a 16:9 image aspect ratio.
1385:(CGA). Today they arise particularly in
1315:
1299:
2909:(Many widescreen films before the 1970
2889:
2867:
343:. It is also very close to the 1.375:1
3898:Widescreen Apertures and Aspect Ratios
2968:
2966:
2964:
2962:
1408:, though it can also be confused with
1311:Rearranging (solving for PAR) yields:
543:attendance dropped, Hollywood created
7:
2924:"Panasonic Introduces 2 New Cameras"
2903:American Society of Cinematographers
2560:adding citations to reliable sources
2453:adding citations to reliable sources
2310:adding citations to reliable sources
1783:, one of three ratios specified for
1496:, and, significantly more recently,
1303:SAR × PAR = DAR
1139:adding citations to reliable sources
3740:. 2012-08-28. Retrieved 2013-03-18.
3566:Alcántara, Ann-Marie (2022-08-08).
1779:Video widescreen standard, used in
1559:as 1.33:1. Also standard ratio for
1429:list of motion picture film formats
1404:aspect ratio; PAR is also known as
1348:By contrast, a 720 × 576
472:continues to use 16:10 as of 2022.
27:Height/width proportion of an image
3316:"Aspect Ratios and Camera Formats"
2976:. Arri. 2011-07-07. Archived from
2926:. India: Tech Tree. Archived from
1271:, there is a distinction with the
568:has advocated for a format named "
25:
3780:Kristopher Tapley (Dec 5, 2016).
3517:Fratti, Karen (20 October 2015).
3287:Pautz, Michelle C. (2017-12-29).
1923:models since 2017, including the
1734:animated their features in the 1.
1081:This section has multiple issues.
497:and analog widescreen television
3909: (archived December 7, 2013)
3602:"Picking the Right Aspect Ratio"
3540:Lim, Shawn (27 September 2018).
3223:. Net Applications. October 2012
2532:
2425:
2282:
2044:". One of two common formats in
1506:that is intended for viewing in
1284:. If an image is displayed with
1177:
1111:
1070:
734:{\displaystyle r={\frac {x}{y}}}
140:), by adding horizontal mattes (
3623:Owen, Aaron (August 14, 2020).
3293:. Lexington Books. p. 31.
2943:American Cinematographer Manual
2907:American Cinematographer Manual
2405:Problems in film and television
2393:or EAR (Expanded Aspect Ratio)/
2160:It's a Mad, Mad, Mad, Mad World
1201:Pixel aspect ratio#Introduction
1089:or discuss these issues on the
991:
3870:"NEC Monitor Technology Guide"
3103:McElhearn, Kirk (2010-02-01).
2183:used the process for shooting
1199:content overlaps with section
206:August 1993 (SMPTE 195-1993).
1:
3940: (archived June 24, 2009)
3604:. Simple DCP. January 1, 2018
3205:Ricker, Thomas (2008-07-02).
2974:"ALEXA Anamorphic De-squeeze"
2048:, where it is called "scope".
1908:use the similar 18.5:9 ratio.
1728:Walt Disney Feature Animation
1481:Sunrise: A Song of Two Humans
1468:Sometimes referred to as the
3707:Nowak, Arne (October 2010).
3402:O'Falt, Chris (2017-04-04).
3081:. 2014-11-20. Archived from
2693:4:3 is used by most digital
1919:Used by the screens of some
1872:Recently popularized by the
1815:, where it is called "flat".
1676:. All widescreen content on
564:Since 1998, cinematographer
464:models until 2021, when the
3187:. DisplaySearch. 2008-07-01
2945:(9th ed.). ASC Press.
2382:Modified aspect ratio (MAR)
2345:Original aspect ratio (OAR)
1946:as 2.20:1, but hardly used.
1942:in the 1950s. Specified in
1639:portable game console, the
1197:. The specific problem is:
3985:
3893:American Widescreen Museum
3647:"Aspect Ratio Cheat Sheet"
3446:The official Honor website
3166:Knight, Dan (2008-09-19).
