1367:, for Android and iOS, in collaboration with London-based arts and technology firm Seeper. Geared toward both casual listeners and more experienced DJs and music producers, the freemium app allows users to download, remix and make music with samplepacks and tunepacks that feature pro quality sample libraries and also original tracks and mixes by Coldcut, as well as other Ninja artists, creating something new altogether. With the "intuitive yet deep" app, users can turn instruments on and off, swap between clips, add glitches and effects, trigger and pitch-bend stabs and one-off samples, and change the tempo of the track instantly. Users can additionally record as they mix and instantly upload to SoundCloud or save the mixes locally. Tunepack releases for Ninja Jamm are increasingly synchronised with Ninja Tune releases on conventional formats. To date, over 30 tunepacks have been released, including
1322:'s Black Dog Space in London, showcasing artwork, design and photography from the label's 20-year history. A compilation album was released on 20 September in two formats: a regular version consisting of two 2-disc volumes, and a limited edition which contained six CDs, six 7" vinyl singles, a hardback copy of the book, a poster and additional items. Ninja Tune also incorporated a series of international parties. This repositioned Ninja as a continually compelling and influential label, being one of the "longest-running (and successful) UK indie labels to come out of the late-1980s/early-90s explosion in dance music and hip-hop" (Pitchfork, 28 September 2010). Pitchfork claimed it had a "right to show off a little".
1272:
Union, a piece of VJ cinema, political campaign, music tour, party, art exhibition and social media hub. Energy Union toured 12 EU countries throughout 2009 and 2010, completing 24 events in total. Coldcut created the Energy Union show for the tour, a one-hour Audio/Visual montage on the theme of
Intelligent Energy. In presenting new ideas for climate, environmental and energy communication strategies, the Energy Union tour was well received, and reached a widespread audience in cities across the UK, Germany, Belgium, The Netherlands, Croatia, Slovenia, Austria, Hungary, Bulgaria, Spain and the Czech Republic.
40:
4832:
890:'s Meltdown. The "beautifully simple and devastatingly effective" software was deemed revolutionary, and became recognized as a major factor in the evolution of clubs. It eventually earned a place in the American Museum of the Moving Image's permanent collection. As quoted by The Independent, Coldcut's rallying cry was "Don't hate the media, be the media'". NME was quoted as saying: "Veteran duo Coldcut are so cool they invented the remix - now they are doing the same for television."
1062:
gigabytes of footage from the last 40 years of US politics were made accessible to download, allowing participants to create a cut-up over a
Coldcut beat. Coldcut also collaborated with TV Sheriff and NomIg to produce two audiovisual pieces "World of Evil" (2004) and "Revolution '08" (2008), both composed of footage from the United States presidential elections of respective years. The music used was composed by Coldcut, with "Revolution '08" featuring a remix by the Qemists.
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642:, as a self-titled "technocoloured escape pod", and a way to escape the creative control of major labels. The label enabled them to release music under different aliases (e.g. Bogus Order, DJ Food), which also helped them to avoid pigeonholing as producers. Ninja Tune's first release was Bogus Order's "Zen Brakes". The name Coldcut stayed with Arista so there were no official Coldcut releases for the next three years.
5333:
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751:, in addition to software developed specifically for the album's world tour. Hex's inclusion of music videos and "playtools" (playful art/music software programs) on Coldcut's CD-ROM was completely ahead of the curve at that time, offering viewers/listeners a high level of interactivity. Playtools such as My Little Funkit and Playtime were the prototypes for
1109:, which was quoted as being "one of the most vital and imaginative records Jon Moore and Matt Black have ever made", and saw the duo "continue, impressively, to find new ways to present political statements through a gamut of pristine electronics and breakbeats" (CITATION: Future Music, 2007). The fascinating array of guest vocalists included
894:
taking a session band out to reproduce what you put together in the studio using samples. It had a relationship to DJing, but was more interactive and more effective." Excitingly at that time, DJamm was pioneering in its ability to shuffle sliced loops into intricate sequences, enabling users to split loops into any number of parts.
731:, and used a lot of stock and sampled footage. Their "Timber" video, which created an AV collage piece using analogous techniques to audio sample collage, was put on heavy rotation on MTV. Stuart Warren Hill of Hexstatic referred to this technique as: "What you see is what you hear". "Timber" (which appears on both
778:
was an interactive installation which allowed users to mix sound, video, text and graphics and make their own audio-visual mix, modelled on the techniques and technology used by
Coldcut in clubs and live performance events. It consisted of two consoles: the left controlling how the sounds are played,
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for the program's 40th anniversary. In
October 2008, Coldcut celebrated the legacy of the BBC Radiophonic Workshop (the place where the Doctor Who theme was created) with a live DJ mix at London's legendary Roundhouse. The live mix incorporated classic Radiophonic Workshop compositions with extended
869:
software VJAMM. It allowed users to be a "digital video jockey", remixing and collaging sound and images and trigger audio and visual samples simultaneously, subsequently bringing futuristic technology to the audio-visual field. VJAMM rivalled some of the features of high-end and high cost tech at
786:
in 1996, Coldcut and Hex were commissioned to produce an interactive audiovisual piece called
Synopticon. Conceived and designed by Robert Pepperell and Matt Black, the digital culture synthesiser allows users to "remix" sounds, images, text and music in a partially random, partially controlled way.
536:
was released in April 1989 on Ahead of Our Time and distributed by Big Life
Records. The album gave "breaks the full length treatment", and showcased "their heady blend of hip-hop production aesthetics and proto-acid house grooves". It also rounded up a heap of unconventional guest features, quoted
436:". Released in October 1987, the landmark remix is said to have "laid the groundwork for hip hop's entry into the UK mainstream", becoming a breakthrough hit for Eric B & Rakim outside the U.S., reaching No. 15 in the UK, and the top 20 in a number of European countries. It featured a prominent
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Starting in 2009, Matt Black, with musician/artist/coder Paul Miller (creator of the TX Modular Open Source synth), developed Granul8, a new type of visual fx/source Black termed a "granular video synthesiser". Granul8 allows the use of realtime VJ techniques including video feedback combined with
1271:
In 2008, an international group of party organisers, activists and artists including
Coldcut received a grant from the Intelligent Energy Department of the European Union, to create a project that promoted intelligent energy and environmental awareness to the youth of Europe. The result was Energy
380:
as "the first Brit artists to really get hip-hop's class-cutup aesthetic". It is regarded as the UK's first breaks record, the first UK record to be built entirely of samples and "the final link in the chain connecting
European collage-experiment with the dance-remix-scratch edit". This was later
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and J Swinscoe. Let Us Replay! pieces together "short sharp shocks that put the mental in 'experimental' and still bring the breaks till the breakadawn". It also includes a few live tracks from the duo's innovative world tour. The CD-ROM of the album, which also contained a free demo disc of the
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Also working with Camart, Black designed DJamm software in 1998, which
Coldcut used on laptops for their live shows, providing the audio bed alongside VJAMM's audiovisual samples. Matt Black explained they designed DJamm so they "could perform electronic music in a different way β i.e., not just
742:
Coldcut began integrating video sampling into their live DJ gigs at the time, and incorporated multimedia content that caused press to credit the act as segueing "into the computer age". Throughout the 90s, Hex created visuals for
Coldcut's live performances, and developed the CD-ROM portion of
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was innovative in that it used sampled graphics, contained an ecological theme and a female lead character (dubbed "KT"), and its music changed through random processes. Coldcut and Hex presented this multimedia project as an example of the forthcoming convergence of pop music and computer-game
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artist TV Sheriff to produce their cut-up entitled "Revolution USA". The tactical-media project (coordinated with Canadian art duo NomIg) followed on from the UK version and extended the premise "into an open access participatory project". Through the multimedia political art project, over 12
808:
In February 1997, they released a double pack single "Atomic Moog 2000" / "Boot the System", the first Coldcut release on Ninja Tune. This was not eligible for the UK chart because time and format restrictions prevented the inclusion of the "Natural Rhythm" video on the CD. In August 1997, a
755:, the app Coldcut designed and launched 16 years later. Playtime followed on from Coldcut and Hex's Synopticon installation, developing the auto-cutup algorhythm, and using other random processes to generate surprising combinations. Coldcut and Hex performed live using Playtime at the 1st
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in the New and Noteworthy section of the App Store in the week of release and it received over 100,000 downloads in the first week. Coldcut are developing Ninja Jamm further after the Android release garnered acclaim from the Guardian, Independent, Gizmodo and many more reviewers.
