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Erich Wolfgang Korngold

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51: 720:(1938), starring Errol Flynn and Olivia de Havilland. The film, based on a largely fictional English legend, is considered the finest of its kind, with a continuous series of romantic and adventurous sequences propelled by Korngold's dynamic score. Music historian Laurence E. MacDonald notes that there were many factors which made the film a success, including its cast, its Technicolor photography and fast-paced direction by 3775: 1144:. This made him prefer to write leitmotifs for each of the main characters in a film, and vary them based on the emotional level of a scene. He felt that by having "musical identifications for characters, places, and even abstract ideas in a film," it would help keep characters straight in the minds of the audience. Music motifs were commonly used by other film composers during that period, including Max Steiner. 4864: 1151:, for instance, motifs were created for phases of Captain Blood's career as a pirate, using different instrumentation. Variations of some type of brass instrument were heard, such as when the ship readies for voyage, or to lend solemnity to someone's death. A full reiteration of the motif is reserved for a climactic battle scene. The impact of the score for 4852: 882:. The score is essentially operatic, with lush background music throughout, a rousing march theme for Essex (Errol Flynn), and one of his "most noble and heroic melodies" for the theme "Elizabeth, The Queen", Elizabeth (Bette Davis) An hour of the hour and half long film is supported by the score, composed of rich dramatic and romantic themes. 994:. In this score, Korngold moved even further away from his previous romantic and swashbuckler styles. This was Korngold's most Gothic film score, and a film which film historian Tony Thomas has called a "true American classic." He adds that the score "might well have been the basis for an opera or a grandly scaled symphonic poem." 4840: 1267:, a few blocks from Warner Brothers Studio, where he worked. In October 1956 he suffered a severe stroke and although he partially recovered, he "endured many physical and emotional difficulties" before his death on November 29, at the age of 60, the following year. He was survived by his wife, Luzi (Luise), two sons, 584:
studio in producing a film based on a 400-year-old work of literary art. The studio assigned almost every star or character actor under contract to take part in the film, with the filming taking over six months. The studio also allowed Korngold to devote more attention to the score than it had to any
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To support the complex atmosphere, with its scenes of the fog-shrouded voyage, Korngold created a score that was understated, which was very different from his swashbucklers. He often used sharp brass chords with swirling configurations, along with a love theme voiced by a harmonica. Music historian
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After the United States demanded that France divest itself of its interests in Mexico, the Austrian aristocrat was left to his fate, and he was executed by the Juarez government. The dramatic accent of the film leaned in favor of Maximilian and Carlotta, however, aided greatly by Korngold's poignant
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The score contains a main theme which is varied throughout the film, depending on the how each scene develops. MacDonald states that the main theme is a "majestic and noble melody that immediately grabs the viewer's attention" when the film begins. By using this motif, the theme connects the entire
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Korngold's score was a splendid added dimension. His style for the Flynn swashbucklers resembled that of the creators of late nineteenth-century and early twentieth-century German symphonic tone poems. It incorporated chromatic harmonies, lush instrumental effects, passionate climaxes—all performed
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and Olivia de Havilland, Korngold's career in Hollywood developed quickly. He finally became convinced that dramatic scoring went well with certain types of films. The film, which is set in mid-18th century Italy, the Alps, and France, received an expensive treatment from Warners, which pleased him
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became an immediate hit, with an Oscar nomination for the score. As Korngold's first fully symphonic film score, it marked a milestone in his career, as he became the first composer of international stature to sign a contract with a film studio. It also launched the career of Flynn and gave a major
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and concertos, as well as other compositions. Following the success of the Korngold album, the Classic Film Scores series was extended through thirteen additional discs, including a second Korngold collection. These records have been credited with inspiring the revival of symphonic music in films,
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The story is set in a Midwestern US town (Kings Row), where the characters portray a wide range of psychological emotions, from loves and hates, bitterness, tenderness and torment. Combined with Korngold's score, which some claim is among his finest, the film drew an unusually high level of public
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was Korngold's last score for swashbuckler films, all of which had starred Errol Flynn. It is widely regarded as one of Korngold's best. The film ran two hours and six minutes and was one of the longest films he ever worked on. It includes symphonic score in all but twenty minutes. It was also his
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His strong points are lyrical melody, rich textures and virtuoso orchestration; the music has a strong sense of the theatre and of theatrical effectiveness, but is deficient in contrapuntal vitality. His emotional directness and lack of inhibition, his unashamedly grand manner and the sheer
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Around the same time, World War II in Europe drew to an end. At this stage in his career Korngold had grown increasingly disillusioned with Hollywood and with the kinds of pictures he was being given, and he was eager to return to writing music for the concert hall and the stage.
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of its previous films; he could prerecord certain parts of the film for the benefit of actors, whom he then had act to the rhythm and tempo of the music. As a result of the score's elaborate tailoring, the film and Korngold's music left a strong impression on the film industry.
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All of the music written at that time was strictly Viennese. The European influence was so strong in Mexico during that time that native composers, either consciously or in an unconscious effort to court the favor of the rulers, abandoned their native style and copied that of
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Korngold composed in the evenings while at the piano, as he watched scenes from the film that an assigned projectionist would run for him. He would run scenes repeatedly as he improvised the music. He would collect his ideas and concepts and later commit them to paper.
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of the United States. The year 1945 became an important turning point in his life. His father, who had never been entirely comfortable in Los Angeles, and who had never approved of Erich's decision to work exclusively on film composition, died after a lengthy illness.
