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of view, in the overall organisation of the different movements or the spatial distribution of the various instruments, but is also apparent in the music itself (themes, harmonies and rhythms mirroring, complementing or opposing each other). According to Stuart
Jefferies, "A passage may be conceived as a symmetrical shape of notes on paper and only later given musical substance. He loves symmetrical musical figures such as palindromes or fan-shaped phrases".
836:), a violin concerto he had commissioned from Dutilleux. According to the composer, it is based on a process of continual growth and renewal: "All in all the piece grows somewhat like a tree, for the constant multiplication and renewal of its branches is the lyrical essence of the tree. This symbolic image, as well as the notion of a seasonal cycle, inspired my choice of 'L'arbre des songes' as the title of the piece."
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1630:"It is especially the ideas of time and memory, more specifically involuntary memory that the internationally acclaimed French composer Henri Dutilleux finds attractive. Dutilleux often refers to Proust's influence on his music. Furthermore, they both believe in direct experience and communication as the essential function of the work of art"
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683:, how a series of subtle and gradual changes can radically transform a structure. A different section of the orchestra dominates each of the first four movements before the fifth brings them all together. As a result, it can be considered as a concerto for orchestra. It quickly achieved celebrity and, following its premiĂšre by
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was ambiguous. While he always paid attention to developments in contemporary music and incorporated some serialist techniques into his work, he also criticized the more radical and intolerant aspects of the movement: "What I reject is the dogma and the authoritarianism which manifested themselves in
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CIRM â Centre
National de CrĂ©ation Musicale, 2006 "Les MĂ©taboles furent commandĂ©es en 1959 par le chef George Szell Ă Henri Dutilleux Ă l'occasion du quarantiĂšme anniversaire de l'Orchestre de Cleveland, qui en assura la crĂ©ation le 14 janvier 1965 sous la direction du commanditaire. L'Ćuvre connut
959:
Dutilleux allowed only a small fraction of his work to be published. He often expressed a wish to write more chamber music, notably a second string quartet, a piece for clarinet and ensemble, one for solo double bass, and more piano préludes. He long considered composing an opera but abandoned that
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that serve as atonal pitch centers; and "reverse variation", whereby a theme is revealed gradually, appearing in its complete form only after a few partial, tentative expositions. His music also displays a strong sense of structure and symmetry. This is particularly obvious from an "external" point
2049:"This modest outputâmodest in quantity, though not in qualityâis nonetheless deceptive. His biographer Caroline Potter reports, 'Dutilleux has said that, contrary to what may be assumed by glancing at his catalogue, he actually writes a great deal, but uses only a small percentage of the material.
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said, "Because
Dutilleux was a perfectionist and self-critical to a fault, his output was small. He wrote barely a dozen major works in his career, destroyed much of his early music and often revised what he had written. His early work was clearly derivative of Ravel, Debussy and Roussel; but his
666:(1959), the orchestra is divided into two groups: a small one at the front with instruments taken from the various sections (brass, woodwind, strings and percussion) and a bigger one at the back consisting of the rest of the orchestra. Although this brings to mind the Baroque
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I always doubt my work. I always have regrets. That's why I revise my work so much and, at the same time, I regret not being more prolific. But the reason I am not more prolific is because I doubt my work and spend a lot of time changing it. It's paradoxical, isn't it?
51:
821:. In this composition, Dutilleux attempted to translate into musical terms the opposition between emptiness and movement the painting conveys. It employs a string section of only lower-register instruments: cellos and basses, no violins or violas.
726:(1976). It consists of seven movements, some of which are linked by short "parentheses". The parentheses' function is to recall material that has already been heard and to introduce fragments that will be fully developed later. It is based on a
1029:
said of
Dutilleux, "His production is rather small but every note has been weighed with golden scales... It's just perfect â very haunting, very beautiful. Thereâs some kind of sadness in his music which I find very touching and arresting."
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commented, "Dutilleux represented a generation of musicians with roots almost back into the 19th century; certainly his music can be seen in a direct line from that of his great predecessors
Debussy and Ravel." In an obituary in
50:
1823:"In the meantime other cellists had Dutilleux's concerto in their repertoire and several other recordings are now available. Tout un monde lointain... is a splendid work and probably one of the composer's finest achievements"
621:, whom he married in 1946. He renounced most of the works he composed before it because he did not believe them to be representative of his mature standards, considering many of them to be too derivative to have merit.
1811:"Tout un monde lointain... un des plus beaux concertos pour violoncelle de la seconde moitié du XXe siÚcle qui... s'est trouvé hissé au premier rang, celui des concertos de Chostakovitch, Penderecki, Britten..."
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paid tribute to him as "one of the very rare contemporary composers" whose music became part of the repertoire in his lifetime, predicting that "is work will remain intensely present after his death".
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described him as "the outstanding French composer between
Messiaen and Boulez", adding that he "achieved a wholly individual synthesis of ear-catching colours and harmonies with formal rigour."
1022:
Several major musicians and conductors championed
Dutilleux's works, notably Stern, Sacher, Mutter, Fleming, Ozawa, Munch, Szell, Rostropovich, Simon Rattle, and the Juilliard String Quartet.
1963:
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670:, the approach is different: in this piece, the smaller ensemble acts as a mirror or ghost of the bigger one, sometimes playing similar or complementary lines, sometimes contrasting ones.
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A perfectionist with a strong sense of artistic integrity, he allowed only a small number of his works to be published; what he did publish he often repeatedly revised. In his own words:
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1499:"This use of pivot chords (or pivot notes) is a constant of Dutilleux's mature style, and provides a point of reference for the listener within an essentially atonal context" (
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781:'s 70th birthday in 1976, on a request by Rostropovich to write compositions for cello solo using his name spelt out in musical notes as the theme eS-A-C-H-E-Re (
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in age, he was little affected by either, though he took an interest in their work. But his voice, marked by sensuously handled harmony and color, was his own."
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1784:"The great Russian cellist Mstislav Rostropovich commissioned Dutilleux to write Tout un monde lointain, now an important work in the cello repertoire."