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the time. The VJAMM technology, praised as being proof of how far computers changed the face of live music, became seminal in both Coldcut's live sets (which were called a "revelaton" by Melody Maker and DJ sets. Their CCTV live show was featured at major festivals including
697:
game, interactive visuals and audio), was a forerunner of the "CD+" concept, uniting music, graphics, and video games into one. This multi-dimensional entertainment product received wide coverage in the national media, including features on Dance Energy, Kaleidoscope on
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800:
series. The release was credited with "bringing to wider attention the sort of freestyle mixing the pair were always known for through their radio show on KISS FM, Solid Steel, and their steady club dates". It was voted "Best Compilation of All Time" by
459:, Hex's collaborative work went on to incorporate 3D modelling, punk video art, and algorithmic visuals on desktop machines. The video for Coldcut's 'Christmas Break' in 1989 is arguably one of the first pop promos produced entirely on microcomputers.
688:
In 1992, Hex's first single - "Global Chaos" / "Digital Love Opus 1" - combined rave visuals with techno and ambient interactive visuals. In November of that year, Hex released Global Chaos CDTV, which took advantage of the possibilities of the new
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405:" (one of the formats also included "That Greedy Beat") in 1987. All of these tracks were assembled using cassette pause button edits and later spliced tape edits that would sometimes run "all over the room". The duo used sampling from
596:. Conflicts arose with the major label, as Coldcut's "vision extended beyond the formulae of house and techno" and mainstream pop culture (CITATION: The Virgin Encyclopedia Of Nineties Music, 2000). Eventually, the duo's album
739:, their fifth) won awards for its innovative use of repetitive video clips synced to the music, including being shortlisted at the Edinburgh Television and Film Festival in their top five music videos of the year in 1998.
1132:, which was considered "no small feat in terms of technology or human effort". Coldcut was accompanied by scratch DJ Raj and AV artist Juxta, in addition to guest vocalists from the album, including UK rapper
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Working with Marcus Clements in 2002, Coldcut released the sample manipulation algorhythm from their DJamm software as a standalone VST plugin that could be used in other software, naming it the "Coldcutter".
645:
During this time, Coldcut still produced for artists on their new label, releasing a flood of material under different names and continuing to work with young groups. They additionally kept on with
193:
and Jonathan More. Credited as pioneers for pop sampling in the 1980s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured
953:. With "Space Journey", Coldcut were arguably the first group to give fans access to the multitrack parts, or "stems" of their songs, building on the idea of interactivity and sharing from
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VJamm software, was one of the earliest audiovisual CD- ROMs on the market, and Muzik claimed deserved to "have them canonized...it's like buying an entire mini studio for under $ 15".
466:, a double LP of Coldcut productions and re-cuts, and the various aliases under which the duo had recorded. This continued the duo's tradition of releasing limited available vinyl.
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replaced typical video-game sound effects with electronic music; the player created sounds and melodies, intended to simulate a form of synesthesia. The soundtrack also featured
1306:
From 2009 onwards, Black has been collaborating with coder and psychedelic mathematician William Rood to create a forthcoming project called Liveloom, a social media AV mixer.
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Also in 2002, Coldcut with UK VJs Headspace (now mainly performing as the VJamm Allstars developed Gridio, an interactive, immersive audio-visual installation for the
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In 2014, Coldcut did three soundtracks as part of the project New City, a series of animated skylines of the near future developed by Tomorrow's Thought Today's
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to remix "Autumn Leaves" led to one of Morris' most celebrated remixes, which became a minor legend in ambient music. It has appeared on numerous compilations.
1434:(with artists such as Tenderlonious, Tamar Osborn, Sibusile Xaba, Thabang Tabane and Tony Allen), which was released on their Ahead of Our Time Records label.
5400:
1268:. Coldcut and Morris' hour and a half performance resembled a documentary being remixed on the fly, cutting up nearly 15 hours' worth of Wilson's lectures.
281:, England (with satellite offices in Los Angeles and Berlin) with an overall emphasis on encouraging interactive technology and finding innovative uses of
39:
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On November 19th, 2021 Ahead of Our Time released an ambient compilation curated out of old and new compositions and extra sequencing with the help of
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581:"Producer of the Year Award" in 1990. Hex - alongside some other London visual experimenters such as iE - produced a series of videos for a longform
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1329:, for Forum Des Images in Paris. The following month, in August, Coldcut produced a new soundtrack for a section of AndrΓ© Sauvage's classic film
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on the single "Find a Way". Though "Find a Way" was a minor hit in the UK, no more singles were released from the album. The duo was given the
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song. The record reached No. 1 in the UK in August, and remained there for five weeks, becoming 1988's second biggest selling single. Producer
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398:. The eclectic show became a unifying force in underground experimental electronic music and is still running, celebrating 25 years in 2013.
218:, through which these artists achieved pop chart success. In addition, Coldcut has remixed and created productions on tracks by the likes of
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553:, utilizing Smith's freestyle raucous vocals over an acid house backing, and also including psych guitar samples from British rock band
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444:. Off the back of its success in clubs, the Coldcut "Seven Minutes of Madness" remix ended up being promoted as the single in the UK.
