554:
650:/ "She is deaf to my tears ... Ah, how can I hide this voracious flame"). A march announces the arrival of Pirro and Ermione, attended by Fenicio, Attalo, the grandees and guards. Andromaca also enters, but stays at the back of the stage. Oreste tells Pirro that he represents all the kings of Greece, who are agreed that Astianatte must die before he is able to avenge the death of Hector, his father. Pirro defies Oreste, saying that he will do as he wishes, and that Astianatte may even share the throne with him (Aria:
1967:
40:
745:/ "You are avenged") and describes how Pirro spared Astianatte and swore to make him his heir. Surrounded by angry soldiers drawing their swords, Pirro was attacked and killed, but not by Oreste, who says that he had given the dagger to another man and then reclaimed it. Ermione accuses Oreste of murder, and he realises that she was still in love with Pirro. She asks the
723:/ "God of love, reward this touching constancy"). Ermione swoons, but when her maidens and friends try to comfort her, she demands revenge. Oreste enters and tells her that he still loves her. She hands him a dagger and, trembling, he leaves to avenge her. She asks the gods to strengthen his arm, while Cleone and the chorus comment on her anguish (Chorus and duet:
686:/ "Should I, can I, hope?" ... "Bring Astianatte here") As the guards prepare to do so, Andromaca pleads with Pirro to give her time to think. Ermione is furious, and Pirro again rejects her. Andromaca vows to commit suicide if she is compelled to marry Pirro, while Pilade urges Oreste to leave with him. The Act ends in general consternation.
1661:
1465:
707:
Pirro leaves. Andromaca decides that, before she dies, she will make Pirro swear that
Astianatte will be spared. Ermione, accompanied by Fenicio and Cleone, appears and insults Andromaca, who forgives her and departs. She asks Fenicio to tell Pirro that she still loves him, even if he is planning
699:
Andromaca arrives to tell Pirro that she will marry him. Overjoyed, he sends Attalo away to release
Astianatte and make preparations for the wedding. Andromaca, unhappy, swears to herself that she will not be unfaithful to her dead husband, and while Pirro urges her to make her vows at the altar,
163:, Naples, on 27 March 1819. For reasons that are as yet unclear, the opera was withdrawn on 19 April after only seven performances, and was not seen again until over a hundred years after Rossini's death. One possible explanation for its failure might be Rossini's choice to renounce the use of
662:/ "Achilles' spear flashes in his son's hand" ... "Brighten your gloomy gaze" ... "You cannot frighten me: my soul despises you"). Andromaca and Ermione are aghast, Oreste warns Pirro that the Greeks will be angry with him, and Pilade vows that he will save Oreste from Pirro's anger.
184:
Despite the opera's failure, Rossini seemed to be quite fond of this work and kept its manuscript, along with a few others from his
Neapolitan years, until his death. The autograph score was then delivered by the widow, Olympe Pélissier, to Eugène Lecomte who entrusted it to the
752:
Pilade and his sailors arrive, telling Oreste to flee with them. At first he refuses, but as
Ermione tells him that she hopes that he will drown, she faints. He asks thunderbolts and death to do their worst as Pilade and the men half-carry him to their ship (Finale:
606:/ "My only joy!"). Attalo reminds her that Astianatte will be released if she can forget Hector, her dead husband, and give in to Pirro's advances. Fenicio, fearing another outbreak of war, rebukes Attalo, and reluctantly tears Andromaca away from her son.
630:/ "On our shores Agamemnon's son Oreste has landed"), to Pirro's alarm and Ermione's delight. Pirro recovers and leaves to arrange Oreste's reception; meanwhile, Ermione fears that Oreste's arrival will only lead to the marriage of Pirro and Andromaca.
618:/ "The sun is rising in the east"), but she is angry that Pirro has forsaken her and is courting Andromaca. Pirro arrives, expecting Andromaca, but she is not there. He sees Ermione and tries to escape, but she detains him and they quarrel (Duet:
186:
1895:
741:/ "I imagine that at any time he may utter a cry of remorse). Oreste appears, wild-eyed, stumbling and holding out the bloodstained dagger. He tells Ermione that she is avenged, (Duet:
678:/ "At last, the resolute hero"). Pirro then tells Oreste, to the astonishment of everyone, that he will, after all, hand over Astianatte to him. (Ermione, then the others and Pirro:
1038:
2178:
727:/ "We come to console you ... If my love is dear to you" ... "Uncertain, palpitating" ... "Unless, o gods, you are my enemies"). She rushes out in a fury, followed by the others.