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The loves and hates of the two main characters, the ideas expressed by the playwright generally, while taken from history, are symbolic. It is a play of eternally true principles and motives of love and ambition, as recurrent today as three hundred years
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heaped praise upon him, and many famous conductors, soloists and singers added his works to their repertoires. He began collaborating with Reinhardt on many productions, including a collection of little-known Strauss pieces that they arranged,
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is not only quieter but actually somber and, at times, dissonant. The opening theme captures the chaos of the wilderness in the North but soon the score seems to be enveloped in a fog (as are the characters) and everything becomes morose and
363:, Erich could play four-hand piano arrangements alongside his father at age five. He was also able to reproduce any melody he heard on the piano, along with playing complete and elaborate chords. By age seven, he was writing original music. 4919: 2597: 1395:. Carroll is President of the International Korngold Society. Carroll released excerpts of acetates with Korngold conducting the Warner Bros. studio orchestra in music from his film scores, some possibly taken from KFWB radio broadcasts. 661:, and a couple of engaging cues were written by Korngold orchestrator Milan Roder. In the end, Korngold insisted he be credited only with musical adaptations, even though he scored nearly the entire film with original music. 320:, was hugely popular and ignited interest in his other film music (and that of other classic film composers), as well as in his concert music, which often incorporates popular themes from his film scores (an example being the 209:; May 29, 1897 – November 29, 1957) was an Austrian composer and conductor, who fled Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in 2133: 385:
also spoke highly of the youth, and along with Mahler told Korngold's father there was no benefit in having his son enroll in a music conservatory since his abilities were already years ahead of what he could learn there.
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The Korngold Violin Concerto was recorded in 2006 by Bramwell Tovey and the Vancouver Symphony Orchestra, with James Ehnes as violinist, on a Grammy Award-winning album that included Concertos by Walton and
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of Richard Strauss and Franz Liszt. He intended that, when divorced from the moving image, these scores could stand alone in the concert hall. His style exerted a profound influence on modern film music.
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score. In this film, the first half hour contains continuous scoring and proved to be a major step forward in the art of film scoring. Korngold conceived his film scores as "operas without singing."
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In 1973, Warner Brothers released special LPs featuring excerpts from the original soundtracks of films scored by Korngold, as well as a rare recording of Korngold playing the main theme from
1107:. He was asked to adapt the music of Wagner for most of the film, but Korngold also wrote some original music for it. He is seen during the final scenes in an unbilled cameo as the conductor 922:), MacDonald states that "Korngold's breathlessly fast-paced music helps to make this one of the most exciting swordfights in cinema history", while Behlmer describes the duel scene as a " 3185: 947:, Korngold's film career went in a different direction. In this film, the score reflects an evil atmosphere, dark images, and the tense emotions of its crew during an unfortunate voyage. 405:. He continued composing with great success throughout his teens. At age 12, he composed a piano trio. His Piano Sonata No. 2 in E major, which followed, was played throughout Europe by 4934: 1285:
Korngold was a master film composer. His wonderful melodies, orchestrated in the most gorgeous Richard Strauss-oriented manner, are a joy to hear, even when the films are forgettable.
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After he accepted, however, he learned that he needed to compose over an hour of symphonic music in only three weeks. The short time frame forced him to use bits of symphonic poems by
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Korngold not only had the background but also had the gift of melody, an innate sense of theater, and the skills to manipulate sentiment, emotion, humor, and excitement. In short, if
250:(The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. During the 1920s he re-orchestrated, re-arranged and nearly re-composed several operettas by 2125: 2959: 1172:
The development of motifs is a powerful compositional device for the film composer, allowing him to bring an overall sense of unity to his score and still leave room for variety.
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exuberance of his invention breathed new life into a moribund tradition and have ensured the renewed and growing interest in his work which the last few years have witnessed.
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The score concentrates on the regal Main Title, the triumphal entry march of Essex into London, the Queen's theme, and the recapitulation of that theme in the End Titles.
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World War II prevented Korngold from returning to Europe. He became an American citizen in 1943 and remained in the US after retiring from film composing in 1947.
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all display Korngold's musical extravertism, and for some reason, his unmistakable Viennese kind of sentiment helped Errol Flynn be a convincing English hero.
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Treating each film as an 'opera without singing' (each character has his or her own leitmotif) created intensely romantic, richly melodic and
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by Johann Strauss II and others while teaching opera and composition at the Vienna Staatsakademie. Korngold was awarded the title professor
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and established the symphonic style that would later be used in action films during Hollywood's Golden Age. Modern day epics such as the
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boost to that of de Havilland, who did another seven movies with Flynn. Korngold scored six more films starring Flynn. In addition,
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and Ernst Korngold; his mother, Josephine Korngold; a brother, Hans Robert Korngold, and three grandchildren. He was interred at
3097: 2126:"KORNGOLD, E.W.: Captain Blood / STEINER, M.: The Three Musketeers / YOUNG, V.: Scaramouche (Brandenburg Philharmonic, Kaufman)" 3483: 1522: 1513: 1319: 236: 224:(The Snowman) became a sensation in Vienna; his Second Piano Sonata, which he wrote at age 13, was played throughout Europe by 3012: 1610:
In 2022, Naxos released Korngold's complete incidental music, which consists of music written for a 1920 Vienna production of
4999: 4984: 3689: 3681: 1924: 1402:(at Bard College, New York) celebrated Korngold with an extensive series of performances and lectures and the publication of 1239:, an actress, writer, singer and pianist, with whom he had fallen in love at age 19. They had two children, Ernst Werner and 1040: 1034: 3261:"Erich Wolfgang Korngold: early life and works". Doctoral thesis by David Ian Kram. Monash University, Melbourne, Australia 4830: 2758: 2730: 1458:
There have also been a number of new digital recordings of Korngold's film scores, as well as some of his concert works:
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By this point Korngold had reached the zenith of his fame as a composer of opera and concert music. Composers such as
