Knowledge (XXG)

Intermedia

Source 📝

149:
described the tendency of what he thought was the most interesting and best in the new art to cross boundaries of recognized media or even to fuse the boundaries of art with media that had not previously been considered for art forms, including computers.
162:'s voice is fading is that the Duchamp pieces are truly between media, between sculpture and something else, while a Picasso is readily classifiable as a painted ornament. Similarly, by invading the land between 244:, and others to work directly with Intermedia students. Two other prominent University programs that focus on intermedia are the Intermedia program at 261: 323:) introduced a BA (Hons) Degree in Intermedia Arts, and intermedia can be a focus of study in Masters programmes. The Academy of Fine Arts in 553: 495: 332: 257: 713: 305: 127:
could be described as intermedia. With repeated occurrences, these new genres between genres could develop their own names (e.g.
281: 46: 269: 1010: 957: 20: 212:
founded the first university program in the United States to offer an M.F.A. in intermedia. The Intermedia Area at
1062: 791: 241: 316: 245: 540: 1077: 846: 669: 320: 197: 741: 647: 410: 213: 66: 590: 1072: 1067: 861: 816: 796: 328: 224:. In addition, the program developed a substantial visiting artist tradition, bringing artists such as 73:. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book 1025: 950: 706: 517: 297: 221: 249: 42: 924: 781: 285: 100: 80: 1000: 964: 914: 643: 491: 406: 387: 289: 909: 736: 364: 301: 96: 866: 811: 699: 171: 132: 75: 58: 50: 509: 1041: 1005: 941: 871: 806: 801: 766: 487: 312: 1056: 831: 826: 761: 756: 359: 128: 88: 70: 69:
beginning in 1967 as a part of a global network of multiple media that was expanding
856: 841: 836: 786: 771: 751: 651: 432:
Fluxus, Intermedia, and the Something Else Press. Selected Writings by Dick Higgins
414: 237: 233: 229: 225: 217: 193: 146: 38: 260:
features Intermedia as an area of emphasis in their B.A. and B.F.A. programs. The
256:
scholar and author Owen Smith. Additionally, the Roski School of Fine Arts at the
45:
that occur within artworks existing between artistic genres. It was also used by
978: 919: 904: 899: 851: 681: 467: 344: 293: 265: 209: 167: 92: 84: 54: 444: 354: 30: 894: 889: 776: 576: 656:
Mainframe experimentalism: Early digital computing in the experimental arts
564: 419:
Mainframe experimentalism: Early digital computing in the experimental arts
1020: 995: 971: 821: 369: 273: 120: 684:, “On the Plastic Inevitables and the Strobe Light (May 26, 1966),” in 635: 470:, “On the Plastic Inevitables and the Strobe Light (May 26, 1966),” in 163: 159: 155: 124: 112: 83:. Over the years, intermedia has been used almost interchangeably with 722: 349: 324: 277: 253: 116: 34: 174:
produced what are probably the greatest graphics of our century ...