1618:"Baudelaire's poetry inspired the cello concerto Tout un monde lointain...; all five movements feature a Baudelaire epigraph at the head of the score."
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presenter and critic, recalled in June 2013 an interview with
Dutilleux in which he told Cowan that his personal favourite among his own works was
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2073:"... je voudrais combler les lacunes de mon Ćuvre; ce que je nâai pas fait ou trop peu. Par exemple, jâai peu dâoeuvres de musique de chambre"
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from 1961 to 1970. He was appointed to the staff of the
Conservatoire National Supérieur de Musique in 1970 and was composer-in-residence at
2091:"Classique d'aujourd'hui, blog d'actualité de la musique classique et contemporaine: Le grand compositeur français Henri Dutilleux est mort"
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Dutilleux pushes the boundaries even further than Bartok, making use of all types of symmetry, retrograde (as in the opening of his quartet
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2002:
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later music, though influenced by Bartok and
Stravinsky, was entirely original and often seemedâin its scaleâmore German than French."
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382:. He worked for a year as a medical orderly in the army and returned to Paris in 1940, where he worked as a pianist, arranger and
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644:), keeps its momentum (thirdâ"a continuous melodic line that never goes back on itself"), and finally slowly fades out (fourthâa
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called Dutilleux "the Laura Ashley of music; tasteful, unfaultable, but hardly ever daring ... Personally, I canât stick him."
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always in mind when writing Timbres, espace, mouvement, and later added the title of the painting as a subtitle to his work."
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2540:; Dutilleux, Henri (February 1994). "Progressive Growth: Roger Nichols Talks to Henri Dutilleux about His Life and Music".
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2115:"Nor is the cycle meant as a swan songâthe composer has expressed interest in returning to the string quartet genre" (
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1912:"Correspondances... Je suis heureux que cette Ćuvre soit beaucoup jouĂ©e en ce moment, vingt fois dans le monde!"
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956:(originally for baritone and piano). He played them in a concert at the HĂŽtel de Lauzun in Dutilleux's presence.
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920:, Japan in September 2007. The American premiĂšre of this partial version took place in November 2007 with the
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891:. This work received a very enthusiastic reception and has been programmed several times since its premiĂšre.
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Some of Dutilleux's trademarks include very refined orchestral textures; complex rhythms; a preference for
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BBC Philharmonic website, "Latest Concerts from the Manchester Student Music Network" Saturday 25 November
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movements and has a perfectly symmetrical structure: music slowly emerges from silence (first movementâa
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462:, his wife who died in 2009. His tombstone is made of grey granite and bears the epitaph "Compositeur".
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rapidement la célébrité et fut reprise dans les grandes villes nord-américaines puis en France."
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2381:"Décret du 31 décembre 2003 portant élévation aux dignités de grand'croix et de grand officier"
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762:, extreme registers, contrasting dynamics...), resulting in a difficult, elaborate work.
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2765:
Rae, Caroline. 2000. "Henri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?"
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wrote that "Mr. Dutilleuxâs position in French music was proudly solitary. Between
243:
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777:(1976â1982) for solo cello. The latter was originally composed on the occasion of
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578:. It also shows a concern for the concepts of time and memory, both in its use of
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702:, who commissioned a cello concerto from him. Rostropovich premiĂšred the work,
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2716:. Boston: Boston Symphony Orchestra (29 November) (archive from 19 July 2011).
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352:(harmony and counterpoint, in which he won joint first prize with the cellist
2778:" Brigham Young University Hawaii: Fine Arts website (accessed 19 June 2008).
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Dutilleux's music was influenced by art and literature, such as the works of
148:. Among the leading French composers of his time, his work was rooted in the
2723:. Aldershot (UK) and Brookfield (Vermont, USA): Ashgate Publishing Company.
2502:
Henri Dutilleux, MystĂšre et MĂ©moire des Sons: Entretiens avec Claude Glayman
2481:
Henri Dutilleux: MusicâMystery and Memory: Conversations with Claude Glayman
2334:
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The Marie-Josée Kravis Prize for New Music at the New York Philharmonic 2011
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904:. It consists of four pieces and an instrumental interlude on two poems by
535:. Dutilleux was greatly enamoured of vocalists, especially the jazz singer
242:. In addition to composing, he worked as the Head of Music Production for
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but did not complete his entire residency in Rome due to the outbreak of
17:
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935:. The expanded version was premiered at the Festival dâAuvers-sur-Oise.
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Proust's memory concept in Dutilleux's Sonata for Oboe and Piano (1947)
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637:
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372:
322:
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78:
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712:), in 1970. It is considered one of Dutilleux's major achievements.
144:; 22 January 1916 â 22 May 2013) was a French composer of late
1382:"Dutilleux, Henri (1916â2013) â CimetiĂšres de France et d'ailleurs"
470:
Dutilleux's music extends the legacies of French composers such as
2841:
2834:
2694:"Henri Dutilleux: 'Le Temps l'Horloge,' for Soprano and Orchestra"
2335:"A novelist, a botanist, a TV writer, a missionary and a composer"
1580:
942:
transcribed three of his early vocal works for bassoon and piano:
691:, was performed in several North American cities, then in France.
508:
that period." Dutilleux refused to be associated with any school.
441:
1600:"A great lover of painting, Dutilleux claimed to have van Gogh's
1206:"Henri Dutilleux | Biography, Albums, & Streaming Radio"
2823:
1451:
1449:
1285:
Paul Tortelier: a self-portrait, in conversation with David Blum
512:
397:
from 1945 to 1963. He served as professor of composition at the
3068:
2845:
531:
in the brass section, which seems to indicate the influence of
1038:
931:
In 2010, Dutilleux added a third movement to his chamber work
454:. He died on 22 May 2013 in Paris, aged 97, and was buried in
3476:
1163:
Prix MIDEM Classique de Cannes (for his entire oeuvre) â 2007
1121:
Grand Prix National de Musique (for his entire oeuvre) â 1967
967:
Those who commissioned works from Dutilleux include Szell (
851:(for oboe, harpsichord, double bass and percussion, 1991),
344:. There, between 1933 and 1938, he attended the classes of
2200:"Henri Dutilleux, Leading French composer, Dies at Age 97"
202:
Works were commissioned from him by such major artists as
879:
and orchestra inspired by poems and letters by Van Gogh,
624:
After the Piano Sonata, Dutilleux started working on his
2524:"Henri Dutilleux's Search for Lost Time (and the Clock)"
1577:"Henri Dutilleux â Oeuvre (biography, works, resources)"
3585:
Academic staff of the Ăcole Normale de Musique de Paris
2577:, concerto pour violoncelle en présence du compositeur"
2487:. Aldershot (Hants) and Burlington (Vermont): Ashgate.