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speeches, the 3-track EP included Nautilus' "Space Journey", which won an Intermusic contest in 2000. The video was widely played on
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Though Black had joined Kiss FM with his own mix-based show, the pair eventually joined forces on its own show later in 1987 called
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Sponsored by the British Council, in 2005 Coldcut introduced AV mixing to India with the Union project, alongside collaborators
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paid homage to the greats that inspired them. Their first album to be released on Ninja Tune, it featured guest appearances by
513:
477:, became a top ten hit, and peaked at No. 6. In the same year, under the guise Yazz and the Plastic Population, they produced "
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led to a specially built version of Gridio, in a cave inside the castle mountain in Austria. Gridio was later commissioned by
545:". The album's track "I'm in Deep" (featuring Smith) prefigured the indie-dance guitar-breaks crossover of such bands as the
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508:" became another UK Top 20 hit. Released in March 1989, it helped launch the career of the then relatively unknown singer
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451:, a self-titled "multimedia pop group", with Mile Visman and Rob Pepperell. While working on videos for artists such as
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in London, which celebrated 100 years of electronic music and silent cinema. Coldcut put new music to films from the
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as an EP in which Coldcut created their own political party (The Guilty Party). Featuring scratches and samples of
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sample and many other vocal cut ups as well as a looped rhythm which later, when sped up, proved popular in the
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1050:'s Savage Utopia project. Black performed the piece with Rimbaud, Eve Libertine and other players at London's
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The duo adopted the name "Coldcut" and set up a record label called Ahead Of Our Time to release the single "
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and London in 2007. That same year, Gridio was featured as part of Optronica at the opening week of the new
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for the album. Hex later evolved the software into the engine that was used on the Let Us Play! world tour.
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1073:. Coldcut was given access to the BAS archive in order to create sounds and visuals for the short film.
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Two thousand and four also saw Coldcut produce a radio play in conjunction with renowned young author
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In 2010, Coldcut celebrated 20 years of releasing music with its label, Ninja Tune. A book entitled
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Additionally in 2008, Coldcut remixed "Ourselves", a Japanese No. 1 hit from the single "&" by
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1023:
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was released, a double-disc remix album where Coldcut's classic tunes were remixed by the likes of
809:
reworking of the early track "More Beats + Pieces" gave them their first UK Top 40 hit since 1989.
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samples of hip-hop, soul, funk, spoken word and various other types of music, as well as video and
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In February 2007, Coldcut and Mixmaster Morris created a psychedelic AV obituary/tribute Coldcut,
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The next Coldcut single, released in February 1988, moved towards a more house-influenced style. "
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N.B. The High Point number in the NAT column represents the release's peak on the national chart.
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The year 1996 also brought the Coldcut name back to More and Black, and the pair celebrated with
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In 1990, whilst on their first tour in Japan (which also featured Norman Cook, who later became
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In July 2013, Coldcut produced a piece entitled "D'autre" based on the writings of French poet
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in 1994. Playtime was also used to generate the backing track for Coldcut's collaboration with
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Three further singles were released from the album including the Top 75 hit "True Skool" with
855:
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656:
521:
219:
123:
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Coldcut returned with the single "Everything Is Under Control" at the end of 2005, featuring
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604:" (1994) sung by vocalist Janis Alexander were both minor hits but the album did not chart.
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186:
72:
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1121:. The latter followed on from Coldcut's remix of Williams' "The Pledge" for a project with
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where Black visited as a customer. The first collaboration between the two artists was "
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and Selena Saliva. Coldcut's cut 'n' paste method on the album was compared to that of
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520:", which became another UK Top 20 hit in August as well as reaching No. 21 on the U.S.
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343:
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also helped Coldcut with this record. The duo had another top hit in September with "
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373:
302:
294:
227:
82:
4486:"Reinventing the remix: British label Ninja Tune releases Jamm app for iPhone, iPad"
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In 2006, Coldcut performed an A/V set based on "Music for 18 Musicians" as part of
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Bogdanov, Vladimir; Woodstra, Chris; Bush, John; Erlewine, Stephen Thomas (2001).
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Bogdanov, Vladimir; Woodstra, Chris; Bush, John; Erlewine, Stephen Thomas (2001).
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Bogdanov, Vladimir; Woodstra, Chris; Bush, John; Erlewine, Stephen Thomas (2001).
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4564:"Beyond Listening: Ninja Tune Launches Ninja Jamm, Opens Artists to Mobile Remix"
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Also in 2008, Coldcut was asked to remix the theme song for British cult TV show
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machine in 1992, arguably the first complete purpose-designed multimedia system.
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version of the album. This continued Coldcut and Hex's pioneering of the use of
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As the duo started to enjoy critical and commercial success, their debut album
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4634:"Keleketla!: Keleketla! review | Ammar Kalia's global album of the month"
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for two simultaneous customised installations at the O2 Wireless Festivals in
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followed in September and also made the Top 40. The fourth album by Coldcut,
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In 1997, Matt Black - alongside Cambridge based developers Camart - created
728:
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Making Music with Samples: Tips, Techniques & 600+ Ready-to-use Samples
376:". The innovation of "Say Kids..." caused More and Black to be heralded by
293:) were produced by Coldcut in the early '90s, and composed of instrumental
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DJ Award for Ambient, Chill Out, Down Tempo and Eclectic, Experimental DJ
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KISS FM: From Radical Radio To Big Business: The Inside Story of a London
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KISS FM: From Radical Radio To Big Business: The Inside Story Of A London
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1015:
879:
875:
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827:
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After their success with Lisa Stansfield, Coldcut signed with her label,
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87:
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All Music Guide to Electronica: The Definitive Guide to Electronic Music
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All Music Guide to Electronica: The Definitive Guide to Electronic Music
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All Music Guide to Electronica: The Definitive Guide to Electronic Music
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All Music Guide to Electronica: The Definitive Guide to Electronic Music
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All Music Guide to Electronica: The Definitive Guide to Electronic Music
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In 2002, while utilizing VJamm and Detraktor, Coldcut and Juxta remixed
937:
Coldcut continued to forge interesting collaborations, including 2001's
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on Kiss FM and running the night club Stealth (Club of the Year in the
573:, released in 1990 on Ahead Of Our Time, featured a collaboration with
286:
4685:(19th ed.). London: Guinness World Records Limited. p. 113.
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All Music Guide to Hip-hop: The Definitive Guide to Rap & Hip-hop
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All Music Guide to Hip-hop: The Definitive Guide to Rap & Hip-hop
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All Music Guide to Hip-hop: The Definitive Guide to Rap & Hip-hop
859:
690:
663:
611:, with a 30-piece string section and an arrangement by film composer
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58:
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Beyond their work as a production duo, Coldcut are the founders of
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era, incorporating original recordings of Russolo's proto-synths.
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1018:, featuring Gridio as its centerpiece. In 2003, a commission for
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As part of the JAM exhibition of "Style, Music and Media" at the
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Coldcut's first mainstream success came when Julian Palmer from
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5056:
4857:
4616:"BBC Radio 6 Music - Radcliffe and Maconie, Blue Note classics"
2808:
The Omnibus Book of British and American hit singles, 1960-1990
207:, "in '87 Coldcut pioneered the British fad for 'DJ records'".
5052:
4709:
2644:"β" denotes releases that did not chart or were not released.
1318:
was released on 12 August 2010, and an exhibition was held at
950:
652:
582:
4461:"Various Artists Ninja Tune XX: 20 Years of Beats and Pieces"
3102:
Last Night a Dj Saved My Life: The History of the Disc Jockey
1428:
In 2020, Coldcut appeared on the global music/afrobeat album
210:
Coldcut's records first introduced the public to pop artists
4710:"Coldcut ARIA chart history, received from ARIA in May 2024"
766:
In 1994, Coldcut and Hex contributed an installation to the
752:
537:
by SPIN as having "somehow found room at the same table for
1465:
and many more artists, purposefully ranging in prominence.
