Knowledge (XXG)

Ermione

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554: 650:/ "She is deaf to my tears ... Ah, how can I hide this voracious flame"). A march announces the arrival of Pirro and Ermione, attended by Fenicio, Attalo, the grandees and guards. Andromaca also enters, but stays at the back of the stage. Oreste tells Pirro that he represents all the kings of Greece, who are agreed that Astianatte must die before he is able to avenge the death of Hector, his father. Pirro defies Oreste, saying that he will do as he wishes, and that Astianatte may even share the throne with him (Aria: 1967: 40: 745:/ "You are avenged") and describes how Pirro spared Astianatte and swore to make him his heir. Surrounded by angry soldiers drawing their swords, Pirro was attacked and killed, but not by Oreste, who says that he had given the dagger to another man and then reclaimed it. Ermione accuses Oreste of murder, and he realises that she was still in love with Pirro. She asks the 723:/ "God of love, reward this touching constancy"). Ermione swoons, but when her maidens and friends try to comfort her, she demands revenge. Oreste enters and tells her that he still loves her. She hands him a dagger and, trembling, he leaves to avenge her. She asks the gods to strengthen his arm, while Cleone and the chorus comment on her anguish (Chorus and duet: 686:/ "Should I, can I, hope?" ... "Bring Astianatte here") As the guards prepare to do so, Andromaca pleads with Pirro to give her time to think. Ermione is furious, and Pirro again rejects her. Andromaca vows to commit suicide if she is compelled to marry Pirro, while Pilade urges Oreste to leave with him. The Act ends in general consternation. 1661: 1465: 707:
Pirro leaves. Andromaca decides that, before she dies, she will make Pirro swear that Astianatte will be spared. Ermione, accompanied by Fenicio and Cleone, appears and insults Andromaca, who forgives her and departs. She asks Fenicio to tell Pirro that she still loves him, even if he is planning
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Andromaca arrives to tell Pirro that she will marry him. Overjoyed, he sends Attalo away to release Astianatte and make preparations for the wedding. Andromaca, unhappy, swears to herself that she will not be unfaithful to her dead husband, and while Pirro urges her to make her vows at the altar,
163:, Naples, on 27 March 1819. For reasons that are as yet unclear, the opera was withdrawn on 19 April after only seven performances, and was not seen again until over a hundred years after Rossini's death. One possible explanation for its failure might be Rossini's choice to renounce the use of 662:/ "Achilles' spear flashes in his son's hand" ... "Brighten your gloomy gaze" ... "You cannot frighten me: my soul despises you"). Andromaca and Ermione are aghast, Oreste warns Pirro that the Greeks will be angry with him, and Pilade vows that he will save Oreste from Pirro's anger. 184:
Despite the opera's failure, Rossini seemed to be quite fond of this work and kept its manuscript, along with a few others from his Neapolitan years, until his death. The autograph score was then delivered by the widow, Olympe Pélissier, to Eugène Lecomte who entrusted it to the
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Pilade and his sailors arrive, telling Oreste to flee with them. At first he refuses, but as Ermione tells him that she hopes that he will drown, she faints. He asks thunderbolts and death to do their worst as Pilade and the men half-carry him to their ship (Finale:
606:/ "My only joy!"). Attalo reminds her that Astianatte will be released if she can forget Hector, her dead husband, and give in to Pirro's advances. Fenicio, fearing another outbreak of war, rebukes Attalo, and reluctantly tears Andromaca away from her son. 630:/ "On our shores Agamemnon's son Oreste has landed"), to Pirro's alarm and Ermione's delight. Pirro recovers and leaves to arrange Oreste's reception; meanwhile, Ermione fears that Oreste's arrival will only lead to the marriage of Pirro and Andromaca. 618:/ "The sun is rising in the east"), but she is angry that Pirro has forsaken her and is courting Andromaca. Pirro arrives, expecting Andromaca, but she is not there. He sees Ermione and tries to escape, but she detains him and they quarrel (Duet: 186: 1895: 741:/ "I imagine that at any time he may utter a cry of remorse). Oreste appears, wild-eyed, stumbling and holding out the bloodstained dagger. He tells Ermione that she is avenged, (Duet: 678:/ "At last, the resolute hero"). Pirro then tells Oreste, to the astonishment of everyone, that he will, after all, hand over Astianatte to him. (Ermione, then the others and Pirro: 1038: 2178: 727:/ "We come to console you ... If my love is dear to you" ... "Uncertain, palpitating" ... "Unless, o gods, you are my enemies"). She rushes out in a fury, followed by the others. 642:
Oreste, overwrought, appears with Pilade, who tries to calm him. He declares his unrequited love for Ermione, but Pilade tells him that he must do his duty (Cavatina and duet:
1098:: Azione tragica in due atti di Andrea Leone Tottola; prima rappresentazione Napoli, Teatro San Carlo, 27 Marzo 1819 by Gioachino Rossini" (review of the critical edition) in 2183: 2168: 1266: 2188: 1286: 712:/ "Tell him that you have seen my tears"). He leaves, and Cleone tells Ermione that Pirro is not worthy of her. Ermione contemplates suicide (Aria: 674:/ "I? Love you?"). Pirro arrives with the grandees and his retinue, who announce that he has changed his mind and will return to Ermione (Chorus: 303:(Oreste) and Marianna Pizzolato (Andromaca). The first German stage production was presented at Volkstheater Rostock on 5 March 2016 conducted by 2153: 2003: 737:
Ermione returns, extremely agitated. She does not know whether she loves or hates Pirro, and regrets ordering Oreste to kill him (Aria:
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Ermione tells Cleone that her love for Pirro has turned to hate. Oreste declares his love for Ermione, but she rejects him (Duet:
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Serena Farnocchia (Ermione), Aurora Faggioli (Andromacha), Moisés Marín (Pirro), Patrick Kabongo (Oreste), Chuan Wang (Pilade)
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and starring Gulnara Shafigullina (Ermione), Paul Nilon (Pirro), Ashley Catling (Oreste) and Jasmin Etezadzadeh (Andromaca).
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Both Stendhal and Ferdinand Hiller made remarks on the overall French flavour of the opera. See Gossett & Bauer (2006)
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recitative in favour of accompanied declamation and to connect each closed number to the next in a manner reminiscent of
1792: 553: 1079: 602:/ "Troy! Once so great"). Andromaca arrives, escorted by Fenicio, Attalo and Cefisa, and embraces her son (Cavatina: 378: 237: 2124: 1970: 1823: 1371: 1252: 901: 725:
Il tuo dolor ci affretta a consolarti ...Se l'amor mio ti è caro ... Incerto, palpitante ... Se a me nemiche stelle
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to be translated and produced on French stages, the composer is reported to have replied: "It's my little Italian
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Pirro appears in the gallery to the sound of a festive march, and he and the wedding procession pass by (Chorus:
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Fenicio and Pilade meet, predicting Pirro's downfall if he goes ahead with his marriage to Andromaca (Duettino:
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Unusually, the overture is interrupted twice by the laments of the captive Trojans.
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The synopsis is based on the libretto accompanying the 1986 Scimone recording.