618: 140: 136: 668:
Natilee Harren, "The Crux of Fluxus: Intermedia, Rear-guard," in
746: 695: 604: 686:
Movie Journal: The Rise of the New American Cinema, 1959–1971
472:
Movie Journal: The Rise of the New American Cinema, 1959–1971
396:, vol 34, 2001, p49 - 54, with an Appendix by Hannah Higgins 691: 16:
Interdisciplinary art activities occurring between genres
658:. Berkeley, CA: University of California Press (2013). 591:"Fine Art - BA (Hons) | Edinburgh College of Art" 688:(New York: Columbia University Press, 2016), 249–250. 474:(New York: Columbia University Press, 2016), 249–250. 1034: 988: 933: 880: 729: 430:Friedman, Ken 2018. "Thinking About Dick Higgins", 674:, edited by Eric Crosby with Liz Glass. Vol. 2 of 327:offers a Masters in Intermedia Studies founded by 530:Coleridge, Samuel 'Lecture 111 : On Spenser' 434:. Steve Clay & Ken Friedman, eds., pp. 13-14. 152: 565:Master of Music in Intermedia Music Technology 300:offers a Master of Music degree in Intermedia 707: 8: 61:also described intermedia, beginning in his 663:The Intermedia Dynamic: An Aspect of Fluxus 714: 700: 692: 292:, Indianapolis, has a M.F.A. Program with 490:, London: Duncan Baird Publishers, 2007, 280:offers a B.F.A. in Intermedia/Cyberarts. 87:and more recently with the categories of 262:University of Maryland, Baltimore County 678:. Minneapolis: Walker Art Center, 2015. 380: 665:(PhD diss., University of Oslo, 1993). 654:" in H. Higgins, & D. Kahn (eds), 417:" in H. Higgins, & D. Kahn (eds), 7: 139:, which combined brush painting and 646:, "The Computational Word Works of 409:, "The Computational Word Works of 264:offers an M.F.A. in Intermedia and 640:, San Diego State University Press 637:Fluxus: The History of an Attitude 619:"Intermedia Department | MKE" 577:"Pacific Northwest College of Art" 14: 333:Hungarian University of Fine Arts 258:University of Southern California 248:and the Intermedia M.F.A. at the 158:'s objects are fascinating while 306:Pacific Northwest College of Art 111:The areas such as those between 33:term coined in the mid-1960s by 943:Topographie Anécdotée du Hasard 308:offers a B.F.A. in Intermedia. 282:Herron School of Art and Design 135:); historically, an example is 41:to describe the strategies of 1: 192:With characteristic modesty, 57:' Film-Makers’ Cinematheque. 1011:Fluxus at Rutgers University 676:Living Collections Catalogue 296:and Intermedia degrees. The 335:has an Intermedia Program. 21:Intermedia (disambiguation) 1094: 445:"John Brockman | Edge.org" 252:, founded and directed by 216:graduated artists such as 79:, with an introduction by 53:that were associated with 18: 510:"Statement on Intermedia" 200:had first used the term. 317:Edinburgh College of Art 246:Arizona State University 154:Part of the reason that 671:Art Expanded, 1958-1978 321:University of Edinburgh 198:Samuel Taylor Coleridge 187:, vol. 34, No. 1, p. 49 1035:Critics and historians 508:Higgins, Dick (1967). 214:The University of Iowa 190: 143:into one composition. 