2875:Repeating decimal notation
1781:high-definition television
1426:
1422:list of common resolutions
1419:
646:
554:
479:
466:5th-generation MacBook Pro
395:
381:
360:high-definition television
320:
99:high-definition television
29:
3964:Film and video technology
3912:Aspect Ratios Explained:
3468:– via www.imdb.com.
2831:Active Format Description
2799:in the United States (in
2502:Active Format Description
2072:Original aspect ratio of
657:Anamorphic format is the
323:Fullscreen (aspect ratio)
85:aspect ratios are 4:3 (1.
3344:www.widescreenmuseum.com
3314:Berger, John L. (2019).
2703:Micro Four Thirds system
2594:Common aspect ratios in
1319:PAR = DAR/SAR
1280:, which is the ratio of
661:technique of shooting a
580:for productions such as
434:{\displaystyle \varphi }
3573:The Wall Street Journal
3387:Eelvee (4 March 2007).
3008:(53): 24–31. April 2013
2941:Burum, Stephen (2004).
2851:Glossary of video terms
2726:3:2 is used by classic
2695:point-and-shoot cameras
2169:(1959). More recently,
287:Current video standards
194:motion picture industry
3497:The Hollywood Reporter
3006:Film and Digital Times
2913:revision used 2.35:1).
2685:from digital cameras.
2418:
1452:aspect ratio, used by
1439:
1383:Color Graphics Adapter
1355:a SAR of 720/576 = 5:4
1340:a SAR of 640/480 = 4:3
1333:A 640 × 480
1052:
929:
827:
735:
435:
329:moving picture cameras
144:) or vertical mattes (
78:
3969:Picture aspect ratios
2712:Advanced Photo System
2412:
2387:Modified Aspect Ratio
2372:Original Aspect Ratio
2350:Original Aspect Ratio
2274:Aspect ratio releases
2236:, three 35 mm 1.
2195:(2023) in this ratio.
2034:anamorphic widescreen
1961:("'Scope") and early
1892:, Xiaomi MIX 2S, and
1437:
1392:DAR is also known as
1373:between resolutions.
1053:
930:
828:
736:
705:for diagonal length.
653:Anamorphic widescreen
633:Samsung Galaxy Note 9
625:Samsung Galaxy Note 8
436:
358:With the adoption of
280:Super 16 mm film
156:Practical limitations
76:
3649:. Firehouse Creative
3221:"Screen Resolutions"
2814:120-format roll film
2556:improve this section
2513:Widescreen signaling
2449:improve this section
2306:improve this section
2157:, and films such as
2150:How the West Was Won
2120:Kirill Serebrennikov
2002:21:9 cinema displays
1398:picture aspect ratio
1275:storage aspect ratio
1263:display aspect ratio
1208:improve this section
1193:to meet Knowledge's
1135:improve this section
940:
838:
746:
712:
665:picture on standard
519:to 3 (= 16:9). Many
425:
297:mobile apps such as
254:Movie camera systems
69:Some common examples
32:display aspect ratio
3693:The Wild Goose Lake
3675:The Wild Goose Lake
2265:in 1955 for use in
2263:Walt Disney Company
2141:Ultra Panavision 70
1855:The Wild Goose Lake
1827:HDTV ratio used by
1406:sample aspect ratio
97::1), universal for
3922:2013-06-04 at the
3814:Filmmaker Magazine
3451:2018-12-03 at the
3320:www.widescreen.org
2699:Four Thirds system
2419:
2259:Circle-Vision 360°
1894:Huawei Mate 10 Pro
1874:Red Digital Cinema
1801:Universal Pictures
1724:Paramount Pictures
1440:
1394:image aspect ratio
1291:pixel aspect ratio
1048:
925:
823:
731:
605:Huawei Mate 10 Pro
431:
398:16:10 aspect ratio
188:Cinema terminology
178:optical soundtrack
103:digital television
79:
3499:. 29 October 2019
3300:978-1-4985-3913-5
2856:Ultrawide formats
2846:Shoot and protect
2596:still photography
2592:
2591:
2584:
2524:Still photography
2485:
2484:
2477:
2342:
2341:
2334:
2261:developed by the
2176:The Hateful Eight
2171:Quentin Tarantino
1898:Samsung Galaxy S8
1886:Google Pixel 2 XL
1635:notebook PC, the
1323:
1322:
1307:
1306:
1282:numbers of pixels
1254:
1253:
1246:
1236:
1235:
1228:
1195:quality standards
1186:This section may
1171:
1170:
1163:
1104:
1046:
989:
923:
922:
880:
879:
821:
820:
778:
777:
729:
649:Anamorphic format
629:Samsung Galaxy S9
621:Samsung Galaxy S8
609:Google Pixel 2 XL
493:, non-HD digital
482:16:9 aspect ratio
411:computer displays
384:14:9 aspect ratio
347:, defined by the
333:computer monitors
124:With television,
63:still photography
16:(Redirected from
3976:
3884:
3882:
3881:
3872:. Archived from
3863:On aspect ratios
3851:
3850:
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3732:Goddard, Louis.