324:, which incorporates themes from four of his motion picture scores and has become part of the standard repertoire). 3553: 1892: 1807: 1462: 1272: 1083: 951:, as Wolf Larsen, plays a tormented and brutal captain of a sealing schooner, which gets crippled by a rival ship. 858: 321: 214: 3146: 3601: 3585: 3396: 2779: 1735:
Quintet for two violins, viola, cello and piano in E major, Op. 15 (composed 1920–21; first performed 1923)
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Further recognition came in the 1990s; two full-scale biographies of him appeared almost simultaneously. One is
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Korngold researched the music popular in Mexico at the time and realized it was not Mexican but "unmistakenly
1914:. International Dictionary of Films and Filmmakers. Vol. 4 (3rd ed.). St. James Press. p. 453. 4737: 3436: 3278: 2155: 1335: 806: 378: 2925: 1322:. This was followed by recordings of Korngold's operas and concert works, which led to performances of his 4959: 4856: 4104: 3541: 3507: 3368: 1715: 1675: 1617: 1612: 1564: 1090:. The Violin Concerto has become particularly successful, with many recordings and performances following 1072: 733:
in a generally romantic manner. Korngold's original and distinctive style was influenced by the Wagnerian
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In 2013, the Adamas Quartett recorded String Quartet No. 2, Op. 26 (Gramola 2013), awarded among others
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Korngold approached his scoring theatrically, and could only write by regarding film scenarios as opera
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and managed to exhume a number of lost scores. He orchestrated and staged them using new concepts. Both
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edited by Daniel Goldmark and Kevin C. Karnes. In addition, Bard sponsored the first US production of
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Korngold was active in the theatre throughout Europe while in his 20s. After the success of his opera
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Despite his achievements, Korngold for years attracted little positive critical attention. In 1972,
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opened the way for other costumed romantic adventures, which hadn't been seen since the silent era.
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Korngold scored 16 Hollywood films in all, and received two more nominations for Oscars. Along with
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DEA and Phonola system and also the Aeolian Duo-Art system, which survive today and can be heard.
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Cello Concerto in C major, Op. 37 (Composed 1950, expanded from a work written for the 1946 film
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He chose not to use any period music or to approximate 16th-century musical sounds, explaining:
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In 1935 Warners asked Korngold if he was interested in writing an original dramatic score for
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was the best film score ever written. With the orchestra in session, Korngold would conduct.
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Suite for 2 violins, cello and piano left hand, Op. 23, composed 1930; first performed 1930
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radio broadcast from 1938 with Korngold conducting the studio orchestra in excerpts from
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was drawn from his work for the film. Maximilian and Carlotta loved the Mexican song "
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in 1909; Mahler called him a "musical genius" and recommended he study with composer
374: 305: 262: 849:." He composed 3,000 bars of music for the score, at times emulating the rhythms of 4868: 4794: 4790: 4719: 4715: 4692: 4662: 4650: 4607: 4583: 4454: 4427: 4281: 4247: 4237: 4223: 4219: 4213: 4203: 4195: 4191: 4181: 4152: 4142: 4118: 4108: 4094: 4060: 4056: 4052: 4038: 4003: 3949: 3935: 3878: 1774: 1562:
recorded a transcription of the "Garden Scene" from Korngold's incidental music to
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have both been recorded (in 1996 and 1998 respectively) by the German record label
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RCA Victor was the first to record a complete Korngold opera (in stereo), in 1975:
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In 1924, Korngold married Luzi von Sonnenthal (1900–1962), granddaughter of actor
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are Korngold re-creations; these were the works that first drew the attention of
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In 2001, ArtHaus Musik released on DVD (UPC 807280036398) a documentary titled
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During his years scoring films, he still composed some non-film works, such as
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He spent the last ten years of his life composing concert pieces, including a
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made us Jewish." Korngold noted that the opportunity to compose the score for
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Before Korngold began composing the score, Austria was invaded by Germany and
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String Quartet No. 3 in D major, Op. 34 (composed 1945; first performed 1949)
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Korngold biographer Brendan G. Carrol describes Korngold's style and methods:
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Een jongen van brutale zwier: Erich Wolfgang Korngold in Nederland 1910–1958
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Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores
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All Music Guide to Classical Music: The Definitive Guide to Classical Music
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major for string orchestra, Op. 39 (Composed 1947–48, first performed 1950)
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had been praying for such a composer, then his prayers had been answered.
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label, along with Overture to a Drama, Op. 4, and the concert suite from
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He returned to film scoring one more time, shortly before his death, for
530: 230: 3413: 17: 4644: 4524: 3377: 3029:... a splendid record of the life and music of Erich Wolfgang Korngold. 2606:
The Ascap Biographical Dictionary of Composers, Authors, and Publishers
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At the time of his death at age 60, he was working on his sixth opera.
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concludes with the main theme hymned operatically by an unseen chorus.
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In 1938, Korngold was conducting opera in Austria when he was asked by
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Jewish emigrants from Austria after the Anschluss to the United States
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intricate scores, the best of which are a cinematic paradigm for the
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In the studio during the day, he worked with orchestrators, such as
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Hollywood's Chosen People: The Jewish Experience in American Cinema
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The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold,
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trilogies similarly included original symphonic scores. Composer
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Theme and Variations, Op. 42 (composed and first performed 1953)
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String Sextet in D major, Op. 10 (1914–16; first performed 1917)
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series, which features prominent allusions to Korngold's style.
