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The Gizmo

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206:, the company originally licensed to manufacture the commercial version of the Gizmotron, released the product to the public in 1979. Quality was inconsistent. According to Musitronics engineer Mike Beigel, "The product, though desired by many musicians at the time, simply could not be reliably manufactured and further – even at best – only worked on some notes of the instrument, guitar or bass." In a bid to solve problems with the Gizmotron, Musitronics hired 376:
meant either a lack of tone, or — usually in the case of over-eager amateur or impatient guitarists — an undesirably harsh tone caused by wheels being forced too tightly against the strings. Using the Gizmotron required that guitarists modify their playing techniques to use only a very light touch when pressing the keys. Specific and repeated instructions in the Gizmotron owner's manual stress this.
45: 400:) that cracks and weakens over time. As a result, the wheels and arms of all Musitronics Gizmotrons become brittle and disintegrate even in "like new" unopened boxes. Other guitar effects have since been used to create sustained tones, but because of the Gizmotron's mechanical nature and physics involved, electronics alone have not been able to replicate the sound. 347:(UMIST), assisted Godley and Creme in the development of the prototype. He considered it critical that the instrument retain the natural decay of a note rather than the sharp cut-off often experienced with an electronic synthesizer. Godley and Creme used only the original prototype Gizmotron in 10cc recordings. 375:
The severity of these problems could be minimized by adjusting the proximity of the wheels to the guitar strings with extreme precision. Adjustment was very time-consuming, where each wheel (and arm) is moved closer or farther to a string to achieve the purest tone. Improper set-up of these wheels
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In 2013, Aaron Kipness, a vintage keyboard specialist and restoration parts manufacturer, assembled a small team of engineers to design a new and improved version of the Gizmotron using modern materials and manufacturing methods. Gizmotron LLC was subsequently formed and on February 3, 2016, the
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of their own that varied with the speed of the wheel, or would act as a secondary bridge and produce dissonant overtones, depending on the notes played. According to Kevin Godley, "Some days it sounded absolutely beautiful and other days it sounded like shit. Sometimes it was like a chainsaw, and
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In the Musitronics version of the Gizmotron, an improper set-up resulted in a quick wearing down of the wheels for which there were no replacements — the wheels were not removable from the arm attachments. Musitronics Gizmotron wheels were expensive and problematic to produce.
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is activated by pressing one or all of keys located on the top of the unit. Pressing a key allows the wheel to descend against a motor-driven shaft and bow the corresponding string, while the other hand remains free to fret single notes or full chords.
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In March 2014, it was reported in Vintage Guitar Magazine that Aaron Kipness was working on plans to launch a new and improved Gizmotron 2.0. The Gizmotron 2.0 debuted at the summer NAMM show in 2015 and was released to the public in 2016.
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Musitronics created a separate division, Gizmo Inc., to produce the Gizmotron and solve its problems. Deeply in debt and unable to raise the funding necessary to continue operations, due largely to a failed Musitronics marketing deal with
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Plagued with design and manufacturing problems, the Musitronics Gizmotron did not live up to expectations and was a commercial failure. Production of the Musitronics Gizmotron ended in 1981 when the manufacturer filed for bankruptcy.
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Musitronics offered two versions of the Gizmotron to the public; one for guitar and one for bass. Ultimately, few Musitronics Gizmotrons were made; bass versions were produced in a much larger quantity than guitar versions.
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The Gizmo was first used on 10cc's instrumental "Gizmo My Way", a song arranged as a type of laid back beach music, where it appears as a slide guitar effect and sustained background effect. "Gizmo My Way" was the B-side to
243:(1974), which included more uses of The Gizmo, most notably on the track "Old Wild Men". Its presence is heard throughout most of the track as a unique shimmering background guitar effect. The Gizmo was also used on the 210:
to design an electronic device to "mask the inadequacies of the still unperfected product”. Moog gave his opinion that he did not know how to “make it sound good enough” and advised that the project should be abandoned.
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Gizmotron 2.0 was released. The innovations made to Godley and Creme's original design were substantial enough that Kipness was awarded a US Patent (9,997,144) for the Gizmotron 2.0.
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The name "Gizmotron" comes from the idea that it was intended to be a non-electronic and non-synthetic competitor in the market of other "orchestral" instruments like the
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The device, a small enclosure attached to the guitar, consists of small motor-driven wheels with serrated edges to match the size of each string. The continuous
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sometimes it sounded like a cello and other times it varied between to two, so it was never a particularly stable piece of kit, but we persevered with it.”