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3055:www.gsmarena.com
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3031:www.gsmarena.com
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3017:
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2999:"Anamorphic Now"
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1829:Silicon Graphics
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1637:Game Boy Advance
1633:Chromebook Pixel
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1454:John Logie Baird
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455:Net Applications
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415:tablet computers
409:mostly used for
337:35 mm films
265:35 mm movie film
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3938:Wayback Machine
3924:Wayback Machine
3907:Wayback Machine
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3808:Aftab, Kaleem.
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3677:Blu-ray Review"
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2218:
2200:
2135:
2099:
2086:
2067:
2055:
2024:
2020:
2017:
2015:
2010:
1995:
1991:
1985:
1952:
1933:
1914:
1835:
1794:
1774:
1758:The Jungle Book
1735:
1707:
1655:
1474:
1432:
1425:
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862:
849:
836:
835:
810:
797:
785:
761:
744:
743:
710:
709:
675:
655:
647:Main articles:
645:
617:Sony Xperia XZ3
559:
553:
537:
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511:
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484:
478:
423:
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386:
380:
325:
319:
294:
289:
256:
235:
227:
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215:George Stevens'
210:
190:
166:William Dickson
158:
94:
86:
71:
35:
28:
23:
22:
15:
12:
11:
5:
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3753:Voyage of Time
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3660:
3638:
3615:
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3484:
3471:
3457:
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3355:
3331:
3306:
3299:
3279:
3258:
3246:Digital Trends
3233:
3212:
3197:
3173:
3158:
3139:
3120:
3095:
3066:
3042:
3018:
2990:
2958:
2951:
2933:
2930:on 2009-01-23.
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2209:
2196:
2181:Gareth Edwards
2138:
2129:
2112:
2095:
2089:
2081:
2078:CinemaScope 55
2070:
2062:
2059:
2049:
2046:digital cinema
2030:
2005:
1998:
1981:
1955:
1947:
1936:
1928:
1917:
1909:
1870:
1859:
1839:
1832:
1825:
1816:
1813:digital cinema
1797:
1788:
1777:
1762:
1752:
1743:
1742:'s top screen.
1720:
1699:
1696:
1681:
1666:
1651:
1648:Surface Studio
1621:
1612:
1605:
1600:
1589:
1580:
1577:
1568:
1553:
1540:
1536:
1527:
1504:vertical video
1499:The Lighthouse
1466:
1457:
1446:
1417:
1414:
1412:aspect ratio.
