33:
347:
Ludovico assembled and consolidated new materials to use as teaching aids, including a collection of plaster casts of classical works. Agostino brought to the school a wealth of knowledge in a variety of subjects, including art, music, philosophy, math, astronomy, geography, cartography, anthropology, and natural history. He used his knowledge of anatomy to construct detailed drawings of the human form, and provided books and medals from his own collection for the benefit of the students. Annibale, the most experienced artist of the group, shared his knowledge of painting via collaborative works with his pupils.
391:
all of the
Carracci collaboratively. Likewise the finished frescoes would have been painted by all three of the Carracci but "despite much debate, there is no consensus among scholars as to the attribution of several scenes". "When asked who had done each scene, the Carracci, having freely traded ideas and sketches, and having worked elbow to elbow, are claimed to have responded, 'it is by the Carracci, we did it together.' Such intimate collaboration, in which the individual style was sublimated in favor of a seamless, lively, and highly illusionistic effect, is characteristic of the Carracci's early period".
315:, reproducing the works of masters from the 16th century (mainly Correggio and Veronese) as examples to imitate for the numerous students of their school. Annibale was the most talented and the one who, following his trip to Rome in 1595 where the works would be exhibited until his death in 1609, exercised a decisive influence on the fate of Italian painting at the dawn of the 17th century.
351:
Great emphasis was placed on the study of nature, and students were encouraged to practice drawing from life. The
Carracci led their pupils in the study of experimental drawing, caricature, landscape painting, imitation, anatomy, perspective, and artistic theory. Students were also taught history, fables, and poetic inventions from which to draw inspiration.
280:("two dialogues...on the errors of painters") in 1564 in which he criticized the excesses of refinement, of allegories and the bizarre inventions of the Mannerist art. The stories and the characters rendered lifelike in imitation of nature had to then be ennobled by the exercise of the art and refined on the example of the great masters of the past such as
346:
Each member of the
Carracci family made a unique contribution to the academy. It is believed that Ludovico Carracci occupied an administrative position, while Agostino was responsible for gathering new information, and Annibale for providing creativity, inspiration, and lessons on painting technique.
350:
The
Carracci intended to provide the educated next generation of artists with an education that was valid both from a practical and theoretical point of view. The students were trained in a number of subjects to establish an intellectual background from which they could develop their artistic skill.
272:
authority of the contents of the sacred scenes (the saints and their attributes had to be easily recognizable and respectful of the traditional, additionally the stories had to demonstrate fidelity towards the sacred texts), while the artists retained the "liberty" to choose the most suitable style.
390:
There is much speculation and debate among art historians about which of the
Carracci family members designed and executed various aspects of the frescoes that they painted. Extant preparatory sketches for the frescoes indicate that for each artwork, the preliminary sketches were likely created by
244:
The mannerist art that wearily replicated the style of the masters of the
Renaissance, emphasizing formal complications and virtuosity, no longer obeyed the need for clarity and devotion. Bologna was at the center of a territory in which the work of the artists traditionally had a pronounced
245:
devotional and pietistic character, and was influenced by north
Italian and Venetian art. On these cultural and aesthetic bases the Carracci developed their work as theorists of artistic renewal, emphasizing the humanity of subjects and the clarity of the sacred scenes.
342:
There is some debate regarding the school's organization and academic structure. However, it is likely that the academy functioned as a combination of a painters' workshop and a formal institution, and was attended by both students and established artists alike.
381:
The opening of the
Accademia degli Incamminati brought the Carracci name to great repute and attracted numerous commissions. These projects were typically allocated among the family by Ludovico or completed jointly by the three Carracci.
259:
Another principle of the
Carracci doctrine was the devotional aspect, the respect of the orthodoxy of the represented history. The Carracci followed the instructions contained in the work of the theorists of the time such as the Cardinal
255:
The
Carracci fit perfectly into the political and artistic moment of the epoch—they recognized the need for an artistic style that could reflect the new desires and that was free from the artifice and complexity of Mannerism.