719:
for the first time in more than 20 years and wrote the
924:. The complete work was unveiled on 7 May 2009 at the
3418:
809:). He then returned to orchestral works in 1978 with
1995:"Henri Dutilleux fĂȘtĂ© au Festival d'Auvers-sur-Oise"
1964:"" Le Temps l'horloge " de Dutilleux, enfin complet"
1015:
After Dutilleux's death, the composer and conductor
750:. Each movement emphasizes various special effects (
3030:
2998:
2982:
2959:
2927:
2888:
2735:Potter, Caroline (Spring 2006). "Dutilleux at 90".
1717:
Glyn Pursglove, "Concert Review: Dutilleux, Bartok"
446:
The gravestone of Henri Dutilleux and GeneviĂšve Joy
429:, in 2006 he was the 16th composer featured in the
120:
106:
90:
60:
41:
2798:Henri Dutilleux's page at Theodore Presser Company
2593:
1888:"L'arbre des songes, concerto for⊠| Details"
1346:"Le compositeur français Henri Dutilleux est mort"
1169:Honorary Fellowship (for his entire oeuvre) â 2008
765:Dutilleux also published various works for piano (
651:In 1953, Dutilleux wrote the music for the ballet
182:("The tree of dreams"); a string quartet known as
1840:Simon Marin's liner notes (Erato CD 0630-14068-2)
1245:"Henri Dutilleux, Modernist Composer, Dies at 97"
393:Dutilleux worked as Head of Music Production for
3610:International Rostrum of Composers prize-winners
2640:"Om te onthou: Marcel Proust en Henri Dutilleux"
2231:"Henri Dutilleux, French composer, dies aged 97"
1735:
1700:
1487:
1455:
30:"Dutilleux" redirects here. For other uses, see
2831:"Henri Dutilleux (biography, works, resources)"
1677:The Living Composers Project: "Henri Dutilleux"
894:Dutilleux's last major work was the song cycle
595:
301:Henri Dutilleux was born on 22 January 1916 in
3570:Honorary members of the Royal Academy of Music
2177:"Famed French composer Dutilleux dies aged 97"
916:. The first three songs were premiĂšred at the
865:(for violin and orchestra, 2002, dedicated to
715:After the cello concerto, Dutilleux turned to
281:(2005). When describing him, the music critic
3080:
2857:
2661:"Portrait: L'humble fierté d'Henri Dutilleux"
1836:
1834:
1832:
1287:(1 ed.). London: Heinemann. p. 53.
812:Timbres, espace, mouvement ou la nuit etoilée
636:) and builds towards a fast climax (secondâa
511:Dutilleux's music contains distant echoes of
254:, and was twice composer in residence at the
8:
3580:Academic staff of the Conservatoire de Paris
1696:
1694:
1692:
859:(for Rostropovich's 70th birthday, 1997) and
527:. He often calls for Ray Robinson-style cup
317:. He was also a cousin of the mathematician
2439:"Applaudir: Entretien avec Henri Dutilleux"
1851:"Henri Dutilleux : Entree de cristal."
1235:
1233:
1231:
855:(for orchestra and children voices, 1997),
742:âFâGâCâD) that highlights the intervals of
486:. Among his favourite pieces, he mentioned
309:. He was the great-grandson of the painter
252:Conservatoire National Supérieur de Musique
3590:Royal Philharmonic Society Gold Medallists
3087:
3073:
3065:
2864:
2850:
2842:
2479:Dutilleux, Henri; Glayman, Claude (2003).
2074:
1913:
1631:
946:(from the early cycle for voice and piano
847:, string orchestra and percussion, 1989),
695:is one of his most often performed works.
679:for orchestra (1965) explores the idea of
450:For many years, Dutilleux had a studio on
49:
38:
3600:French military personnel of World War II
2571:Peters, Jean-François (10 January 2007).
2084:
2082:
386:. In 1942, he conducted the choir of the
3595:Commanders of the Order of Saint-Charles
2826:Website of the Dutilleux Centenary, 2016
1772:
1375:
1373:
405:in 1995 and 1998. His students included
188:("Thus the night"); and two symphonies:
3489:
3425:
2638:Swart, Bernarda; Spies, Bertha (2007).
2614:10.1093/gmo/9781561592630.article.08428
1924:
1466:
1464:
1436:"'Obsessionnel', the third movement of
1197:
609:List of compositions by Henri Dutilleux
329:, and piano with Victor Gallois at the
270:
1944:from the original on 23 September 2015
1812:
1619:
1607:
1519:
1441:
1180:Marie-Josée Kravis Prize for New Music
1127:(Japan â for his entire oeuvre) â 1994
3615:Ernst von Siemens Music Prize winners
2265:. gramophone.co.uk (22 January 1916).
2097:from the original on 17 November 2015
1974:from the original on 26 February 2023
1894:from the original on 17 November 2015
1824:
1686:(accessed 19 June 2008), paragraph 2.