1362:
1361:
1360:
1359:
1356:
1352:PAL image has
1346:
1345:
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1325:
1324:
1321:
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1309:
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1269:digital images
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764:
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741:
728:
725:
720:
717:
674:
671:
659:cinematography
644:
641:
583:House of Cards
555:Main article:
552:
549:
536:
533:
480:Main article:
477:
474:
430:
396:Main article:
393:
390:
382:Main article:
379:
376:
321:Main article:
318:
315:
293:
290:
288:
285:
255:
252:
242:(2.20:1), and
189:
186:
157:
154:
150:Wide Zoom mode
70:
67:
47:cinematography
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3981:
3970:
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3915:
3911:
3908:
3904:
3901:
3899:
3896:
3894:
3891:
3889:
3886:
3876:on 2006-05-21
3875:
3871:
3867:
3866:
3862:
3857:
3841:
3840:
3835:
3829:
3826:
3815:
3811:
3804:
3801:
3789:
3788:
3783:
3776:
3773:
3761:. Dec 7, 2016
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3547:
3543:
3536:
3533:
3520:
3513:
3510:
3498:
3494:
3488:
3485:
3481:
3478:Scott Eyman,
3475:
3472:
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3461:
3458:
3454:
3450:
3447:
3442:
3439:
3434:
3430:
3423:
3420:
3409:
3405:
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3356:
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3321:
3317:
3310:
3307:
3302:
3296:
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3269:
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3259:
3247:
3243:
3237:
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3216:
3213:
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3201:
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3186:
3180:
3178:
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3159:
3151:
3150:
3143:
3140:
3132:
3131:
3124:
3121:
3110:
3106:
3099:
3096:
3085:on 2018-11-30
3084:
3080:
3076:
3070:
3067:
3056:
3052:
3046:
3043:
3032:
3028:
3022:
3019:
3007:
3000:
2994:
2991:
2980:on 2012-03-09
2979:
2975:
2969:
2967:
2965:
2963:
2959:
2954:
2952:0-935578-24-2
2948:
2944:
2937:
2934:
2929:
2925:
2919:
2916:
2912:
2908:
2904:
2898:
2896:
2894:
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2883:
2876:
2871:
2868:
2861:
2857:
2854:
2852:
2849:
2847:
2844:
2842:
2839:
2837:
2834:
2832:
2829:
2828:
2824:
2822:
2818:
2815:
2810:
2809:Medium-format
2806:
2802:
2798:
2793:
2790:
2782:
2780:
2778:
2774:
2765:
2763:
2761:
2755:
2753:
2748:
2744:
2739:
2737:
2733:
2729:
2721:
2719:
2717:
2713:
2708:
2707:medium format
2704:
2700:
2696:
2688:
2686:
2679:
2677:
2675:
2674:Instax Square
2671:
2667:
2666:instant films
2664:
2660:
2651:
2649:
2647:
2635:
2628:
2621:
2618:
2611:
2608:
2601:
2600:
2599:
2597:
2586:
2583:
2575:
2565:
2561:
2557:
2551:
2550:
2546:
2541:This section
2539:
2535:
2530:
2529:
2523:
2521:
2519:
2514:
2509:
2507:
2503:
2498:
2494:
2490:
2479:
2476:
2468:
2458:
2454:
2450:
2444:
2443:
2439:
2434:This section
2432:
2428:
2423:
2422:
2416:
2411:
2404:
2402:
2400:
2396:
2392:
2388:
2381:
2379:
2377:
2373:
2369:
2365:
2364:
2359:
2355:
2351:
2344:
2336:
2333:
2325:
2315:
2311:
2307:
2301:
2300:
2296:
2291:This section
2289:
2285:
2280:
2279:
2273:
2268:
2264:
2260:
2257:
2255:
2252:
2249:
2248:
2243:
2235:
2231:
2229:
2226:
2222:
2216:
2213:
2210:
2208:
2204:
2197:
2194:
2193:
2188:
2187:
2182:
2178:
2177:
2172:
2168:
2167:
2162:
2161:
2156:
2152:
2151:
2146:
2145:MGM Camera 65
2142:
2139:
2133:
2130:
2127:
2126:
2121:
2116:
2113:
2111:
2107:
2103:
2096:
2093:
2090:
2085:
2082:
2079:
2075:
2071:
2066:
2063:
2060:
2053:
2050:
2047:
2043:
2039:
2035:
2031:
2029:
2009:
2006:
2003:
1999:
1989:
1982:
1979:
1975:
1973:
1970:
1964:
1960:
1956:
1951:
1948:
1945:
1941:
1937:
1932:
1929:
1926:
1922:
1918:
1913:
1910:
1907:
1903:
1899:
1895:
1891:
1887:
1883:
1879:
1875:
1871:
1869:
1865:
1864:
1860:
1857:
1856:
1851:
1847:
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1840:
1838:
1833:
1830:
1826:
1824:
1820:
1817:
1814:
1810:
1806:
1802:
1798:
1792:
1789:
1786:
1782:
1778:
1772:
1771:
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1763:
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1741:
1733:
1729:
1725:
1721:
1719:
1715:
1711:
1703:
1700:
1697:
1695:
1691:
1690:
1685:
1682:
1679:
1675:
1671:
1667:
1665:
1664:
1659:
1652:
1649:
1645:
1642:
1641:Surface Pro 3
1638:
1634:
1630:
1626:
1622:
1620:
1616:
1613:
1609:
1606:
1604:
1601:
1598:
1594:
1593:Academy ratio
1590:
1588:
1584:
1581:
1578:
1576:
1572:
1569:
1566:
1562:
1558:
1554:
1552:
1548:
1544:
1541:
1537:
1535:
1531:
1528:
1525:
1521:
1517:
1513:
1509:
1508:portrait mode
1505:
1501:
1500:
1495:
1494:
1489:
1488:
1483:
1482:
1471:
1467:
1465:
1461:
1458:
1455:
1451:
1447:
1445:
1442:
1441:
1436:
1430:
1423:
1415:
1413:
1411:
1407:
1403:
1399:
1395:
1390:
1388:
1384:
1380:
1379:display modes
1374:
1370:
1368:
1357:
1354:
1353:
1351:
1347:
1342:
1339:
1338:
1336:
1332:
1331:
1330:
1329:
1318:
1317:
1314:
1313:
1312:
1302:
1301:
1298:
1297:
1296:
1294:
1292:
1287:
1286:square pixels
1283:
1279:
1270:
1266:
1264:
1259:
1258:as displayed,
1248:
1245:
1230:
1227:
1219:
1209:
1204:
1202:
1196:
1192:
1191:
1184:
1175:
1174:
1165:
1162:
1154:
1144:
1140:
1136:
1130:
1129:
1125:
1120:This section
1118:
1114:
1109:
1108:
1103:
1101:
1094:
1093:
1088:
1087:
1082:
1077:
1068:
1067:
1061:
1040:
1036:
1032:
1027:
1023:
1015:
1011:
1007:
1004:
1001:
998:
992:
985:
982:
976:
972:
963:
959:
955:
952:
946:
943:
936:
917:
913:
909:
904:
900:
894:
891:
888:
882:
876:
873:
867:
863:
856:
853:
850:
844:
841:
834:
815:
811:
807:
802:
798:
792:
789:
786:
780:
774:
771:
766:
762:
757:
752:
749:
742:
726:
723:
718:
715:
708:
707:
706:
704:
700:
696:
692:
688:
684:
680:
672:
670:
668:
664:
660:
654:
650:
642:
640:
638:
634:
630:
626:
622:
618:
614:
610:
606:
602:
598:
593:
591:
590:
585:
584:
579:
575:
571:
567:
562:
558:
550:
548:
546:
542:
534:
532:
530:
526:
522:
521:digital video
504:
500:
496:
492:
488:
483:
475:
473:
471:
467:
463:
458:
456:
450:
448:
444:
428:
420:
416:
412:
408:
404:
399:
391:
389:
385:
377:
375:
373:
369:
365:
361:
356:
354:
353:sound-on-film
350:
346:
345:Academy ratio
342:
338:
334:
330:
324:
316:
314:
312:
308:
304:
300:
291:
286:
284:
281:
277:
275:
270:
266:
262:
253:
251:
247:
245:
241:
233:
221:
220:
216:
207:
204:
199:
195:
187:
185:
183:
179:
174:
171:
170:Thomas Edison
167:
163:
155:
153:
151:
147:
143:
139:
135:
131:
127:
122:
120:
116:
115:medium format
111:
106:
104:
101:and European
100:
92:
84:
75:
68:
66:
64:
61:, and 3:2 in
60:
56:
52:
48:
44:
40:
33:
19:
3878:. Retrieved
3874:the original
3843:. Retrieved
3837:
3828:
3817:. Retrieved
3813:
3803:
3791:. Retrieved
3785:
3775:
3763:. Retrieved
3752:
3745:
3737:
3728:
3716:. Retrieved
3702:
3692:
3691:
3684:. Retrieved
3674:
3651:. Retrieved
3641:
3629:. Retrieved
3618:
3606:. Retrieved
3596:
3585:. Retrieved
3571:
3561:
3551:28 September
3549:. Retrieved
3545:
3535:
3523:. Retrieved
3512:
3501:. Retrieved
3496:
3487:
3479:
3474:
3460:
3441:
3432:
3422:
3411:. Retrieved
3407:
3397:
3382:
3371:. Retrieved
3367:
3358:
3347:. Retrieved
3343:
3334:
3323:. Retrieved
3319:
3309:
3289:
3282:
3271:. Retrieved
3261:
3250:. Retrieved
3248:. 2021-10-18
3245:
3236:
3225:. Retrieved
3215:
3200:
3189:. Retrieved
3161:
3155:. EBU. 1998.
3148:
3142:
3129:
3123:
3112:. Retrieved
3108:
3098:
3087:. Retrieved
3083:the original
3078:
3069:
3058:. Retrieved
3054:
3045:
3034:. Retrieved
3030:
3021:
3010:. Retrieved
3005:
2993:
2982:. Retrieved
2978:the original
2942:
2936:
2928:the original
2918:
2906:
2870:
2819:
2805:large format
2794:
2786:
2769:
2756:
2740:
2725:
2705:cameras and
2692:
2683:
2655:
2643:
2609:5:4 (1.25:1)
2593:
2578:
2569:
2554:Please help
2542:
2510:
2506:pillarboxing
2497:windowboxing
2486:
2471:
2462:
2447:Please help
2435:
2391:pan and scan
2386:
2385:
2371:
2361:
2349:
2348:
2328:
2319:
2304:Please help
2292:
2253:
2245:
2232:Rare use of
2227:
2214:
2206:
2198:
2190:
2184:
2174:
2173:used it for
2164:
2158:
2148:
2131:
2124:
2109:
2105:
2097:
2083:
2064:
2051:
2014:
2007:
1983:
1966:
1949:
1930:
1911:
1896:, while the
1867:
1861:
1853:
1834:
1822:
1818:
1805:perforations
1790:
1768:
1764:
1756:
1749:
1745:
1740:Nintendo 3DS
1732:CAPS program
1717:
1713:
1705:
1701:
1693:
1687:
1683:
1674:letterboxing
1670:pillarboxing
1661:
1653:
1618:
1614:
1602:
1586:
1582:
1574:
1570:
1550:
1546:
1542:
1533:
1529:
1497:
1491:
1485:
1479:
1463:
1459:
1443:
1409:
1405:
1401:
1397:
1393:
1391:
1375:
1371:
1367:main article
1363:
1328:For example:
1327:
1326:
1310:
1289:
1272:
1261:
1257:
1255:
1240:
1222:
1213:
1206:Please help
1198:
1187:
1157:
1148:
1133:Please help
1121:
1097:
1090:
1084:
1083:Please help
1080:
1062:Distinctions
702:
698:
694:
690:
686:
685:) and area (
682:
678:
676:
656:
594:
587:
581:
578:Amazon Video
563:
560:
538:
529:hard matting
485:
459:
451:
443:LCD monitors
419:golden ratio
407:aspect ratio
405:(8:5) is an
401:
387:
357:
326:
295:
278:
257:
248:
217:
208:
191:
175:
159:
149:
146:pillarboxing
142:letterboxing
130:Blu-ray Disc
123:
119:large format
110:still camera
107:
83:videographic
80:
43:width:height
42:
39:aspect ratio
38:
36:
3845:October 10,
3681:Blu-ray.com
3627:. Cinematiq
3433:Phone Arena
3209:. Engadget.