1481:
1789:
240:
in 1527, facts that rendered the papal capital more insecure and unstable, and less attractive to the artists of the Roman epoch who at the end of the 16th century were less inclined to produce a new artistic movement.
1649:
158:
394:
From 1583 to 1594, Annibale, Agostino, and Ludovico worked collaboratively to paint frescos on ceilings and walls of palaces in Bologna and Ferrara. One of their first joint commissions was the
1347:
711:
1639:
1497:
1441:
1417:
1939:
1409:
331:
Driven by the desire to explore and share their new-found approach to painting, the Carracci family collectively founded a school of art in Bologna around 1582. Initially named
248:
The eclecticism of their art, the respect for tradition and a language adapted to the public places frequented by the working classes satisfied the desires of the church of the
1797:
1473:
422:
with scenes of the "Gods of Olympus." The following years, 1593–94, the Carracci were commissioned to paint frescoes of New Testament scenes and figures in three rooms of the
1513:
1681:
1915:
1773:
429:
The popularity of the Carracci's frescoes at these Italian palaces (particularly the paintings at the Palazzo Magnani) caught the attention of another noble family, the
1173:
335:("Academy of the Desirous"), the school most likely began as an informal gathering of young artists in Ludovico Carracci's studio. Around 1590, the academy was renamed
1757:
1745:
1737:
1600:
1665:
1632:
1705:
1465:
183:(1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the
1891:
1813:
1377:
1324:
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1947:
209:
to have decisively contributed to the formation of the figurative Baroque and to new pictorial solutions based on the recuperation of the classical and
1561:
1521:
1624:
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tradition, renewed by study of nature. "Jointly they effected an artistic reform that overthrew Mannerist aesthetics and initiated the Baroque."
2066:
1425:
1353:
1401:
441:. In 1594 Annibale and Agostino went to Rome while Ludovico stayed in Bologna. "This summons signaled the end of the joint Carracci studio".
1616:
252:
that needed a new mode to express its primacy over the other religions and confirm that art could and had to be a vehicle towards faith.
854:
catalogo della mostra a cura di Giulio Carlo Cavalli, Francesco Arcangeli, Andrea Emiliani, Maurizio Calvesi e Carlo Volpe, Bologna 1959
32:
542:
1162:
Annibale Carracci, Ercole al bivio: dalla volta del Camerino Farnese alla Galleria Nazionale di Capodimonte. Genesi e interpretazioni
1590:
1489:
1449:
137:
87:
1505:
437:, Ranuccio VI, and his brother, Cardinal Odoardo approached the Carracci in 1593 and asked them to come to Rome to decorate the
1884:
1569:
1457:
1317:
480:
339:("Academy of Those who are Making Progress" or "Academy of the Journeying"), and adopted a more didactic academic programme.
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1931:
754:
1923:
1393:
237:
821:
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1657:
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326:
185:
2076:
1877:
1608:
1553:
1433:
1310:
517:
2002:
1965:
1853:
1729:
1721:
737:
492:
371:
2034:
1858:
958:
Circa 1600: Annibale Carracci, Caravaggio, Ludovico Carracci: una rivoluzione stilistica nella pittura italiana
816:
415:
1713:
1765:
1689:
1577:
558:
395:
193:
artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion.
1529:
1204:
I luoghi determinanti nella vicenda critica dei Carracci e i disegni relativi al fregio di Palazzo Magnani
423:
2028:
1805:
805:
596:
201:
The artistic and theoretical activity of the Carracci is recognized by critics and historians such as
874:
419:
249:
233:
770:
Cuno, James B. (July 1980). "Matisse and Agostino Carracci: A Source for the 'Bonheur de Vivre'".