1644:"Work of the week â Henri Dutilleux:
1418:from the original on 21 December 2021
617:(1946â1948), written for the pianist
139:
7:
3565:Recipients of the Praemium Imperiale
2407:"Dutilleux centenary on BBC Radio 3"
2256:Obituary: Henri Dutilleux â composer
1137:Prix MIDEM Classique de Cannes (for
960:project because he could not find a
938:In 2011, with Dutilleux's approval,
246:for 18 years. He also taught at the
3620:Grand Cross of the Legion of Honour
2721:Henri Dutilleux: His Life and Works
2359:Nomination by Sovereign Ordonnance
2005:from the original on 7 January 2016
1358:from the original on 10 August 2017
1325:from the original on 11 August 2016
3645:21st-century French male musicians
3640:20th-century French male musicians
2466:Dutilleux â Caplet Works for cello
2437:Costantino, CĂ©dric (11 May 2006).
1886:Robert Adelson (5 November 1985).
1787:"London Symphony Orchestra â 2009"
1541:(undated) (accessed 19 June 2008).
1152:Grand-Croix de la LĂ©gion d'honneur
1116:International Rostrum of Composers
478:but is also clearly influenced by
25:
2771:, new series, 212 (April): 22â30.
2659:Wasselin, Christian (July 2007).
2341:from the original on 22 June 2013
1550:Jeffries, Stuart. 28 April 2005.
1257:from the original on 24 July 2020
1216:from the original on 16 July 2013
1144:France : Grand'Croix of the
515:, as can be heard in the plucked
399:Ăcole Normale de Musique de Paris
248:Ăcole Normale de Musique de Paris
3625:Burials at Montparnasse Cemetery
3550:21st-century classical composers
3545:20th-century classical composers
3492:
3464:
3452:
3440:
3428:
3050:
3049:
2462:Culot, Hubert (September 2008).
2413:from the original on 14 May 2016
2315:from the original on 23 May 2013
2237:from the original on 23 May 2013
2210:from the original on 22 May 2020
2157:from the original on 12 May 2015
2027:. Pascal Gallois. Archived from
1993:Paulino, Romain (27 June 2010).
1392:from the original on 3 July 2017
1344:Pierre Gervasoni (22 May 2013).
839:Dutilleux's later works include
613:Dutilleux numbered as Op. 1 his
519:strings at the beginning of his
3540:French male classical composers
2812:on The Living Composers Project
2644:Tydskrif vir Geesteswetenskappe
2153:. Altamusica.com. 23 May 2013.
1589:(1974â76) or in mirror symmetry
1130:Monaco : Commander of the
900:, written for American soprano
775:3 strophes sur le nom de Sacher
1715:Seen and Heard International:
1160:(for his entire oeuvre) â 2005
918:Saito Kinen Festival Matsumoto
175:("A whole distant world") and
1:
3635:21st-century French composers
3630:20th-century French composers
3575:Conservatoire de Paris alumni
3096:Ernst von Siemens Music Prize
1938:"The Classical Music Network"
1158:Ernst von Siemens Music Prize
313:and grandson of the composer
279:Ernst von Siemens Music Prize
3560:Prix de Rome for composition
2974:Sonatine for Flute and Piano
2650:(2): 243â258. Archived from
2631:UK public library membership
2089:Bruno Serrou (22 May 2013).
1736:Dutilleux & Glayman 2003
1701:Dutilleux & Glayman 2003
1488:Dutilleux & Glayman 2003
1456:Nichols & Dutilleux 1994
698:In the 1960s, Dutilleux met
628:(1951). It consists of four
146:20th-century classical music
3014:Deux sonnets de Jean Cassou
2229:Tom Service (22 May 2013).
2151:"La Chronique d'Altamusica"
2093:. Brunoserrou.blogspot.be.
1118:(for Symphony No. 1) â 1955
1025:The conductor and composer
953:Deux sonnets de Jean Cassou
133:Henri Paul Julien Dutilleux
65:Henri Paul Julien Dutilleux
27:French composer (1916â2013)
3661:
3605:Pupils of Maurice Emmanuel
3535:French classical composers
2918:Timbres, espace, mouvement
2592:Potter, Caroline (2013) .
2575:Tout un monde lointain...
2499:. Originally published as
2337:. bbc.co.uk. 9 June 2013.
2275:"Henri Dutilleux obituary"
2198:Brian Wise (22 May 2013).
1313:"Henri Dutilleux obituary"
1174:Royal Philharmonic Society
977:Timbres, espace, mouvement
926:Théùtre des Champs-Elysées
606:
29:
3102:
3046:
2950:Tout un monde lointain...
2879:
2833:(in French and English).
1579:(in French and English).
1557:24 September 2016 at the
922:Boston Symphony Orchestra
869:). In 2003, he completed
815:, inspired by Van Gogh's
172:Tout un monde lointain...
48:
3143:Dietrich Fischer-Dieskau
2719:Potter, Caroline. 1997.
2504:. Paris: Belfond. 1993.
1722:29 November 2014 at the
1632:Swart & Spies (2007)
1440:, uses a note row. ..."
710:A whole distant world...
523:and his frequent use of
216:Juilliard String Quartet
3555:French ballet composers
2606:Oxford University Press
2361:n° 13454 of 13 May 1998
1386:www.landrucimetieres.fr
1380:Sarka-SPIP, Collectif.
973:Tout un monde lointainâŠ
705:Tout un monde lointainâŠ
458:, in the same grave as
431:Rheingau Musik Festival
340:before leaving for the
269:Among Dutilleux's many
256:Tanglewood Music Center
2472:MusicWeb International
2366:7 January 2016 at the
2280:11 August 2016 at the
2060:22 August 2013 at the
1763:, accessed 26 May 2013
1726:, accessed 26 May 2013
1506:7 January 2016 at the
1412:"Mezzo Voce interview"
1132:Order of Saint-Charles
1093:Tout un monde lointain
964:that appealed to him.
889:Aleksandr Solzhenitsyn
600:
582:(notably from BartĂłk,
447:
342:Conservatoire de Paris
3530:Musicians from Angers
3481:at Knowledge (XXG)'s
3365:Pierre-Laurent Aimard
3179:Karlheinz Stockhausen
3119:Mstislav Rostropovich
1414:. Youtube.com. 2010.
