206:
Stainless steel guitar frets may never need dressing, because of the density of the material. Not having frets carefully and properly aligned with the fingerboard can cause severe intonation issues and constant detuning. The ultimate way of determining the source of a buzz and detuning problem is to measure the levelness of the frets. A straightedge positioned on the neck in the "lie" of one of the strings should show nearly level frets. (There should be a slight
1260:, using an acoustic guitar with a fully scalloped fretboard. He also used an electric guitar with a scalloped fretboard in studio and live performances from 1978 to 1979. McLaughlin explained that this feature increased the ease and range of string bends by eliminating friction between the finger and fretboard. The scalloped fretboard also facilitates the rapid, microtonal variation that is important in Indian music, as exemplified by classical Indian
1403:
side of the fingerboard. Different string materials or different styles of playing may call for differing amounts of scoop. Nylon or gut strings require the most, and solid steel-core strings the least. A typical full-size (4/4) violin with synthetic-core G, D, and A strings shows 0.75 mm of scoop under the G string, and between 0.5 mm and zero scoop under the E, which is usually a solid steel core on modern instruments.
384:
277:
939:
194:, markers are typically single smallish dots on the fingerboard and on its side that indicate the 3rd, 5th, 7th and 9th fretsâand the octaves of those positions higher up the neck. A double dot or some other variation marks the 12th fret and 24th frets. Variations on the standard dot shape can make a guitar more distinctive. Position markers are sometimes made
140:
158:, having raised strips of hard material perpendicular to the strings, which the player presses the strings against to stop the strings. On modern guitars, frets are typically made of metal. Frets let the player stop the string consistently in the same place, which enables the musician to play notes with the correct
1402:
Fretless bowed-string fingerboards are usually scooped lengthwise in a smooth curve, so that if a straight edge is held next to the board parallel to a string, some daylight shows between them, towards the centre of the board. Usually the scoop is slightly greater on the bass side, less on the treble
292:
Typically, the fingerboard is a long plank with a rectangular profile. On a guitar, mandolin, ukulele, or similar plucked instrument, the fingerboard appears flat and wide but may be slightly curved to form a cylindrical or conical surface of relatively large radius compared to the fingerboard width.
1411:
On guitars, specifically steel-string and electric guitars, the relief (or "dip") is adjustable by altering the tension on the steel truss rod inside the neck. Relaxing the truss rod allows the pull of the strings to increase the dip, and vice versa. Classical guitars do not need truss rods due to
1385:
However, one of the main disadvantages is that many players, especially new players, may find a scalloped fingerboard too different, and difficult to play easily, especially if the strings are of a lighter gauge or the player tends to press too hard. It takes practice to play in tune on a scalloped
1201:
of wood between the frets, and requires a large investment of time. Consequently, it is relatively expensive to have done. Generally, luthiers scallop fingerboards with a special milling machine that has 22 or 24 (according to neck dimensions and number of frets) wood cutting tools. This equipment
205:
Over time, strings wear frets down, which can cause buzzing and deaden the sound. Fixing this occasionally requires replacing the fretsâbut more often they just need "dressing". In fret dressing, a luthier levels and polishes the frets, and crowns (carefully rounds and shapes) the ends and edges.
920:
in 1978 by luthier Denny Rauen can be found in
American Lutherie #8/Winter 1986 and String Instrument Craftsman May/June 1988 under the title "Multi-Radius Fingerboards". This special radiusing is a standard on many of Denny's custom-built guitars and refret work beginning in 1978. Denny Rauen's
178:
instruments, where damping by the finger is of little consequence because of the sustained stimulation of the strings by the bow. Unfretted fingerboards allow a musician more control over subtle changes in pitch than fretted boards, but are generally considered harder to master. Fingerboards may
909:
For guitars, some players feel that smaller radii (7.25â10") are more comfortable for chord and rhythm playing, while larger radii (12"-16" and up to flat) are better for fast soloing. Conical and compound radius fingerboards try to merge both these features. The nut end of the fingerboard has a
183:, where arched frets attach at the edges of a smooth fingerboard; unfrettable strings run inside the frets, while frettable ones run outside. The fret arches are sufficiently high that the exterior strings can be fretted without the finger making contact with the interior strings.
905:
Classical guitars, some 12-string guitars, banjos, dobros, pedal steel, and a few steel-stringed acoustic guitars have flat fingerboards. Almost all other guitars have at least some curvature. However, some recent five and six string electric basses have flat fingerboards.