684:
1697:
1673:
1545:
1537:
779:
367:
206:
820:
512:
965:
L'ideale classico: saggi sulla tradizione classica nella pittura del Cinquecento e del Seicento
1996:
1990:
1973:
1969:
1900:
1837:
1831:
1369:
1333:
375:
261:
217:
180:
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45:
41:
37:
2018:
1584:
1385:
1080:
430:
355:
202:
151:
105:
58:
438:
99:
2061:
293:
2050:
1361:
911:
522:
434:
221:
268:("on sacred and profane images") which advocated for the control on the part of the
305:
285:
269:
1008:
Gli scritti dei Carracci: Ludovico, Annibale, Agostino, Antonio, Giovanni Antonio
835:
363:
210:
1293:
a cura di M. G. Bernardini, S. Danesi Squarzina e C. Strinati, pp. 95–108, 2000
1182:
The influence of Parmigianino on the drawings of Agostino and Annibale Carracci
1063:
catalogo della mostra a cura di Daniele Benati e Eugenio Riccòmini, Milano 2006
951:
Lodovico Carracci: a study of his later career and a catalogue of his paintings
902:
Annibale Carracci in Bologna: visible reality in art after the Council of Trent
359:
312:
297:
229:
418:
in Bologna. In 1592, the Carracci went to Ferrara to decorate the ceiling of
1246:
in "Atti e memorie dell'Accademia Clementina" n. 33/34, pp. 69–84, 1995
547:
301:
276:
Another point of reference was the work of Giovanni Andrea Gilio, author of
225:
190:
1255:
L'idea del bello: viaggio per Roma nel Seicento con Giovan Pietro Bellori
985:, a cura di Giuliano Briganti, André Chastel e Roberto Zapperi. Roma 1987
167:
family of artists that played an instrumental role in bringing forth the
1287:
Sulla datazione e sul significato degli affreschi della Galleria Farnese
932:
Prints and related drawings by the Carracci family: a catalogue raisonné
2013:
1300:
catalogo della mostra a cura di Andrea Emiliani e Michela Scolaro, pp.
414:, was completed circa 1589–90, and is located in the main salon at the
281:
168:
164:
17:
783:
672:. University Park and London: The Pennsylvania State University Press.
944:
Bologna 1584: gli esordi dei Carracci e gli affreschi di Palazzo Fava
552:
453:(drawing in roundel, c. 1595, National Gallery of Art, Washington DC)
289:
1869:
1302:
989:
Dall'avanguardia dei Carracci al secolo barocco: Bologna 1580 – 1600
216:
The crisis of the culture of Catholicism was highlighted after the
1790:
Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ
1650:
The Madonna and Sleeping Child with the Infant St John the Baptist
895:
Il fregio dei Carracci e i dipinti di Palazzo Magnani in Bologna
1873:
1306:
1028:
La scuola dei Carracci: dall'Accademia alla bottega di Ludovico
1016:, catalogo della mostra a cura di Andrea Emiliani, Bologna 1993
810:
Felsina Pittrice. Vite de' pittori bolognesi divise in due tomi
1257:
catalogo della mostra a cura di Evelina Borea e Carlo Gasparri
991:
catalogo della mostra a cura di Andrea Emiliani, Bologna, 1988
590:
588:
76:
73:
1244:
Ludovico, Agostino, Annibale: "... l'abbiam fatta tutti noi"
1127:
Note sugli affreschi con "Storie di Giasone" in Palazzo Fava
586:
584:
582:
580:
578:
576:
574:
572:
570:
568:
129:
111:
79:
64:
1041:
Annibale Carracci a Roma: gli affreschi di Palazzo Farnese
983:
Gli amori degli dei: nuove indagini sulla Galleria Farnese
126:
120:
1143:
in "Gazette des beaux-arts" n. 103, pp. 85–92, 1961
997:, Atti del colloquio (Roma, 2–4 ottobre 1986), Roma 1988
908:
Pittori bolognesi del Seicento nelle Gallerie di Firenze
1169:
Per la datazione degli affreschi della Galleria Farnese
1164:
in "Storia dell'arte" n. 41/43, pp. 151–170, 1981
689:
The Oxford Companion to Western Art, Oxford Art Online
398:
in Bologna. Here the Carracci painted frescoes of the
1298:
L'arte in Emilia e in Romagna: da Correggio a Morandi
1129:
in "Arte antica e moderna" n. 9, pp. 68–75, 1960
925:
Annibale Carracci and the beginnings of baroque style
848:
catalogo critico a cura di Dennis Mahon, Bologna 1956
718:. New York: Charles Scribner's Sons. pp. 393–395
657:. New York: The Hague (Government Publishing Office).