881:Prithwindra Mukherjee
771:Figures de résonances
700:Mstislav Rostropovich
603:Compositional history
539:and the great French
456:Montparnasse Cemetery
445:
212:Mstislav Rostropovich
3353:Christoph Eschenbach
3275:Nikolaus Harnoncourt
3215:H. C. Robbins Landon
2882:List of compositions
2803:27 June 2015 at the
2774:Swart, Bernarda. . "
2522:(30 November 2007).
2261:17 June 2013 at the
1759:21 July 2011 at the
944:Regards sur l'Infini
841:MystĂšre de l'instant
805:is D in French; see
646:theme and variations
503:His attitude toward
497:Pelléas et Mélisande
492:late string quartets
466:Influences and style
364:(history of music).
141:[ÉÌÊidytijĂž]
125:List of compositions
3233:Harrison Birtwistle
3125:Herbert von Karajan
2824:Dutilleux Centenary
2691:May, Thomas. 2007.
2587:on 3 December 2013.
2449:on 25 November 2008
2309:The Daily Telegraph
2031:on 17 November 2015
1940:. ConcertoNet.com.
1793:on 20 December 2010
1658:on 19 December 2014
1552:"Contentious, moi?"
1490:, pp. 110â111.
1475:9 June 2011 at the
1311:(21 January 2013).
1139:The Shadows of Time
1072:The Daily Telegraph
1066:The Daily Telegraph
1017:Laurent Petitgirard
1001:The Shadows of Time
875:, a song cycle for
853:The Shadows of Time
689:Cleveland Orchestra
331:Douai Conservatoire
32:Dutilleux (surname)
3311:Anne-Sophie Mutter
3269:Reinhold Brinkmann
3161:Witold LutosĆawski
3038:Constant Dutilleux
3021:Le temps l'horloge
2943:Sur le mĂȘme accord
2936:L'arbre des songes
2654:on 26 August 2009.
2601:Grove Music Online
2595:"Dutilleux, Henri"
2573:"Henri Dutilleux,
2294:(22 January 1916).
1682:9 May 2006 at the
1646:Le temps l'horloge
1250:The New York Times
1172:Gold Medal of the
1167:Cardiff University
1148:(31 December 2003)
1125:Praemium Imperiale
1105:Grand Prix de Rome
1099:Awards and honours
1005:Le temps l'horloge
985:Sur le mĂȘme accord
981:L'arbre des songes
914:Charles Baudelaire
897:Le temps l'horloge
885:Rainer Maria Rilke
867:Anne-Sophie Mutter
862:Sur le mĂȘme accord
834:The Tree of Dreams
830:L'arbre des songes
572:Charles Baudelaire
525:syncopated rhythms
448:
436:KomponistenportrÀt
367:Dutilleux won the
360:(composition) and
311:Constant Dutilleux
275:Grand Prix de Rome
271:awards and honours
228:Anne-Sophie Mutter
179:L'arbre des songes
3416:
3415:
3305:Brian Ferneyhough
3245:Helmut Lachenmann
3203:Hans Werner Henze
3185:Leonard Bernstein
3062:
3061:
2738:The Musical Times
2629:(subscription or
2623:978-1-56159-263-0
2581:Classiquenews.com
2543:The Musical Times
2443:Classiquenews.com
2305:"Henri Dutilleux"
2075:Costantino (2006)
1914:Costantino (2006)
1575:Jacques Amblard.
1537:3 August 2012 at
1107:(for his cantata
1027:Esa-Pekka Salonen
971:), Rostropovich (
319:Jean-Louis Koszul
130:
129:
55:Dutilleux in 2004
16:(Redirected from
3652:
3505:
3497:
3496:
3495:
3485:
3469:
3468:
3467:
3457:
3456:
3455:
3445:
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3433:
3432:
3431:
3424:
3389:Georges Aperghis
3383:Tabea Zimmermann
3377:Rebecca Saunders
3299:Daniel Barenboim
3239:Maurizio Pollini
3113:Olivier Messiaen
3107:Benjamin Britten
3089:
3082:
3075:
3066:
3053:
3052:
2901:Symphony No. 2 (
2866:
2859:
2852:
2843:
2838:
2762:
2751:10.2307/25434358
2715:
2713:
2711:
2705:
2699:. Archived from
2698:
2680:
2678:
2676:
2667:. Archived from
2655:
2634:
2627:
2597:
2588:
2583:. Archived from
2567:
2533:
2529:The Boston Globe
2515:
2498:
2483:. Translated by
2475:
2458:
2456:
2454:
2445:. Archived from
2423:
2422:
2420:
2418:
2403:
2397:
2396:
2394:
2392:
2387:on 6 August 2016
2383:. Archived from
2377:
2371:
2357:
2351:
2350:
2348:
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2325:
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2173:
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2147:
2141:
2139:
2137:
2135:
2129:
2123:. Archived from
2122:
2113:
2107:
2106:
2104:
2102:
2086:
2077:
2071:
2065:
2052:
2047:
2041:
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2025:"Pascal Gallois"
2021:
2015:
2014:
2012:
2010:
1990:
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1954:
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1910:
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1877:
1876:
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1872:
1866:
1860:. Archived from
1855:
1847:
1841:
1838:
1827:
1821:
1815:
1809:
1803:
1802:
1800:
1798:
1789:. Archived from
1782:
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1743:
1733:
1727:
1713:
1707:
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1687:
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1654:. Archived from
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1202:
1146:LĂ©gion d'honneur
1076:
991:(Symphony No. 2
818:The Starry Night
807:Sacher hexachord
800:
799:
790:
789:
741:
740:
735:
734:
584:Benjamin Britten
568:Vincent van Gogh
371:in 1938 for his
362:Maurice Emmanuel
339:
287:Olivier Messiaen
168:; concertos for
143:
138:
97:
74:
72:
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39:
21:
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3508:
3498:
3493:
3491:
3488:
3484:sister projects
3483:
3479:Henri Dutilleux
3475:
3465:
3463:
3453:
3451:
3447:Classical music
3441:
3439:
3429:
3427:
3419:
3417:
3412:
3401:George Benjamin
3335:Friedrich Cerha
3329:Aribert Reimann
3293:Henri Dutilleux
3257:Arditti Quartet
3098:
3093:
3063:
3058:
3042:
3026:
3007:Correspondances
2994:
2978:
2955:
2923:
2884:
2875:
2873:Henri Dutilleux
2870:
2829:
2816:Henri Dutilleux
2810:Henri Dutilleux
2805:Wayback Machine
2789:Henri Dutilleux
2785:
2745:(1894): 51â58.
