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heritageâ. The protagonist finds herself rooted by her up upbringing as a
Chicana, but it is the way in which Cervantes presents this upbringing that reconstructs the identity of a Chicana protagonist. She adopts a strength typically associated with masculine characters. Reviewer Thelma T. Renya speaks of this strength in discussing the poem, âFor Virginia Chavez,â when the protagonist's childhood friend has been beaten by her husband. Renya notes that is femininity and female relationships that emit strength. She writes, âit is the inner strength and solidarity of women that help them prevailâ.
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woman in
Chicano/a literature, allowing for the protagonist to assume the place and course of action of a male character in Chicano literature. Seator writes, âher loss of virginity and so of innocence is not the end of her as a viable human being. The author does not, as so many authors before her, do away with the female victim. The poet is determined that she as protagonist live. Loss of innocence is for her, as it has always been for the young male coming of age, a beginning.â
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find strength for the protagonist in her use of language. Seator writes, âLanguage is the linear progression of her history giving her more than a possibility of being. Language is a way of becoming." While other critics find it to be a subjugator, âThe worst tool of oppression, in
Emplumada, appears to be language,â writes Scheidegger. She attributes language to âtraumatic memoriesâ and cites the protagonist's lack of words, manifested in intralinear spaces.
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In the poems âLots: Iâ and âLots: IIâ, Cervantes directly addresses the topic of rape. âIn âLots: Iâ fights off a rapist...in the succeeding poem, âLots: IIâ she is the victim of rapeâ. Seator attributes the sequential arrangement to
Cervantesâ desire to overturn the typical trajectory for a Chicana
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Language becomes a source of both vigor and fragility, in that it grants her the ability to communicate, but it also connects her to her
Chicana identity. This duality of language finds its crest in the poems âBarco de refugiadosâ and âRefugee Shipâ which exist side by side in the work. Some critics
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extaled, âThroughout
Cervantesâ book there is the sense that an enormous but generally neglected audience being addressed. The Chicana experience, the long-suppressed voices struggling with racism, sexism, poverty, drug abuse, sexual abuse, is formed into a volume of linguistically rich outcries."
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The work is split into three sections, with the first moving through the protagonist's childhood, the second and third moving through the protagonist's young adulthood and adulthood in the
Mexican barrio of San Jose, California. The subject of the work, a 27-year-old Latina woman seems to appear
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A source of tension for
Cervantesâ protagonist emanates from her Chicana identity. âThese are poems about the experience of growing up Chicana, poems that break away from old stereotypes rooted in the Mexican tradition and wrapped in the myths and the realities of both the Spanish and the Indian
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Cervantes read one poem from her collection, âRefugee shipâ at the Quinto
Festival de los Teatros Chicanos in 1974. She had travelled to Mexico City with her brother, who was performing at the festival with the Theater of the People of San Jose and was asked to do a reading. Her performance was
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as she is coming of age. As
Lynette Seator writes in her analysis of the work, âThe poems of Emplumada tell the story of Cervantes' life, her life as it was given to her and as she learned to live it, taking into herself what was good and turning the bad into a comprehension of social contextâ.
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The collection is somewhat autobiographical. Lorna Dee Cervantes draws heavily from her own personal experiences and her family history. This has caused some friction with members of her family, such as her uncle, who refused to speak to her for many years after
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consistently throughout the thirty-nine poems. Sometimes, she appears in the first person, while still other times she appears through an omniscient narrator Seator describes the structure of the poetry as, âan episodic progression through timeâ.
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The poem "Meeting Mescalito at Oak Hill Cemetery" alludes to abuse. The poem describes the life of a sixteen-year-old girl trying to escape an abusive household. She refers to an abusive stepfather in the lines
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was praised for its ability to represent experiences common to Chicano/a readers while resonating with a universal audience. Reviewers raved over Cervantesâ ability to capture an underrepresented group.
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In the very first poem, âUncleâs First Rabbit,â Cervantes introduces the image of the Uncle, at around ten years old, seeing his father kick his pregnant mother, until his baby sister is born dead.