67:Los Angeles Free Press 49:to refer to works in 1026:Something Else Press 518:Something Else Press 298:University of Oregon 270:Concordia University 19:For other uses, see 634:Owen Smith (1998), 250:University of Maine 43:interdisciplinarity 1001:Art & Language 925:Carolee Schneemann 782:Geoffrey Hendricks 392:, re-published in 286:Indiana University 101:post-conceptualism 81:Buckminster Fuller 1050: 1049: 951:Poème symphonique 915:Charlotte Moorman 644:Hannah B. Higgins 407:Hannah B. Higgins 290:Purdue University 196:often noted that 1085: 1063:Contemporary art 989:Related articles 910:Richard Maxfield 881:Related artists 737:Genpei Akasegawa 716: 709: 702: 693: 623: 622: 615: 609: 608: 605:"Art in Context" 601: 595: 594: 587: 581: 580: 573: 567: 562: 556: 551: 545: 544: 537: 531: 528: 522: 521: 505: 499: 481: 475: 465: 459: 458: 456: 455: 441: 435: 428: 422: 404: 398: 385: 365:Non-linear media 302:Music Technology 188: 97:electronic media 1093: 1092: 1088: 1087: 1086: 1084: 1083: 1082: 1053: 1052: 1051: 1046: 1030: 984: 929: 882: 876: 867:Emmett Williams 812:George Maciunas 725: 720: 631: 626: 617: 616: 612: 603: 602: 598: 589: 588: 584: 575: 574: 570: 563: 559: 552: 548: 539: 538: 534: 529: 525: 507: 506: 502: 482: 478: 466: 462: 453: 451: 443: 442: 438: 429: 425: 405: 401: 386: 382: 378: 341: 206: 189: 178: 172:John Heartfield 133:performance art 109: 107:Characteristics 76:Expanded Cinema 65:column for the 59:Gene Youngblood 51:expanded cinema 24: 17: 12: 11: 5: 1091: 1089: 1081: 1080: 1078:Conceptual art 1075: 1070: 1065: 1055: 1054: 1048: 1047: 1045: 1044: 1042:Hannah Higgins 1038: 1036: 1032: 1031: 1029: 1028: 1023: 1018: 1013: 1008: 1006:Conceptual art 1003: 998: 992: 990: 986: 985: 983: 982: 975: 968: 961: 954: 947: 937: 935: 931: 930: 928: 927: 922: 917: 912: 907: 902: 897: 892: 886: 884: 878: 877: 875: 874: 872:La Monte Young 869: 864: 859: 854: 849: 844: 839: 834: 829: 824: 819: 814: 809: 807:Shigeko Kubota 804: 802:Alison Knowles 799: 794: 789: 784: 779: 774: 769: 767:Robert Filliou 764: 759: 754: 749: 744: 739: 733: 731: 730:Fluxus artists 727: 726: 721: 719: 718: 711: 704: 696: 690: 689: 679: 666: 659: 641: 630: 627: 625: 624: 610: 596: 582: 568: 557: 546: 532: 523: 500: 488:Tom Lowenstein 476: 460: 436: 423: 399: 388:Dick Higgins, 379: 377: 374: 373: 372: 367: 362: 357: 352: 347: 340: 337: 313:United Kingdom 205: 202: 176: 108: 105: 15: 13: 10: 9: 6: 4: 3: 2: 1090: 1079: 1076: 1074: 1071: 1069: 1066: 1064: 1061: 1060: 1058: 1043: 1040: 1039: 1037: 1033: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 993: 991: 987: 981: 980: 976: 974: 973: 969: 967: 966: 962: 960: 959: 955: 953: 952: 948: 946: 945: 944: 939: 938: 936: 932: 926: 923: 921: 918: 916: 913: 911: 908: 906: 903: 901: 898: 896: 893: 891: 888: 887: 885: 883:and musicians 879: 873: 870: 868: 865: 863: 860: 858: 855: 853: 850: 848: 845: 843: 840: 838: 835: 833: 832:Ben Patterson 830: 828: 827:Nam June Paik 825: 823: 820: 818: 815: 813: 810: 808: 805: 803: 800: 798: 795: 793: 790: 788: 785: 783: 780: 778: 775: 773: 770: 768: 765: 763: 762:Philip Corner 760: 758: 757:George Brecht 755: 753: 750: 748: 745: 743: 742:Eric Andersen 740: 738: 735: 734: 732: 728: 724: 717: 712: 710: 705: 703: 698: 697: 694: 687: 683: 680: 677: 673: 672: 667: 664: 660: 657: 653: 649: 648:Eric Andersen 645: 642: 639: 638: 633: 632: 628: 620: 614: 611: 606: 600: 597: 592: 586: 583: 578: 572: 569: 566: 561: 558: 555: 550: 547: 