Knowledge (XXG)

Cufflink

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and its post. The swivel bar is placed vertically (aligned with the post) to put the links on and off, then horizontally to hold them in place when worn. The decorated face on the most visible side is usually larger; a variety of designs can connect the smaller piece: It may be small enough to fit through the buttonhole as a button would; it may be separated and attached from the other side; or it may have a portion that swivels on the central post, aligning with the post while the link is threaded through the button-hole and swiveling into a position at right angles to the post when worn.
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cufflinks became popular. The shirt front as well as collar and cuffs covering areas of the most wear were made sturdier. This was practical but when clean and starched, collars and cuffs underscored the formal character of the clothing. However, they could be too stiff to secure the cuffs with a simple button. As a consequence, from the mid 19th century onward men in the middle and upper classes wore cufflinks. The industrial revolution meant that these could be mass-produced, making them available in every price category.
187:. Cufflinks can be manufactured from a variety of different materials, such as glass, stone, leather, metal, precious metal or combinations of these. Securing of the cufflinks is usually achieved via toggles or reverses based on the design of the front section, which can be folded into position. There are also variants with chains or a rigid, bent rear section. The front sections of the cufflinks can be decorated with gemstones, inlays, inset material or enamel and designed in two or three-dimensional forms. 487: 149: 157: 495: 3802: 406: 36: 467:
methods of manufacturing changed, the underlying form remained the same: a tunic opened to the front with sleeves and collar. The shirt was worn directly next to the skin, it was washable and thereby protected the outer garments from contact with the body. Conversely, it also protected the skin against the rougher and heavier fabrics of jackets and coats by covering the neck and wrists.
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Following the end of shortages related to the Second World War, into the 1950s a gentleman liked to adorn himself with a whole range of accessories, comprising items such as cigarette case, lighter, tie pin or tie bar, watch (now worn mostly on the wrist instead of the pocket), ring, key chain, money
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were key centers of cufflink production. Whilst in Idar-Oberstein cufflinks were produced using simple materials for the more modest budget, the Pforzheim jewelry manufacturers produced for the medium and upper segments using genuine gold and silver. In Pforzheim, premium cufflinks are still produced
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Colored cufflinks made from gemstones were initially only worn by men with a great deal of self-confidence, however. This situation changed when the Prince of Wales, later Edward VII, popularised colorful Fabergé cufflinks in the 19th century. During this time cufflinks became fashion accessories and
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Although the first cufflinks appeared in the 1600s, they did not become common until the end of the 18th century. Their development is closely related to that of the men's shirt. Men have been wearing shirt-like items of clothing since the invention of woven fabric 5,000 years BC. Although styles and
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Cufflink designs vary widely, with the most traditional the "double-panel", consisting of a short post or (more often) chain connecting two disc-shaped parts, both decorated. Whale-back and toggle-back cufflinks have a flat decorated face for one side, while the other side shows only the swivel-bar
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In the 19th century, the former splendor of the aristocracy was superseded by the bourgeois efficiency of the newly employed classes. From then onward men wore a highly conventional wardrobe: a dark suit by day, a dinner jacket, or tailcoat in the evening. By the middle of the 19th century, modern
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After the Middle Ages, the visible areas of the shirt (neck, chest, and wrists) became sites of decorative elements such as frills, ruffs, and embroidery. The cuffs were held together with ribbons, as collared, an early precursor of neckties. Frills that hung down over the wrist were worn at court
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This development continued into the early 1900s, with more cufflinks worn than ever before. These were available in every type of form, color, and material, incorporating both gemstones and less precious stones and glass in cheaper copies. Intricate colored enameled cufflinks in every conceivable
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Another type of interchangeable system was created by pranga & co. The cufflink system comes apart allowing the motif, referred to as an Anker, to slide on. Putting the cufflink back together secures the anker into the cufflink allowing it to be worn. pranga & co's cufflink is simple and
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shirts are often accompanied with a set of colour-coordinated silk knots instead of double-button cufflinks. They are now often not from silk and consist of fabric over an elasticated core. Owing to the popularity of this fashion, metal cufflinks shaped to look like a silk knot are also worn.