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The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold
281:(1935), which helped boost the career of its starring newcomer, 81: 3791: 3432: 3255:
by Luzi Korngold (wife). Verlag Elisabeth Lafite, Vienna, 1967
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describes Korngold's contribution to this and his other films:
359:(1892–1965), also became a musician. A child prodigy living in 3397:
Japanese Premieres of A Great Composer Erich Wolfgang Korngold
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Erich Wolfgang Korngold was born to a Jewish family in BrĂŒnn,
291:(1936) won an Oscar; two years later he won another Oscar for 30:"Korngold" redirects here. For others of the same name, see 2210:
Woodstra, Chris, Brennan, Gerald, Schrott, Allen, editors.
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Burlingame, Jon. "Erich Wolfgang Korngold: A Retrospective"
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Settling the Score: Music and the Classical Hollywood Film
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by Shakespeare, composed 1918–1919, first performed 1920)
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and became the basis for a 1934 British film directed by
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Austrian-born American composer and conductor (1897–1957)
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The Last Prodigy: A Biography of Erich Wolfgang Korngold
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The Last Prodigy: A Biography of Erich Wolfgang Korngold
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The Invisible Art of Film Music: A Comprehensive History
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Austria and America: Cross-Cultural Encounters 1865–1933
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In 2009, Korngold's Violin Concerto was released on the
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Erich Wolfgang Korngold – The Adventures of a Wunderkind
612:, who had starred in several Korngold operas in Europe. 529:, four years later. He started arranging and conducting 753:. He later said, "We thought of ourselves as Viennese; 430:
appeared the following year, and his first two operas,
409:. During these early years he also made live-recording 275:(1935). He subsequently wrote scores for such films as 3073:(Oxford and New York: Oxford University Press, 1998). 1532:
has recorded Korngold's complete original piano works.
865:," and Korngold used it effectively during the score. 4828: 2545: 2543: 2348:
Mother Goddam: The Story of the Career of Bette Davis
1465:
and his symphony in 2013, which was given its first
1002:, considered his performance the best of his career. 780:
has cited Korngold as his inspiration in scoring the
695:
Korngold was awarded his first Academy Award for the
401:
in 1910, including a command performance for Emperor
2952:"Erich Wolfgang Korngold: Die Kathrin (3 CDs) – jpc" 2589:, The Movieland Directory; Russell Holmes Fletcher: 1006:
score, which often left a strong impact on viewers.
857:, and the second theme of the first movement of his 344:). Erich was the second son of eminent music critic 4783: 4708: 4637: 4546: 4447: 4305: 4166: 4031: 3892: 3825: 3748: 3569: 3534: 3475: 3351: 3341: 998:interest and acclaim. Its costar, future President 955:Thomas S. Hischak notes some aspects of the score: 813:. Korngold was moved by the true-life story of how 169: 157: 149: 129: 112: 96: 67: 41: 3266: 2711:, korngold-society.org; accessed December 2, 2015. 2400:The President's Ladies: Jane Wyman and Nancy Davis 1032:was followed by seven film scores in four years – 397:), which became a sensation when performed at the 2580:9936 Toluca Lake Ave, North Hollywood, California 1846:, Op. 40 (Composed 1947–52, first performed 1954) 741:, and the long-line development of Gustav Mahler. 2369:Hollywood Gold: Films of the Forties and Fifties 982:(1942) has been compared to those of films like 444:, which ran for some 80 performances in Vienna. 4935:Best Original Music Score Academy Award winners 2466:The New Grove Dictionary of Music and Musicians 1770:, Op. 25 (composed 1931; first performed 1932) 1754:, Op. 17, (Composed 1923, first performed 1924) 1639:List of compositions by Erich Wolfgang Korngold 1283: 1216: 1188:, Opus 32 for chorus and orchestra (1942); and 1170: 1122: 957: 887: 824: 795:Korngold was interested in writing a score for 730: 714:to return to Hollywood and compose a score for 638: 420:Korngold wrote his first orchestral score, the 240:were premiered in Munich in 1916, conducted by 3227:by Brendan G Carroll. Boehlau-Verlag, Vienna; 2446: 2444: 2333:"Korngold Makes Interesting Music Discovery," 2044: 2042: 1810:, Op. 35 (Composed 1945, first performed 1947) 1783:, Op. 26 (composed 1933; first performed 1934) 1742:, Op. 16 (composed 1923; first performed 1924) 876:Korngold was again nominated for his score of 594:. He came back to Hollywood to score the film 580:, which was released in 1935, was a first for 3803: 3444: 3357:Erich Wolfgang Korngold collection, 1889–2008 2420:, Univ. of Wisconsin Press (1992) pp. 109–110 2035:. Vol. 2. Macmillan. pp. 1029–1031. 