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The cycle of abuse continues, as the Uncle adopts similar behavior. Cervantes writes that the Uncle "finds himself slugging the bloodied face of his wifeâ
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offers a number of troubled and delicate portraits of a womanâs world and how that antipatriarchal world has come to have meaning.â
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circulated mostly in Chicana magazines. The American Book Award, however, opened the text up to much broader attention.
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Revista Chicano-Requeñ'a" wrote âNo book has so carefully elucidated what living as a Chicana in the West meansâŠ
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was published. Cervantesâ personal experiences with racism, sexism, and classism appear constantly in her work.
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Schieddegger, Erika (2006). "Poetry as mother tongue?: Lorna Dee Cervantes's Emplumada".
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Cervantesâ first full collection of poetry illustrates the unique experience of a
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1887:(2. print. ed.). Pittsburgh, PA: University of Pittsburgh Press.
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Lorna Dee Cervantes is hailed as a leader of Chicano/a literature.
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was awarded the American Book Award. When it was first published,
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1854:"Latinopia Book Review "Emplumada" By Lorna Dee Cervantes"
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Addiego, John (1981). "Chicano Poetry: Five New Books".
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SaldĂvar, JosĂ© David (1984). "Emplumada book review".
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SPELL: Swiss Papers in English Language and Literature
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The collection was well received by critics. In 1982,
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Seator, Lynette (1984). "Chicana Rites-of-Passage".
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1946:. Pittsburgh: University of Pittsburgh.
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2069:American Book Award-winning works
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1958:"Lorna Dee Cervantes Biography"
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204:California agricultural strikes
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1631:. It was published in 1981 by
779:From This Wicked Patch of Dust
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1938:Cervantes, Lorna Dee (1981).
1879:Cervantes, Lorna Dee (1981).
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374:Occupation of Catalina Island
1672:like his dead baby sisterâs,
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1195:Self Help Graphics & Art
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793:The Dirty Girls Social Club
166:Treaty of Guadalupe Hidalgo
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1669:â...remembering that voice
992:This Bridge Called My Back
738:Who Would Have Thought It?
1983:. University of Minnesota
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1228:Great Wall of Los Angeles
800:The House on Mango Street
652:Mexican-American folklore
384:Plan Espiritual de AztlĂĄn
209:Cantaloupe strike of 1928
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985:The Church in the Barrio
845:Poetry and Short Stories
581:Mexican-American cuisine
422:1985â1987 cannery strike
2004:Revista Chicano-Riqueña
1313:Flores-Figueroa v. U.S.
1157:Royal Chicano Air Force
1016:Coyolxauhqui imperative
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1137:East Los Streetscapers
876:Pensamiento Serpentino
466:Great American Boycott
344:Las Adelitas de AztlĂĄn
314:Conferencia de Mujeres
102:Anti-Mexican sentiment
1981:"Lorna Dee Cervantes"
1690:"...locked my bedroom
1370:Madrigal v. Quilligan
1327:Mendez v. Westminster
1264:Botiller v. Dominguez
1056:Youth control complex
432:2019 El Paso shooting
389:Plan de Santa BĂĄrbara
284:CatĂłlicos por La Raza
214:Citrus Strike of 1936
156:San Elizario Salt War
127:Early-American Period
1925:10.5169/seals-100045
1320:Leal Garcia v. Texas
942:MAS Programs, Tucson
731:Living Up the Street
483:Justice for Janitors
349:Los Siete de la Raza
304:Colegio CĂ©sar ChĂĄvez
224:Mexican Repatriation
175:Pre-Chicano Movement
146:MexicanâAmerican War
1960:. Poetry Foundation
1725:Publication history
1629:Lorna Dee Cervantes
1359:Federal Court cases
1253:Supreme Court cases
571:New Mexican cuisine
533:Abrazos, no balazos
454:Chicano Art Exhibit
427:1992 Drywall Strike
413:Post-Chicano Period
404:United Farm Workers
354:Los Seis de Boulder
339:Land grant struggle
329:Hijas de Cuauhtémoc
244:Sleepy Lagoon trial
19:Part of a series on
1395:Population by City
1271:Hernandez v. Texas
1180:GalerĂa de la Raza
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324:East L.A. walkouts
299:Chicano Moratorium
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1529:Chicano poets
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1524:Chicano films
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1036:New tribalism
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1011:Barrioization
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548:Chicano names
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2016:
2007:
2003:
1997:
1985:. Retrieved
1974:
1962:. Retrieved
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1941:
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1912:
1882:
1857:. Retrieved
1822:(2): 23â38.