642:
Oreste, overwrought, appears with Pilade, who tries to calm him. He declares his unrequited love for
Ermione, but Pilade tells him that he must do his duty (Cavatina and duet:
1098:: Azione tragica in due atti di Andrea Leone Tottola; prima rappresentazione Napoli, Teatro San Carlo, 27 Marzo 1819 by Gioachino Rossini" (review of the critical edition) in
2183:
2168:
1266:
2188:
1286:
712:/ "Tell him that you have seen my tears"). He leaves, and Cleone tells Ermione that Pirro is not worthy of her. Ermione contemplates suicide (Aria:
674:/ "I? Love you?"). Pirro arrives with the grandees and his retinue, who announce that he has changed his mind and will return to Ermione (Chorus:
303:(Oreste) and Marianna Pizzolato (Andromaca). The first German stage production was presented at Volkstheater Rostock on 5 March 2016 conducted by
2153:
2003:
737:
Ermione returns, extremely agitated. She does not know whether she loves or hates Pirro, and regrets ordering Oreste to kill him (Aria:
1442:
1291:
813:
1841:
1464:
1239:
1232:
1223:
1208:
1194:
1187:
1178:
1132:
670:
Ermione tells Cleone that her love for Pirro has turned to hate. Oreste declares his love for
Ermione, but she rejects him (Duet:
2158:
1259:
970:
Serena
Farnocchia (Ermione), Aurora Faggioli (Andromacha), MoisĂ©s MarĂn (Pirro), Patrick Kabongo (Oreste), Chuan Wang (Pilade)
1163:
1151:
307:
and starring
Gulnara Shafigullina (Ermione), Paul Nilon (Pirro), Ashley Catling (Oreste) and Jasmin Etezadzadeh (Andromaca).
1007:
Both
Stendhal and Ferdinand Hiller made remarks on the overall French flavour of the opera. See Gossett & Bauer (2006)
856:
167:
recitative in favour of accompanied declamation and to connect each closed number to the next in a manner reminiscent of
1792:
553:
1079:
602:/ "Troy! Once so great"). Andromaca arrives, escorted by Fenicio, Attalo and Cefisa, and embraces her son (Cavatina:
378:
237:
2124:
1970:
1823:
1371:
1252:
901:
725:
Il tuo dolor ci affretta a consolarti ...Se l'amor mio ti è caro ... Incerto, palpitante ... Se a me nemiche stelle
558:
200:
to be translated and produced on French stages, the composer is reported to have replied: "It's my little
Italian
1933:
1758:
1331:
1323:
1101:
719:
Pirro appears in the gallery to the sound of a festive march, and he and the wedding procession pass by (Chorus:
730:
Fenicio and Pilade meet, predicting Pirro's downfall if he goes ahead with his marriage to Andromaca (Duettino:
1996:
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304:
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1363:
1120:
922:
213:
1927:
1458:
860:
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217:
2163:
2115:
2048:
1700:
1654:
1511:
1418:
332:
233:
130:
53:
1989:
1807:
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1535:
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1379:
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119:
31:
1740:
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1063:
353:
123:
1981:
2173:
2131:
808:
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249:
1733:
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338:
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225:
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585:
Unusually, the overture is interrupted twice by the laments of the captive Trojans.
1900:
1646:
292:
280:
268:
39:
2038:
2012:
1575:
1471:
635:
386:
245:
140:
2033:
2017:
1951:
1692:
1599:
1434:
1054:
The synopsis is based on the libretto accompanying the 1986 Scimone recording.
958:
574:
361:
135:
73:
1683:
421:
373:
177:
1815:
1387:
520:
392:
342:
172:
126:
614:
Cleone and some maidens invite Ermione to go hunting with them (Chorus:
287:
was presented at Palacio de le Ópera A Coruña in June 2015 conducted by
283:
joined together to mount a production in 2004. A concert performance of
2053:
2043:
1591:
746:
623:
438:
348:
112:
2077:
1145:
911:
598:
Astianatte sleeps while the prisoners continue their lament (Chorus:
568:
559:
La Douleur et les Regrets d'Andromaque sur le corps d'Hector son mari
538:
396:
367:
260:
1244:
1039:"City Opera Review: Long Buried, Rossini Work Rises to the Occasion"
240:
on 22 May 1995. In the US, a concert performance was given at the
552:
402:
190:
168:
115:
27:
264:
1985:
1248:
704:/ "Ghost of my dear husband ... Come and swear at the altar").
