Knowledge

Emptyset

Source 📝

241:-based production project, formed in 2005 by James Ginzburg and Paul Purgas. Ginzburg and Purgas say that by working across performance, installation and the moving image they are examining the physical properties of sound, the legacy of analogue media reflecting upon structural/materialist art production and the perceptual boundaries between noise and music. Emptyset has produced installations for 25: 281:
Ginzburg and Purgas began Emptyset in 2005 to explore their shared interests in rhythmic music and bass. Both have backgrounds within Bristol's club music scene: Ginzburg runs Multiverse, a studio complex and collective of record labels that initiated (among others)
278:, Josh Hall stated that the duo "are preoccupied with interstitial spaces: the points at which distortion takes on its own volition; at which form begins to dictate content; at which techno yields to the equipment with which it is made." 398:, that took place in a former concrete testing bunker, the Ambika P3 space beneath Baker Street in London. The project took advantage of the site's huge reverberation and its resonant frequencies to produce a dense sonic installation. 290:
and Subtext, which has released many of Emptyset's earlier releases. He also produces club tracks as 'Ginz'. Purgas, who now lives in London, has a history in art and sound art curation, a background in
569: 53: 33: 574: 480: 388: 126: 559: 246: 107: 79: 366: 57: 49: 86: 283: 38: 395: 287: 42: 504: 481:"Unexpected artefacts: pushing the envelope with Bristol's Emptyset - FACT Magazine: Music News, New Music" 564: 387:
A film developed for Tate Britain’s Performing Architecture programme, produced inside the decommissioned
93: 373: 254: 258: 75: 409: 434: 273: 250: 402: 266: 369:, developed as part of the museum's programme exploring sound, performance and architecture. 295:, and curates exploratory electronic music events under the banner 'We Can Elude Control'. 64: 377: 100: 553: 316: 307: 242: 505:"Features | In Extremis | Raw Functionality: An Interview With Emptyset" 508: 381: 262: 529: 458: 438: 238: 152: 292: 365:
An installation presented within the central courtyard of the
63:
from the article and its talk page, especially if potentially
18: 221: 216: 212: 197: 193: 185: 167: 159: 148: 141: 163:Experimental, electronic, minimal, drone, techno 401:A site-specific performance presented inside 8: 138: 56:about living persons that is unsourced or 435:"Emptyset | Biography & History" 376:as a collaborative installation with the 127:Learn how and when to remove this message 422: 428: 426: 394:An installation, commissioned by the 249:, and presented live performances at 7: 14: 389:Trawsfynydd nuclear power station 247:Architecture Foundation in London 267:Club transmediale (CTM) festival 23: 570:British experimental musicians 189:Raster-Noton, Subtext, Caravan 1: 412:in Gloucestershire, England. 34:biography of a living person 16:English music production duo 575:Musical groups from Bristol 61:must be removed immediately 591: 372:A project commissioned by 367:Victoria and Albert Museum 355:Caravan recordings (2010) 349:Subtext recordings (2011) 343:Subtext recordings (2012) 331:Subtext recordings (2013) 272:Writing in the magazine 408:A project based around 396:Architecture Foundation 48:Please help by adding 560:British sound artists 374:Spike Island Artspace 255:Spike Island Artspace 54:Contentious material 410:Woodchester Mansion 337:Raster-Noton (2012) 325:Raster-Noton (2013) 403:Chislehurst Caves 259:Kunsthalle Zürich 232: 231: 137: 136: 129: 111: 37:needs additional 582: 544: 543: 541: 540: 534:thrilljockey.com 526: 520: 519: 517: 516: 501: 495: 494: 492: 491: 476: 470: 469: 467: 466: 455: 449: 448: 446: 445: 430: 228: 225: 223: 180: 178: 170: 139: 132: 125: 121: 118: 112: 110: 69: 50:reliable sources 27: 26: 19: 590: 589: 585: 584: 583: 581: 580: 579: 550: 549: 548: 547: 538: 536: 528: 527: 523: 514: 512: 503: 502: 498: 489: 487: 478: 477: 473: 464: 462: 457: 456: 452: 443: 441: 432: 431: 424: 419: 391:in North Wales. 