300:, 10cc were unable to afford an orchestra for their early albums, so Creme and Godley imagined an effects unit that would enable a guitar to produce 590:– Similar guitar systems which use electromagnetism, rather than mechanical energy, to sustain and in some cases to activate the strings: 785: 753:
Provoost, Bart, "What the heck is that?! Behind the scenes of the weirdly wonderful gizmotron, in Gearphoria pp 24-25, SEP/OCT 2014 Vol 3 No 1
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Taped or permanently attached to the body of an instrument, the Gizmotron uses small, motor driven plastic/rubber wheels to make the
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Today, intact and working Musitronics Gizmotrons are virtually non-existent. The wheels and arm attachments were made of a plastic (
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John Wilson, guitarist for Meat Beat Manifesto used both a bass and guitar Gizmotron live and on recordings from 1996 to 1998.
66: 725: 109: 81: 313: 62: 55: 770: 489: 440: 88: 262:(1976) on the tracks "Blackmail", "Brand New Day", "How Dare You", "Lazy Ways", "Iceberg", and "Don't Hang Up". 239: 393:, Gizmo Inc. declared bankruptcy in 1981, shortly after its president, Aaron Newman, suffered a heart attack. 359:
A fault with the prototype and Musitronics Gizmotron was that the wheels were affected by conditions such as
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The Gizmo's ability to create a wide range of sounds was central to the production of
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which was intended to be a promotional album to market the "Gizmo". According to
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Guitar harmonic § String harmonics driven by a magnetic field
700:. Guildford, Surrey, England: Genesis Publications. p. 287. 593: 168: 531: 38: 345:
University of Manchester Institute of Science and Technology
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Other Godley & Creme albums featuring the Gizmo include
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in 1975, whilst they were members of the British rock group
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The Gizmo continued to be used on 10cc's subsequent albums
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The Musitronics and Prototype Gizmotron can be heard on:
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continued to use the Gizmo after they had left 10cc.
69:. Unsourced material may be challenged and removed. 749: 747: 689: 687: 8: 278:'s first post-10cc project, the 1977 triple 182:-like sounds from each string, similar to a 27:Effects device for electric and bass guitars 656: 654: 652: 129:Learn how and when to remove this message 719: 717: 237:", and appeared on 10cc's second album, 755:http://www.gearphoria.com/e-mag/v3n1/24 627: 424:'s recording of "Liverpool Lou" (1974). 288:. Godley and Creme left 10cc to create 726:"Gizmotron | Vintage Guitar® magazine" 481:(Industrial Records, 1979), played by 384:Musitronics and Gizmo, Inc. Bankruptcy 339:John McConnell, a senior lecturer in 7: 67:adding citations to reliable sources 838:Bass Gizmotron at Effects Database 186:. The device was famously used by 25: 783:Gambaccini, Paul: Liner notes to 724:Dregni, Michael (18 March 2015). 668:. 13 January 2016. Archived from 800:"Steve Hackett Official Website" 43: 148:, is an effects device for the 54:needs additional citations for 1: 833:Gizmotron at Effects Database 769:. 9 July 2015. Archived from 514:(1984) where it is played by 858:Guitar parts and accessories 178:vibrate, yielding resonant, 492:song "Into the Light" from 874: 534:), where it was played by 31: 697:Jimmy Page: The Anthology 490:Siouxsie and the Banshees 460:uses it on the intro of " 789:(Mercury Records, 1977) 508:'s "Violet Town", from 453:In Through the Out Door 253:The Original Soundtrack 235:The Wall Street Shuffle 197:In Through the Out Door 767:"Guitar Player - Gear" 247:track "Baron Samedi". 