1363:
Most recently, Coldcut released Ninja Jamm, a music making
323:
4853:
1196:
in London. This was originally written for the 1999 album
1181:. Coldcut created an A/V remix of the Bollywood hit movie
858:. Hex collaborated with Coldcut to produce the multimedia
693:
medium. The Global Chaos CDTV disk (which contained the
285:. The label's first releases (the first four volumes of
561:
reached the Top 20 in the UK and was certified Silver.
4808:
1103:. It was followed in 2006 by their fifth studio album
389:, a single that reached #1 in the UK in October 1987.
3638:
Changing Tunes: The Use of Pre-existing Music in Film
2937:
2935:
1477:
1415:, and also released its follow up in 2022, the album
173:
4285:
4283:
3820:
3818:
1209:'s "Save Me". This was part of a remix album called
724:
was quoted as saying, "It's like your TV tripping".
5017:
4950:
4911:
3893:. 13β26 February 1999 – via 26 November 2013.
168:
164:
147:
143:
111:
101:
65:
54:
49:
30:
4231:Digital Media and Democracy: Tactics in Hard Times
3099:Brewster, Bill; Broughton, Frank (December 2007).
1421:On 6 December 2017, BBC Radio 4 broadcast a play,
727:Coldcut videos were made for most songs, often by
421:record", a style which appeared in the mid-1990s.
4303:
4301:
3132:The Guinness Who's Who of Rap, Dance & Techno
1333:, which was shown as part of Noise of Art at the
1264:and a performance by experimental theatre legend
905:(which was heralded as a highlight of the album,
779:the right controlling how the images are played.
4590:"James Heather - Stories From Far Away on Piano"
4263:"REVOLUTION:USA - A Coldcut & Nomig Project"
3791:New Digital Cinema: Reinventing the Moving Image
3635:Powrie, Phil; Stilwell, Robynn Jeananne (2006).
2832:Nielsen Business Media, Inc (7 September 1996).
1348:, with accompanying writing from sci-fi authors
1128:A 100-date audiovisual world tour commenced for
5026:Journeys By DJ: Coldcut - 70 Minutes of Madness
3829:. 16 January 1999 – via 26 November 2013.
3553:. 15 January 1999 – via 26 November 2013.
1425:by Tom Kelly with electronic music by Coldcut.
318:In 1986, computer programmer Matt Black and ex-
5112:Solid Steel Presents Amon Tobin: Recorded Live
4655:"Coldcut Curate New Ambient Compilation, '@0'"
4137:. September 1997 – via 26 November 2013.
3923:. September 2001 – via 26 November 2013.
1479:List of albums, with selected chart positions
1407:In 2017, Ahead Of Our Time released the album
1205:Coldcut remixed another classic song in 2007:
676:, which was included on a Hex release for the
670:In 1991, Hex released their first video game,
417:have described "Beats + Pieces" as the "first
5164:
5068:
4869:
3783:
3781:
3750:
3748:
3707:. 9 August 1997 – via 26 November 2013.
3602:. February 1999 – via 26 November 2013.
3322:
3320:
8:
4704:
4702:
3774:. January 1999 – via 26 November 2013.
3759:. January 1999 – via 26 November 2013.
2603:(as Coldcut x On-U Sound featuring Chezidek)
1256:. The tribute featured graphic novel writer
1057:In 2004, Coldcut collaborated with American
342:and worked at the Reckless Records store on
993:", creating both an audio and video remix.
5171:
5157:
5149:
5075:
5061:
5053:
4876:
4862:
4854:
4843:Interview with Matt Black on R4NT Magazine
4830:
4000:. March 1999 – via 26 November 2013.
3908:. March 1999 – via 26 November 2013.
3878:. March 1999 – via 26 November 2013.
1623:
1065:Later that year, a collaboration with the
297:cuts that led the duo to help pioneer the
38:
27:
3375:The Virgin encyclopedia of nineties music
1213:, featuring remixes from Tony Humphries,
960:In 2001, Coldcut produced tracks for the
44:Matt Black at a Coldcut performance, 2006
3846:. Hal Leonard Corporation. p. 180.
2972:Brit Cult: An A-z of British Pop Culture
1316:Ninja Tune: 20 Years of Beats and Pieces
607:"Autumn Leaves" had strings recorded at
600:emerged in 1993. Singles "Dreamer" and "
589:to synthesize electronic music visuals.
3124:
3122:
2743:
1069:led to the psychedelic art documentary
623:. Coldcut's insistence on their friend
615:. The leader of the string section was
4384:"Coldcut via The Radiophonic Workshop"
3399:Lawrence, Pete; Howard, Vicki (2004).
2851:
2841:
1865:& the Ahead of Our Time Orchestra)
1211:Nina Simone: Remixed & Re-imagined
4781:"Coldcut - US Dance Club Songs Chart"
2672:Journeys by DJ: 70 minutes of Madness
2202:"Atomic Moog 2000 / Boot the System"
1489:
1486:
1483:
1289:. This mix was included on the album
774:, was installed in the Fire Gallery.
7:
4294:. 2006 – via 26 November 2013.
3977:from the original on 2 December 2013
3961:"AudioTechnology Magazine, issue 47"
3246:"Coldcut dishes out more multimedia"
2922:Media, Spin L.L.C. (December 1996).
2881:"After 200 bpm, your heart blows up"
2751:Media, Spin L.L.C. (December 1996).
2691:People Hold On β The Best of Coldcut
1441:. The compilation featured music by
634:), Matt and Jon formed their second
5401:Electronic music groups from London
4848:Interview by Iara Lee (Modulations)
4512:"Review: Ninja Jamm App For iPhone"
3031:"After 200bpm, your heart blows up"
2769:"After 200bpm, your heart blows up"
2331:(as Coldcut & the Guilty Party)
796:, a mix CD that became part of the
464:Out To Lunch With Ahead Of Our Time
4733:"Official Charts Company: Coldcut"
4653:Eede, Christian (5 October 2021).
3935:"Music: Remix your television set"
497:", which featured reggae vocalist
14:
3244:Atwood, Brett (18 January 1997).
3220:The encyclopedia of popular music
2788:Media, Spin L.L.C. (April 1998).
1821:Yazz & the Plastic Population
1155:. The same track appeared on the
1014:in Barcelona in conjunction with
501:and reached number 21 in the UK.
277:, an independent record label in
5344:
5331:
5315:
5302:
5289:
5276:
5263:
5247:
5234:
5221:
5208:
5195:
4683:British Hit Singles & Albums
4409:"Various Artists: Ninja Tune XX"
3840:Duffell, Daniel (January 2005).
3402:Crossfade: a big chill anthology
1238:Robert Anton Wilson tribute show
516:produced her debut solo single "
5386:British record production teams
3463:. 7 September 1996. p. 28.
1769:(featuring Floormaster Squeeze)
1423:Billie Homeless Dies at the End
1282:sampling of the original gear.
1144:, Jon Spencer and house legend
1010:exhibition was launched at the
447:In 1988, More and Black formed
305:, the Herbaliser and DJ Vadim.
3721:Drum 'n' Bass: The Rough Guide
3263:Goddard, Grant (9 June 2011).
3183:Goddard, Grant (9 June 2011).