362: 301: 220: 176: 174: 168: 144: 133: 122: 116: 113: 70: 68: 47: 28: 24: 17: 12: 11: 5: 588: 586: 578: 577: 572: 567: 562: 552: 551: 546: 545: 521: 496: 471: 450: 421: 420: 418: 415: 414: 413: 406: 399: 392: 385: 380:visual artist 370: 361: 358: 357: 356: 350: 344: 338: 332: 326: 320: 311: 300: 297: 230: 229: 218: 214: 213: 210: 209: 208: 207: 204: 203:James Ginzburg 199: 195: 194: 191: 190: 187: 183: 182: 171: 165: 164: 161: 157: 156: 150: 146: 145: 142: 135: 134: 58:poorly sourced 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 587: 576: 573: 571: 568: 566: 565:Living people 563: 561: 558: 557: 555: 535: 531: 525: 522: 510: 506: 500: 497: 486: 482: 475: 472: 460: 454: 451: 440: 436: 433:Rich Wilson. 429: 427: 423: 416: 411: 407: 404: 400: 397: 393: 390: 386: 383: 379: 375: 371: 368: 364: 363: 359: 354: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 317:Thrill Jockey 315: 312: 309: 308:Thrill Jockey 306: 303: 302: 298: 296: 294: 289: 285: 279: 277: 276: 270: 268: 264: 260: 256: 252: 248: 244: 240: 236: 227: 219: 215: 211: 205: 202: 201: 200: 196: 192: 188: 184: 172: 166: 162: 158: 154: 151: 147: 140: 131: 128: 120: 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: –  77: 73: 72:Find sources: 66: 62: 59: 55: 51: 45: 44: 40: 35: 30: 21: 20: 537:. Retrieved 533: 524: 513:. Retrieved 511:. 2012-10-31 499: 488:. Retrieved 484: 474: 463:. Retrieved 453: 442:. Retrieved 352: 346: 340: 334: 328: 322: 313: 304: 280: 274: 271: 243:Tate Britain 234: 233: 169:Years active 123: 114: 104: 97: 90: 83: 71: 60: 43:verification 36: 509:The Quietus 485:Factmag.com 479:Josh Hall. 382:Cevdet Erek 206:Paul Purgas 554:Categories 539:2019-08-20 530:"Blossoms" 515:2017-03-02 490:2017-03-02 465:2017-03-02 461:. Emptyset 459:"Emptyset" 444:2017-03-02 417:References 310:(Okt 2019) 263:Sonic Acts 117:March 2017 87:newspapers 76:"Emptyset" 335:Collapsed 251:Arnolfini 155:, England 39:citations 439:AllMusic 405:in Kent. 360:Projects 353:Emptyset 347:Demiurge 329:Material 305:Blossoms 299:Releases 288:Tectonic 265:XIV and 245:and the 235:Emptyset 222:emptyset 181:–present 143:Emptyset 65:libelous 378:Turkish 314:Borders 239:Bristol 217:Website 198:Members 175: ( 153:Bristol 101:scholar 341:Medium 319:(2017) 293:techno 186:Labels 160:Genres 149:Origin 103:  96:  89:  82:  74:  323:Recur 284:Pinch 237:is a 108:JSTOR 94:books 32:This 275:Fact 224:.org 177:2005 173:2005 80:news 41:for 286:'s 226:.uk 556:: 532:. 507:. 483:. 437:. 425:^ 269:. 261:, 257:, 253:, 52:. 542:. 518:. 493:. 468:. 447:. 384:. 179:) 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 67:. 46:.

Index

biography of a living person
citations
verification
reliable sources
Contentious material
poorly sourced
libelous
"Emptyset"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
Bristol
emptyset.org.uk
Bristol
Tate Britain
Architecture Foundation in London
Arnolfini
Spike Island Artspace
Kunsthalle Zürich
Sonic Acts
Club transmediale (CTM) festival
Fact
Pinch
Tectonic
techno
Thrill Jockey
Thrill Jockey

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.