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Cleone and some maidens invite Ermione to go hunting with them (Chorus:
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was presented at Palacio de le Ópera A Coruña in June 2015 conducted by
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joined together to mount a production in 2004. A concert performance of
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Astianatte sleeps while the prisoners continue their lament (Chorus:
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La Douleur et les Regrets d'Andromaque sur le corps d'Hector son mari
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on 22 May 1995. In the US, a concert performance was given at the
552: 402: 190: 168: 115: 27: 264: 1985: 1248: 704:/ "Ghost of my dear husband ... Come and swear at the altar"). 734:/ "Such sad imaginings"). They leave in opposite directions. 204:; and it will not see the light of day until after my death." 1144:
by Giochino Rossini, critical edition by Fondazione Rossini (
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in recent years have taken place in Naples (1988 and 2019),
1227:, Vol. Two, p. 70. London: Macmillan Publishers, Inc. 1109:. 2nd Series, Vol. 54, No. 3, March 1998, pp. 764–767. 1080:"Review: Recording of the Month" on Musicweb International 175:(the latter was also to have a huge influence on Weber's 537:
Lords of Epirus, Trojan prisoners, Oreste's attendants,
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
622:/ "Say no more"). They are interrupted by a chorus of 232:. In Britain, a concert performance took place at the 1372:
L'occasione fa il ladro, ossia Il cambio della valigia
1182:, Vol. ???. London: Macmillan Publishers, Inc. 1158:, London: Methuen; Portland, Oregon: Amadeus Press. 1623:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
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Il barbiere di Siviglia, ossia L'inutile precauzione
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Conservatorio Statale di Musica "Gioachino Rossini"
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Sul lido, di Agamennone il figlio, Oreste, è giunto
244:on 26 June 1992, and the opera was first staged by 80: 67: 59: 49: 21: 1584:Matilde di Shabran, ossia Bellezza e Cuor di Ferro 739:Parmi, che a ogn'istante de' suoi rimorsi al grido 973:KrakĂłw Philharmonic Orchestra, Antonino Fogliani 189:. Eventually, a concert performance was given in 1380:Il signor Bruschino, ossia Il figlio per azzardo 1348:Ciro in Babilonia, ossia La caduta di Baldassare 1639:MoĂŻse et Pharaon, ou Le passage de la mer rouge 1512:Adelaide di Borgogna, ossia Ottone, re d'Italia 236:on 10 April 1992, and the first staging was at 196:In old age, when asked if he would have liked 2179:Opera world premieres at the Teatro San Carlo 1997: 1568:Bianca e Falliero, ossia Il consiglio dei tre 1472:La gazzetta, ossia Il matrimonio per concorso 1260: 8: 1148:), published in collaboration with Ricordi. 