2734:
2709:
2707:
2706:on 19 July 2011
2703:
2696:
2692:
2688:
2686:Further reading
2683:
2674:
2672:
2671:on 16 July 2011
2665:Scenes Magazine
2658:
2637:
2628:
2624:
2591:
2570:
2556:10.2307/1002977
2550:(1812): 87â90.
2536:
2520:Eichler, Jeremy
2518:
2512:
2500:
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2368:Wayback Machine
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2311:. 22 May 2013.
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2130:on 19 July 2011
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2062:Wayback Machine
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1603:La Nuit étoilée
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1281:Tortelier, Paul
1275:
1274:
1270:
1260:
1258:
1243:(23 May 2013).
1239:
1238:
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1219:
1217:
1204:
1203:
1199:
1194:
1189:
1109:L'Anneau du Roi
1101:
1074:
1044:An obituary in
1013:
948:Quatre mélodies
872:Correspondances
857:Slava's Fanfare
801:in German, and
797:
796:
787:
786:
738:
737:
732:
731:
673:His next work,
668:concerto grosso
660:Second Symphony
611:
605:
484:Igor Stravinsky
468:
452:Ăle Saint-Louis
423:Kenneth Hesketh
376:L'anneau du roi
333:
299:
277:(1938) and the
150:Impressionistic
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75:22 January 1916
70:
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3209:Heinz Holliger
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3173:Andrés Segovia
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3149:Elliott Carter
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1867:on 9 June 2017
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1079:Philip Hensher
1037:wrote for the
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940:Pascal Gallois
721:string quartet
655:("The Wolf").
626:First Symphony
604:
601:
533:big band music
521:First Symphony
494:and Debussy's
467:
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354:Paul Tortelier
307:Maine-et-Loire
298:
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283:Paul Griffiths
162:Flute Sonatine
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3396:
3395:Olga Neuwirth
3393:
3390:
3387:
3384:
3381:
3378:
3375:
3372:
3369:
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3363:
3360:
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3327:
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3315:
3312:
3309:
3306:
3303:
3300:
3297:
3294:
3291:
3288:
3285:
3282:
3281:Wolfgang Rihm
3279:
3276:
3273:
3270:
3267:
3264:
3261:
3258:
3255:
3252:
3251:György Kurtåg
3249:
3246:
3243:
3240:
3237:
3234:
3231:
3228:
3225:
3222:
3221:György Ligeti
3219:
3216:
3213:
3210:
3207:
3204:
3201:
3198:
3197:Luciano Berio
3195:
3192:
3189:
3186:
3183:
3180:
3177:
3174:
3171:
3168:
3165:
3162:
3159:
3156:
3153:
3150:
3147:
3144:
3141:
3138:
3137:Pierre Boulez
3135:
3132:
3131:Rudolf Serkin
3129:
3126:
3123:
3120:
3117:
3114:
3111:
3108:
3105:
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3101:
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3001:
2997:
2991:
2988:
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2970:
2969:
2968:Ainsi la nuit
2965:
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2513:
2511:2-7144-2971-8
2507:
2503:
2496:
2494:0-7546-0899-9
2490:
2486:
2485:Roger Nichols
2482:
2477:
2473:
2469:
2467:
2460:
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2297:
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2287:
2286:Roger Nichols
2283:
2279:
2276:
2271:
2268:
2264:
2260:
2257:
2252:
2249:
2236:
2233:. bbc.co.uk.
2232:
2225:
2222:
2209:
2205:
2201:
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2191:
2178:
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2169:
2156:
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2126:
2119:
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2109:
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2076:
2070:
2067:
2063:
2059:
2056:
2046:
2043:
2030:
2026:
2020:
2017:
2004:
2000:
1996:
1989:
1986:
1973:
1969:
1965:
1959:
1956:
1943:
1939:
1933:
1930:
1926:
1921:
1918:
1915:
1909:
1906:
1893:
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1859:
1852:
1846:
1843:
1837:
1835:
1833:
1829:
1826:
1820:
1817:
1814:
1813:Peters (2007)
1808:
1805:
1792:
1788:
1781:
1778:
1774:
1773:Wasselin 2007
1769:
1766:
1762:
1758:
1755:
1748:
1745:
1741:
1737:
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1725:
1721:
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1597:
1594:
1590:
1588:
1587:Ainsi la nuit
1582:
1578:
1571:
1568:
1565:
1564:
1560:
1556:
1553:
1547:
1544:
1540:
1539:archive.today
1536:
1533:
1528:
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1521:
1516:
1513:
1509:
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1502:
1496:
1493:
1489:
1484:
1481:
1478:
1474:
1471:
1467:
1465:
1461:
1458:, p. 87.