734:/ "Such sad imaginings"). They leave in opposite directions.
204:; and it will not see the light of day until after my death."
1144:
by Giochino Rossini, critical edition by Fondazione Rossini (
1140:; Brauner, Patricia (2006), "Preface" to the vocal score of
259:
in recent years have taken place in Naples (1988 and 2019),
1227:, Vol. Two, p. 70. London: Macmillan Publishers, Inc.
1109:. 2nd Series, Vol. 54, No. 3, March 1998, pp. 764–767.
1080:"Review: Recording of the Month" on Musicweb International
175:(the latter was also to have a huge influence on Weber's
537:
Lords of Epirus, Trojan prisoners, Oreste's attendants,
1156:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
622:/ "Say no more"). They are interrupted by a chorus of
232:. In Britain, a concert performance took place at the
1372:
L'occasione fa il ladro, ossia Il cambio della valigia
1182:, Vol. ???. London: Macmillan Publishers, Inc.
1158:, London: Methuen; Portland, Oregon: Amadeus Press.
1623:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1459:
Il barbiere di Siviglia, ossia L'inutile precauzione
2114:
2087:
2062:
2026:
1919:
1896:
Conservatorio Statale di Musica "Gioachino Rossini"
1888:
1853:
1834:
1785:
1750:
1711:
1682:
1614:
1410:
1307:
1300:
1203:, Ithaca, New York: Northeastern University Press.
628:
Sul lido, di Agamennone il figlio, Oreste, è giunto
244:on 26 June 1992, and the opera was first staged by
80:
67:
59:
49:
21:
1584:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
739:Parmi, che a ogn'istante de' suoi rimorsi al grido
973:KrakĂłw Philharmonic Orchestra, Antonino Fogliani
189:. Eventually, a concert performance was given in
1380:Il signor Bruschino, ossia Il figlio per azzardo
1348:Ciro in Babilonia, ossia La caduta di Baldassare
1639:MoĂŻse et Pharaon, ou Le passage de la mer rouge
1512:Adelaide di Borgogna, ossia Ottone, re d'Italia
236:on 10 April 1992, and the first staging was at
196:In old age, when asked if he would have liked
2179:Opera world premieres at the Teatro San Carlo
1997:
1568:Bianca e Falliero, ossia Il consiglio dei tre
1472:La gazzetta, ossia Il matrimonio per concorso
1260:
8:
1148:), published in collaboration with Ricordi.
2004:
1990:
1982:
1611:
1407:
1304:
1267:
1253:
1245:
700:she again resolves to kill herself (Duet:
652:Balena in man del figlio l'asta di Achille
38:
18:
1488:La Cenerentola, ossia La bontĂ in trionfo
764:
314:
248:on 11 September 1992 in a production by
1000:
702:Ombra del caro sposo ... Vieni a giurar
666:Scene 4: The gardens outside the palace
610:Scene 2: The gardens outside the palace
567:Place: In and around Pirro's palace in
951:London Philharmonic Orchestra and the
626:, who announce the arrival of Oreste (
187:Bibliothèque Musée de l'Opéra de Paris
7:
2184:Operas based on works by Jean Racine
1068:on operadis-opera-discography.org.uk
648:Ah! come nascondere la fiamma vorace
212:The first modern staging was at the
2169:Operas based on classical mythology
906:(Recording of a performance in the
816:and the Prague Philharmonic Chorus
904:Orchestra and Prague Chamber Choir
814:Monte Carlo Philharmonic Orchestra
721:Premia, o Amore, sì bella costanza
660:Non pavento: quest'alma ti sprezza
216:in Pesaro on 22 August 1987, with
14:
1528:Adina, ossia Il califfo di Bagdad
1224:The New Grove Dictionary of Opera
1179:The New Grove Dictionary of Opera
2189:Libretti by Andrea Leone Tottola
1966:
1965:
1659:
1480:Otello, ossia Il Moro di Venezia
1463:
1443:Elisabetta, regina d'Inghilterra
1100:Notes: Quarterly Journal of the
716:/ "I was loved and loved him").