1819:
1815:
1776:
1774:
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1751:
1747:
1745:
1735:
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1728:
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1710:
1701:
1684:
1681:
1664:
1656:Major themes
1650:
1642:
1623:
1622:
1621:
1549:Bibliography
1410:California (
1368:
1346:
1339:
1332:
1325:
1318:
1311:
1304:
1297:
1290:
1283:
1276:
1269:
1262:
1218:Chicano Park
1190:Precita Eyes
1109:Tortilla art
1041:Rasquachismo
990:
983:
976:
969:
881:
874:
867:
862:I Am Joaquin
860:
854:
853:
833:
826:
819:
812:
807:The Rain God
805:
798:
791:
784:
777:
772:Desert Blood
770:
763:
756:
736:
729:
722:
657:Pancho Claus
632:Cal-Style VW
614:Tejano music
609:Chicano soul
604:Chicano rock
492:
478:Farah strike
470:
458:
441:
279:Brown Berets
2084:Debut books
1987:21 November
1964:21 November
1919:: 193â208.
1859:20 November
1474:Californios
1460:Multiethnic
1412:Los Angeles
1213:Balmy Alley
1094:Chicano art
1089:Chicana art
1026:Nahui Ollin
599:Chicano rap
449:Castro 2020
437:Abolish ICE
2043:Categories
1894:0822934361
1784:References
1431:Nebraska (
1424:Michigan (
1417:Illinois (
1388:Population
1080:Visual Art
1073:Visual art
686:Literature
679:Literature
394:Quinto Sol
294:Chicanismo
219:La Matanza
161:Sonoratown
151:Mutualista
1942:Emplumada
1883:Emplumada
1769:Emplumada
1759:Emplumada
1752:Emplumada
1748:Emplumada
1742:Reception
1736:Emplumada
1624:Emplumada
1469:Blaxicans
1403:Arizona (
1204:Locations
1051:VergĂŒenza
883:The Moths
855:Emplumada
765:Caballero
662:Zoot suit
1716:Language
1707:Identity
1639:Synopsis
1579:Category
1142:Los Four
1031:Nepantla
642:Lowrider
524:Language
94:Concepts
53:Identity
25:Chicanos
1645:Chicana
1544:Writers
1484:Tejanos
1449:Houston
1426:Detroit
1419:Chicago
623:Symbols
517:Culture
119:History
81:Pinta/o
76:Pachuco
71:Pachuca
66:La Raza
61:Chola/o
1891:
1836:467069
1834:
1405:Tucson
1002:Theory
910:Fields
748:Novels
637:Homies
269:AztlĂĄn
86:Xicanx
1832:JSTOR
1816:MELUS
1661:Abuse
1584:Index
1513:Lists
1439:Texas
1433:Omaha
961:Texts
947:NACCS
590:Music
553:Ărale
369:MEChA
46:Terms
2029:(1).
1989:2013
1966:2013
1889:ISBN
1861:2013
1698:Rape
1127:Asco
1104:Paño
562:Food
538:CalĂł
472:IRCA
460:DACA
379:PCUN
364:MAYO
359:MANA
309:CFMN
27:and
1921:doi
1824:doi
1245:Law
319:CRP
2045::
2027:21
2025:.
2008:12
2006:.
1917:18
1915:.
1903:^
1869:^
1844:^
1830:.
1820:11
1818:.
1792:^
1635:.
2010:.
1991:.
1968:.
1927:.
1923::
1897:.
1863:.
1838:.
1826::
1611:e
1604:t
1597:v
1435:)
1428:)
1421:)
1414:)
1407:)
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