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introduced their type in the 1960s consisting of a bar with a loop at either end that would allow a motif to be inserted at either end perpendicular to the bar. Cartier referred to the interchangeable motifs as batons. A set including the bars would come with batons made from
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geometric pattern were especially popular. All of these were of equal value, as Coco Chanel had made fashion jewelry acceptable to wear. In a parallel development, however, a sportier style of shirt emerged with unstarched cuffs that could be secured with simple buttons.
388:. The accompanying bars are made from 18k gold or palladium plated sterling silver. The securing mechanism is the same for either series using a small screw inset into the looped end of the bar. The pressure exerted by the screw on the baton holds them in place. 518:
In the 1970s cufflinks were less emphasized in much of middle-class fashion. Fashion was dominated by the Woodstock generation, with shirts primarily manufactured complete with buttons and buttonholes. Many fine heirlooms were reworked into earrings.
271:. Colorful and whimsical cufflink designs are usually only suitable for casual and relatively informal events and signals someone who is fun-loving, approachable, and friendly. However, formal wear has stricter expectations, with 471:
and other formal settings until the end of the 18th century, whilst in the everyday shirts of the time, the sleeves ended with a simple ribbon or were secured with a button or a connected pair of buttons.
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similar in concept to charm bracelet bead systems popularized by companies like Pandora Jewelry. The ankers used in the cufflinks are interchangeable with various charm bracelets systems and visa-versa.
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cufflinks being preferred for white tie events Traditionally it was considered important to coordinate the metal of one's cufflinks with other jewelry such as
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The 1980s saw a return to traditional cufflinks, as part of a general revival in traditional male dress. This trend has more or less continued to this day.
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experts prescribe gold to be worn during the daytime and silver for evening wear, but neither expectation is considered as critical as it once was.
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is credited with their introduction in 1904. They became quickly popular: "Charvet buttons of twisted braid are quite the style" noted
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or association. There are numerous styles including novelty, traditional, or contemporary. Cufflinks can and have been worn with
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Links of knotted brightly colored silk enjoyed renewed popularity in the 1990s, joined by an elasticated section.
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Pairs of silk knot links; they can conveniently be held together as a pair by the elastic when not in use
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Cufflinks are designed only for use with shirts that have cuffs with buttonholes on both sides but no
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today, some of them to historic patterns, some modern, all of them using traditional craftsmanship.
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Cartier recently re-introduced these interchangeable cufflinks with batons made from striped
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Interchangeable cufflinks have started to come back into the marketplace in recent years.
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An alternative type of cufflink is the cheaper silk knot which is usually two conjoined
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one of the few acceptable items of jewelry for men in Britain and the U.S.
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clip, etc., an ensemble that also included a wide range of cufflinks.