1685:, Op. 6 (composed 1912; first performed 1916) 911:tenth original score in less than six years. 687:, another Warners picture, this one starring 254:. By 1931 he was a professor of music at the 8: 2263: 2261: 2259: 2257: 2255: 2253: 2251: 2249: 2247: 1882: 1880: 1489:In 1980, CBS Masterworks recorded the opera 1184:, Opus 30, for chorus and orchestra (1941); 2849: 2847: 2381: 2379: 2377: 2060: 2058: 1659:, Op. 1 (composed and first performed 1910) 1454:was revived to capacity houses in New York. 1263:Korngold lived at 9936 Toluca Lake Avenue, 557:After Max Reinhardt's success in producing 3810: 3796: 3788: 3451: 3437: 3429: 3338: 3329: 2452:Dictionary of American Classical Composers 2412: 2410: 2408: 2402:, Univ. Press of Mississippi (2014) p. 109 2316: 2314: 2283: 2281: 2279: 2277: 1905: 1903: 1901: 1410:— more than ninety years after its debut. 261:At the request of motion picture director 49: 38: 5005:Naturalized citizens of the United States 4995:Musicians from the Margraviate of Moravia 3423:International Music Score Library Project 2723:"Gary Lloyd Noland: List of Compositions" 2156:"CAPTAIN BLOOD – Erich Wolfgang Korngold" 2001: 1999: 1997: 1995: 1993: 1991: 1989: 1987: 1985: 1983: 1981: 1979: 1977: 1975: 1973: 1971: 1969: 1967: 1965: 1963: 1961: 1959: 1957: 1103:(1955), a film biography of the composer 3650:The Private Lives of Elizabeth and Essex 3287:10.1093/omo/9781561592630.013.3000000199 2430: 2428: 2426: 1955: 1953: 1951: 1949: 1947: 1945: 1943: 1941: 1939: 1937: 1652:(composed 1908; first performed 1908/09) 1413:In 2008 Gary Noland wrote a string trio 1352:The Private Lives of Elizabeth and Essex 879:The Private Lives of Elizabeth and Essex 870:The Private Lives of Elizabeth and Essex 805:but also involved the story of Archduke 604:, a film which introduced mezzo-soprano 316:(1972). This album, produced by his son 4835: 3332: 2809:"Compilation: Previn conducts Korngold" 2530:Erich Wolfgang Korngold: Ein Lebensbild 2389:, Oxford Univ. Press (2011) pp. 108–109 2021: 2019: 2017: 2015: 1876: 588:Korngold returned to Austria to finish 3419:Free scores by Erich Wolfgang Korngold 2790:from the original on November 23, 2016 2106:from the original on November 24, 2016 1344:their list of the greatest film scores 4945:Burials at Hollywood Forever Cemetery 3819:Academy Award for Best Original Score 3314:. The Hague, Kallipygos Press, 2016. 3127:from the original on October 17, 2022 3121:"Korngold: Complete Incidental Music" 3100:from the original on October 17, 2022 2962:from the original on October 14, 2017 2761:from the original on October 19, 2022 2733:from the original on October 19, 2022 2632:from the original on January 21, 2020 2608:(Thomas Y. Crowell, New York, 1948), 2561:from the original on December 8, 2015 2166:from the original on October 19, 2021 2136:from the original on October 20, 2021 2076:from the original on December 1, 2016 766:Academy Award for Best Original Score 204: 7: 5015:20th-century American male musicians 3176:Dixon, Troy O. (November 20, 2010). 2906:from the original on August 29, 2010 2666:, Macmillan Publishing (1994) p. 285 1391:. The other is Brendan G. Carroll's 1318:featuring excerpts performed by the 926:of rhythmic energy and exactitude." 4965:Jewish American classical composers 3346:Music Division, Library of Congress 3093:Korngold: Complete Incidental Music 3048:from the original on March 24, 2020 2880:from the original on April 17, 2021 2230:. LIT Verlag MĂŒnster. p. 104. 2066:"Erich Wolfgang Korngold Biography" 1801:. (First performed in concert 1944) 4975:American male film score composers 3019:from the original on July 24, 2008 2932:from the original on June 10, 2011 2346:Stine, Whitney, and Davis, Bette, 2322:The Encyclopedia of Film Composers 1931:, Oxford Univ. Press (2013) p. 464 914:Of the final duel between Thorpe ( 389:At age 11, he composed his ballet 25: 4925:Austrian male classical composers 3188:from the original on May 20, 2022 3157:from the original on May 14, 2011 2679:, Phaidon Press (January 1, 2000) 2350:. New York: Hawthorn Books 1974. 