1386:
fingerboard. The player must first become accustomed to not actually touching the fingerboard. Playing a scalloped fingerboard requires a careful application of pressure: Too much pressure raises the pitch of the fretted note to a sharp note, as during a
46:
95:
the strings. Depending on the instrument and the style of music, the musician may pluck, strum or bow one or more strings with the hand that is not fretting the notes. On some instruments, notes can be sounded by the fretting hand alone, such as with
924:
Bowed string instruments usually have curved fingerboards, to allow the player to bow single strings. Those of the modern violin family and the double bass are strongly curved, however those of some archaic bowed instruments are flat.
910:
smaller radius to ease in forming chords. The bridge end of the fingerboard has a larger radius to make soloing more comfortable and prevent "noting out" ("fretting out"), in which a string comes in contact with a higher fret during
1369:
The "scooped out" nature of scalloped fingerboards creates a number of changes in the way the guitar plays. Most obvious is that the fingertip only contacts the string, not the fingerboard itself, creating less
449:
The fingerboard has a constant radius, and the fingerboard, the nut and the bridge all have the same nominal radius (that of the fingerboard is strictly speaking a little smaller than that of nut and bridge).
668:
1353:
scalloping has lateral intrusions in addition to the standard vertical hollows. The additional versatility in note control comes at the cost of substantially reduced rigidity of the neck.
514:
1790:
1190:
by "scooping out" the wood between each of the frets to create a shallow "U" shape. The result is a playing surface wherein the players' fingers come into contact with the
921:
articles on the "Multi Radius
Fingerboard" are the first published documents on using a conical fingerboard to improve string bending while retaining comfortable chording.
759:
724:
437:
680:
While not strictly conical, with a curved nut and linear bridge. All parts of the fingerboard have some curvature, but the fingerboard shape is not strictly a cone.
1455:
578:
551:
895:
864:
833:
813:
787:
1512:
1940:
1759:
1361:âso intricately inlaid fingerboards are not usually good candidates for scalloping. Simple dot or block inlays survive the procedure moderately well.
2123:
1218:
411:
Both nut and bridge are flat. The strings are all in one plane, and the instrument does not have a radius (the radius is in a sense infinite).
2128:
1682:
1540:
1468:
1341:. When done by hand, sometimes fretboards can be scalloped half below the D or G strings, as in the case for Turkish luthier Kenan Turgut.
1701:
1649:
1576:
1172:
298:
1915:
1421:
1022:
202:) to make them more visible on stage. Position markers are also sometimes repeated on the edge of the fingerboard for easy viewing.
38:
1329:, with some of the high frets scalloped for fast soloing. Popular examples include half scalloping (12th to the last fret, used by
162:. As well, frets do not dampen string vibrations as much as fingers alone on an unfretted fingerboard. Frets may be fixed, as on a
399:
and their transition over the length of the fingerboard, all fingerboards usually fit into one of the following four categories:
1312:
1558:
960:
589:
1752:
1003:
85:. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the
1618:
975:
956:
31:
1450:
1202:
saves time and adds precision to the process of scalloping the wood in the neck's radius the same in all fret spaces.
1593:
1786:
1382:, which results in more overall control while playing. It also results in more weight-relief and less "neck-dive".
1249:
982:
790:
1509:
949:
268:
in their fingerboards. Various impregnated wood materials are being used for fingerboards in fretted instruments.
1894:
1717:
1089:
1745:
1711:
107:
The word "fingerboard" in other languages sometimes occurs in musical directions. In particular, the direction
1583:
Mottola, R. (2014). Guitar
Fretboard Camber and Action in the Context of String Bending. Savart Journal, 1(4)
989:
1905:
1853:
1871:
1197:
The process of "scalloping" a fingerboard well, if done by hand, is tedious work, usually done by careful
455:
1849:
1486:
1264:
music. Without scallops, the guitarist must play microtones by sliding the string sideways on the fret.
971:
199:
1878:
1307:
1280:
1460:
2097:
1920:
1807:
1426:
309:
285:
82:
66:
1316:
729:
305:
281:
159:
1883:
1985:
1319:
has also made a deeply scalloped electric guitar for
Vietnamese microtonal playing techniques.