2423:"Everything Is Under Control"
1409:Stories From Far Away On Piano
1067:British Antarctic Survey (BAS)
1004:as part of the β'Sonic Process
735:, Coldcut's fourth album, and
1:
5376:English electronic music duos
4149:"Watch Coldcut - Re:Volution"
3474:Cawkell, Tony (18 May 2004).
3088:. June 1988 – via 1988.
1399:. Ninja Jamm was featured by
768:Glasgow Gallery of Modern Art
358:in January 1987, which mixed
322:Jonathan More were part-time
5128:On the Wheels of Solid Steel
5120:Keep It Solid Steel Volume 1
3891:DJ Magazine, Issue 33, Vol 2
3159:The Ultimate 80's Music Book
2869:"Music Week". 9 August 1997.
2601:"Everyday Another Sanction"
1992:"Coldcut's Christmas Break"
1192:'s 70th birthday gig at the
867:real-time video manipulation
301:genre, with artists such as
16:English electronic music duo
4757:. charts.de. Archived from
4435:"Ninja Tune: XX, CD review"
3297:Bogdanov, Vladimir (2001).
2942:Bogdanov, Vladimir (2001).
2805:McAleer, Dave (June 1990).
2651:Compilations and mix albums
1956:(featuring Lisa Stansfield)
1097:Jon Spencer Blues Explosion
1038:In 2003, Black worked with
5432:
2643:
2556:"Walk a Mile in My Shoes"
1632:
462:In 1988, Coldcut released
18:
5411:Tommy Boy Records artists
5396:British male musical duos
5190:
5090:
4959:Say Kids What Time Is It?
4891:
4735:. Official Charts Company
4083:"Coldcut: Let Us Replay!"
3669:Authors, Various (2003).
3564:Authors, Various (2003).
3355:"Spin: Dig Your Own Hole"
3327:Authors, Various (2003).
3172:– via Google Books.
3056:Herrington, Tony (1998).
2996:Herrington, Tony (1998).
2600:
2555:
2513:
2478:(featuring John Matthias)
2471:
2468:
2422:
2415:
2372:
2369:
2328:
2279:
2241:
2234:
2201:
2198:
2163:
2153:
2120:
2070:
2032:
2029:
2024:
1991:
1949:
1903:
1900:
1858:
1812:
1809:
1802:
1762:
1723:Say Kids What Time Is It?
1720:
1717:
1635:
1629:
1626:
1595:
1570:
1551:
1532:
1510:
1502:
1496:
763:, "Every Home a Prison".
352:Say Kids What Time Is It?
330:scene. More also DJed on
37:
4755:"Coldcut - German Chart"
4179:"Coldcut Re:volution EP"
3968:AudioTechnology Magazine
3162:. Lulu.com. p. 62.
2969:Calcutt, Andrew (2001).
2731:Outside the Echo Chamber
2638:Outside the Echo Chamber
1859:"Stop This Crazy Thing"
569:Coldcut's second album,
473:", which debuted singer
268:BBC Radiophonic Workshop
19:For cold cut meats, see
4681:Roberts, David (2006).
3876:Computer Music, Issue 4
3718:Shapiro, Peter (1999).
3477:The Multimedia Handbook
5391:Record production duos
5381:English hip hop groups
4720:– via Imgur.com.
4108:"Volume 3, Issues 5-6"
4015:. 22β28 February 1999.
3788:Willis, Holly (2005).
3372:Larkin, Colin (2000).
3217:Larkin, Colin (2000).
3129:Larkin, Colin (1994).
2975:. Contemporary Books.
2697:Coldcut Selection Deal
2242:"More Beats + Pieces"
1248:. (28 August 2009) to
1034:development in London.
884:Montreux Jazz Festival
621:Penguin Cafe Orchestra
518:This Is the Right Time
368:" with the break from
50:Background information
4228:Boler, Megan (2010).
1455:Kaitlyn Aurelia Smith
1084:(incidentally called
793:70 Minutes of Madness
495:Stop This Crazy Thing
415:the Chemical Brothers
5327:No award (2013-2016)
5259:No award (2003-2007)
5136:It Came from the Sea
4622:on 14 November 2020.
4568:Create Digital Music
4361:CMJ New Music Report
3794:. Wallflower Press.
2659:(mixed by Coldcut /
1320:Black Dog Publishing
1254:Illuminatus! Trilogy
1252:, the 60s author of
1242:Queen Elizabeth Hall
1117:, Ameri Baraka, and
784:Barbican Art Gallery
770:. The piece, called
527:the following year.
455:, Queen Latifah and
428:asked them to remix
366:King of the Swingers
4973:Doctorin' the House
4838:Ninja Tune: Coldcut
4441:. 17 September 2010
4415:. 18 September 2010
4290:"(unknown title)".
4133:"(unknown title)".
4011:"(unknown title)".
3996:"(unknown title)".
3919:"(unknown title)".
3904:"(unknown title)".
3889:"(unknown title)".
3874:"(unknown title)".
3825:"(unknown title)".
3770:"(unknown title)".
3755:"(unknown title)".
3703:"(unknown title)".
3598:"(unknown title)".
3549:"(unknown title)".
3156:Anderson, Michael.
2907:"(unknown title)".
2033:"Coldcut' Megamix"
1815:Doctorin' the House
1480:
1379:, Martyn, Lapalux,
1250:Robert Anton Wilson
471:Doctorin' the House
430:Eric B. & Rakim
5406:Ninja Tune artists
5096:Listen & Learn
4980:The Only Way Is Up
4920:What's That Noise?
4159:on 2 December 2013
4054:. Backbeat Books.
3511:. 18 January 1997.
3405:. Serpent's Tail.
3333:. Backbeat Books.
3303:. Backbeat Books.
3105:. Grove Atlantic.
2948:. Backbeat Books.
2854:has generic name (
1804:What's That Noise?
1513:What's That Noise?
1478:
1389:Irresistible Force
907:Irresistible Force
559:What's That Noise?
533:What's That Noise?
479:The Only Way Is Up
383:Pump Up the Volume
220:Eric B & Rakim
107:1986–present
5363:
5362:
5322:Nightmares on Wax
5309:Nightmares on Wax
5146:
5145:
5050:
5049:
4596:. 2 November 2017
4594:Headphone Commute
4204:"Volumes 200-202"
3941:. 15 January 1999
3616:. 18 January 1997
3538:– via 2001.
3449:– via 2001.
3388:– via 2000.
3343:– via 2003.
3313:– via 2001.
3233:– via 2001.
3115:– via 1999.
3072:– via 1998.
3062:. Quartet Books.
3059:Invisible jukebox
3037:. 18 January 2006
3002:. Quartet Books.
2999:Invisible jukebox
2985:– via 2001.
2958:– via 2001.
2838:– via 1996.
2821:– via 1990.
2811:. Omnibus Press.
2794:– via 1998.
2757:– via 1996.
2648:
2647:
2604:
2563:
2521:
2479:
2434:
2383:
2380:
2332:
2291:
2112:Some Like It Cold
2078:
2036:
1957:
1915:
1866:
1824:
1770:
1712:
1705:
1698:
1690:
1683:
1676:
1669:
1660:
1653:
1645:
1617:
1616:
1583:Label: Ninja Tune
1534:Some Like It Cold
1417:Invisible Forces.
1236:(18 March 2007).