579:ARP Instruments, Inc. 464:" as well as within " 355:Inherent difficulties 804:www.hackettsongs.com 694:Page, Jimmy (2020). 296:'s sleeve notes for 63:improve this article 32:For other uses, see 773:on 15 January 2018. 599:Fernandes Sustainer 516:Marty Willson-Piper 478:20 Jazz Funk Greats 560:Wind and Wuthering 554:Please Don't Touch 527:It'll End in Tears 498:(1981), played by 270:Godley & Creme 144:, also called the 707:978-1-905662-61-6 483:Cosey Fanni Tutti 473:Throbbing Gristle 139: 138: 131: 113: 16:(Redirected from 865: 815: 814: 812: 810: 796: 790: 781: 775: 774: 763: 757: 751: 742: 741: 739: 737: 732:on 19 April 2015 728:. Archived from 721: 712: 711: 691: 682: 681: 679: 677: 658: 647: 632: 557:title track and 522:This Mortal Coil 306:digital sampling 276:Godley and Creme 264:Godley and Creme 190:on parts of the 134: 127: 123: 120: 114: 112: 71: 47: 39: 21: 873: 872: 868: 867: 866: 864: 863: 862: 843: 842: 824: 819: 818: 808: 806: 798: 797: 793: 782: 778: 765: 764: 760: 752: 745: 735: 733: 723: 722: 715: 708: 693: 692: 685: 675: 673: 672:on 15 June 2018 660: 659: 650: 633: 629: 624: 609:Infinite Guitar 570: 415: 406: 391:ARP Instruments 386: 357: 329: 294:Paul Gambaccini 272: 230: 225: 150:electric guitar 135: 124: 118: 115: 72: 70: 60: 48: 37: 28: 23: 22: 15: 12: 11: 5: 871: 869: 861: 860: 855: 845: 844: 841: 840: 835: 830: 823: 822:External links 820: 817: 816: 791: 776: 758: 743: 713: 706: 683: 648: 626: 625: 623: 620: 619: 618: 617: 616: 611: 606: 601: 596: 585: 576: 569: 566: 565: 564: 546: 543: 536:Simon Raymonde 519: 503: 486: 469: 462:In the Evening 456:(1979), where 445: 428:Paul McCartney 425: 414: 413:Use by artists 411: 405: 402: 385: 382: 356: 353: 328: 325: 271: 268: 229: 226: 224: 221: 158:rock musicians 137: 136: 119:September 2013 51: 49: 42: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 870: 859: 856: 854: 853:Effects units 851: 850: 848: 839: 836: 834: 831: 829: 828:Gizmotron LLC 826: 825: 821: 805: 801: 795: 792: 788: 787: 780: 777: 772: 768: 762: 759: 756: 750: 748: 744: 731: 727: 720: 718: 714: 709: 703: 699: 698: 690: 688: 684: 671: 667: 663: 657: 655: 653: 649: 645: 641: 637: 631: 628: 621: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 591: 589: 586: 584: 580: 577: 575: 572: 571: 567: 562: 561: 556: 555: 550: 549:Steve Hackett 547: 544: 541: 540:Cocteau Twins 537: 533: 529: 528: 524:'s recording 523: 520: 517: 513: 512: 511:Remote Luxury 507: 504: 501: 497: 496: 491: 487: 484: 480: 479: 474: 470: 467: 466:Carouselambra 463: 459: 455: 454: 449: 446: 443: 442: 437: 433: 429: 426: 423: 420: 419: 418: 412: 410: 404:Gizmotron 2.0 403: 401: 399: 394: 392: 383: 381: 377: 373: 370: 366: 362: 354: 352: 348: 346: 342: 337: 334: 333:bowing action 326: 324: 322: 321: 316: 315: 309: 307: 303: 299: 295: 291: 287: 286: 281: 280:concept album 277: 269: 267: 265: 261: 260: 259:How Dare You! 255: 254: 248: 246: 242: 241: 236: 227: 222: 220: 216: 212: 209: 205: 201: 199: 198: 193: 189: 185: 181: 177: 172: 170: 166: 162: 159: 155: 151: 147: 143: 133: 130: 122: 111: 108: 104: 101: 97: 94: 90: 87: 83: 80: â€“  79: 75: 74:Find sources: 68: 64: 58: 57: 52:This article 50: 46: 41: 40: 35: 30: 19: 807:. 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Index

Gizmotron
Gizmo

verification
improve this article
adding citations to reliable sources
"The Gizmo"
news
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books
scholar
JSTOR
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electric guitar
bass guitar
rock musicians
Kevin Godley
Lol Creme
10cc
strings
synthesizer
hurdy-gurdy
Jimmy Page
Led Zeppelin
In Through the Out Door
Musitronics
Bob Moog
The Wall Street Shuffle
Sheet Music
The Original Soundtrack

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