2004: 1990: 1982: 1611: 1407: 1304: 1267: 1253: 1245: 700:she again resolves to kill herself (Duet: 652:Balena in man del figlio l'asta di Achille 38: 18: 1488:La Cenerentola, ossia La bontĂ  in trionfo 764: 314: 248:on 11 September 1992 in a production by 1000: 702:Ombra del caro sposo ... Vieni a giurar 666:Scene 4: The gardens outside the palace 610:Scene 2: The gardens outside the palace 567:Place: In and around Pirro's palace in 951:London Philharmonic Orchestra and the 626:, who announce the arrival of Oreste ( 187:Bibliothèque MusĂ©e de l'OpĂ©ra de Paris 7: 2184:Operas based on works by Jean Racine 1068:on operadis-opera-discography.org.uk 648:Ah! come nascondere la fiamma vorace 212:The first modern staging was at the 2169:Operas based on classical mythology 906:(Recording of a performance in the 816:and the Prague Philharmonic Chorus 904:Orchestra and Prague Chamber Choir 814:Monte Carlo Philharmonic Orchestra 721:Premia, o Amore, sì bella costanza 660:Non pavento: quest'alma ti sprezza 216:in Pesaro on 22 August 1987, with 14: 1528:Adina, ossia Il califfo di Bagdad 1224:The New Grove Dictionary of Opera 1179:The New Grove Dictionary of Opera 2189:Libretti by Andrea Leone Tottola 1966: 1965: 1659: 1480:Otello, ossia Il Moro di Venezia 1463: 1443:Elisabetta, regina d'Inghilterra 1100:Notes: Quarterly Journal of the 716:/ "I was loved and loved him"). 594:Scene 1: A dungeon in the palace 118:(azione tragica) in two acts by 616:Dall'Oriente l'astro del giorno 1: 1115:; Brauner, Patricia (2001), " 1105:, (Ed.) Patricia B. Brauner, 857:London Philharmonic Orchestra 1127:, New York: Penguin Putnam. 757:/ "Ah! I have found you"). 324:Premiere Cast, 27 March 1819 2154:Operas by Gioachino Rossini 1125:The New Penguin Opera Guide 1094:Balthazar, Scott L. 1998, " 379:Benedetta Rosmunda Pisaroni 159:was first performed at the 2205: 1213:Osborne, Richard (1998), " 1168:Osborne, Richard (1998), " 1016:Gossett & Bauer (2006) 902:Teatro Comunale di Bologna 780:Opera House and Orchestra 695:The palace's entrance hall 326:(Conductor: Nicola Festa) 16:Opera by Gioachino Rossini 1961: 1934:Duetto buffo di due gatti 1324:La cambiale di matrimonio 1282: 1199:Osborne, Richard (1990), 1102:Music Library Association 917:Audio CD: Celestial Audio 644:Che sorda al mesto pianto 535: 37: 26: 1873:(1991 biographical film) 1865:(1942 biographical film) 710:Di, che vedesti piangere 171:'s French operas and of 44:Portrait of the composer 2159:Italian-language operas 1775:Petite messe solennelle 953:Geoffrey Mitchell Choir 834:Anna Caterina Antonacci 600:Troja! Qual fosti un di 500:Raffaella De Bernardis 208:20th century and beyond 85:27 March 1819 1906:Rossini Opera Festival 1720:Ecco, ridente in cielo 1364:La pietra del paragone 1332:L'equivoco stravagante 732:A così triste immagine 656:Deh serena i mesti rai 563: 493:Andromaca's confidante 214:Rossini Opera Festival 1928:La boutique fantasque 1843:The Barber of Seville 861:Glyndebourne Festival 796:Margarita Zimmermann, 708:to desert her (Aria: 676:Alfin l'Eroe da forte 573:Time: Soon after the 556: 181:, four years later). 