2324:, Rowman & Littlefield (2015) 2291:, Univ. of Wisconsin Press (1979) 2214:, Hal Leonard Corp. (2005) p. 701 2192:from the original on July 6, 2011 2032:The New Grove Dictionary of Opera 1511:Korngold's two remaining operas, 1132:The New Grove Dictionary of Opera 206:[ˈeːʁÉȘçˈvɔlfÉĄaƋˈkɔʁnɡɔlt] 4900:20th-century classical composers 4862: 4850: 4838: 3774: 3773: 3548:Piano Concerto for the Left Hand 3414:Korngold: Maestro for the Movies 3119:Clarke, Colin (March 12, 2022). 3071:The Concerto, a Listener's Guide 3013:"The Adventures of a Wunderkind" 1818:, Op. 36 (musical comedy) (1954) 1393:Erich Korngold: The Last Prodigy 348:(1860–1945); his older brother, 4895:20th-century American composers 2928:. classicalarchives.com. 2008. 2186:"The 8th Academy Awards – 1936" 1320:National Philharmonic Orchestra 308:, he is one of the founders of 185: 3392:Detailed Biography of Korngold 3151:www.musicweb-international.com 2692:, Amadeus Press (October 1997) 2436:The Classical Hollywood Reader 1929:The Oxford Dictionary of Music 1912:Writers and Production Artists 1714:, Op. 11 (Incidental music to 1118:Composing techniques and style 523:in 1923 and his fourth opera, 1: 4980:American male opera composers 4905:American film score composers 3265:Carroll, Brendan G. (2020) . 2096:"Biography of Erich Korngold" 2009:, Turner Entertainment (1996) 2007:Korngold: Vienna to Hollywood 1910:Jeromski, Grace, ed. (1997). 1622:Der Vampyr, oder Die Gejagten 817:, seeing America engulfed by 265:, and due to the rise of the 165:, symphonic and chamber music 56: 4915:Austrian classical composers 3634:The Adventures of Robin Hood 3369:How to use archival material 3304:UK public library membership 2306:Wayne State University Press 2289:The Adventures of Robin Hood 1441:The Adventures of Robin Hood 1340:The Adventures of Robin Hood 1338:ranked Korngold's score for 764:It also gave him his second 717:The Adventures of Robin Hood 704:The Adventures of Robin Hood 549: 545:Composer for Hollywood films 517:Concerto for Piano Left Hand 322:Violin Concerto in D, Op. 35 294:The Adventures of Robin Hood 2604:; Daniel I. McNamara (ed): 1528:American conductor-pianist 1246:In 1943, Korngold became a 1190:Tomorrow When You Have Gone 220:When he was 11, his ballet 5031: 5010:20th-century American Jews 4970:Jewish classical composers 3268:"Korngold, Erich Wolfgang" 3015:. MusicWeb International. 2859:November 23, 2016, at the 2837:November 29, 2016, at the 2814:December 30, 2017, at the 2780:""Korngold: The Sea Hawk"" 2707:February 18, 2007, at the 2626:www.musicacademyonline.com 2555:. (2009). Robert Kingston" 1636: 1626:The Vampire, or the Hunted 1273:Hollywood Forever Cemetery 608:and the Polish-born tenor 448:Composing career in Europe 29: 4950:Child classical musicians 3771: 3626:The Prince and the Pauper 3578:A Midsummer Night's Dream 3466: 3387:Official Korngold Society 3221:(Hardcover, October 1997) 2653:, November 30, 1957, p. 3 2454:, Routledge (2005) p. 251 2438:, Routledge (2012) p. 276 1324:Symphony in F-sharp major 633:A Midsummer Night's Dream 563:A Midsummer Night's Dream 551:A Midsummer Night's Dream 346:(Leopold) Julius Korngold 272:A Midsummer Night's Dream 122:United States (from 1943) 48: 4940:String quartet composers 4930:Austrian opera composers 4910:American opera composers 4489:Alan and Marilyn Bergman 2818:, MusicWeb-International 2600:August 30, 2018, at the 2585:August 30, 2018, at the 2478:Korngold, Erich Wolfgang 2271:, Scarecrow Press (1998) 1860:The Holocaust in Austria 1773:String Quartet No. 2 in 1738:String Quartet No. 1 in 1504:released a recording of 1417:in tribute to Korngold. 1327:most prominently in the 1265:Toluca Lake, Los Angeles 3857:Erich Wolfgang Korngold 3484:Der Ring des Polykrates 3460:Erich Wolfgang Korngold 3378:Erich Wolfgang Korngold 3279:Oxford University Press 3253:Erich Wolfgang Korngold 3239:Erich Wolfgang Korngold 3213:by Brendan G. Carroll; 2677:Erich Wolfgang Korngold 2591:Who's Who in California 2553:Erich Wolfgang Korngold 2267:MacDonald, Laurence E. 2224:Parker, Joshua (2014). 1828:Symphonic Serenade in B 1791:, Op. 28 (opera) (1939) 1760:, Op. 20 (opera) (1927) 1752:for the left hand alone 1726:, Op. 12 (opera) (1920) 1689:Der Ring des Polykrates 1514:Der Ring des Polykrates 1404:Korngold and His World, 1389:Erich Wolfgang Korngold 1336:American Film Institute 1076:(1948) (unused score). 1025:Later scores: 1943–1956 807:Maximilian von Habsburg 635:, he changed his mind. 631:, who had her debut in 432:Der Ring des Polykrates 379:Alexander von Zemlinsky 237:Der Ring des Polykrates 198:Erich Wolfgang Korngold 107:Los Angeles, California 43:Erich Wolfgang Korngold 4105:Robert Russell Bennett 3508:Das Wunder der Heliane 3249:(Paperback, July 1996) 3123:. Classical Explorer. 3011:Ian Lace (June 2003). 