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237:, which was soon frequented by all of Paris. Combining ambition and temperament, her status as the archetypal demimondaine rose as she conducted affairs with some of the most influential and generous men in the country. Marguerite, always concerned about her husband's career, obtained artistic commissions for him from her protectors, which helped Adolphe accept his marital misfortunes.
187:, changing economies and social structures, as well as changing fashions and social mores, particularly in the aftermath of World War I. Prostitution and the keeping of mistresses did not disappear, but the label
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painter
Adolphe Steinheil in 1890. She acted as her husband's model for some time, but aspired to a more intense and moneyed existence, and opened a salon in their villa at 6 bis, Impasse Ronsin, close to
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or a prostitute who moved in these circles—or for a woman of social standing with the power to thumb her nose at convention and throw herself into the
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Marguerite's affair with the
President of the Republic, FĂ©lix Faure, won Adolphe an official commission for a monumental painting representing
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cross the same year. FĂ©lix Faure is alleged to have suddenly died from a stroke whilst receiving sexual favours from
Marguerite at the
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is a French 19th-century term referring to women on the fringes of respectable society, and specifically to
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The
Presentation of Decorations by the President of the Republic to the Survivors of the Disaster of the
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supported by wealthy lovers. The term is French for "half-world", and derives from an 1855 play called
247:(August 8, 1897), which was exhibited at the Salon des artistes of 1898. Adolphe was also awarded the
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nightlife. A woman who made that choice would soon find her social status lost, as she became
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was the world occupied by elite men and the women who entertained them and whom they kept.
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The
Memoirs of Cora Pearl: The Erotic Reminiscences of a Flamboyant 19th Century Courtesan
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stated his object was to present a comedy in the structure of a tragedy "to compare the
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429:"'My Favors Cost a Great Deal': 'The Girl Who Loved Camellias', by Julie Kavanagh"
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414:"Le Demi-monde, a synopsis of the play by Alexander Dumas (fils)"
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Courtesans : Money, Sex and Fame in the
Nineteenth Century
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The
Courtesans: The Demi-monde in 19th Century France
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349:(1976), the character Lola Devereaux is labeled a
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525:. London: Weidenfeld & Nicolson.
480:William Blatchford (editor) (1983),
47:adding citations to reliable sources
427:Webber, Carolline (19 July 2013).
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219:"déclassée"
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