138:
108:
88:
61:
1482:
The Virgin Appears to Saint Luke and Saint Catherine
1197:
Le arti a Bologna e in Emilia dal XVI al XVII secolo
1186:
Le arti a Bologna e in Emilia dal XVI al XVII secolo
1077:
in "Bollettino d'arte" n. 35, pp. 131–144, 1950
123:
117:
70:
1983:
1958:
1907:
1824:
1514:
Madonna and Child in Glory over the City of Bologna
1410:
Pietà with Saints Clare, Francis and Mary Magdalene
1340:
1136:
in "The Art quarterly" n. 3, pp. 249–258, 1961
873:catalogo della mostra a cura di Maurizio Calvesi e
865:
The Roman style of Annibale Carracci and his school
860:
catalogo della mostra a cura di Ralph Holland, 1961
114:
67:
1798:Pietà with Saint Francis and Saint Mary Magdalene
1291:Studi di storia dell'arte in onore di Denis Mahon
1188:a cura di Andrea Emiliani, pp. 141–150, 1982
1150:in "Arte illustrata" n. 6, pp. 127–137, 1973
1120:L'animosità di Agostino Carracci contro il Vasari
822:"Caracci, Lodovico, Agostino, and Annibale"
354:Notable students of the Carracci Academy include
189:, and its main focus was to oppose and challenge
1226:Gli studi sui Carracci: lo stato della questione
1746:Portrait of Monsignor Giovanni Battista Agucchi
1601:Christ in Glory with Saints and Odoardo Farnese
1157:in "Paragone" n.317/319, pp. 115–129, 1976
1141:Le succés des Carraches et de l'école Bolonaise
1034:Il chiostro dei Carracci a San Michele in Bosco
1237:La pittura in Emilia e in Romagna. Il Seicento
1036:a cura di Maria Silvia Campanini, Bologna 1994
1885:
1318:
1228:in "Arte a Bologna" n. 1, p. 21–31, 1991
1221:a cura di Walter Tega, pp. 201–220, 1989
1108:in "Aurea Parma" n. 4, pp. 284–288, 1956
1085:L'"eclettismo" e i Carracci: un post-scriptum
8:
1101:in "Commentari" n. 7, pp. 263–276, 1956
920:a cura di Gianfranco Malafarina, Milano 1976
1087:in "Commentari" n.3, pp. 163–171, 1950
883:a cura di Alessandro Marabottini, Roma 1966
852:Maestri della pittura del Seicento emiliano
670:The Lives of Annibale and Agostino Carracci
626:
624:
622:
620:
618:
410:(1586). The Carracci family's masterpiece,
1948:Triple Portrait of Arrigo, Pietro and Amon
1892:
1878:
1870:
1325:
1311:
1303:
888:Gli affreschi dei Carracci in Palazzo Fava
648:
646:
644:
642:
1706:Portable Altarpiece with Pietà and Saints
1193:I Carracci tra Naturalismo e Classicismo
1115:in "Paragone" n.89, pp. 33–42, 1957
1094:in "Paragone" n.79, pp. 17–48, 1956
31:
1625:Christ Appearing to Saint Anthony Abbot
1021:Arte e architettura in Italia 1600–1750
1010:a cura di Giovanna Perini, Bologna 1990
881:Le arti di Bologna di Annibale Carracci
504:
278:Due Dialoghi...degli errori dei pittori
1174:Mélanges de l'École française de Rome
946:, catalogo della mostra, Bologna 1984
918:L'opera completa di Annibale Carracci
150:
7:
1758:Landscape with the Flight into Egypt
1208:Studi in onore di Giulio Carlo Argan
977:Nell'età di Correggio e dei Carracci
858:The Carracci: drawings and paintings
179:(1557–1602) along with their cousin
1418:The Mystic Marriage of St Catherine
1134:The Genesis of a Carracci Landscape
1122:in "Il Vasari" pp. 64–78, 1958
1068:Articles, Essays, and Contributions
995:Les Carrache et les decors profanes
971:Annibale Carracci e i suoi incisori
1940:The Last Communion of Saint Jerome
1026:Emilio Negro e Massimo Pirondini,
973:, catalogo della mostra, Roma 1986
910:, catalogo della mostra a cura di
840:Studies in seicento art and theory
831:(11th ed.). pp. 298–299.
