206:, the company originally licensed to manufacture the commercial version of the Gizmotron, released the product to the public in 1979. Quality was inconsistent. According to Musitronics engineer Mike Beigel, "The product, though desired by many musicians at the time, simply could not be reliably manufactured and further – even at best – only worked on some notes of the instrument, guitar or bass." In a bid to solve problems with the Gizmotron, Musitronics hired
376:
meant either a lack of tone, or — usually in the case of over-eager amateur or impatient guitarists — an undesirably harsh tone caused by wheels being forced too tightly against the strings. Using the
Gizmotron required that guitarists modify their playing techniques to use only a very light touch when pressing the keys. Specific and repeated instructions in the Gizmotron owner's manual stress this.
45:
400:) that cracks and weakens over time. As a result, the wheels and arms of all Musitronics Gizmotrons become brittle and disintegrate even in "like new" unopened boxes. Other guitar effects have since been used to create sustained tones, but because of the Gizmotron's mechanical nature and physics involved, electronics alone have not been able to replicate the sound.
347:(UMIST), assisted Godley and Creme in the development of the prototype. He considered it critical that the instrument retain the natural decay of a note rather than the sharp cut-off often experienced with an electronic synthesizer. Godley and Creme used only the original prototype Gizmotron in 10cc recordings.
375:
The severity of these problems could be minimized by adjusting the proximity of the wheels to the guitar strings with extreme precision. Adjustment was very time-consuming, where each wheel (and arm) is moved closer or farther to a string to achieve the purest tone. Improper set-up of these wheels
408:
In 2013, Aaron
Kipness, a vintage keyboard specialist and restoration parts manufacturer, assembled a small team of engineers to design a new and improved version of the Gizmotron using modern materials and manufacturing methods. Gizmotron LLC was subsequently formed and on February 3, 2016, the
371:
of their own that varied with the speed of the wheel, or would act as a secondary bridge and produce dissonant overtones, depending on the notes played. According to Kevin Godley, "Some days it sounded absolutely beautiful and other days it sounded like shit. Sometimes it was like a chainsaw, and
379:
In the
Musitronics version of the Gizmotron, an improper set-up resulted in a quick wearing down of the wheels for which there were no replacements — the wheels were not removable from the arm attachments. Musitronics Gizmotron wheels were expensive and problematic to produce.
335:
is activated by pressing one or all of keys located on the top of the unit. Pressing a key allows the wheel to descend against a motor-driven shaft and bow the corresponding string, while the other hand remains free to fret single notes or full chords.
218:
In March 2014, it was reported in
Vintage Guitar Magazine that Aaron Kipness was working on plans to launch a new and improved Gizmotron 2.0. The Gizmotron 2.0 debuted at the summer NAMM show in 2015 and was released to the public in 2016.
388:
Musitronics created a separate division, Gizmo Inc., to produce the
Gizmotron and solve its problems. Deeply in debt and unable to raise the funding necessary to continue operations, due largely to a failed Musitronics marketing deal with
214:
Plagued with design and manufacturing problems, the
Musitronics Gizmotron did not live up to expectations and was a commercial failure. Production of the Musitronics Gizmotron ended in 1981 when the manufacturer filed for bankruptcy.
350:
Musitronics offered two versions of the
Gizmotron to the public; one for guitar and one for bass. Ultimately, few Musitronics Gizmotrons were made; bass versions were produced in a much larger quantity than guitar versions.
232:
The Gizmo was first used on 10cc's instrumental "Gizmo My Way", a song arranged as a type of laid back beach music, where it appears as a slide guitar effect and sustained background effect. "Gizmo My Way" was the B-side to
243:(1974), which included more uses of The Gizmo, most notably on the track "Old Wild Men". Its presence is heard throughout most of the track as a unique shimmering background guitar effect. The Gizmo was also used on the
210:
to design an electronic device to "mask the inadequacies of the still unperfected product”. Moog gave his opinion that he did not know how to “make it sound good enough” and advised that the project should be abandoned.