685:
416:
1866:
1777:
1678:
1674:
1647:
1536:
1464:
1210:
91:
1930:
1910:
1666:
1574:
1284:
1214:
1176:
1144:
1051:
584:. The nut and bridge are both curved but the nut radius is smaller than that of the bridge.
556:
529:
1935:
1861:
1737:
1653:
1580:
1562:
1516:
1337:, among others) or upper fret scalloping (19â24, 17â22, etc.), used by such guitarists as
1122:
871:
840:
317:
101:
996:
1973:
1900:
1824:
1769:
1394:. As a result, most guitar players use a traditional fingerboard on their instruments.
1358:
1272:
1221:
that include scalloped fingerboards. Ibanez JEM series guitars, designed and played by
1191:
818:
798:
772:
208:
187:
144:
1635:
383:
2117:
2082:
2020:
1925:
1829:
1667:
1446:
1387:
1375:
1330:
1253:
1225:, come standard with the last 4 frets scalloped. In 2008 Ibanez made available their
1070:
911:
86:
1731:
1669:
Getting Great Guitar Sounds: A Non-technical
Approach to Shaping Your Personal Sound
179:
also be, though uncommon, a hybrid of these two. Such a construction is seen on the
2102:
1487:"How to Fret Dress an Electric Guitar - [ Complete Fret Leveling Guide ] -"
1268:
1242:
1234:
1226:
1206:
1180:
1171:
1111:
265:
74:
1555:
276:
2077:
2035:
1990:
1955:
1819:
1802:
1707:
1412:
the lower tension of nylon strings but should still exhibit some degree of dip.
1291:
1276:
1238:
1198:
1133:
938:
313:
237:
195:
191:
175:
147:
124:
78:
45:
2015:
2010:
2005:
1834:
1812:
1773:
1622:
1257:
1100:
898:
70:
1530:
2057:
1995:
1950:
1888:
1391:
1338:
1230:
1222:
97:
1283:
with a partial scalloped neck for only the thin strings (similar to small
37:
2072:
2025:
1968:
1857:
1597:
1371:
1334:
1241:
also uses several guitars with scalloped fingerboards, including several
249:
245:
167:
128:
17:
526:
The fingerboard has a varying radius, usually linearly progressing from
2092:
2067:
2050:
2045:
1978:
1963:
1379:
963: in this section. Unsourced material may be challenged and removed.
324:
261:
213:
2062:
2040:
2030:
2000:
1155:
328:
253:
225:
190:
to make navigating the fingerboard easier. On six-string guitars and
163:
1721:
1594:"PRS Guitars FAQ: What are the differences between necks you offer?"
77:
of an instrument. The strings run over the fingerboard, between the
350:â width at half of scale length (if fretted, usually the 12th fret)
260:
neck and fingerboard are made from one piece of wood. A few modern
139:
2087:
1708:
Violin construction detailed specification sheet by Alan
Goldblatt
1704:
brief description of fingerboard for violins, violas, & cellos
1294:
1261:
275:
257:
241:
233:
229:
180:
138:
44:
36:
1357:
Note that filing away wood to scallop a fingerboard also affects
1844:
331:. Most fingerboards can be fully described by these parameters:
304:
Most bowed string instruments use a visibly curved fingerboard,
171:
155:
62:
1741:
1233:
signature, which includes four scalloped frets (21st to 24th).
1720:
article explains common fretboard problems and repairs on the
932:
815:
designates a place on fingerboard, changes from 0 (at nut) to
69:. It is a thin, long strip of material, usually wood, that is
1290:
Some examples of lutes with scalloped fretboards include the
1035:
Examples of some instruments' fingerboard radius parameters:
174:. Fingerboards may also be unfretted, as they usually are on
127:
above the fingerboard. This reduces the prominence of upper
1347:, i.e., all frets from the first to the last are scalloped
297:
quoted in the specification of a string instrument is the
1727:
Ibanez website gives specific neck/fingerboard dimensions
1726:
1529:
Mottola, R.M. (20 October 2021). "3 - The
Fretboard".
918:
A Brief
History Of Discovering The Conical Fingerboard
663:{\displaystyle r(x)=r_{1}+{\frac {x}{l}}(r_{2}-r_{1})}
874:
843:
821:
801:
775:
732:
688:
592:
559:
532:
458:
419:
1519:
explanation of why he doesn't use ebony fingerboards
368:â profile height (thickness) at half of scale length
1949:
866:
describes radius depending on place on fingerboard.