2116:Story within a story 1824:PĂ©chĂ©s de vieillesse 1631:Le siège de Corinthe 1419:Aureliano in Palmira 1396:L'italiana in Algeri 1287:List of compositions 459:Ermione's confidante 234:Queen Elizabeth Hall 133:, based on the play 131:Andrea Leone Tottola 54:Andrea Leone Tottola 1940:MatinĂ©es musicales 1854:Cultural depictions 1808:La regata veneziana 1536:Ricciardo e Zoraide 1451:Torvaldo e Dorliska 935:Carmen Giannattasio 886:Marianna Pizzolato, 873:Kultur Cat: D 2850 868:Warner Music Vision 773:Ermione, Andromaca, 749:to destroy Oreste. 451:Giuseppe Ciccimarra 277:New York City Opera 242:San Francisco Opera 161:Teatro di San Carlo 147:Performance history 96:Teatro di San Carlo 1911:Rossini in Wildbad 1793:Six string sonatas 1552:Eduardo e Cristina 1427:Il turco in Italia 1316:Demetrio e Polibio 1043:The New York Times 893:Antonino Siragusa 871:Cat: 0630 14012-2; 844:Jorge LĂłpez Yáñez, 564: 443:Oreste's companion 255:Other stagings of 218:Montserrat CaballĂ© 2141: 2140: 2088:Opera adaptations 1979: 1978: 1946:Messa per Rossini 1889:Named for Rossini 1870:Rossini! Rossini! 1827:(1857–1868) 1727:Largo al factotum 1678: 1677: 1610: 1609: 1560:La donna del lago 1406: 1405: 1276:Gioachino Rossini 1078:Farr, Robert J., 987: 986: 546: 545: 514:Gaetano Chizzola 507:Pirro's confidant 485:Michele Benedetti 120:Gioachino Rossini 104: 103: 32:Gioachino Rossini 2196: 2006: 1999: 1992: 1983: 1969: 1968: 1920:Related articles 1835:Film adaptations 1741:Una voce poco fa 1668:Ugo, re d'Italia 1663: 1612: 1467: 1408: 1356:La scala di seta 1340:L'inganno felice 1305: 1269: 1262: 1255: 1246: 1152:Osborne, Charles 1082: 1076: 1070: 1061: 1055: 1052: 1046: 1032: 1026: 1023: 1017: 1014: 1008: 1005: 939:Patricia Bardon, 836: 824:Cat: 2292-45790 765: 680:Sperar, poss'io? 354:Isabella Colbran 315: 193:in August 1977. 92: 90: 42: 19: 2204: 2203: 2199: 2198: 2197: 2195: 2194: 2193: 2144: 2143: 2142: 2137: 2110: 2083: 2058: 2022: 2010: 1980: 1975: 1957: 1915: 1884: 1878:Rossini's Ghost 1849: 1830: 1781: 1759:Messa di Gloria 1746: 1707: 1674: 1606: 1402: 1296: 1278: 1273: 1138:Gossett, Philip 1113:Gossett, Philip 1086: 1085: 1077: 1073: 1062: 1058: 1053: 1049: 1045:, 13 April 2004 1033: 1029: 1024: 1020: 1015: 1011: 1006: 1002: 992: 961: 950: 942: 940: 938: 926:Cat: CDS 33609 925: 920: 918: 905: 900: 892: 887: 885: 872: 870: 855: 845: 843: 838: 832: 823: 812: 809:Claudio Scimone 802: 799:Ernesto Palacio 797: 795: 779: 774: 772: 763: 755:Ah! 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913: 909: 903: 898: 895: 890: 889:Gregory Kunde 883: 882:Sonia Ganassi 880: 877: 876: 869: 865: 862: 858: 853: 850: 848: 841: 835: 831: 828: 827: 822: 821:Erato Records 818: 815: 810: 807: 805: 804:Chris Merritt 800: 793: 790: 787: 786: 782: 777: 770: 767: 766: 760: 758: 756: 750: 748: 744: 743:Sei vendicata 740: 735: 733: 728: 726: 722: 717: 715: 714:Amata, l'amai 711: 705: 703: 697: 696: 689: 687: 685: 681: 677: 673: 668: 667: 663: 661: 657: 653: 649: 645: 640: 639: 638:in the palace 637: 