344:
409:
Gizmotron 2.0 was released. The innovations made to Godley and Creme's original design were substantial enough that
Kipness was awarded a US Patent (9,997,144) for the Gizmotron 2.0.
661:
634:
The name "Gizmotron" comes from the idea that it was intended to be a non-electronic and non-synthetic competitor in the market of other "orchestral" instruments like the
331:
The device, a small enclosure attached to the guitar, consists of small motor-driven wheels with serrated edges to match the size of each string. The continuous
766:
372:
sometimes it sounded like a cello and other times it varied between to two, so it was never a particularly stable piece of kit, but we persevered with it.”
300:, 10cc were unable to afford an orchestra for their early albums, so Creme and Godley imagined an effects unit that would enable a guitar to produce
590:– Similar guitar systems which use electromagnetism, rather than mechanical energy, to sustain and in some cases to activate the strings:
785:
753:
Provoost, Bart, "What the heck is that?! Behind the scenes of the weirdly wonderful gizmotron, in
Gearphoria pp 24-25, SEP/OCT 2014 Vol 3 No 1
494:
319:
284:
857:
705:
669:
174:
Taped or permanently attached to the body of an instrument, the
Gizmotron uses small, motor driven plastic/rubber wheels to make the
396:
Today, intact and working Musitronics Gizmotrons are virtually non-existent. The wheels and arm attachments were made of a plastic (
128:
545:
John Wilson, guitarist for Meat Beat Manifesto used both a bass and guitar Gizmotron live and on recordings from 1996 to 1998.
66:
725:
109:
81:
313:
62:
55:
770:
489:
440:
88:
262:(1976) on the tracks "Blackmail", "Brand New Day", "How Dare You", "Lazy Ways", "Iceberg", and "Don't Hang Up".
239:
393:, Gizmo Inc. declared bankruptcy in 1981, shortly after its president, Aaron Newman, suffered a heart attack.
359:
A fault with the prototype and Musitronics Gizmotron was that the wheels were affected by conditions such as
452:
252:
234:
196:
95:
852:
552:
33:
578:
510:
258:
526:
77:
558:
515:
477:
367:. Additionally, due to deficiencies in the design of these units, the wheels would either produce
603:
701:
598:
505:
482:
472:
360:
837:
521:
397:
364:
305:
275:
263:
608:
587:
390:
293:
149:
435:
832:
535:
461:
427:
102:
274:
The Gizmo's ability to create a wide range of sounds was central to the production of
846:
548:
539:
465:
279:
175:
499:
447:
431:
421:
191:
160:
292:
which was intended to be a promotional album to market the "Gizmo". According to
729:
613:
332:
207:
183:
179:
153:
44:
799:
695:
639:
457:
187:
157:
635:
368:
164:
754:
643:
17:
573:
340:
203:
301:
662:"The Gizmotron is the strangest guitar device you've never heard of"
588:
Guitar harmonic § String harmonics driven by a magnetic field
700:. Guildford, Surrey, England: Genesis Publications. p. 287.
593:
168:
531:
38:
345:
University of Manchester Institute of Science and Technology
311:
Other Godley & Creme albums featuring the Gizmo include
304:-like sounds (this was some years before the development of
167:
in 1975, whilst they were members of the British rock group
827:
250:
The Gizmo continued to be used on 10cc's subsequent albums
581:– the company bought Musitronics and renamed it to
417:
The Musitronics and Prototype Gizmotron can be heard on:
156:. It was invented in 1969 and patented by the English
266:
continued to use the Gizmo after they had left 10cc.
69:. Unsourced material may be challenged and removed.
749:
747:
689:
687:
8:
278:'s first post-10cc project, the 1977 triple
182:-like sounds from each string, similar to a
27:Effects device for electric and bass guitars
656:
654:
652:
129:Learn how and when to remove this message
719:
717:
237:", and appeared on 10cc's second album,
755:http://www.gearphoria.com/e-mag/v3n1/24
627:
424:'s recording of "Liverpool Lou" (1974).