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This spread to Europe as well over the same period. In Germany,
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or business suits, all the way to very dressy styles such as
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Cufflinks made by Victor Mayer, Pforzheim, in the 1930s
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Abrams. p. 120. 404: 34: 45:needs additional citations for 231:or something which reflects a 1: 668:"Santos de Cartier cufflinks" 172:is fastened with silk knots. 3867: 3774:List of individual dresses 3797: 2844: 1771: 1690: 588:Corbett, Patrick (2002). 332:Interchangeable cufflinks 136:Double cuff with cufflink 1255:Nickel silver (alpacca) 568:AskAndyAboutClothes.com 3779:Reconstructed clothing 499: 491: 173: 161: 153: 145: 137: 1596:Other natural objects 497: 489: 167: 159: 151: 143: 135: 3720:Environmental impact 1071:Wire wrapped jewelry 1051:Repoussé and chasing 727:at Wikimedia Commons 623:. 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The 309:Turk's head 281:belt buckle 269:shirt studs 257:formal wear 245:semi-formal 237:casual wear 225:monogrammed 170:French cuff 3820:Categories 3587:Suspenders 3582:Sunglasses 3517:Cummerbund 3507:Coin purse 3411:Flip-flops 3406:Dress shoe 3401:Dress boot 3396:Court shoe 3343:Rash guard 3290:Nightshirt 3164:Harrington 3122:pellegrina 2982:Frock coat 2975:Suit coats 2964:Mackintosh 2905:Over-frock 2764:Underpants 2713:Undershirt 2586:Shirtdress 2427:boilersuit 2324:diplomatic 2286:Yoga pants 2276:Sweatpants 2189:High water 2184:Go-to-hell 2077:sleeveless 2030:halterneck 2020:cache-cœur 1940:Lavallière 1787:Technology 1494:Tourmaline 1439:Prasiolite 1314:Aventurine 1185:Crown gold 1087:Draw plate 1036:Metal clay 973:Watchmaker 963:Lapidarist 948:Clockmaker 823:Collar pin 818:Chatelaine 699:Cuff Links 692:Cuff Links 685:References 627:2008-10-21 574:2015-03-28 549:2015-03-28 384:, and red 370:chalcedony 229:birthstone 110:March 2014 80:newspapers 69:"Cufflink" 3831:Fasteners 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1240:Bronze 1167:alloys 1156:Silver 1107:Pliers 1097:Hammer 1009:vacuum 936:People 929:Making 913:pocket 813:Brooch 778:Anklet 596:  279:case, 202:Design 96:  89:  82:  75:  67:  3851:Wrist 3752:types 3602:Watch 3577:Spats 3348:Sling 3228:Shawl 3201:Parka 3139:Gilet 3112:royal 3063:Apron 3056:Other 3036:dress 2992:rekel 2937:opera 2932:Cloak 2900:Greca 2831:Coats 2817:Teddy 2759:Thong 2663:Skort 2633:Men's 2628:Denim 2566:House 2525:Plain 2464:gowns 2442:space 2319:court 2296:Suits 2199:Jeans 2174:Chaps 2169:Cargo 2164:Capri 2119:shrug 2062:dress 2057:Shirt 2047:Kurta 1992:Scarf 1985:stock 1960:ascot 1918:Bands 1816:Beret 1671:Carat 1665:Carat 1653:Terms 1628:Shell 1582:Pearl 1572:Nacre 1562:Ivory 1550:Black 1545:Coral 1540:Copal 1530:Amber 1489:Topaz 1448:smoky 1319:Beryl 1299:Agate 1235:Brass 1080:Tools 918:strap 908:Watch 883:Tiara 828:Crown 798:Bindi 770:Forms 617:(PDF) 526:Notes 343:coral 313:Paris 289:rings 277:watch 273:pearl 233:hobby 219:Motif 181:cuffs 168:This 101:JSTOR 87:books 3769:Laws 3572:Sash 3557:Muff 3497:Belt 3449:Sock 3421:Shoe 3391:Boot 3211:Robe 3149:down 3085:Cape 3024:Teba 2954:Polo 2790:Full 2754:Slip 2686:and 2673:Wrap 2668:Tutu 2591:Slip 2550:Wrap 2462:and 2356:mess 2351:full 2331:Folk 2229:Phat 2072:polo 2007:Tops 1965:bolo 1900:Veil 1890:Mask 1880:Hood 1836:knit 1831:flat 1623:Hair 1454:Ruby 1429:Opal 1424:Onyx 1374:Jade 1136:Gold 1092:File 878:Ring 654:2018 594:ISBN 506:and 419:any 417:cite 361:and 355:onyx 73:news 2949:Pea 2858:Car 2834:and 2703:Bra 2696:Top 2298:and 2254:gym 1970:bow 1868:top 1843:Hat 1821:Cap 1567:Jet 1323:red 430:by 307:or 291:. 287:or 263:or 251:or 183:of 56:by 3822:: 670:. 619:. 566:. 542:. 380:, 376:, 357:, 349:, 345:, 283:, 239:, 2082:T 1757:e 1750:t 1743:v 1450:) 1446:( 1325:) 1321:( 754:e 747:t 740:v 676:. 656:. 630:. 602:. 577:. 552:. 457:) 451:( 446:) 442:( 438:. 424:. 259:( 247:( 123:) 117:( 112:) 108:( 98:· 91:· 84:· 77:· 50:. 20:)

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French cuff
cuffs
dress shirts
buttons
Dan Rice
monogrammed
birthstone
hobby
casual wear
informal attire
semi-formal
black tie
Stroller

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