2727:composergarynoland.com 1766:Piano Sonata No. 3 in 1758:Das Wunder der Heliane 1712:Much Ado About Nothing 1699:, Op. 8 (opera) (1916) 1691:, Op. 7 (opera) (1916) 1662:Piano Sonata No. 2 in 1644:Piano Sonata No. 1 in 1633:Selected list of works 1613:Much Ado About Nothing 1581:Much Ado About Nothing 1565:Much Ado About Nothing 1506:Das Wunder der Heliane 1408:Das Wunder der Heliane 1314:released an LP titled 1299: 1228: 1174: 1127: 1073:Adventures of Don Juan 966: 943:, based on a novel by 892: 833: 743: 646: 526:Das Wunder der Heliane 441:Much Ado About Nothing 424:, when he was 14. His 328:Early years as prodigy 5000:Composers from Vienna 4985:Neoromantic composers 3225:Das Letzte Wunderkind 2337:, June 22, 1939 p. 10 1549:Composers of Our Time 1447:, was released on LP. 1094:'s initial version. 959:Korngold's score for 566:for the stage, using 228:. His one-act operas 3469:List of compositions 2992:on December 23, 2018 2757:, February 2, 2014, 2721:Noland, Gary Lloyd. 2463:Carroll, Brendan G. 2371:, LuLu (2005) p. 120 2102:. Korngold Society. 2100:korngold-society.org 2070:ClassicalConnect.com 1670:Schauspiel-OuvertĂŒre 1558:Double bass soloist 1469:performance, at the 1443:, narrated by actor 1237:Adolf von Sonnenthal 747:annexed by the Nazis 602:Oscar Hammerstein II 539:president of Austria 508:in the US, starring 471:Cagliostro in Vienna 422:Schauspiel-OuvertĂŒre 413:music rolls for the 366:Korngold played his 350:Hans Robert Korngold 256:Vienna State Academy 175:Luise von Sonnenthal 4990:Musicians from Brno 4955:Composers for piano 4681:Gustavo Santaolalla 4675:Gustavo Santaolalla 4669:Jan A. P. Kaczmarek 3524:Die stumme Serenade 3310:Caspar Wintermans: 2664:Listening to Movies 2450:Butterworth, Neil. 2367:Reid, John Howard. 2320:Hischak, Thomas S. 1815:Die stumme Serenade 1746:Piano Concerto in C 1618:Hans MĂŒller-Einigen 1493:under the baton of 1421:Selected recordings 1400:Bard Music Festival 1295:Elizabeth and Essex 1248:naturalized citizen 1195:Die stumme Serenade 629:Olivia de Havilland 493:Waltzes From Vienna 244:. At 23, his opera 55:Korngold (undated, 4774:Hildur GuĂ°nadĂłttir 4230:Richard M. Sherman 3701:(1945; uncredited) 3690:Between Two Worlds 3682:The Constant Nymph 3602:The Green Pastures 3274:Grove Music Online 3067:Steinberg, Michael 2986:www.arkivmusic.com 2688:Carroll, Brendan. 2551:"OREL Foundation. 2416:Kalinak, Kathryn. 2300:Bernardi, Daniel. 2162:. March 30, 2020. 1799:The Constant Nymph 1541:Between Two Worlds 1041:Between Two Worlds 1035:The Constant Nymph 1015:Gone with the Wind 984:Gone with the Wind 949:Edward G. Robinson 918:) and Wolfingham ( 597:Give Us This Night 504:and a film by the 496:. It was retitled 399:Vienna Court Opera 32:Korngold (surname) 4826: 4825: 4811:Volker Bertelmann 4762:Alexandre Desplat 4744:Alexandre Desplat 4699:Michael Giacchino 4657:Elliot Goldenthal 4337: 4234:Robert B. Sherman 3875:W. Franke Harling 3785: 3784: 3374: 3373: 3363: 3362: 3320:978-90-8243-640-2 3302:(subscription or 3296:978-1-56159-263-0 3233:978-3-20577-716-8 3219:978-1-57467-029-5 2675:Duchen, Jessica. 2651:Los Angeles Times 2510:on April 16, 2021 2489: (biography) 2398:Dick, Bernard F. 2385:Franklin, Peter. 2335:Los Angeles Times 1705:, Op. 9 (1911–16) 1681:Violin Sonata in 1596:dĂ©couverte" and " 1471:Royal Albert Hall 1009:British composer 842:themes for them. 572:Felix Mendelssohn 521:Paul Wittgenstein 465:A Night in Venice 460:Johann Strauss II 252:Johann Strauss II 211:Hollywood history 195: 194: 150:Years active 100:November 29, 1957 16:(Redirected from 5022: 4867: 4866: 4855: 4854: 4853: 4843: 4842: 4841: 4834: 4817:Ludwig Göransson 4768:Ludwig Göransson 4687:Dario Marianelli 4592:Stephen Schwartz 4517:Ryuichi Sakamoto 4408:Leonard Rosenman 4398:Leonard Rosenman 4319: 3918:Bernard Herrmann 3867:Herbert Stothart 3845:Leo F. Forbstein 3812: 3805: 3798: 3789: 3777: 3776: 3722:Of Human Bondage 3453: 3446: 3439: 3430: 3409: 3401:Togitsu Hidehiro 3359: 3339: 3330: 3307: 3300: 3270: 3258: 3198: 3197: 3195: 3193: 3182:Korngold Society 3173: 3167: 3166: 3164: 3162: 3143: 3137: 3136: 3134: 3132: 3116: 3110: 3109: 3107: 3105: 3088: 3082: 3064: 3058: 3057: 3055: 3053: 3038: 3032: 3031: 3026: 3024: 3008: 3002: 3001: 2999: 2997: 2988:. Archived from 2978: 2972: 2971: 2969: 2967: 2948: 2942: 2941: 2939: 2937: 2922: 2916: 2915: 2913: 2911: 2896: 2890: 2889: 2887: 2885: 2870: 2864: 2851: 2842: 2825: 2819: 2806: 2800: 2799: 2797: 2795: 2776: 2770: 2769: 2768: 2766: 2749: 2743: 2742: 2740: 2738: 2718: 2712: 2699: 2693: 2686: 2680: 2673: 2667: 2660: 2654: 2648: 2642: 2641: 2639: 2637: 2622:"Erich Korngold" 2618: 2612: 2593:, vol. 1942–32, 2577: 2571: 2570: 2568: 2566: 2547: 2538: 2526: 2520: 2519: 2517: 2515: 2506:. Archived from 2504:agso.uni-graz.at 2496: 2490: 2488: 2475: 2469: 2461: 2455: 