633:The Invention of Annibale Carracci
25:
1450:Venus with a Satyr and Two Cupids
668:Bellori, Giovanni Pietro (1968).
266:De sacris et profanis imaginibus
1155:Sugli inizi di Ludovico Carracci
979:, catalogo mostra, Bologna, 1986
738:"Louvre Museum Official Website"
635:. Milan: Silvana Editoriale Spa.
104:
57:
1104:Augusta Ghidiglia Quintavalle,
595:Van Tuyll van Serooskerken, C.
412:Stories of the Founding of Rome
364:Domenico Zampieri (Domenichino)
311:Agostino was also an important
1562:Christ and the Canaanite Woman
1522:Christ and the Samaritan Woman
1177:n. °93, pp. 821–822, 1981
716:Gale Virtual Reference Library
1:
2067:16th-century Italian painters
1924:Portrait of a Woman as Judith
1916:Madonna and Child with Saints
1774:Rest on the Flight into Egypt
1498:Madonna and Child with Saints
1442:Madonna and Child with Saints
1394:An Allegory of Truth and Time
1148:Annibale Carracci ritrattista
1055:Ludovico Carracci (1555–1619)
1276:I Carracci a Palazzo Farnese
1219:Storia illustrata di Bologna
846:Mostra dei Carracci: disegni
655:Annibale Carracci in Bologna
171:style in painting. Brothers
2024:Accademia degli Incamminati
1849:Accademia degli Incamminati
1738:The Martyrdom of St Stephen
1666:The Three Marys at the Tomb
1426:The Vision of Saint Eustace
1039:Silvia Ginzburg Carignani,
653:Boschloo, A. W. A. (1974).
471:, Hermitage, St. Petersburg
451:Head of a Faun in a Concave
337:Accademia degli Incamminati
327:Accademia degli Incamminati
320:Accademia degli Incamminati
186:Accademia degli Incamminati
27:Bolognese family of artists
2093:
1641:Christ Crowned with Thorns
1633:Christ Crowned with Thorns
1609:The Death of Saint Francis
1434:Two Children Teasing a Cat
1282:... pp. 229–257, Roma 2000
1271:... pp. 212–228, Roma 2000
518:Collins English Dictionary
435:Duke of Parma and Piacenza
324:
2003:Antonio Marziale Carracci
1966:Palazzo Sampieri frescoes
1854:Palazzo Sampieri frescoes
1730:Self-Portrait on an Easel
1617:Saint Margaret of Antioch
871:Le incisioni dei Carracci
817:Rossetti, William Michael
710:Feigenbaum, Gail (2004).
691:. Oxford University Press
631:Robertson, Clare (2008).