1457:
1452:
1450:
1446:
1443:
1442:Potter (2013)
1439:
1433:
1430:
1417:
1413:
1407:
1404:
1391:
1387:
1383:
1376:
1374:
1370:
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1353:
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1340:
1337:
1324:
1320:
1319:
1314:
1310:
1309:Roger Nichols
1304:
1301:
1296:
1294:0-434-78860-0
1290:
1286:
1282:
1278:
1272:
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1256:
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1143:
1140:
1136:
1134:(13 May 1998)
1133:
1129:
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1123:
1120:
1117:
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1106:
1103:
1102:
1098:
1096:
1094:
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1073:
1068:
1067:
1062:
1060:
1059:Roger Nichols
1056:
1055:
1049:
1048:
1042:
1040:
1036:
1031:
1028:
1023:
1020:
1018:
1010:
1008:
1006:
1002:
998:
994:
990:
989:Charles Munch
986:
982:
978:
974:
970:
965:
963:
957:
955:
954:
949:
945:
941:
936:
934:
933:Les citations
929:
927:
923:
919:
915:
911:
910:Robert Desnos
907:
903:
902:Renée Fleming
899:
898:
892:
890:
886:
882:
878:
874:
873:
868:
864:
863:
858:
854:
850:
849:Les Citations
846:
842:
837:
835:
831:
827:
822:
820:
819:
814:
813:
808:
804:
794:
784:
780:
776:
772:
768:
763:
761:
757:
753:
749:
745:
729:
725:
724:Ainsi la nuit
722:
718:
717:chamber music
713:
711:
707:
706:
701:
696:
694:
690:
686:
682:
681:metamorphosis
678:
677:
671:
669:
665:
661:
656:
654:
649:
647:
643:
642:moto perpetuo
639:
635:
631:
627:
622:
620:
619:GeneviĂšve Joy
616:
610:
602:
599:
594:
591:
589:
585:
581:
577:
576:Marcel Proust
573:
569:
564:
561:
558:; the use of
557:
553:
549:
544:
542:
538:
537:Sarah Vaughan
534:
530:
526:
522:
518:
514:
509:
506:
501:
499:
498:
493:
489:
485:
481:
477:
473:
465:
463:
461:
457:
453:
444:
440:
438:
437:
432:
428:
425:. Invited by
424:
420:
416:
412:
411:Francis Bayer
408:
407:GĂ©rard Grisey
404:
400:
396:
391:
389:
385:
384:music teacher
381:
377:
374:
370:
365:
363:
359:
355:
351:
347:
343:
337:
332:
328:
324:
321:. He studied
320:
316:
315:Julien Koszul
312:
308:
304:
296:
294:
292:
291:Pierre Boulez
288:
284:
280:
276:
272:
267:
265:
264:Massachusetts
261:
257:
253:
249:
245:
241:
237:
236:Renée Fleming
233:
229:
225:
221:
217:
213:
209:
205:
204:Charles Munch
200:
198:
197:
191:
187:
186:
185:Ainsi la nuit
181:
180:
174:
173:
167:
163:
159:
155:
151:
147:
142:
134:
126:
123:
119:
112:
111:
109:
105:
101:Paris, France
93:
89:
84:
80:
63:
59:
52:
47:
40:
37:
33:
19:
3504:from Commons
3499:
3478:
3292:
3155:Gidon Kremer
3048:
3019:
3012:
3005:
2990:Piano Sonata
2966:
2948:
2941:
2934:
2916:
2909:
2902:
2872:
2819:Schott Music
2766:
2742:
2736:
2720:
2708:. Retrieved
2701:the original
2673:. Retrieved
2669:the original
2664:
2652:the original
2647:
2643:
2599:
2585:the original
2580:
2574:
2547:
2541:
2527:
2501:
2480:
2471:
2465:
2451:. Retrieved
2447:the original
2442:
2415:. Retrieved
2401:
2389:. Retrieved
2385:the original
2375:
2355:
2343:. Retrieved
2329:
2317:. Retrieved
2308:
2299:
2291:The Guardian
2289:
2270:
2251:
2239:. Retrieved
2224:
2212:. Retrieved
2193:
2181:. Retrieved
2171:
2159:. Retrieved
2145:
2132:. Retrieved
2125:the original
2111:
2099:. Retrieved
2069:
2045:
2033:. Retrieved
2029:the original
2019:
2007:. Retrieved
1998:
1988:
1976:. Retrieved
1967:
1958:
1946:. Retrieved
1932:
1925:Eichler 2007
1920:
1908:
1896:. Retrieved
1890:. AllMusic.
1881:
1869:. Retrieved
1862:the original
1858:Symetrie.com
1857:
1845:
1825:Culot (2008)
1819:
1807:
1795:. Retrieved
1791:the original
1780:
1768:
1747:
1731:
1711:
1672:
1660:. Retrieved
1656:the original
1652:Schott Music
1645:
1638:
1626:
1614:
1601:
1596:
1586:
1584:
1570:
1563:The Guardian
1561:
1546:
1527:
1515:
1495:
1483:
1437:
1432:
1420:. Retrieved
1406:
1394:. Retrieved
1385:
1360:. Retrieved
1349:
1339:
1327:. Retrieved
1318:The Guardian
1316:
1303:
1284:
1271:
1259:. Retrieved
1248:
1218:. Retrieved
1200:
1138:
1108:
1092:
1083:
1071:
1064:
1063:
1054:The Guardian
1052:
1045:
1043:
1032:
1024:
1021:
1014:
1004:
1000:
992:
984:
980:
976:
972:
968:
966:
958:
951:
947:
943:
937:
932:
930:
906:Jean Tardieu
895:
893:
870:
860:
856:
852:
848:
840:
838:
833:
829:
823:
816:
810:
802:
792:
782:
774:
770:
766:
764:
748:major second
723:
714:
709:
703:
697:
692:
685:George Szell
674:
672:
663:
657:
652:
650:
630:monothematic
623:
615:Piano Sonata
612:
596:
592:
565:
560:pedal points
545:
510:
502:
495:
469:
449:
434:
419:Jacques HĂ©tu
415:Alain Gagnon
395:Radio France
392:
380:World War II
375:
369:Prix de Rome
366:
358:Henri BĂŒsser
327:counterpoint
300:
268:
244:Radio France
232:Simon Rattle
208:George Szell
201:
195:
190:No. 1 (1951)
183:
178:
171:
166:Piano Sonata
132:
131:
96:(2013-05-22)
36:
3525:2013 deaths
3520:1916 births
3371:Beat Furrer
3359:Per NÞrgÄrd
3347:Peter GĂŒlke
3317:Klaus Huber
2999:Vocal music
2983:Piano music
2928:Concertante
2464:"CD Review
2161:16 November
2101:16 November
2035:16 November
1978:16 November
1948:16 November
1898:16 November
1871:25 November
1738:, pp.
1703:, pp.