634:Scene 3: The 631: 629: 625: 621: 620:Non proseguir 617: 612: 611: 607: 605: 601: 596: 595: 588: 586: 580: 576: 572: 570: 566: 565: 561: 560: 555: 548: 542: 540: 534: 531: 528: 526: 522: 518: 517: 513: 510: 508: 504: 503: 499: 496: 494: 490: 489: 486: 483: 481: 478: 476: 475:Pirro's tutor 472: 471: 467: 465: 464:mezzo-soprano 462: 460: 456: 455: 452: 449: 446: 444: 440: 436: 435: 432: 429: 426: 424: 423: 417: 413: 412: 409: 406: 404: 401: 399: 398: 394: 388: 384: 383: 380: 377: 375: 372: 370: 369: 363: 359: 358: 355: 352: 350: 347: 345: 344: 340: 334: 330: 329: 323: 320: 317: 316: 310: 308: 306: 302: 298: 294: 291:and starring 290: 289:Alberto Zedda 286: 282: 278: 274: 270: 266: 262: 258: 253: 251: 247: 243: 239: 235: 231: 227: 226:Chris Merritt 223: 222:Marilyn Horne 219: 215: 210: 209: 205: 203: 199: 194: 192: 188: 182: 180: 179: 174: 170: 166: 162: 158: 154: 153: 146: 144: 142: 138: 137: 132: 128: 125: 121: 117: 114: 110: 109: 97: 83: 79: 76: 75: 70: 66: 62: 58: 55: 52: 48: 41: 36: 33: 29: 25: 20: 2130: 2123: 2103: 2102: 2094: 2076: 2069: 2016: 1950: 1938: 1926: 1901:Prix Rossini 1876: 1868: 1860: 1842: 1822: 1814: 1806: 1798: 1778:(1864, 1867) 1773: 1770:(1831, 1841) 1767:Stabat mater 1765: 1757: 1751:Sacred music 1734:Sombre forĂŞt 1701:Robert Bruce 1699: 1691: 1671:(unfinished) 1666: 1653: 1647:Le comte Ory 1645: 1637: 1629: 1621: 1598: 1590: 1582: 1574: 1566: 1558: 1550: 1543: 1542: 1534: 1526: 1518: 1510: 1502: 1494: 1486: 1478: 1470: 1457: 1449: 1441: 1433: 1425: 1417: 1394: 1386: 1378: 1370: 1362: 1354: 1346: 1338: 1330: 1322: 1314: 1222: 1214: 1200: 1177: 1169: 1155: 1141: 1124: 1116: 1099: 1095: 1088: 1087: 1074: 1065: 1059: 1050: 1042: 1030: 1021: 1012: 1003: 994: 993: 978: 852:Andrew Davis 754: 751: 742: 738: 736: 731: 729: 724: 720: 718: 713: 709: 706: 701: 698: 694: 693: 683: 679: 675: 671: 669: 665: 664: 659: 655: 651: 647: 643: 641: 633: 632: 627: 619: 615: 613: 609: 608: 604:Mia delizia! 603: 599: 597: 593: 592: 584: 557: 536: 524: 519:Astianatte ( 506: 492: 474: 468:Maria Manzi 458: 442: 419: 395:and king of 390: 365: 337:daughter of 336: 293:Angela Meade 284: 281:Dallas Opera 275:(2000). The 269:Buenos Aires 256: 254: 238:Glyndebourne 211: 207: 206: 201: 197: 195: 183: 176: 164: 156: 155: 152:19th century 151: 150: 134: 111:(1819) is a 107: 106: 105: 72: 2164:1819 operas 2125:L'Amour fou 2013:Jean Racine 1881:(1996 film) 1845:(1947 film) 1786:Other works 1615:Later works 1576:Maometto II 1308:Early works 962:Cat: ORC42 947:David Parry 941:Paul Nilon, 919:Cat: CA 808 636:throne room 360:Andromaca ( 321:Voice type 305:David Parry 301:Barry Banks 295:(Ermione), 271:(1992) and 246:Opera Omaha 141:Jean Racine 2148:Categories 2096:Andromaque 2071:Andromache 2034:Andromache 2027:Characters 2018:Andromaque 1952:Rossiniana 1600:Semiramide 1435:Sigismondo 1221:, (Ed.), 1164:0931340713 990:References 981:B0D217GW59 959:Opera Rara 957:Audio CD: 943:Colin Lee 914:, August) 847:Bruce Ford 819:Audio CD: 778:Conductor, 761:Recordings 575:Trojan War 497:contralto 362:Andromache 