603:. Oxford University Press
493:Antonio Marziale Carracci
477:, Baltimore Museum of Art
1682:Assumption of the Virgin
1474:Assumption of the Virgin
1466:Self-Portrait in Profile
1210:, pp. 207–218, 1984
1199:, pp. 203–228, 1982
1092:Sugli inizi dei Carracci
465:, Musée du Louvre, Paris
333:Accademia dei Desiderosi
1814:The Birth of the Virgin
1766:The Dead Christ Mourned
1690:Saint Gregory at Prayer
1578:Venus, Adonis and Cupid
1378:Crucifixion with Saints
1263:Ann Sutherland Harris,
1242:Ann Sutherland Harris,
1233:Gli esordi dei Carracci
1075:L'incisione carraccesca
828:Encyclopædia Britannica
772:The Burlington Magazine
559:Oxford University Press
232:), and the successive "
1591:The Choice of Hercules
1530:Saint Roch Giving Alms
1259:pp. 199–211, Roma 2000
481:Carracci's erotic work
424:Palazzo Sampieri-Talon
48:
2072:Italian male painters
2057:Painters from Bologna
1806:The Loves of the Gods
1714:Pietà with Two Angels
1239:pp. 77–112, 1992
1118:Alessandro Del Vita,
1090:Francesco Arcangeli,
956:Sydney J. Freedberg,
900:Anton W.A. Boschloo,
555:UK English Dictionary
457:The Penitent Magdalen
416:Palazzo Magnani-Salem
35:
1570:Entombment of Christ
1057:, Ozzano Emilia 2001
904:, 's-Gravenhage 1974
886:Anna Ottani Cavina,
459:(private collection)
420:Palazzo dei Diamanti
264:, author in 1582 of
152:[karˈrattʃi]
36:From left to right,
1213:Eugenio Riccòmini,
1191:Luigi Spezzaferro,
1160:Silvana Macchioni,
1139:Guido L. Luzzatto,
1132:A. Richard Turner,
1125:Stephen E. Ostrow,
553:Oxford Dictionaries
250:Counter-Reformation
236:" by the troops of
1968:(1593-1594) (with
1674:Rinaldo and Armida
1354:The Laughing Youth
1106:I Carracci e Parma
1097:Maurizio Calvesi,
1073:Alfredo Petrucci,
1053:Alessandro Brogi,
1046:Claudio Strinati,
1019:Rudolf Wittkower,
934:, Bloomington 1979
755:Agostino Caracci,
683:Brigstocke, Hugh.
368:Giovanni Lanfranco
207:Giulio Carlo Argan
49:
2077:Catholic painters
2044:
2043:
1997:Ludovico Carracci
1991:Annibale Carracci
1974:Ludovico Carracci
1970:Annibale Carracci
1901:Agostino Carracci
1867:
1866:
1838:Ludovico Carracci
1832:Agostino Carracci
1698:Domine quo vadis?
1685:(Rome; 1600–1601)
1402:Baptism of Christ
1348:List of paintings
1334:Annibale Carracci
1285:Silvia Ginzburg,
1274:Charles Dempsey,
1265:Agostino Carracci
1251:Annibale Carracci
1249:Charles Dempsey,
1231:Andrea Emiliani,
1224:Charles Dempsey,
1180:Diane de Grazia,
1167:Roberto Zapperi,
1061:Annibale Carracci
1048:Annibale Carracci
1014:Ludovico Carracci
1002:Annibale Carracci
1000:Roberto Zapperi,
949:Gail Feigenbaum,
938:Le Palais Farnèse
930:Diane De Grazia,
923:Charles Dempsey,
712:"Carracci Family"
685:"Carracci Family"
601:Oxford Art Online
408:Stories of Aeneas
400:Stories of Europa
376:Sisto Badalocchio
262:Gabriele Paleotti
218:Protestant Reform
46:Agostino Carracci
16:(Redirected from
2084:
2019:Bolognese School
1894:
1887:
1880:
1871:
1585:Camerino Farnese
1386:Corpse of Christ
1327:
1320:
1313:
1304:
1280:L'idea del bello
1269:L'idea del bello
1146:Stephen Pepper,
1111:Roberto Longhi,
1099:Note ai Carracci
1081:Lionello Venturi
953:, Princeton 1984
927:, Glückstad 1977
832:
824:
788:
787:
778:(928): 503–505.
767:
761:
760:in the Hermitage
752:
746:
745:
734:
728:
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725:
723:
707:
701:
700:
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696:
680:
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637:
636:
628:
613:
612:
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608:
592:
563:
562:
540:
534:
533:
531:
529:
509:
463:The Annunciation
404:Stories of Jason
386:Collective works
372:Antonio Carracci
356:Francesco Albani
175:(1560–1609) and
162:
161:
160:
154:
149:
142:
136:
135:
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92:
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78:
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63:
21:
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2087:
2086:
2085:
2083:
2082:
2081:
2047:
2046:
2045:
2040:
2035:Palazzo Magnani
1979:
1954:
1903:
1898:
1868:
1863:
1859:Palazzo Magnani
1820:
1554:River Landscape
1336:
1331:
1113:Annibale, 1584?
