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in the mid-19th century. In addition to the usual guitar neck with six strings and a fretboard, it has a second, fretless neck with up to nine bass strings. Customarily these additional strings are tuned from E-flat downwards. The lowest string on the 15-string contraguitar is usually tuned to G.
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developed the instrument after 1848, improving on earlier, unfinished efforts by
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The contraguitar is heard almost exclusively in
Viennese folk music, especially
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164:(book & CD) by Erik Pierre Hofmann, Pascal Mougin, and Stefan Hackl.
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55:(1778–1853), the master from whom Scherzer had learned his craft.
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Stauffer & Co.: The
Viennese guitar of the 19th Century
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149:(diploma thesis) by Reinhard Kopschar
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23:A Viennese "Schrammel guitar."
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147:"Die Kontragitarre in Wien"
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197:Multi-neck guitar
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