889:
858:
827:
807:
781:
753:
718:
662:
572:
545:
508:
431:
264:have used lightweight, non-wood materials such as
1205:Scalloped fingerboards are most commonly used by
123:) for bowed string instruments to play with the
1456:The New Grove Dictionary of Music and Musicians
65:instruments) is an important component of most
1753:
8:
1398:Scoop of fretless bowed-string fingerboards
1217:, who have signature models developed with
1760:
1746:
1738:
1311:). The Japanese multi-instrumentalist and
198:(through using paint, or illuminated with
1532:Building the Steel String Acoustic Guitar
1023:Learn how and when to remove this message
873:
842:
820:
800:
774:
731:
687:
651:
638:
621:
612:
591:
564:
558:
537:
531:
482:
469:
457:
418:
391:function for typical fingerboard profiles
1194:only, and do not touch the fingerboard.
1170:
1037:
401:
382:
1438:
359:â profile height (thickness) at the nut
341:â width at nut (close to the headstock)
240:), the fingerboard is usually made of
224:On bowed string instruments, (such as
1535:. Amazon Digital Services LLC - Kdp.
7:
961:adding citations to reliable sources
301:of the fingerboard at the head nut.
41:Fretted classical guitar fingerboard
1722:Guitar Repair Bench Luthier Website
1673:. Hal Leonard Corporation. p.
509:{\displaystyle r=r_{1}=r_{2}=const}
748:
426:
25:
1422:Scale length (string instruments)
1390:, and too little pressure causes
323:The length, width, thickness and
288:. Scheme and essential parameters
280:Fingerboard profile looking from
216:shape of the vibrating strings.)
1485:McPartl, Frank (February 2019).
1248:In the 1970s, English guitarist
937:
580:. Sometimes it is also called a
1313:experimental musical instrument
1297:and Vietnamized guitar (called
948:needs additional citations for
131:, giving a more ethereal tone.
2124:String instrument construction
1732:The Scalloped Fretboard Guitar
1322:Some types of scalloping are:
1256:, along with Indian violinist
884:
878:
853:
847:
742:
736:
713:
707:
698:
692:
657:
631:
602:
596:
395:Depending on values of radius
374:â radius (may be non-constant)
316:clearance for each individual
1:
1186:A fretted fingerboard can be
1128:16 in (406 mm) compound
2129:Guitar parts and accessories
1453:, eds. (2001). "Sul tasto".
1365:Advantages and disadvantages
1271:made an electric guitar for
754:{\displaystyle r(l)=\infty }
327:of a fingerboard can affect
32:Fingerboard (disambiguation)
1510:Luthier David Rivinus' site
49:Fretless violin fingerboard
2145:
29:
1895:Music On A Long Thin Wire
1798:
1784:
1652:October 29, 2008, at the
1175:Scalloped fingerboard of
719:{\displaystyle r(x)=f(x)}
432:{\displaystyle r=\infty }
1791:HornbostelâSachs numbers
1459:(2nd ed.). London:
1407:Dip of guitar fretboards
1237:of the death metal band
1081:Gibson acoustic guitars
1057:7.25 in (184.1 mm)
186:Frets may be marked by
1872:Long-string instrument
1665:Ross, Michael (1998).
1636:Scalloped Guitar Necks
1183:
1095:16 in (406.4 mm)
1062:Fender modern guitars
891:
860:
829:
809:
783:
755:
720:
664:
574:
547:
510:
433:
392:
289:
212:to compensate for the
170:, or movable, as on a
151:
50:
42:
27:String instrument part
1267:Experimental luthier
1174:
1065:9.5 in (241 mm)
892:
861:
830:
810:
784:
756:
721:
665:
575:
573:{\displaystyle r_{2}}
548:
546:{\displaystyle r_{1}}
511:
434:
386:
279:
200:light emitting diodes
154:A fingerboard may be
142:
48:
40:
1625:on November 8, 2015.
1461:Macmillan Publishers
1139:10 in (254 mm)
1106:14 in (355 mm)
1084:12 in (305 mm)
1076:12 in (305 mm)
957:improve this article
890:{\displaystyle f(x)}
872:
859:{\displaystyle r(x)}
841:
819:
799:
773:
730:
686:
590:
557:
530:
456:
417:
73:to the front of the
67:stringed instruments
30:For other uses, see
1491:Guitar Repair Bench
1427:Bridge (instrument)
1245:, and KxK Guitars.