875:Vittorio Casale
867:, New York 1962
863:Donald Posner,
815:
797:
795:Further reading
792:
791:
769:
768:
764:
757:The Lamentation
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489:
475:Reciprico Amore
469:The Lamentation
447:
439:Palazzo Farnese
406:(1583–84), and
388:
329:
323:
199:
157:
156:
155:
147:
140:
107:
98:
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60:
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28:
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2016:
2011:
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1994:
1987:
1985:
1981:
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1978:
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1962:
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1956:
1955:
1953:
1952:
1944:
1943:(c. 1592-1597)
1936:
1928:
1927:(c. 1590-1595)
1920:
1911:
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1794:
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1722:Sleeping Venus
1718:
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1694:
1693:(c. 1600–1602)
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1653:(c. 1599–1600)
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1023:, Torino, 1993
1017:
1011:
1005:
1004:, Torino, 1988
998:
992:
986:
980:
974:
968:
967:, Bologna 1984
963:Cesare Gnudi,
961:
960:, Bologna 1984
954:
947:
941:
935:
928:
921:
915:
914:, Firenze 1975
905:
898:
897:, Bologna 1972
891:
890:, Bologna 1966
884:
878:
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325:Main article:
322:
317:
224:expounded his
198:
195:
26:
24:
14:
13:
10:
9:
6:
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3:
2:
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2015:
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1490:Self-Portrait
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1153:Carlo Volpe,
1152:
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1128:
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1030:, Modena 1994
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912:Evelina Borea
909:
906:
903:
899:
896:
893:Carlo Volpe,
892:
889:
885:
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869:
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830:
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806:C.C. Malvasia
804:
803:
802:
801:
800:General Texts
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523:HarperCollins
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242:
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235:
231:
227:
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222:Martin Luther
219:
214:
212:
208:
204:
203:André Chastel
196:
194:
192:
188:
187:
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178:
174:
170:
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159:
153:
145:
144:
134:
101:
95:
94:
84:
54:
47:
43:
39:
34:
30:
19:
2029:Palazzo Fava
2009:The Carracci
2008:
1946:
1938:
1930:
1922:
1914:
1844:The Carracci
1843:
1812:
1804:
1796:
1788:
1780:
1772:
1764:
1756:
1750:
1744:
1736:
1728:
1720:
1712:
1704:
1696:
1688:
1680:
1672:
1664:
1656:
1648:
1640:
1631:
1623:
1615:
1607:
1599:
1589:
1576:
1568:
1560:
1552:
1544:
1536:
1528:
1520:
1512:
1506:Resurrection
1504:
1496:
1488:
1480:
1472:
1464:
1456:
1448:
1440:
1432:
1424:
1416:
1408:
1400:
1392:
1384:
1376:
1368:
1360:
1352:
1297:
1296:
1290:
1286:
1279:
1275:
1268:
1264:
1258:
1254:
1250:
1243:
1236:
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1203:
1196:
1192:
1185:
1181:
1172:
1168:
1161:
1154:
1147:
1140:
1133:
1126:
1119:
1112:
1105:
1098:
1091:
1084:
1074:
1067:
1066:
1060:
1054:
1050:, Roma, 2001
1047:
1040:
1033:
1027:
1020:
1013:
1007:
1001:
994:
988:
982:
976:
970:
964:
957:
950:
943:
937:
931:
924:
917:
907:
901:
894:
887:
880:
870:
864:
857:
851:
845:
842:London, 1947
839:
826:
809:
799:
798:
775:
771:
765:
756:
750:
741:
732:
722:24 September
720:. Retrieved
715:
705:
695:20 September
693:. Retrieved
688:
678:
669:
663:
654:
632:
607:20 September
605:. Retrieved
600:
551:
538:
526:. Retrieved
516:
507:
474:
468:
462:
456:
450:
428:
426:in Bologna.