594:Scene 1: A dungeon in the palace
118:(azione tragica) in two acts by
616:Dall'Oriente l'astro del giorno
1:
1115:; Brauner, Patricia (2001), "
1105:, (Ed.) Patricia B. Brauner,
857:London Philharmonic Orchestra
1127:, New York: Penguin Putnam.
757:/ "Ah! I have found you").
324:Premiere Cast, 27 March 1819
2154:Operas by Gioachino Rossini
1125:The New Penguin Opera Guide
1094:Balthazar, Scott L. 1998, "
379:Benedetta Rosmunda Pisaroni
159:was first performed at the
2205:
1213:Osborne, Richard (1998), "
1168:Osborne, Richard (1998), "
1016:Gossett & Bauer (2006)
902:Teatro Comunale di Bologna
780:Opera House and Orchestra
695:The palace's entrance hall
326:(Conductor: Nicola Festa)
16:Opera by Gioachino Rossini
1961:
1934:Duetto buffo di due gatti
1324:La cambiale di matrimonio
1282:
1199:Osborne, Richard (1990),
1102:Music Library Association
917:Audio CD: Celestial Audio
644:Che sorda al mesto pianto
535:
37:
26:
1873:(1991 biographical film)
1865:(1942 biographical film)
710:Di, che vedesti piangere
171:'s French operas and of
44:Portrait of the composer
2159:Italian-language operas
1775:Petite messe solennelle
953:Geoffrey Mitchell Choir
834:Anna Caterina Antonacci
600:Troja! Qual fosti un di
500:Raffaella De Bernardis
208:20th century and beyond
85:27 March 1819
1906:Rossini Opera Festival
1720:Ecco, ridente in cielo
1364:La pietra del paragone
1332:L'equivoco stravagante
732:A così triste immagine
656:Deh serena i mesti rai
563:
493:Andromaca's confidante
214:Rossini Opera Festival
1928:La boutique fantasque
1843:The Barber of Seville
861:Glyndebourne Festival
796:Margarita Zimmermann,
708:to desert her (Aria:
676:Alfin l'Eroe da forte
573:Time: Soon after the
556:
181:, four years later).
2116:Story within a story
1824:Péchés de vieillesse
1631:Le siège de Corinthe
1419:Aureliano in Palmira
1396:L'italiana in Algeri
1287:List of compositions
459:Ermione's confidante
234:Queen Elizabeth Hall
133:, based on the play
131:Andrea Leone Tottola
54:Andrea Leone Tottola
1940:Matinées musicales
1854:Cultural depictions
1808:La regata veneziana
1536:Ricciardo e Zoraide
1451:Torvaldo e Dorliska
935:Carmen Giannattasio
886:Marianna Pizzolato,
873:Kultur Cat: D 2850
868:Warner Music Vision
773:Ermione, Andromaca,
749:to destroy Oreste.
451:Giuseppe Ciccimarra
277:New York City Opera
242:San Francisco Opera
161:Teatro di San Carlo
147:Performance history
96:Teatro di San Carlo
1911:Rossini in Wildbad
1793:Six string sonatas
1552:Eduardo e Cristina
1427:Il turco in Italia
1316:Demetrio e Polibio
1043:The New York Times
893:Antonino Siragusa
871:Cat: 0630 14012-2;
844:Jorge López Yáñez,
564:
443:Oreste's companion
255:Other stagings of
218:Montserrat Caballé
2141:
2140:
2088:Opera adaptations
1979:
1978:
1946:Messa per Rossini
1889:Named for Rossini
1870:Rossini! Rossini!
1827:(1857–1868)
1727:Largo al factotum
1678:
1677:
1610:
1609:
1560:La donna del lago
1406:
1405:
1276:Gioachino Rossini
1078:Farr, Robert J.,
987:
986:
546:
545:
514:Gaetano Chizzola
507:Pirro's confidant
485:Michele Benedetti
120:Gioachino Rossini
104:
103:
32:Gioachino Rossini
2196:
2006:
1999:
1992:
1983:
1969:
1968:
1920:Related articles
1835:Film adaptations
1741:Una voce poco fa
1668:Ugo, re d'Italia
1663:
1612:
1467:
1408:
1356:La scala di seta
1340:L'inganno felice
1305:
1269:
1262:
1255:
1246:
1152:Osborne, Charles
1082:
1076:
1070:
1061:
1055:
1052:
1046:
1032:
1026:
1023:
1017:
1014:
1008:
1005:
939:Patricia Bardon,
836:
824:Cat: 2292-45790
765:
680:Sperar, poss'io?