299:radius of curvature
1879:Melde's experiment
1638:article at Warmoth
1579:2015-03-15 at the
1565:article at Warmoth
1561:2012-05-01 at the
1556:Guitar neck radius
1515:2006-04-12 at the
1351:Extreme Scalloping
1327:Partial Scalloping
1184:
887:
856:
825:
805:
779:
751:
716:
660:
570:
543:
506:
429:
393:
290:
152:
89:. This is called
51:
43:
2111:
2110:
1867:Longitudinal wave
1684:978-0-7935-9140-4
1542:978-1-7341256-1-0
1470:978-1-56159-239-5
1285:playground slides
1211:Ritchie Blackmore
1164:
1163:
1149:flat (no radius)
1145:Classical guitars
1092:acoustic guitars
1073:electric guitars
1033:
1032:
1025:
1007:
828:{\displaystyle l}
808:{\displaystyle x}
782:{\displaystyle l}
764:
763:
629:
57:(also known as a
16:(Redirected from
2136:
1931:String vibration
1762:
1755:
1748:
1739:
1718:Fretboard Repair
1689:
1688:
1672:
1662:
1656:
1645:
1639:
1633:
1627:
1626:
1621:. Archived from
1615:
1609:
1608:
1606:
1605:
1596:. Archived from
1590:
1584:
1572:
1566:
1553:
1547:
1546:
1526:
1520:
1507:
1501:
1500:
1498:
1497:
1482:
1476:
1474:
1443:
1215:Yngwie Malmsteen
1207:shred guitarists
1177:Yngwie Malmsteen
1154:Full size (4/4)
1054:vintage guitars
1038:
1028:
1021:
1017:
1014:
1008:
1006:
965:
941:
933:
896:
894:
893:
888:
865:
863:
862:
857:
834:
832:
831:
826:
814:
812:
811:
806:
788:
786:
785:
780:
760:
758:
757:
752:
725:
723:
722:
717:
669:
667:
666:
661:
656:
655:
643:
642:
630:
622:
617:
616:
579:
577:
576:
571:
569:
568:
552:
550:
549:
544:
542:
541:
515:
513:
512:
507:
487:
486:
474:
473:
438:
436:
435:
430:
402:
21:
2144:
2143:
2139:
2138:
2137:
2135:
2134:
2133:
2114:
2113:
2112:
2107:
2016:Japanese fiddle
1954:
1945:
1936:Transverse wave
1884:Mersenne's laws
1862:String harmonic
1794:
1780:
1766:
1698:
1693:
1692:
1685:
1664:
1663:
1659:
1654:Wayback Machine
1646:
1642:
1634:
1630:
1617:
1616:
1612:
1603:
1601:
1592:
1591:
1587:
1581:Wayback Machine
1573:
1569:
1563:Wayback Machine
1554:
1550:
1543:
1528:
1527:
1523:
1517:Wayback Machine
1508:
1504:
1495:
1493:
1484:
1483:
1479:
1471:
1445:
1444:
1440:
1435:
1418:
1409:
1400:
1367:
1345:Full Scalloping
1308:ghi-ta phĂm lĂ”m
1250:John McLaughlin
1209:, most notably
1169:
1029:
1018:
1012:
1009:
966:
964:
954:
942:
931:
870:
869:
839:
838:
817:
816:
797:
796:
771:
770:
728:
727:
684:
683:
647:
634:
608:
588:
587:
582:compound radius
560:
555:
554:
533:
528:
527:
478:
465:
454:
453:
415:
414:
381:
366:
357:
348:
339:
274:
222:
137:
102:electric guitar
35:
28:
23:
22:
15:
12:
11:
5:
2142:
2140:
2132:
2131:
2126:
2116:
2115:
2109:
2108:
2106:
2105:
2100:
2095:
2090:
2085:
2080:
2075:
2070:
2065:
2060:
2055:
2054:
2053:
2048:
2043:
2038:
2033:
2028:
2018:
2013:
2008:
2003:
1998:
1993:
1988:
1983:
1982:
1981:
1974:Bladder fiddle
1971:
1966:
1960:
1958:
1947:
1946:
1944:
1943:
1938:
1933:
1928:
1923:
1918:
1913:
1908:
1903:
1898:
1891:
1886:
1881:
1876:
1875:
1874:
1864:
1847:
1842:
1837:
1832:
1827:
1822:
1817:
1816:
1815:
1805:
1799:
1796:
1795:
1785:
1782:
1781:
1767:
1765:
1764:
1757:
1750:
1742:
1736:
1735:
1729:
1724:
1715:
1705:
1697:
1694:
1691:
1690:
1683:
1657:
1640:
1628:
1610:
1585:
1567:
1548:
1541:
1521:
1502:
1477:
1469:
1447:Sadie, Stanley
1437:
1436:
1434:
1431:
1430:
1429:
1424:
1417:
1414:
1408:
1405:
1399:
1396:
1366:
1363:
1355:
1354:
1348:
1342:
1273:John Schmersal
1168:
1165:
1162:
1161:
1158:
1151:
1150:
1147:
1141:
1140:
1137:
1130:
1129:
1126:
1119:
1118:
1117:10 in (254mm)
1115:
1108:
1107:
1104:
1097:
1096:
1093:
1086:
1085:
1082:
1078:
1077:
1074:
1067:
1066:
1063:
1059:
1058:
1055:
1048:
1047:
1042:
1031:
1030:
945:
943:
936:
930:
927:
903:
902:
886:
883:
880:
877:
867:
855:
852:
849:
846:
836:
824:
804:
794:
778:
762:
761:
750:
747:
744:
741:
738:
735:
715:
712:
709:
706:
703:
700:
697:
694:
691:
681:
678:
675:
671:
670:
659:
654:
650:
646:
641:
637:
633:
628:
625:
620:
615:
611:
607:
604:
601:
598:
595:
585:
567:
563:
540:
536:
524:
521:
517:
516:
505:
502:
499:
496:
493:
490:
485:
481:
477:
472:
468:
464:
461:
451:
447:
444:
440:
439:
428:
425:
422:
412:
409:
406:
380:
377:
376:
375:
369:
364:
360:
355:
351:
346:
342:
337:
273:
270:
221:
218:
136:
133:
113:sulla tastiera
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2141:
2130:
2127:
2125:
2122:
2121:
2119:
2104:
2101:
2099:
2096:
2094:
2091:
2089:
2086:
2084:
2083:Tromba marina
2081:
2079:
2076:
2074:
2071:
2069:
2066:
2064:
2061:
2059:
2056:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2023:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1980:
1977:
1976:
1975:
1972:
1970:
1967:
1965:
1962:
1961:
1959:
1957:
1952:
1948:
1942:
1939:
1937:
1934:
1932:
1929:
1927:
1926:Standing wave
1924:
1922:
1919:
1917:
1914:
1912:
1909:
1907:
1904:
1902:
1899:
1897:
1896:
1892:
1890:
1887:
1885:
1882:
1880:
1877:
1873:
1870:
1869:
1868:
1865:
1863:
1859:
1855:
1851:
1848:
1846:
1843:
1841:
1838:
1836:
1833:
1831:
1828:
1826:
1823:
1821:
1818:
1814:
1811:
1810:
1809:
1806:
1804:
1801:
1800:
1797:
1792:
1788:
1783:
1779:
1775:
1771:
1763:
1758:
1756:
1751:
1749:
1744:
1743:
1740:
1733:
1730:
1728:
1725:
1723:
1719:
1716:
1713:
1709:
1706:
1703:
1702:Stringworks U
1700:
1699:
1695:
1686:
1680:
1676:
1671:
1670:
1661:
1658:
1655:
1651:
1648:
1644:
1641:
1637:
1632:
1629:
1624:
1620:
1614:
1611:
1600:on 2009-08-06
1599:
1595:
1589:
1586:
1582:
1578:
1575:
1571:
1568:
1564:
1560:
1557:
1552:
1549:
1544:
1538:
1534:
1533:
1525:
1522:
1518:
1514:
1511:
1506:
1503:
1492:
1488:
1481:
1478:
1472:
1466:
1462:
1458:
1457:
1452:
1451:Tyrrell, John
1448:
1442:
1439:
1432:
1428:
1425:
1423:
1420:
1419:
1415:
1413:
1406:
1404:
1397:
1395:
1393:
1389:
1383:
1381:
1377:
1373:
1364:
1362:
1360:
1352:
1349:
1346:
1343:
1340:
1336:
1332:
1331:Kiko Loureiro
1328:
1325:
1324:
1323:
1320:
1318:
1314:
1310:
1309:
1304:
1303:lỄc huyá»n cáș§m
1300:
1296:
1293:
1288:
1286:
1282:
1278:
1274:
1270:
1265:
1263:
1259:
1255:
1251:
1246:
1244:
1240:
1236:
1232:
1228:
1224:
1220:
1216:
1212:
1208:
1203:
1200:
1195:
1193:
1189:
1182:
1178:
1173:
1166:
1159:
1157:
1153:
1152:
1148:
1146:
1143:
1142:
1138:
1135:
1132:
1131:
1127:
1124:
1121:
1120:
1116:
1113:
1110:
1109:
1105:
1102:
1099:
1098:
1094:
1091:
1088:
1087:
1083:
1080:
1079:
1075:
1072:
1069:
1068:
1064:
1061:
1060:
1056:
1053:
1050:
1049:
1046:
1043:
1040:
1039:
1036:
1027:
1024:
1016:
1005:
1002:
998:
995:
991:
988:
984:
981:
977:
974: â
973:
972:"Fingerboard"
969:
968:Find sources:
962:
958:
952:
951:
946:This section
944:
940:
935:
934:
928:
926:
922:
919:
915:
913:
907:
900:
881:
875:
868:
850:
844:
837:
822:
802:
795:
792:
776:
769:
768:
767:
745:
739:
733:
710:
704:
701:
695:
689:
682:
679:
676:
673:
672:
652:
648:
644:
639:
635:
626:
623:
618:
613:
609:
605:
599:
593:
586:
583:
565:
561:
538:
534:
525:
522:
519:
518:
503:
500:
497:
494:
491:
488:
483:
479:
475:
470:
466:
462:
459:
452:
448:
445:
442:
441:
423:
420:
413:
410:
407:
404:
403:
400:
398:
390:
385:
378:
373:
370:
367:
361:
358:
352:
349:
343:
340:
334:
333:
332:
330:
326:
321:
319:
315:
311:
307:
302:
300:
296:
287:
283:
278:
271:
269:
267:
263:
259:
255:
251:
247:
243:
239:
235:
231:
227:
219:
217:
215:
211:
210:
203:
201:
197:
193:
189:
184:
182:
177:
173:
169:
165:
161:
157:
149:
146:
141:
134:
132:
130:
126:
122:
121:am Griffbrett
118:
117:sur la touche
114:
111:(Ital., also
110:
105:
103:
99:
94:
93:
88:
84:
80:
76:
72:
68:
64:
60:
56:
47:
39:
33:
19:
2103:Washtub bass
1956:musical bows
1916:Scale length
1893:
1839:
1813:Third bridge
1668:
1660:
1643:
1631:
1623:the original
1613:
1602:. Retrieved
1598:the original
1588:
1570:
1551:
1531:
1524:
1505:
1494:. Retrieved
1490:
1480:
1454:
1441:
1410:
1401:
1384:
1368:
1356:
1350:
1344:
1326:
1321:
1317:Yuichi Onoue
1306:
1302:
1298:
1292:South Indian
1289:
1269:Yuri Landman
1266:
1252:played with
1247:
1235:Karl Sanders
1204:
1196:
1187:
1185:
1181:Stratocaster
1112:Rickenbacker
1044:
1034:
1019:
1010:
1000:
993:
986:
979:
967:
955:Please help
950:verification
947:
923:
917:
916:
908:
904:
835:(at bridge).
765:
581:
446:Cylindrical
396:
394:
388:
371:
362:
353:
344:
335:
322:
303:
294:
291:
266:carbon-fiber
223:
207:
204:
192:bass guitars
185:
153:
120:
116:
112:
108:
106:
90:
58:
54:
52:
2078:Psalmodicon
1991:Diddley bow
1850:Fundamental
1840:Fingerboard
1820:Chordophone
1778:instruments
1279:called the
1160:42 mm
1134:PRS Guitars
312:to provide
238:double bass
196:luminescent
150:fingerboard
148:bass guitar
104:technique.