136:Andromaque 89:1819-03-27 74:Andromaque 50:Librettist 1684:Pastiches 747:Eumenides 473:Fenicio, 422:Agamemnon 374:contralto 366:widow of 331:Ermione ( 299:(Pirro), 178:Euryanthe 71:Racine's 2132:Marquise 2049:Hermione 1971:Category 1816:La Danza 1411:Maturity 1388:Tancredi 1176:(Ed.), 1154:(1994), 859:and the 624:grandees 581:Overture 549:Synopsis 521:Astyanax 505:Attalo, 491:Cefisa, 457:Cleone, 437:Pilade ( 414:Oreste ( 393:Achilles 385:Pirro, ( 343:Menelaus 333:Hermione 273:Santa Fe 267:(1991), 173:Spontini 127:libretto 98:, Naples 81:Premiere 68:Based on 60:Language 2104:Ermione 2063:Origins 2054:Pylades 2044:Orestes 2039:Pyrrhus 1862:Rossini 1693:IvanhoĂ© 1658:(1829) 1592:Zelmira 1544:Ermione 1462:(1816) 1217:", in 1215:Ermione 1201:Rossini 1170:Ermione 1142:Ermione 1123:(ed.), 1117:Ermione 1096:Ermione 1089:Sources 1066:Ermione 923:Dynamic 863:Chorus 783:Label: 672:Amarti? 541:maidens 539:Spartan 529:silent 439:Pylades 420:son of 416:Orestes 391:son of 387:Pyrrhus 349:soprano 285:Ermione 257:Ermione 198:Ermione 157:Ermione 124:Italian 108:Ermione 87: ( 63:Italian 22:Ermione 2174:Operas 2107:(1819) 2099:(1780) 2078:Aeneid 2021:(1667) 1819:(1835) 1811:(1835) 1803:(1817) 1795:(1804) 1762:(1820) 1704:(1846) 1696:(1826) 1650:(1828) 1642:(1827) 1634:(1826) 1626:(1825) 1603:(1823) 1595:(1822) 1587:(1821) 1579:(1820) 1571:(1819) 1563:(1819) 1555:(1819) 1547:(1819) 1539:(1818) 1531:(1826) 1523:(1818) 1515:(1817) 1507:(1817) 1504:Armida 1499:(1817) 1491:(1817) 1483:(1816) 1475:(1816) 1454:(1815) 1446:(1815) 1438:(1814) 1430:(1814) 1422:(1813) 1399:(1813) 1391:(1813) 1383:(1813) 1375:(1812) 1367:(1812) 1359:(1812) 1351:(1812) 1343:(1812) 1335:(1811) 1327:(1810) 1319:(1812) 1301:Operas 1238:  1231:  1207:  1193:  1186:  1172:", in 1162:  1146:Pesaro 1131:  912:Pesaro 569:Epirus 562:, 1783 511:tenor 447:tenor 427:tenor 397:Epirus 368:Hector 261:Madrid 122:to an 113:tragic 1712:Arias 1119:" in 995:Notes 967:2024 931:2009 921:DVD: 878:2008 866:DVD: 829:1995 788:1986 771:Cast: 768:Year 690:Act 2 589:Act 1 403:tenor 339:Helen 318:Role 311:Roles 191:Siena 169:Gluck 165:secco 116:opera 28:Opera 1236:ISBN 1229:ISBN 1205:ISBN 1191:ISBN 1184:ISBN 1160:ISBN 1129:ISBN 682:... 658:... 654:... 646:... 480:bass 341:and 279:and 265:Rome 228:and 2015:'s 523:), 441:), 418:), 364:), 335:), 139:by 129:by 30:by 2150:: 1041:, 1037:, 910:, 389:) 263:, 252:. 224:, 220:, 143:. 2005:e 1998:t 1991:v 1743:" 1739:" 1736:" 1732:" 1729:" 1725:" 1722:" 1718:" 1268:e 1261:t 1254:v 949:, 937:, 899:, 891:, 884:, 854:, 842:, 837:, 811:, 801:, 794:, 91:)

Index

Opera
Gioachino Rossini

Andrea Leone Tottola
Andromaque
Teatro di San Carlo
tragic
opera
Gioachino Rossini
Italian
libretto
Andrea Leone Tottola
Andromaque
Jean Racine
Teatro di San Carlo
Gluck
Spontini
Euryanthe
Bibliothèque Musée de l'Opéra de Paris
Siena
Rossini Opera Festival
Montserrat Caballé
Marilyn Horne
Chris Merritt
Rockwell Blake
Queen Elizabeth Hall
Glyndebourne
San Francisco Opera
Opera Omaha
Jonathan Miller

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