354:Isabella Colbran
315:
193:in August 1977.
92:
90:
42:
19:
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2197:
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2083:
2058:
2022:
2010:
1980:
1975:
1957:
1915:
1884:
1878:Rossini's Ghost
1849:
1830:
1781:
1759:Messa di Gloria
1746:
1707:
1674:
1606:
1402:
1296:
1278:
1273:
1138:Gossett, Philip
1113:Gossett, Philip
1086:
1085:
1077:
1073:
1062:
1058:
1053:
1049:
1045:, 13 April 2004
1033:
1029:
1024:
1020:
1015:
1011:
1006:
1002:
992:
961:
950:
942:
940:
938:
926:Cat: CDS 33609
925:
920:
918:
905:
900:
892:
887:
885:
872:
870:
855:
845:
843:
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832:
823:
812:
809:Claudio Scimone
802:
799:Ernesto Palacio
797:
795:
779:
774:
772:
763:
755:Ah! Ti rinvenni
692:
684:A me Astianatte
591:
583:
551:
525:Andromaca's son
325:
313:
250:Jonathan Miller
149:
100:
99:
93:
88:
86:
45:
17:
12:
11:
5:
2202:
2200:
2192:
2191:
2186:
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2171:
2166:
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1994:
1986:
1977:
1976:
1974:
1973:
1962:
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1956:
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1820:
1812:
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1800:Edipo a Colono
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1655:Guillaume Tell
1651:
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1618:
1616:
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1604:
1596:
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1572:
1564:
1556:
1548:
1540:
1532:
1524:
1520:Mosè in Egitto
1516:
1508:
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1496:La gazza ladra
1492:
1484:
1476:
1468:
1455:
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1439:
1431:
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1404:
1403:
1401:
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1392:
1384:
1376:
1368:
1360:
1352:
1344:
1336:
1328:
1320:
1311:
1309:
1302:
1298:
1297:
1295:
1294:
1292:List of operas
1289:
1283:
1280:
1279:
1274:
1272:
1271:
1264:
1257:
1249:
1243:
1242:
1211:
1197:
1166:
1149:
1135:
1121:Holden, Amanda
1110:
1107:Philip Gossett
1084:
1083:
1071:
1064:Recordings of
1056:
1047:
1027:
1025:Osborne (1998)
1018:
1009:
999:
998:
991:
988:
985:
984:
983:
982:
974:
971:
968:
964:
963:
955:
944:
932:
928:
927:
915:
908:Adriatic Arena
897:Roberto Abbado
894:
879:
875:
874:
864:
849:
840:Diana Montague
830:
826:
825:
817:
806:
792:Cecilia Gasdia
789:
785:
784:
781:
776:
775:Pirro, Oreste
769:
762:
759:
691:
688:
590:
587:
582:
579:
578:
577:
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1778:(1864, 1867)
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1770:(1831, 1841)
1767:Stabat mater
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1751:Sacred music
1734:Sombre forĂŞt
1701:Robert Bruce
1699:
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1671:(unfinished)
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852:Andrew Davis
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519:Astianatte (
506:
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468:Maria Manzi
458:
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419:
395:and king of
390:
365:
337:daughter of
336:
293:Angela Meade
284:
281:Dallas Opera
275:(2000). The
269:Buenos Aires
256:
254:
238:Glyndebourne
211:
207:
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183:
176:
164:
156:
155:
152:19th century
151:
150:
134:
111:(1819) is a
107:
106:
105:
72:
2164:1819 operas
2125:L'Amour fou
2013:Jean Racine
1881:(1996 film)
1845:(1947 film)
1786:Other works
1615:Later works
1576:Maometto II
1308:Early works
962:Cat: ORC42
947:David Parry
941:Paul Nilon,
919:Cat: CA 808
636:throne room
360:Andromaca (
321:Voice type
305:David Parry
301:Barry Banks
295:(Ermione),
271:(1992) and
246:Opera Omaha
141:Jean Racine
2148:Categories
2096:Andromaque
2071:Andromache
2034:Andromache
2027:Characters
2018:Andromaque
1952:Rossiniana
1600:Semiramide
1435:Sigismondo
1221:, (Ed.),
1164:0931340713
990:References
981:B0D217GW59
959:Opera Rara
957:Audio CD:
943:Colin Lee
914:, August)
847:Bruce Ford
819:Audio CD:
778:Conductor,
761:Recordings
575:Trojan War
497:contralto
362:Andromache
136:Andromaque
89:1819-03-27
74:Andromaque
50:Librettist
1684:Pastiches
747:Eumenides
473:Fenicio,
422:Agamemnon
374:contralto
366:widow of
331:Ermione (
299:(Pirro),
178:Euryanthe
71:Racine's
2132:Marquise
2049:Hermione
1971:Category
1816:La Danza
1411:Maturity
1388:Tancredi
1176:(Ed.),
1154:(1994),
859:and the
624:grandees
581:Overture
549:Synopsis
521:Astyanax
505:Attalo,
491:Cefisa,
457:Cleone,
437:Pilade (
414:Oreste (
393:Achilles
385:Pirro, (
343:Menelaus
333:Hermione
273:Santa Fe
267:(1991),
173:Spontini
127:libretto
98:, Naples
81:Premiere
68:Based on
60:Language
2104:Ermione
2063:Origins
2054:Pylades
2044:Orestes
2039:Pyrrhus
1862:Rossini
1693:Ivanhoé
1658:(1829)
1592:Zelmira
1544:Ermione
1462:(1816)
1217:", in
1215:Ermione
1201:Rossini
1170:Ermione
1142:Ermione
1123:(ed.),
1117:Ermione
1096:Ermione
1089:Sources
1066:Ermione
923:Dynamic
863:Chorus
783:Label:
672:Amarti?
541:maidens
539:Spartan
529:silent
439:Pylades
420:son of
416:Orestes
391:son of
387:Pyrrhus
349:soprano
285:Ermione
257:Ermione
198:Ermione
157:Ermione
124:Italian
108:Ermione
87: (
63:Italian
22:Ermione
2174:Operas
2107:(1819)
2099:(1780)
2078:Aeneid
2021:(1667)
1819:(1835)
1811:(1835)
1803:(1817)
1795:(1804)
1762:(1820)
1704:(1846)
1696:(1826)
1650:(1828)
1642:(1827)
1634:(1826)
1626:(1825)
1603:(1823)
1595:(1822)
1587:(1821)
1579:(1820)
1571:(1819)
1563:(1819)
1555:(1819)
1547:(1819)
1539:(1818)
1531:(1826)
1523:(1818)
1515:(1817)
1507:(1817)
1504:Armida
1499:(1817)
1491:(1817)
1483:(1816)
1475:(1816)
1454:(1815)
1446:(1815)
1438:(1814)
1430:(1814)
1422:(1813)
1399:(1813)
1391:(1813)
1383:(1813)
1375:(1812)
1367:(1812)
1359:(1812)
1351:(1812)
1343:(1812)
1335:(1811)
1327:(1810)
1319:(1812)
1301:Operas
1238:
1231:
1207:
1193:
1186:
1172:", in
1162:
1146:Pesaro
1131:
912:Pesaro
569:Epirus
562:, 1783
511:tenor
447:tenor
427:tenor
397:Epirus
368:Hector
261:Madrid
122:to an
113:tragic
1712:Arias
1119:" in
995:Notes
967:2024
931:2009
921:DVD:
878:2008
866:DVD:
829:1995
788:1986
771:Cast:
768:Year
690:Act 2
589:Act 1
403:tenor
339:Helen
318:Role
311:Roles
191:Siena
169:Gluck
165:secco
116:opera
28:Opera
1236:ISBN
1229:ISBN
1205:ISBN
1191:ISBN
1184:ISBN
1160:ISBN
1129:ISBN
682:...
658:...
654:...
646:...
480:bass
341:and
279:and
265:Rome
228:and
2015:'s
523:),
441:),
418:),
364:),
335:),
139:by
129:by
30:by
2150::
1041:,
1037:,
910:,
389:)
263:,
252:.
224:,
220:,
143:.
2005:e
1998:t
1991:v
1743:"
1739:"
1736:"
1732:"
1729:"
1725:"
1722:"
1718:"
1268:e
1261:t
1254:v
949:,
937:,
899:,
891:,
884:,
854:,
842:,
837:,
811:,
801:,
794:,
91:)
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