Knowledge (XXG)

Torii Kiyonobu I

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shrines as votive offerings, a fact which indicates something of the artistic quality or emotional impact of his depictions of Kabuki actors. By the time of his death in 1729, Kiyonobu had not only painted a great number of signboards and the like, but had also produced illustrations for woodblock
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Kiyonobu focused almost exclusively on producing billboards and other promotional material for Edo's kabuki theaters; the relationship between the theaters and the Torii school was a strong and important one, and one that continues today. Guided by the need to attract attention, Kiyonobu's style
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As is the case with most Torii school artists, Kiyonobu's dates are not known for sure, and the relationships between the various Torii artists are similarly unclear. The styles of Kiyonobu's disciples and relatives are very similar, and most scholars entertain the possibility that
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were the same man as the subject of this article, Kiyonobu I, or as one another. Very few, if any, paintings created by the Torii school are known definitely to have been painted by any one particular artist.
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tended towards bold, colorful exuberance. In addition to a distinctive use of color, details, and various other aesthetic elements, the Torii style is especially distinguished by the use of thick, bold line.
110:(modern Tokyo) when he was twenty-four, and emerged there as a major artist with a unique style. Kiyonobu's work is regarded as being highly influenced by that of 228: 165: – a contemporary of Kiyonobu, in a somewhat different style. Kiyomasu may have been Kiyonobu's brother, or they may have even been the same man. 30: 129:
By 1700, Kiyonobu was a fully established and accomplished artist. His works were praised by contemporary writers, and were often even placed in
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Beauty in a Black Kimono by Torii Kiyonobu, c. 1710–20, Japan, Edo period, Hanging scroll; ink, colors, and gold on paper
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Hickman, Money (1993). "Enduring Alliance: The Torii Line of Ukiyo-e Artists and Their Work for the Kabuki Theatre."
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kabuki actor and painter Torii Kiyomoto, born in 1664. He moved, with his father, to
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2nd ed., revised by L. Carrington Goodrich. NY:Ronald Press, 19355. (1st ed, 1925)
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printed books, depicting kabuki dramas, and had issued individual prints as well.
1411: 1318: 1255: 1150: 1130: 1064: 635: 119: 42:"Courtesan painting a screen", 18th century ukiyo-e woodblock print by Kiyonobu. 1022: 1002: 997: 992: 630: 206: 1385: 1160: 660: 515: 159: – Kiyonobu's successor as head of the Torii school, and likely his son 130: 196: 79: – 22 August 1729) was a Japanese painter and printmaker in the 645: 620: 17: 1368: 1351: 939: 655: 376: 249: 80: 51: 84: 269: 103: 37: 29: 210: 107: 184:
The Invention of Printing in China and its spread Westward
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signboards and related materials. Along with his father
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Index

Kiyonobu


Japanese name
surname
Japanese
ukiyo-e
kabuki
Torii Kiyomoto
Torii school
Osaka
Edo
Hishikawa Moronobu
Kanō
Tosa schools
Shintō
Kiyonobu II
Kiyomasu I
Torii Kiyonobu II
Torii Kiyomasu

Torii Kiyonobu I
v
t
e
Ukiyo-e
Japanese woodblock printing
List of ukiyo-e terms

Schools and artists

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