1662:16 November
1620:Potter 2013
1608:Potter 2013
1520:Potter 2013
1501:Potter 2007
1422:16 November
1329:16 November
1277:Blum, David
1220:16 November
1089:BBC Radio 3
1035:Tom Service
1033:The critic
997:Seiji Ozawa
983:), Mutter (
912:and one by
826:Isaac Stern
791:in German,
779:Paul Sacher
634:passacaglia
588:Jehan Alain
517:double bass
480:BĂ©la BartĂłk
427:Walter Fink
388:Paris Opera
350:Noël Gallon
334: [
250:and at the
240:Seiji Ozawa
224:Paul Sacher
220:Isaac Stern
94:22 May 2013
3514:Categories
3407:Unsuk Chin
2889:Orchestral
2604:. Oxford:
2118:"May 2007"
1187:References
1047:Gramophone
979:), Stern (
928:in Paris.
828:premiered
767:3 Préludes
607:See also:
580:quotations
433:'s annual
403:Tanglewood
107:Occupation
71:1916-01-22
3435:Biography
2911:MĂ©taboles
2903:le Double
2675:26 August
2633:required)
1999:ResMusica
1754:MĂ©taboles
1438:MĂ©taboles
1192:Citations
1114:UNESCO's
1085:Rob Cowan
1077:s critic
993:Le double
969:MĂ©taboles
908:, one by
824:In 1985,
760:harmonics
756:glissandi
752:pizzicato
728:hexachord
693:MĂ©taboles
676:MĂ©taboles
664:Le double
662:, titled
548:atonality
543:singers.
505:serialism
488:Beethoven
460:GeneviĂšve
273:were the
199:(1959).
196:Le Double
152:style of
18:Dutilleux
3055:Category
2801:Archived
2759:25434358
2710:14 April
2411:Archived
2370:(French)
2364:Archived
2339:Archived
2313:Archived
2278:Archived
2259:Archived
2235:Archived
2208:Archived
2155:Archived
2134:14 April
2095:Archived
2058:Archived
2003:Archived
1972:Archived
1968:Le Monde
1942:Archived
1892:Archived
1757:Archived
1720:Archived
1680:Archived
1555:Archived
1535:Archived
1504:Archived
1473:Archived
1416:Archived
1390:Archived
1356:Archived
1351:Le Monde
1323:Archived
1283:(1984).
1255:Archived
1214:Archived
1210:AllMusic
1141:) â 1999
1111:) â 1938
962:libretto
845:cymbalum
798:♮
788:♭
739:♯
733:♯
687:and the
556:tonality
552:modality
177:violin,
113:Composer
85:, France
3421:Portals
3031:Related
2960:Chamber
2564:1002977
2453:19 June
2430:Sources
2417:11 June
1396:11 June
995:), and
877:soprano
658:In his
653:Le loup
638:scherzo
541:chanson
472:Debussy
373:cantata
323:harmony
170:cello,
154:Debussy
137:French:
3459:France
3409:(2024)
3403:(2023)
3397:(2022)
3391:(2021)
3385:(2020)
3379:(2019)
3373:(2018)
3367:(2017)
3361:(2016)
3355:(2015)
3349:(2014)
3343:(2013)
3337:(2012)
3331:(2011)
3325:(2010)
3319:(2009)
3313:(2008)
3307:(2007)
3301:(2005)
3295:(2004)
3289:(2004)
3283:(2002)
3277:(2002)
3271:(2001)
3265:(2000)
3259:(1999)
3253:(1998)
3247:(1997)
3241:(1996)
3235:(1995)
3229:(1994)
3223:(1993)
3217:(1992)
3211:(1991)
3205:(1990)
3199:(1989)
3193:(1988)
3187:(1987)
3181:(1986)
3175:(1985)
3169:(1984)
3163:(1983)
3157:(1982)
3151:(1981)
3145:(1980)
3139:(1979)
3133:(1978)
3127:(1977)
3121:(1976)
3115:(1975)
3109:(1974)
2757:
2727:
2620:
2562:
2508:
2491:
2391:8 June
2345:9 June
2319:23 May
2241:22 May
2214:23 May
2183:22 May
2179:. 2013
2009:26 May
1797:1 July
1510:, 53).
1362:22 May
1291:
1261:24 May
1182:â 2011
1176:â 2008
1154:â 2004
1087:, the
1011:Legacy
950:) and
887:, and
773:) and
586:, and
421:, and
303:Angers
238:, and
214:, the
194:No. 2
79:Angers
3501:Media
3471:Music
2835:IRCAM
2768:Tempo
2755:JSTOR
2704:(PDF)
2697:(PDF)
2560:JSTOR
2128:(PDF)
2121:(PDF)
1865:(PDF)
1854:(PDF)
1705:33â34
1581:IRCAM
1095:....
1075:'
843:(for
744:fifth
554:over
529:mutes
476:Ravel
338:]
260:Lenox
158:Ravel
121:Works
2793:IMDb
2725:ISBN
2712:2009
2677:2008
2618:ISBN
2506:ISBN
2489:ISBN
2455:2008
2419:2017
2393:2016
2347:2013
2321:2013
2243:2013
2216:2013
2204:WQXR
2185:2013
2163:2015
2136:2009
2103:2015
2037:2015
2011:2013
1980:2015
1950:2015
1900:2015
1873:2017
1799:2013
1664:2015
1424:2015
1398:2017
1364:2013
1331:2015
1289:ISBN
1263:2013
1222:2015
1003:and
975:and
795:is B
785:is E
746:and
640:and
574:and
550:and
513:jazz
482:and
474:and
348:and
346:Jean
297:Life
289:and
192:and
164:and
156:and
91:Died
61:Born
2791:at
2747:doi
2743:147
2610:doi
2552:doi
2548:135
2284:by
2053:" (
1039:BBC
1007:).
987:),
648:).
490:'s
356:),
258:in
3516::
2753:.
2741:.
2663:.
2648:47
2646:.
2642:.
2616:.
2608:.
2598:.
2579:.
2558:.
2546:.
2526:.
2470:.
2441:.
2409:.
2307:.
2288:,
2206:.
2202:.
2081:^
2001:.
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