288:. Godley and Creme left 10cc to create
726:"Gizmotron | Vintage Guitar® magazine"
481:(Industrial Records, 1979), played by
384:Musitronics and Gizmo, Inc. Bankruptcy
339:John McConnell, a senior lecturer in
7:
67:adding citations to reliable sources
838:Bass Gizmotron at Effects Database
186:. The device was famously used by
25:
783:Gambaccini, Paul: Liner notes to
724:Dregni, Michael (18 March 2015).
668:. 13 January 2016. Archived from
800:"Steve Hackett Official Website"
43:
148:, is an effects device for the
54:needs additional citations for
1:
833:Gizmotron at Effects Database
769:. 9 July 2015. Archived from
514:(1984) where it is played by
858:Guitar parts and accessories
178:vibrate, yielding resonant,
492:song "Into the Light" from
874:
534:), where it was played by
31:
697:Jimmy Page: The Anthology
490:Siouxsie and the Banshees
460:uses it on the intro of "
789:(Mercury Records, 1977)
508:'s "Violet Town", from
453:In Through the Out Door
253:The Original Soundtrack
235:The Wall Street Shuffle
197:In Through the Out Door
767:"Guitar Player - Gear"
247:track "Baron Samedi".
579:ARP Instruments, Inc.
464:" as well as within "
355:Inherent difficulties
804:www.hackettsongs.com
694:Page, Jimmy (2020).
296:'s sleeve notes for
63:improve this article
32:For other uses, see
773:on 15 January 2018.
599:Fernandes Sustainer
516:Marty Willson-Piper
478:20 Jazz Funk Greats
560:Wind and Wuthering
554:Please Don't Touch
527:It'll End in Tears
498:(1981), played by
270:Godley & Creme
144:, also called the
707:978-1-905662-61-6
483:Cosey Fanni Tutti
473:Throbbing Gristle
139:
138:
131:
113:
16:(Redirected from
865:
815:
814:
812:
810:
796:
790:
781:
775:
774:
763:
757:
751:
742:
741:
739:
737:
732:on 19 April 2015
728:. Archived from
721:
712:
711:
691:
682:
681:
679:
677:
658:
647:
632:
557:title track and
522:This Mortal Coil
306:digital sampling
276:Godley and Creme
264:Godley and Creme
190:on parts of the
134:
127:
123:
120:
114:
112:
71:
47:
39:
21:
873:
872:
868:
867:
866:
864:
863:
862:
843:
842:
824:
819:
818:
808:
806:
798:
797:
793:
782:
778:
765:
764:
760:
752:
745:
735:
733:
723:
722:
715:
708:
693:
692:
685:
675:
673:
672:on 15 June 2018
660:
659:
650:
633:
629:
624:
609:Infinite Guitar
570:
415:
406:
391:ARP Instruments
386:
357:
329:
294:Paul Gambaccini
272:
230:
225:
150:electric guitar
135:
124:
118:
115:
72:
70:
60:
48:
37:
28:
23:
22:
15:
12:
11:
5:
871:
869:
861:
860:
855:
845:
844:
841:
840:
835:
830:
823:
822:External links
820:
817:
816:
791:
776:
758:
743:
713:
706:
683:
648:
626:
625:
623:
620:
619:
618:
617:
616:
611:
606:
601:
596:
585:
576:
569:
566:
565:
564:
546:
543:
536:Simon Raymonde
519:
503:
486:
469:
462:In the Evening
456:(1979), where
445:
428:Paul McCartney
425:
414:
413:Use by artists
411:
405:
402:
385:
382:
356:
353:
328:
325:
271:
268:
229:
226:
224:
221:
158:rock musicians
137:
136:
119:September 2013
51:
49:
42:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
870:
859:
856:
854:
853:Effects units
851:
850:
848:
839:
836:
834:
831:
829:
828:Gizmotron LLC
826:
825:
821:
805:
801:
795:
792:
788:
787:
780:
777:
772:
768:
762:
759:
756:
750:
748:
744:
731:
727:
720:
718:
714:
709:
703:
699:
698:
690:
688:
684:
671:
667:
663:
657:
655:
653:
649:
645:
641:
637:
631:
628:
621:
615:
612:
610:
607:
605:
602:
600:
597:
595:
592:
591:
589:
586:
584:
580:
577:
575:
572:
571:
567:
562:
561:
556:
555:
550:
549:Steve Hackett
547:
544:
541:
540:Cocteau Twins
537:
533:
529:
528:
524:'s recording
523:
520:
517:
513:
512:
511:Remote Luxury
507:
504:
501:
497:
496:
491:
487:
484:
480:
479:
474:
470:
467:
466:Carouselambra
463:
459:
455:
454:
449:
446:
443:
442:
437:
433:
429:
426:
423:
420:
419:
418:
412:
410:
404:Gizmotron 2.0
403:
401:
399:
394:
392:
383:
381:
377:
373:
370:
366:
362:
354:
352:
348:
346:
342:
337:
334:
333:bowing action
326:
324:
322:
321:
316:
315:
309:
307:
303:
299:
295:
291:
287:
286:
281:
280:concept album
277:
269:
267:
265:
261:
260:
259:How Dare You!