964:music video game
911:Shut Up And Dance
856:William Burroughs
824:Grandmaster Flash
571:Some Like It Cold
413:. Electronic act
180:
179:
5423:
5416:Big Life artists
5349:
5348:
5336:
5335:
5320:
5319:
5307:
5306:
5296:Mixmaster Morris
5294:
5293:
5281:
5280:
5268:
5267:
5252:
5251:
5241:Mixmaster Morris
5239:
5238:
5226:
5225:
5215:Mixmaster Morris
5213:
5212:
5200:
5199:
5173:
5166:
5159:
5150:
5077:
5070:
5063:
5054:
4878:
4871:
4864:
4855:
4834:
4796:
4795:
4793:
4791:
4777:
4771:
4770:
4768:
4766:
4751:
4745:
4744:
4742:
4740:
4729:
4723:
4721:
4719:
4717:
4706:
4697:
4696:
4678:
4672:
4671:
4669:
4667:
4650:
4644:
4643:
4630:
4624:
4623:
4618:. Archived from
4612:
4606:
4605:
4603:
4601:
4586:
4580:
4579:
4577:
4575:
4560:
4554:
4553:
4551:
4549:
4534:
4528:
4527:
4525:
4523:
4508:
4502:
4501:
4499:
4497:
4482:
4476:
4475:
4473:
4471:
4457:
4451:
4450:
4448:
4446:
4431:
4425:
4424:
4422:
4420:
4405:
4399:
4398:
4396:
4394:
4380:
4374:
4373:
4371:
4369:
4364:. 18 August 2003
4356:
4350:
4349:
4347:
4345:
4331:
4325:
4324:
4322:
4320:
4309:"Issues 146-148"
4305:
4296:
4295:
4287:
4278:
4277:
4275:
4273:
4259:
4253:
4252:
4250:
4248:
4225:
4219:
4218:
4216:
4214:
4200:
4194:
4193:
4191:
4189:
4175:
4169:
4168:
4166:
4164:
4155:. Archived from
4145:
4139:
4138:
4130:
4124:
4123:
4121:
4119:
4104:
4098:
4097:
4095:
4093:
4079:
4073:
4072:
4070:
4068:
4045:
4039:
4038:
4036:
4034:
4023:
4017:
4016:
4008:
4002:
4001:
3993:
3987:
3986:
3984:
3982:
3976:
3965:
3957:
3951:
3950:
3948:
3946:
3931:
3925:
3924:
3916:
3910:
3909:
3901:
3895:
3894:
3886:
3880:
3879:
3871:
3865:
3864:
3862:
3860:
3837:
3831:
3830:
3822:
3813:
3812:
3810:
3808:
3785:
3776:
3775:
3767:
3761:
3760:
3752:
3743:
3742:
3740:
3738:
3724:. Rough Guides.
3715:
3709:
3708:
3700:
3694:
3693:
3691:
3689:
3666:
3660:
3659:
3657:
3655:
3632:
3626:
3625:
3623:
3621:
3610:
3604:
3603:
3595:
3589:
3588:
3586:
3584:
3561:
3555:
3554:
3546:
3540:
3539:
3519:
3513:
3512:
3505:
3499:
3498:
3496:
3494:
3471:
3465:
3464:
3457:
3451:
3450:
3430:
3424:
3423:
3421:
3419:
3396:
3390:
3389:
3369:
3363:
3362:
3351:
3345:
3344:
3324:
3315:
3314:
3294:
3288:
3287:
3285:
3283:
3260:
3254:
3253:
3241:
3235:
3234:
3214:
3208:
3207:
3205:
3203:
3180:
3174:
3173:
3153:
3147:
3146:
3126:
3117:
3116:
3096:
3090:
3089:
3085:Blues & Soul
3080:
3074:
3073:
3053:
3047:
3046:
3044:
3042:
3027:
3021:
3020:
3018:
3016:
2993:
2987:
2986:
2966:
2960:
2959:
2939:
2930:
2929:
2919:
2913:
2912:
2911:. 9 August 1997.
2904:
2898:
2897:
2895:
2893:
2877:
2871:
2870:
2866:
2860:
2859:
2853:
2849:
2847:
2839:
2829:
2823:
2822:
2802:
2796:
2795:
2785:
2779:
2778:
2765:
2759:
2758:
2748:
2706:Mixmaster Morris
2602:
2557:
2515:
2477:
2424:
2381:
2374:
2330:
2285:
2164:"Autumn Leaves"
2072:
2034:
1955:
1909:
1860:
1818:
1768:
1708:
1701:
1694:
1686:
1679:
1672:
1663:
1656:
1649:
1641:
1624:
1481:
1451:Daniel Pemberton
1447:Julianna Barwick
1443:Ryuichi Sakamoto
1439:Mixmaster Morris
1331:Γtudes sur Paris
1292:Ayu-mi-x 6: Gold
1246:Mixmaster Morris
1222:Mixmaster Morris
1217:and Chris Coco.
1052:Vortex Jazz Club
1006:exhibition. The
848:Daniel Pemberton
625:Mixmaster Morris
481:", a cover of a
453:Kevin Saunderson
189:duo composed of
187:electronic music
176:
139:
138:
126:
120:
104:
42:
28:
5431:
5430:
5426:
5425:
5424:
5422:
5421:
5420:
5366:
5365:
5364:
5359:
5356:No award (2019)
5343:
5330:
5314:
5301:
5288:
5275:
5262:
5246:
5233:
5220:
5207:
5194:
5186:
5177:
5147:
5142:
5086:
5081:
5051:
5046:
5032:Lisa Stansfield
5013:
5008:Man in a Garage
4946:
4907:
4887:
4882:
4826:discography at
4811:, official site
4805:
4800:
4799:
4789:
4787:
4779:
4778:
4774:
4764:
4762:
4761:on 2 April 2015
4753:
4752:
4748:
4738:
4736:
4731:
4730:
4726:
4715:
4713:
4708:
4707:
4700:
4693:
4680:
4679:
4675:
4665:
4663:
4652:
4651:
4647:
4632:
4631:
4627:
4614:
4613:
4609:
4599:
4597:
4588:
4587:
4583:
4573:
4571:
4570:. 11 April 2013
4562:
4561:
4557:
4547:
4545:
4536:
4535:
4531:
4521:
4519:
4518:. 29 April 2013
4516:Digital DJ Tips
4510:
4509:
4505:
4495:
4493:
4492:. 11 April 2013
4484:
4483:
4479:
4469:
4467:
4459:
4458:
4454:
4444:
4442:
4433:
4432:
4428:
4418:
4416:
4407:
4406:
4402:
4392:
4390:
4382:
4381:
4377:
4367:
4365:
4358:
4357:
4353:
4343:
4341:
4339:Official charts
4333:
4332:
4328:
4318:
4316:
4307:
4306:
4299:
4289:
4288:
4281:
4271:
4269:
4261:
4260:
4256:
4246:
4244:
4242:
4227:
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3939:The Independent
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3551:The Independent
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3269:. Radio Books.
3262:
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3257:
3243:
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3231:
3216:
3215:
3211:
3201:
3199:
3197:
3189:. Radio Books.