411:
407:
403:
399:
396:Palazzo Fava
393:
389:
380:
353:
349:
345:
341:
336:
332:
330:
319:
310:
306:Parmigianino
286:Michelangelo
277:
275:
270:ecclesiastic
265:
258:
254:
247:
243:
234:sack of Rome
215:
200:
184:
52:
50:
29:
1951:(1598-1600)
1817:(1605–1609)
1801:(1602–1607)
1785:(1600–1605)
1733:(1603–1604)
1636:(1598–1600)
1628:(1598–1600)
1612:(1597–1598)
1565:(1594–1595)
1533:(1587–1595)
1525:(1593–1594)
1461:(1587–1590)
1458:Lamentation
1453:(1588–1590)
1437:(1587–1588)
1429:(1585–1586)
1397:(1584–1585)
1389:(1583–1585)
1365:(1580–1590)
1043:, Roma 2000
940:, Roma 1980
877:, Roma 1965
836:Denis Mahon
402:(1583–84),
288:, but also
211:Renaissance
2051:Categories
2037:(frescoes)
2031:(frescoes)
1932:Democritus
1215:I Carracci
812:Roma, 1678
597:"Carracci"
548:"Carracci"
543:"Carracci"
513:"Carracci"
499:References
360:Guido Reni
313:printmaker
298:Tintoretto
230:Wittenberg
197:Art theory
1993:(brother)
1935:(c. 1596)
1908:Paintings
1834:(brother)
1793:(c. 1606)
1777:(c. 1604)
1769:(c. 1604)
1761:(c. 1604)
1725:(c. 1603)
1717:(c. 1603)
1701:(c. 1602)
1677:(c. 1601)
1669:(c. 1600)
1661:(c. 1600)
1643:(Bologna)
1581:(c. 1595)
1573:(c. 1595)
1557:(c. 1590)
1517:(c. 1593)
1421:(c. 1585)
1341:Paintings
742:louvre.fr
545:(US) and
302:Correggio
238:Charles V
226:95 theses
220:(in 1517
191:Mannerist
165:Bolognese
163:) were a
1999:(cousin)
1959:Frescoes
1840:(cousin)
1751:disputed
1749:(1604) (
819:(1911).
487:See also
294:Veronese
181:Ludovico
177:Agostino
173:Annibale
148:Italian:
53:Carracci
42:Ludovico
38:Annibale
2014:Baroque
1984:Related
1825:Related
1546:Hunting
1538:Fishing
1469:(1590s)
1357:(1580s)
433:. The
431:Farnese
282:Raphael
169:Baroque
18:Caracci
1919:(1586)
1809:(1608)
1709:(1603)
1620:(1599)
1594:(1596)
1509:(1593)
1501:(1593)
1493:(1593)
1485:(1592)
1445:(1588)
1413:(1585)
1405:(1585)
1381:(1583)
1373:(1583)
784:880057
782:
528:31 May
374:, and
304:, and
290:Titian
44:, and
2062:Trios
2005:(son)
1782:Danaë
1658:Pietà
780:JSTOR
445:Works
141:RATCH
102:also
93:-chee
1972:and
724:2013
697:2013
609:2013
530:2019
284:and
205:and
51:The
1289:in
1278:in
1267:in
1253:in
1235:in
1217:in
1206:in
1195:in
1184:in
1171:in
776:122
378:.
228:in
143:-ee
139:kə-
91:RAH
89:kə-
2053::
1083:,
838:,
825:.
808:,
774:.
740:.
714:.
687:.
641:^
617:^
599:.
567:^
557:.
550:.
521:.
515:.
370:,
366:,
362:,
358:,
308:.
300:,
296:,
292:,
146:,
100:UK
96:,
77:tʃ
74:ɑː
40:,
1976:)
1893:e
1886:t
1879:v
1753:)
1326:e
1319:t
1312:v
786:.
744:.
726:.
699:.
611:.
561:.
532:.
133:/
130:i
127:ʃ
124:t
121:æ
118:r
115:ˈ
112:ə
109:k
106:/
83:/
80:i
71:r
68:ˈ
65:ə
62:k
59:/
55:(
20:)
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