255:
254:
248:
246:
242:
241:
236:
227:
222:
220:
216:
212:
209:
205:
201:
199:
198:
193:
189:
185:
181:
177:
172:
170:
166:
162:
159:
155:
151:
147:
143:
133:
130:
122:
111:
108:
104:
101:
97:
94:
90:
87:
83:
80: –
79:
75:
74:Find sources:
68:
64:
58:
57:
52:This article
50:
46:
41:
40:
35:
30:
19:
807:. Retrieved
803:
794:
786:Consequences
784:
779:
771:the original
761:
734:. Retrieved
730:the original
696:
674:. Retrieved
670:the original
665:
630:
582:
559:
553:
525:
509:
500:John McGeoch
493:
476:
451:
448:Led Zeppelin
439:
436:I'm Carrying
422:The Scaffold
416:
407:
395:
387:
378:
374:
358:
349:
338:
330:
320:Freeze Frame
318:
312:
310:
298:Consequences
297:
290:Consequences
289:
285:Consequences
283:
273:
257:
251:
249:
244:
238:
231:
217:
213:
202:
195:
192:Led Zeppelin
173:
161:Kevin Godley
145:
141:
140:
125:
116:
106:
99:
92:
85:
73:
61:Please help
56:verification
53:
29:
614:Moog Guitar
441:London Town
365:temperature
256:(1975) and
245:Sheet Music
240:Sheet Music
204:Musitronics
184:hurdy-gurdy
180:synthesizer
154:bass guitar
78:"The Gizmo"
847:Categories
640:Orchestron
622:References
604:Sustainiac
583:Gizmo Inc.
506:The Church
458:Jimmy Page
188:Jimmy Page
89:newspapers
809:23 August
636:Mellotron
450:'s album
369:harmonics
327:Mechanism
165:Lol Creme
146:Gizmotron
142:The Gizmo
18:Gizmotron
644:Birotron
568:See also
361:humidity
208:Bob Moog
736:6 March
676:6 March
574:Mu-Tron
444:(1978).
438:" from
343:at the
341:physics
223:Origins
176:strings
103:scholar
704:
666:A.Side
642:, and
475:album
434:song "
398:Delrin
302:violin
194:album
105:
98:
91:
84:
76:
432:Wings
110:JSTOR
96:books
34:Gizmo
811:2023
738:2021
702:ISBN
678:2021
594:EBow
495:Juju
488:The
471:The
363:and
317:and
228:10cc
169:10cc
163:and
152:and
82:news
551:on
538:of
532:4AD
430:'s
308:).
65:by
849::
802:.
746:^
716:^
686:^
664:.
651:^
638:,
468:".
323:.
282:,
200:.
171:.
813:.
740:.
710:.
680:.
646:.
563:.
542:.
530:(
518:.
502:.
485:.
314:L
233:"
132:)
126:(
121:)
117:(
107:·
100:·
93:·
86:·
59:.
36:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.