2797:print sizes
2619:3:2 (1.5:1)
2493:letterboxed
2415:windowboxed
2354:home cinema
2352:(OAR) is a
2192:The Creator
2163:(1963) and
2074:CinemaScope
2040:format or "
1976:All Indian
1959:CinemaScope
1625:VistaVision
1595:in 1932 by
1524:advertising
1493:Hallelujah!
1387:transcoding
1210:if you can.
589:Transparent
470:MacBook Air
331:, and many
261:VistaVision
244:VistaVision
232:CinemaScope
3953:Categories
3880:2006-07-24
3819:2018-10-12
3686:28 January
3653:28 January
3631:28 January
3608:28 January
3587:2023-02-01
3503:2019-11-10
3413:2018-05-10
3373:2018-11-02
3349:2018-11-02
3325:2018-10-30
3273:2022-01-07
3252:2021-11-27
3227:2013-04-20
3191:2011-09-08
3114:2019-07-24
3089:2018-11-29
3060:2019-01-24
3036:2018-11-29
3012:2014-06-21
2984:2014-06-21
2841:Paper size
2572:March 2023
2465:March 2023
2395:open matte
2322:March 2023
2267:Disneyland
2242:Abel Gance
2234:Polyvision
2115:Full-frame
2038:Panavision
1963:Panavision
1850:Diao Yinan
1678:ABC Family
1450:television
1448:The first
1381:, such as
1337:image has
1151:March 2023
1086:improve it
681:), width (
667:35 mm film
663:widescreen
613:OnePlus 5T
545:widescreen
501:. Japan's
495:television
366:series of
341:silent era
198:anamorphic
59:television
3793:April 27,
3765:April 27,
3738:The Verge
3582:0099-9660
3521:. Ad Week
3408:IndieWire
2884:Footnotes
2670:Instagram
2646:Panasonic
2598:include:
2543:does not
2436:does not
2363:Gladiator
2293:does not
2224:released.
2186:Rogue One
1978:Bollywood
1878:Univisium
1567:mm ratio.
1516:Instagram
1470:Movietone
1122:does not
1092:talk page
1008:×
1002:×
956:×
892:×
854:×
790:×
689:), where
570:Univisium
557:Univisium
503:Hi-Vision
429:φ
299:Instagram
269:Lucasfilm
234:(up to 2.
3920:Archived
3546:The Drum
3449:Archived
3109:Macworld
3079:Geek.com
2825:See also
2789:panorama
2663:Polaroid
2659:120 film
2629:16:9 (1.
2368:Super 35
2247:Napoléon
2179:(2015);
2155:Cinerama
2092:Cinerama
1925:iPhone X
1890:HTC U11+
1629:ChromeOS
1565:Super 35
1512:Snapchat
1216:May 2023
1188:require
637:iPhone X
372:e-reader
307:Facebook
162:sprocket
138:cropping
3936:at the
3905:at the
3858:Sources
3839:YouTube
3787:Variety
3718:May 16,
3525:24 July
3266:Apple.
2795:Common
2636:3:1 (3.
2622:5:3 (1.
2612:4:3 (1.
2602:1:1 (1.
2564:removed
2549:sources
2489:cropped
2457:removed
2442:sources
2314:removed
2299:sources
2166:Ben-Hur
2128:(2018).
2087:~ 70:27
2068:~ 51:20
2023:⁄
2011:~ 43:18
1972:Academy
1953:~ 47:20
1940:Todd-AO
1931:2.208:1
1915:~ 28:13
1912:2.165:1
1819:1.875:1
1631:-based
1583:1.375:1
1520:YouTube
1410:storage
1190:cleanup
1143:removed
1128:sources
574:Netflix
514:⁄
499:PALplus
462:MacBook
368:tablets
339:in the
240:Todd-AO
182:Academy
134:zooming
3959:Ratios
3917:Part 2
3914:Part 1
3580:
3297:
2949:
2801:inches
2132:2.76:1
2084:2.59:1
2065:2.55:1
2058:= 21:9
2042:'Scope
2008:2.39:1
1969:4-perf
1950:2.35:1
1944:MPEG-2
1934:~ 11:5
1921:iPhone
1904:, and
1902:Note 8
1809:3-perf
1791:1.85:1
1785:MPEG-2
1765:1.77:1
1746:1.75:1
1702:1.66:1
1646:, and
1644:laplet
1611:image.