3182:
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2474:Man in a Garage
1912:Lisa Stansfield
1713:
1691:
1666:
1646:
1633:Peak positions
1622:
1506:
1500:
1491:
1476:
1471:
1312:
1194:Barbican Centre
1115:Annette Peacock
1002:Pompidou Centre
924:
567:
510:Lisa Stansfield
442:Breakbeat genre
361:The Jungle Book
316:
311:
216:Lisa Stansfield
201:. According to
185:are an English
172:
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4987:People Hold On
4983:
4976:
4969:
4966:Beats + Pieces
4962:
4954:
4952:
4948:
4947:
4945:
4944:
4937:
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4915:
4913:
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4903:Jonathan More
4900:
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4858:
4852:
4851:
4850:at Furious.com
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4804:
4803:External links
4801:
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4642:. 3 July 2020.
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3998:Computer Music
3988:
3952:
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3772:Sound on Sound
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2725:Only Heaven EP
2722:
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2679:Let Us Replay!
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2373:"Mr. Nichols"
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2329:"Re:volution"
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1906:People Hold On
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1765:Beats + Pieces
1760:
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1606:
1605:Released: 2006
1601:
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1584:
1581:
1580:Released: 1997
1576:
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1559:Released: 1993
1555:
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1541:
1540:Released: 1990
1536:
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1522:
1521:
1520:Released: 1989
1516:
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1488:
1487:Album details
1485:
1475:
1472:
1470:
1467:
1327:Arthur Rimbaud
1311:
1308:
1287:Ayumi Hamasaki
987:Herbie Hancock
930:show moved to
923:
920:
899:Let Us Replay!
840:The Herbaliser
798:Journeys by DJ
757:Sonar Festival
704:What's Up Doc?
678:Commodore CDTV
587:microcomputers
566:
563:
512:. Coldcut and
506:People Hold On
426:Island Records
403:Beats + Pieces
344:Berwick Street
334:, hosting the
315:
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4941:Sound Mirrors
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4544:. 14 May 2013
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2075:Queen Latifah
2071:"Find a Way"
2069:
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2044:
2041:
2038:
2035:(France only)
2028:
2025:Singles only
2021:
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1230:Bill Drummond
1227:
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1200:
1199:Reich Remixed
1195:
1191:
1186:
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1183:Kal Ho Naa Ho
1180:
1179:Fun-Da-Mental
1176:
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1167:
1165:
1164:FIFA Street 2
1162:
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1126:
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1119:Saul Williams
1116:
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1106:Sound Mirrors
1102:
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1083:
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1008:Sonic Process
1007:
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976:Adam Freeland
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947:William Hague
944:
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926:In 2000, the
921:
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749:Let Us Replay
746:
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737:Let Us Replay
734:
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602:Autumn Leaves
599:
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584:
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575:Queen Latifah
572:
564:
562:
560:
556:
552:
551:Happy Mondays
548:
544:
543:Mark E. Smith
540:
539:Queen Latifah
535:
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514:Mark Saunders
511:
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483:Northern soul
480:
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457:Spiritualized
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336:Meltdown Show
333:
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303:Funki Porcini
300:
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158:Jonathan More
157:
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36:
29:
26:
22:
5253:
5228:Dr Morpheous
5202:JosΓ© Padilla
5180:
5179:
5134:
5126:
5118:
5110:
5104:Herbal Blend
5102:
5094:
5024:
4994:My Telephone
4939:
4934:Let Us Play!
4932:
4925:
4918:
4902:
4895:
4884:
4788:. Retrieved
4784:
4775:
4763:. Retrieved
4759:the original
4749:
4737:. Retrieved
4727:
4714:. Retrieved
4682:
4676:
4664:. Retrieved
4658:
4648:
4639:The Guardian
4637:
4628:
4620:the original
4610:
4598:. Retrieved
4593:
4584:
4572:. Retrieved
4567:
4558:
4546:. Retrieved
4541:
4538:"App review"
4532:
4520:. Retrieved
4515:
4506:
4494:. Retrieved
4489:
4480:
4468:. Retrieved
4464:
4455:
4443:. Retrieved
4438:
4429:
4417:. Retrieved
4412:
4403:
4391:. Retrieved
4387:
4378:
4366:. Retrieved
4360:
4354:
4342:. Retrieved
4338:
4329:
4317:. Retrieved
4312:
4291:
4270:. Retrieved
4266:
4257:
4245:. Retrieved
4230:
4223:
4211:. Retrieved
4207:
4198:
4186:. Retrieved
4182:
4173:
4161:. Retrieved
4157:the original
4152:
4143:
4134:
4128:
4116:. Retrieved
4111:
4102:
4090:. Retrieved
4086:
4077:
4065:. Retrieved
4050:
4043:
4031:. Retrieved
4029:. April 1999
4021:
4012:
4006:
3997:
3991:
3979:. Retrieved
3967:
3955:
3943:. Retrieved
3938:
3929:
3920:
3914:
3905:
3899:
3890:
3884:
3875:
3869:
3857:. Retrieved
3842:
3835:
3827:Melody Maker
3826:
3805:. Retrieved
3790:
3771:
3765:
3756:
3735:. Retrieved
3720:
3713:
3704:
3698:
3686:. Retrieved
3671:
3664:
3652:. Retrieved
3637:
3630:
3618:. Retrieved
3608:
3600:The Guardian
3599:
3593:
3581:. Retrieved
3566:
3559:
3550:
3544:
3524:
3517:
3503:
3491:. Retrieved
3476:
3469:
3455:
3435:
3428:
3416:. Retrieved
3401:
3394:
3374:
3367:
3358:
3349:
3329:
3299:
3292:
3280:. Retrieved
3265:
3258:
3249:
3239:
3219:
3212:
3200:. Retrieved
3185:
3178:
3158:
3151:
3135:. Guinness.
3131:
3101:
3094:
3084:
3078:
3058:
3051:
3039:. Retrieved
3035:The Guardian
3034:
3025:
3013:. Retrieved
2998:
2991:
2971:
2964:
2944:
2924:
2917:
2908:
2902:
2890:. Retrieved
2886:The Guardian
2884:
2875:
2864:
2852:|last1=
2834:
2827:
2807:
2800:
2790:
2783:
2774:The Guardian
2772:
2763:
2753:
2746:
2730:
2724:
2718:
2701:
2696:
2690:
2684:
2678:
2670:
2656:
2637:
2560:Robert Owens
2518:Roots Manuva
2416:
2382:(promo only)
2365:Single only
2236:Let Us Play!
2235:
2154:
2111:
1952:My Telephone
1803:
1758:Single only
1596:
1573:Let Us Play!
1571:
1552:
1533:
1511:
1436:
1429:
1427:
1422:
1420:
1416:
1408:
1406:
1362:
1343:
1330:
1324:
1315:
1313:
1305:
1297:
1290:
1284:
1276:
1274:
1270:
1266:Ken Campbell
1226:Ken Campbell
1219:
1210:
1204:
1197:
1187:
1182:
1168:
1153:Roots Manuva
1150:
1146:Robert Owens
1138:Roots Manuva
1129:
1127:
1111:Soweto Kinch
1104:
1090:
1085:
1075:
1070:
1064:
1059:video mashup
1056:
1048:Crass Agenda
1037:
1009:
1005:
999:
995:
989:'s classic "
984:
971:
965:
959:
954:
938:
936:
927:
925:
898:
896:
892:
864:
844:Talvin Singh
832:Jello Biafra
820:Let Us Play!