542: 536: 533: 527: 524: 519: 515: 511: 504: 501: 497: 496:9781844834860 493: 489: 485: 484:Classic Haiku 480: 477: 473: 469: 464: 461: 450: 446: 440: 437: 433: 427: 424: 420: 416: 412: 411:Eric Andersen 408: 403: 400: 397: 395: 391: 384: 381: 375: 371: 368: 366: 363: 361: 360:New media art 358: 356: 353: 351: 348: 346: 343: 342: 338: 336: 334: 330: 326: 322: 318: 314: 309: 307: 303: 299: 295: 291: 287: 283: 279: 275: 271: 267: 263: 259: 255: 251: 247: 243: 242:Robert Wilson 239: 235: 231: 227: 223: 219: 215: 211: 203: 201: 199: 195: 186: 182: 175: 173: 170:, the German 169: 165: 161: 157: 151: 148: 144: 142: 138: 134: 130: 129:visual poetry 126: 122: 119:, or between 118: 114: 106: 104: 102: 98: 94: 90: 89:digital media 86: 82: 78: 77: 72: 71:consciousness 68: 64: 60: 56: 52: 48: 47:John Brockman 44: 40: 36: 32: 28: 22: 1073:American art 1068:Visual music 1015: 977: 970: 963: 956: 949: 942: 940: 862:Robert Watts 857:Wolf Vostell 847:Mieko Shiomi 842:Tomas Schmit 837:Takako Saito 817:Larry Miller 797:Milan Knížák 787:Dick Higgins 772:Ken Friedman 752:Joseph Beuys 685: 675: 670: 662: 655: 652:Dick Higgins 636: 613: 599: 585: 571: 560: 549: 535: 526: 516:. New York: 513: 503: 483: 479: 471: 463: 452:. Retrieved 449:www.edge.org 448: 439: 431: 426: 418: 415:Dick Higgins 402: 393: 389: 383: 329:Milan Knížák 319:(within the 310: 238:Karen Finley 234:Allan Kaprow 230:Vito Acconci 226:Dick Higgins 218:Ana Mendieta 207: 194:Dick Higgins 191: 184: 180: 153: 147:Dick Higgins 145: 110: 74: 62: 39:Dick Higgins 26: 25: 979:Spice Chess 920:Dieter Roth 905:Ray Johnson 900:Henry Flynt 852:Ben Vautier 682:Jonas Mekas 468:Jonas Mekas 345:Technoetics 294:Photography 266:Digital Art 222:Charles Ray 210:Hans Breder 168:photography 93:technoetics 85:multi-media 55:Jonas Mekas 1057:Categories 1016:Intermedia 965:Grapefruit 934:Flux-works 661:Ina Blom, 554:Intermedia 541:"Programs" 454:2020-11-19 390:Intermedia 376:References 355:Multimedia 181:Intermedia 63:Intermedia 31:art theory 27:Intermedia 958:Water Yam 895:John Cale 890:John Cage 792:Joe Jones 777:Al Hansen 421:, p. 283. 208:In 1968, 179:Higgins, 1021:Neo-Dada 996:Anti-art 972:Fluxus 1 822:Yoko Ono 394:Leonardo 370:Neo-Dada 339:See also 331:and The 274:Montreal 204:Academia 185:Leonardo 183:, 1965, 177:—  121:painting 629:Sources 514:Artpool 311:In the 164:collage 160:Picasso 156:Duchamp 125:theatre 113:drawing 37:artist 723:Fluxus 494:  350:Fluxus 325:Prague 304:. The 254:Fluxus 117:poetry 35:Fluxus 29:is an 141:haiku 137:haiga 747:Ay-O 650:and 492:ISBN 486:ed. 413:and 220:and 166:and 123:and 115:and 103:. 99:and 272:in 1059:: 512:. 447:. 315:, 288:, 284:, 278:QC 276:, 268:. 240:, 236:, 232:, 228:, 131:, 95:, 91:, 715:e 708:t 701:v 621:. 607:. 593:. 579:. 543:. 520:. 498:. 457:. 23:.

Index

Intermedia (disambiguation)
art theory
Fluxus
Dick Higgins
interdisciplinarity
John Brockman
expanded cinema
Jonas Mekas
Gene Youngblood
Los Angeles Free Press
consciousness
Expanded Cinema
Buckminster Fuller
multi-media
digital media
technoetics
electronic media
post-conceptualism
drawing
poetry
painting
theatre
visual poetry
performance art
haiga
haiku
Dick Higgins
Duchamp
Picasso
collage

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.