1603:1.43:1
1571:1.37:1
1561:MPEG-2
1543:1.33:1
1530:1.25:1
1518:, and
1460:1.19:1
1444:1:2.32
701:, and
643:2.40:1
601:LG V30
551:2.00:1
541:cinema
535:1.85:1
447:laptop
18:2.35:1
3712:(PDF)
3153:(PDF)
3134:(PDF)
3002:(PDF)
2911:SMPTE
2862:Notes
2777:video
2747:Nikon
2743:Canon
2732:DSLRs
2518:SCART
2417:image
2376:matte
2215:3.6:1
2136:69:25
2052:2.4:1
1992:64:27
1882:LG G6
1842:SMPTE
1836:1.9:1
1795:37:20
1689:16:10
1684:1.6:1
1615:1.5:1
1597:AMPAS
1575:48:35
1557:video
1464:19:16
1402:pixel
1293:(PAR)
1278:(SAR)
1267:. In
1265:(DAR)
597:LG G6
403:16:10
392:16:10
238::1),
222:in 1.
219:Shane
203:SMPTE
3847:2022
3795:2018
3767:2018
3759:IMAX
3720:2016
3688:2022
3655:2022
3633:2022
3610:2022
3578:ISSN
3553:2018
3527:2016
3295:ISBN
2947:ISBN
2766:16:9
2760:HDTV
2745:and
2547:any
2545:cite
2440:any
2438:cite
2399:IMAX
2358:film
2297:any
2295:cite
2254:12:1
2219:18:5
2207:32:9
2125:Leto
2122:for
2110:24:9
2056:12:5
1868:18:9
1823:15:8
1770:16:9
1718:15:9
1663:14:9
1608:IMAX
1587:11:8
1551:12:9
1396:and
1126:any
1124:cite
651:and
631:and
615:and
586:and
576:and
491:HDTV
487:16:9
476:16:9
445:and
413:and
378:14:9
364:iPad
309:and
303:Vine
301:and
274:IMAX
192:The
168:and
136:and
128:and
117:and
91:16:9
55:16:9
53:and
37:The
2783:3:1
2736:APS
2722:3:2
2716:APS
2689:4:3
2680:5:4
2652:1:1
2640::1)
2633::1)
2626::1)
2616::1)
2606::1)
2558:by
2451:by
2308:by
2244:'s
2228:4:1
2106:8:3
1996:4:3
1986:370
1863:2:1
1852:'s
1846:DCI
1775:4:3
1750:7:4
1730:'s
1714:5:3
1704:or
1694:8:5
1619:3:2
1547:4:3
1534:5:4
1350:D-1
1335:VGA
1137:by
697:by
525:DVD
317:4:3
292:1:1
152:).
126:DVD
108:In
93:(1.
57:in
51:4:3
3955::
3836:.
3812:.
3784:.
3757:.
3736:.
3690:.
3679:.
3663:^
3576:.
3570:.
3544:.
3495:.
3431:.
3406:.
3366:.
3342:.
3318:.
3244:.
3176:^
3107:.
3077:.
3053:.
3029:.
3004:.
2961:^
2905:'
2892:^
2775:)
2773:HD
2752:DX
2701:,
2697:,
2491:,
2413:A
2217:=
2205:=
2203::1
2199:3.
2134:=
2108:=
2104:=
2102::1
2098:2.
2054:=
2028::9
2016:21
2013:=
1994:=
1990:=
1988::1
1984:2.
1906:S9
1900:,
1888:,
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1866:=
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2143:/
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2080:.
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2018:+
1858:.
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910:+
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772:+
767:2
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719:=
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687:A
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509:+
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311:X
236:6
228:3
224:6
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95:7
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