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There are theories that describe the
Festejo as a dance that began in Lima in the mid-17th century, but they do not provide evidence to support these hypotheses. No musical example has yet been established to show that this musical form existed before 1800. However, some Festejos dating from the 19th
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According to musicologist
William Tompkins, by the early 1900s the original choreography was almost completely lost. It is from 1949, that a standard choreography for the "Festejo" begins to be generated in the "Peruvian Folk Music and Dance School" (today the José María Arguedas National Higher
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In 1971, the "Black Art
Festival" of Cañete began, which for the first time included a contest where the best dancer is elected "Miss Festejo". Between 1975 and 1977, a composition contest for Festejo and similar genres was included.
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It is from 1960 that this dance becomes the most widespread musical genre among Afro-Peruvian artists. In large part due to the popularity of the musical works by José Durand, Victoria Santa Cruz and
Nicomedes Santa Cruz.
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of slaves. Festejo is recognized for its high energy and the improvisation carried out by the dancers. Some believe that its origins trace back to competitive dance circles performed by individuals playing
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It is in this decade that a new style of
Festejo is popularized for women that some musicians call "valentina style", for which they dress in colorful skirts and bras.
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century have been identified. Since the middle of the 20th century, old
Festejos have been collected from the areas of Lima, Aucallama, Cañete and Chincha.
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Festejo is a dance that is strongly associated with the Afro-Peruvian people and has its roots on the
Peruvian coast.
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Burdick, J., & Dixon, K. (2012). Comparative
Perspectives on Afro-Latin America. University Press of Florida.
100:"Festejo" in Spanish literally means "Celebration", and comes from the Spanish word "fiesta" which means "party"
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León, Javier F. (2006). "Mass
Culture, Commodification, and the Consolidation of the Afro-Peruvian 'Festejo'".
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León, Javier F. (2007). "The 'Danza de las Cañas': Music, Theatre and
Afroperuvian Modernity".
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The base of every festejo is rhythm, achieved through a series of melodies with the
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Peruvian Festejo (Festejo peruano), Afro-Peruvian Festejo (Festejo afroperuano).
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Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific
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