819:
815:Let Us Play!
813:
811:
807:
791:
789:
781:
775:
771:
765:
761:Jello Biafra
748:
744:
741:
736:
732:
726:
721:i-D Magazine
719:
711:
703:
694:
687:
685:characters.
681:
671:
669:
662:
657:
646:
644:
636:record label
629:
617:Simon Jeffes
606:
591:
570:
568:
558:
531:
529:
522:
504:The single "
503:
491:Killing Joke
468:
463:
461:
446:
434:Paid in Full
423:
407:Led Zeppelin
400:
393:
391:
381:sampled in "
377:
359:
335:
332:pirate radio
317:
309:Music career
290:
272:
252:Pierre Henry
209:
202:
182:
181:
134:Warner Bros.
103:Years active
25:
5283:Rob da Bank
5084:Solid Steel
4809:Coldcut.net
4660:The Quietus
4574:26 November
4548:26 November
4522:26 November
4496:26 November
4470:26 November
4445:26 November
4419:26 November
4413:theguardian
4393:26 November
4368:26 November
4344:26 November
4319:26 November
4272:26 November
4247:26 November
4213:26 November
4188:26 November
4163:26 November
4118:26 November
4092:26 November
4067:26 November
4033:26 November
3981:26 November
3859:26 November
3807:26 November
3737:26 November
3688:26 November
3654:26 November
3620:26 November
3614:"Billboard"
3583:26 November
3509:"Billboard"
3461:"Billboard"
3418:15 November
3361:. May 1997.
3015:26 November
2558:(featuring
2516:(featuring
2427:Jon Spencer
2425:(featuring
2375:(featuring
2073:(featuring
1910:(featuring
1863:Junior Reid
1861:(featuring
1819:(featuring
1469:Discography
1395:, Shuttle,
1381:Machinedrum
1375:, Coldcut,
1358:Tim Maughan
1354:Pat Cadigan
1310:Recent work
1260:and artist
1207:Nina Simone
1190:Steve Reich
1134:Juice Aleem
1093:Jon Spencer
1082:BBC Radio 3
1078:Hari Kunzru
955:Let Us Play
939:Re:volution
928:Solid Steel
872:Glastonbury
803:Jockey Slut
745:Let Us Play
733:Let Us Play
700:BBC Radio 4
648:Solid Steel
632:Fatboy Slim
613:Ed Shearmur
555:Deep Purple
547:Stone Roses
499:Junior Reid
411:James Brown
395:Solid Steel
370:James Brown
356:white label
328:rare groove
320:art teacher
291:Jazz Brakes
264:Red Snapper
256:Nina Simone
240:Steve Reich
224:James Brown
174:Coldcut.net
5370:Categories
5338:Todd Terje
5037:Ninja Tune
4927:Philosophy
4897:Matt Black
4666:3 December
3705:Music Week
3378:. Virgin.
3041:18 January
2909:Music Week
2892:18 January
2738:References
2719:Zen Brakes
2155:Philosophy
2121:"Dreamer"
1553:Philosophy
1492:positions
1490:Peak chart
1431:Keleketla!
1369:Amon Tobin
1346:Liam Young
1303:software.
1278:Doctor Who
1258:Alan Moore
1244:, London:
1234:Alan Moore
1215:Francois K
1161:video game
1157:soundtrack
1142:Mpho Skeef
1071:Wavejammer
943:Tony Blair
932:BBC London
915:Carl Craig
812:The album
753:Ninja Jamm
743:Coldcut's
695:Top Banana
682:Top Banana
673:Top Banana
667:in 1996).
640:Ninja Tune
609:Abbey Road
598:Philosophy
275:Ninja Tune
232:Eurythmics
199:multimedia
191:Matt Black
154:Matt Black
116:Ninja Tune
73:Electronic
21:Lunch meat
5270:Jazzanova
4785:billboard
4542:Billboard
4490:The Verge
4465:Pitchfork
4439:Telegraph
4335:"Coldcut"
4208:Blueprint
4183:Pitchfork
4087:Pitchfork
3250:Billboard
2844:cite book
2835:Billboard
2431:Mike Ladd
2288:Hexstatic
1459:Sigur RΓ³s
1385:Raffertie
1350:Jeff Noon
1175:Aki Nawaz
1123:DJ Spooky
1101:Mike Ladd
903:Cornelius
897:In 1999,
888:John Peel
805:in 1998.
776:Generator
772:Generator
729:Hexstatic
712:Reportage
523:Billboard
438:Ofra Haza
124:Tommy Boy
119:(current)
93:downtempo
61:, England
4819:AllMusic
4292:DJ Times
3972:Archived
2708:) (2021)
2667:) (1996)
2665:DJ Krush
1710:US Dance
876:Roskilde
836:Jimpster
828:Steinski
658:The Face
299:trip hop
283:software
248:the Fall
137:(former)
88:trip hop
5351:DJ Koze
5254:Coldcut
5018:Related
4951:Singles
4885:Coldcut
4828:Discogs
4824:Coldcut
4815:Coldcut
4790:23 July
4765:3 April
4739:4 April
4716:14 July
4600:15 June
4267:Portwax
4112:Artbyte
2777:. 2006.
2661:DJ Food
1630:Single
1620:Singles
1463:Laraaji
1397:Starkey
1393:FaltyDL
1377:DJ Food
1339:Russolo
1171:Howie B
1159:of the
852:Dadaism
716:BBC Two
525:Hot 100
419:bigbeat
354:" on a
340:Kiss FM
326:on the
295:hip-hop
287:DJ Food
244:Blondie
183:Coldcut
169:Website
148:Members
129:Reprise
83:hip hop
32:Coldcut
5353:(2018)
5340:(2017)
5324:(2012)
5311:(2011)
5298:(2010)
5285:(2009)
5272:(2008)
5256:(2002)
5243:(2001)
5230:(2000)
5217:(1999)
5204:(1998)
5139:(2005)
5131:(2005)
5123:(2004)
5115:(2004)
5107:(2003)
5099:(2003)
5001:Timber
4912:Albums
4712:. ARIA
4689:
4315:. 2006
4238:
4153:Roxwel
4114:. 2001
4058:
4027:"Spin"
4013:Update
3945:3 June
3850:
3798:
3728:
3679:
3645:
3574:
3532:
3493:18 May
3484:
3443:
3409:
3382:
3337:
3307:
3282:9 June
3273:
3227:
3202:1 June
3193:
3166:
3139:
3109:
3066:
3006:
2979:
2952:
2815:
2733:(2017)
2727:(2016)
2721:(1990)
2704:(with
2693:(2004)
2687:(2002)
2681:(1999)
2675:(1995)
2286:(with
2282:Timber
1636:Album
1484:Title
1474:Albums
1373:Bonobo
1099:) and
991:Rockit
886:, and
882:, the
860:CD-ROM
691:CD-ROM
664:Mixmag
661:, and
594:Arista
348:London
279:London
266:, and
195:cut-up
112:Labels
66:Genres
59:London
55:Origin
4135:Muzik
3975:(PDF)
3964:(PDF)
3906:Muzik
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