55:fingerboard
2118:Categories
2011:Ichigenkin
2006:Ground bow
1951:Monochords
1941:Tuning peg
1921:Soundboard
1835:Enharmonic
1696:References
1604:2007-06-26
1496:2023-02-10
1299:ÄĂ n ghi-ta
1258:L. Shankar
1167:Scalloping
1101:Danelectro
983:newspapers
899:non-linear
726:, usually
387:Graphs of
272:Parameters
252:. On some
214:elliptical
160:intonation
98:hammer ons
2058:Langeleik
1996:Duxianqin
1889:Monochord
1858:Overtones
1854:Harmonics
1392:fret buzz
1339:Steve Vai
1231:Herman Li
1229:model, a
1223:Steve Vai
1188:scalloped
901:function.
749:∞
677:Compound
645:−
427:∞
248:or other
220:Materials
129:harmonics
109:sul tasto
71:laminated
59:fretboard
18:Fretboard
2073:Onavillu
2026:Genggong
2021:Jaw harp
1969:Berimbau
1911:Re-entry
1768:Musical
1650:Archived
1577:Archived
1559:Archived
1513:Archived
1416:See also
1380:vibratos
1372:friction
1335:Megadeth
1315:builder
1136:Regular
1125:guitars
1114:guitars
1103:guitars
1013:May 2023
929:Examples
523:Conical
262:luthiers
250:hardwood
246:rosewood
168:mandolin
92:stopping
2093:Umuduri
2068:Masenqo
2051:Mukkuri
2046:Morsing
1986:ÄĂ n báș§u
1979:Boom-ba
1964:Ahardin
1770:strings
1734:article
1714:, 18KB)
1281:Twister
1192:strings
1123:Jackson
997:scholar
766:Notes:
325:density
254:guitars
156:fretted
145:strings
63:fretted
2098:Unitar
2063:Lesiba
2041:Kubing
2036:Khomuz
2031:Gogona
2001:Ektara
1825:Course
1808:Bridge
1776:, and
1681:
1619:"None"
1539:
1467:
1359:inlays
1254:Shakti
1219:Fender
1199:filing
1156:violin
1090:Martin
1071:Gibson
1052:Fender
1045:radius
1041:Model
999:
992:
985:
978:
970:
379:Radius
329:timbre
318:string
310:bridge
295:radius
286:bridge
236:, and
226:violin
209:relief
188:inlays
164:guitar
115:, Fr.
83:bridge
2088:Tumbi
1830:Drone
1774:wires
1433:Notes
1376:bends
1305:, or
1295:veena
1262:Sitar
1243:Deans
1227:E-Gen
1004:JSTOR
990:books
912:bends
897:is a
791:scale
789:is a
408:Flat
258:maple
242:ebony
234:cello
230:viola
181:sitar
176:bowed
135:Frets
119:, G.
100:, an
87:pitch
1901:Node
1845:Fret
1787:List
1679:ISBN
1537:ISBN
1465:ISBN
1388:bend
1378:and
1374:for
1277:Enon
1239:Nile
1213:and
976:news
389:r(x)
308:and
293:The
256:, a
172:lute
143:Six
81:and
75:neck
53:The
1953:and
1906:Nut
1803:Bow
1712:PDF
1333:of
1287:).
1275:of
1179:'s
959:by
553:to
314:bow
306:nut
284:to
282:nut
166:or
125:bow
79:nut
61:on
2120::
1772:,
1677:.
1675:15
1489:.
1463:.
1449:;
1301:,
914:.
674:4
520:3
443:2
405:1
320:.
244:,
232:,
228:,
1860:/
1856:/
1852:/
1793:)
1789:(
1761:e
1754:t
1747:v
1710:(
1687:.
1607:.
1545:.
1499:.
1475:â
1473:.
1026:)
1020:(
1015:)
1011:(
1001:·
994:·
987:·
980:·
953:.
885:)
882:x
879:(
876:f
854:)
851:x
848:(
845:r
823:l
803:x
793:.
777:l
746:=
743:)
740:l
737:(
734:r
714:)
711:x
708:(
705:f
702:=
699:)
696:x
693:(
690:r
658:)
653:1
649:r
640:2
636:r
632:(
627:l
624:x
619:+
614:1
610:r
606:=
603:)
600:x
597:(
594:r
566:2
562:r
539:1
535:r
504:t
501:s
498:n
495:o
492:c
489:=
484:2
480:r
476:=
471:1
467:r
463:=
460:r
424:=
421:r
397:r
372:r
365:2
363:h
356:1
354:h
347:2
345:w
338:1
336:w
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