2448: 2439: 2432: 2421: 2414: 2403: 2396: 2390: 2383: 2372: 2365: 2359: 2344: 2338: 2331: 2325: 2318: 2309: 2298: 2292: 2285: 2272: 2265: 2242: 2241: 2221: 2215: 2208: 2202: 2201: 2199: 2197: 2182: 2176: 2175: 2173: 2171: 2152: 2146: 2145: 2143: 2141: 2122: 2116: 2115: 2113: 2111: 2092: 2086: 2085: 2083: 2081: 2062: 2053: 2050:New Grove (2001) 2046: 2037: 2036: 2023: 2010: 2003: 1932: 1925:Kennedy, Michael 1922: 1916: 1915: 1907: 1896: 1889: 1884: 1843: 1842: 1833: 1832: 1780: 1779: 1751: 1750: 1648:with concluding 1606: 1560:Joel Quarrington 1342:as number 11 on 1306: 1157:Gene Roddenberry 1136: 1053:Of Human Bondage 837: 761:saved his life. 653: 606:Gladys Swarthout 600:, with lyricist 568:incidental music 502:Alfred Hitchcock 358: 285:. His score for 208: 203: 189: 187: 103: 77: 75: 61: 58: 53: 39: 21: 5030: 5029: 5025: 5024: 5023: 5021: 5020: 5019: 4875: 4874: 4873: 4861: 4857:Classical music 4851: 4849: 4839: 4837: 4829: 4827: 4822: 4779: 4750:Ennio Morricone 4704: 4633: 4628:John Corigliano 4622:Stephen Warbeck 4542: 4475:Leslie Bricusse 4443: 4434:Georges Delerue 4424:Giorgio Moroder 4418:Jonathan Tunick 4404:Jerry Goldsmith 4384:Carmine Coppola 4374:Marvin Hamlisch 4370:Marvin Hamlisch 4352:Charlie Chaplin 4330:George Harrison 4301: 4264:Elmer Bernstein 4162: 4139:Dimitri Tiomkin 4087:Dimitri Tiomkin 4077:Bronislau Kaper 4067:Dimitri Tiomkin 4027: 3980:Hugo Friedhofer 3922:Frank Churchill 3888: 3871:Richard Hageman 3821: 3816: 3786: 3781: 3767: 3762:George Korngold 3756:Julius Korngold 3744: 3730:Escape Me Never 3594:Anthony Adverse 3565: 3554:Violin Concerto 3530: 3471: 3462: 3457: 3403: 3355: 3328: 3301: 3297: 3264: 3256: 3207: 3202: 3201: 3191: 3189: 3175: 3174: 3170: 3160: 3158: 3145: 3144: 3140: 3130: 3128: 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334:Austria-Hungary 330: 318:George Korngold 288:Anthony Adverse 215:Hollywood films 201: 191: 188: 1924) 183: 179: 176: 145: 125: 108: 105: 101: 92: 90:Austria-Hungary 79: 73: 71: 63: 59: 44: 35: 28: 23: 22: 15: 12: 11: 5: 5028: 5026: 5018: 5017: 5012: 5007: 5002: 4997: 4992: 4987: 4982: 4977: 4972: 4967: 4962: 4957: 4952: 4947: 4942: 4937: 4932: 4927: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4877: 4876: 4872: 4871: 4859: 4847: 4824: 4823: 4821: 4820: 4814: 4808: 4802: 4787: 4785: 4781: 4780: 4778: 4777: 4771: 4765: 4759: 4756:Justin Hurwitz 4753: 4747: 4741: 4735: 4729: 4726:Ludovic Bource 4723: 4712: 4710: 4706: 4705: 4703: 4702: 4696: 4690: 4684: 4678: 4672: 4666: 4660: 4654: 4648: 4641: 4639: 4635: 4634: 4632: 4631: 4625: 4618:Nicola Piovani 4615: 4605: 4602:Rachel Portman 4595: 4581: 4575: 4569: 4563: 4557: 4550: 4548: 4544: 4543: 4541: 4540: 4534: 4528: 4514: 4511:Herbie Hancock 4508: 4502: 4492: 4485:Michel Legrand 4478: 4464: 4458: 4451: 4449: 4445: 4444: 4442: 4441: 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(1992). 2027:Sadie, Stanley 2011: 2005:Thomas, Tony. 1933: 1917: 1897: 1875: 1874: 1872: 1869: 1868: 1867: 1862: 1855: 1852: 1851: 1850: 1847: 1835: 1826: 1819: 1811: 1805: 1802: 1792: 1784: 1771: 1764: 1761: 1755: 1743: 1736: 1733: 1727: 1723:Die tote Stadt 1719: 1709: 1706: 1700: 1692: 1686: 1679: 1673: 1667: 1660: 1655:Piano Trio in 1653: 1637:Main article: 1634: 1631: 1630: 1629: 1608: 1588: 1585:Philippe Quint 1573: 1572:for the album. 1556: 1552: 1533: 1530:Alexander Frey 1526: 1509: 1498: 1495:Marek Janowski 1487: 1479:Die tote Stadt 1474: 1456: 1455: 1452:Die tote Stadt 1448: 1445:Basil Rathbone 1434: 1431: 1422: 1419: 1385:Jessica Duchen 1381: 1380: 1372: 1364: 1356: 1282: 1280: 1277: 1260: 1257: 1241:Georg Wolfgang 1232: 1229: 1220:contrapuntally 1182:Passover Psalm 1121: 1119: 1116: 1105:Richard Wagner 1092:Jascha Heifetz 1026: 1023: 976:The score for 973: 967: 934: 928: 902: 896: 873: 867: 855:Franz Schubert 836:Erich Korngold 823: 815:Louis Napoleon 809:and his wife, 792: 786: 722:Michael Curtiz 707: 701: 683:After scoring 680: 674: 642:Jack L. 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Smith 3901: 3900:Leigh Harline 3898: 3897: 3895: 3891: 3884: 3880: 3876: 3872: 3868: 3865: 3862: 3861:Alfred Newman 3858: 3855: 3852: 3849: 3846: 3843: 3840: 3837: 3834: 3833:Louis Silvers 3831: 3830: 3828: 3824: 3820: 3813: 3808: 3806: 3801: 3799: 3794: 3793: 3790: 3780: 3770: 3763: 3760: 3757: 3754: 3753: 3751: 3747: 3740: 3739: 3735: 3732: 3731: 3727: 3724: 3723: 3719: 3716: 3715: 3711: 3708: 3707: 3703: 3700: 3699: 3695: 3692: 3691: 3687: 3684: 3683: 3679: 3676: 3675: 3671: 3668: 3667: 3663: 3660: 3659: 3655: 3652: 3651: 3647: 3644: 3643: 3639: 3636: 3635: 3631: 3628: 3627: 3623: 3620: 3619: 3615: 3612: 3611: 3607: 3604: 3603: 3599: 3596: 3595: 3591: 3588: 3587: 3586:Captain Blood 3583: 3580: 3579: 3575: 3574: 3572: 3568: 3561: 3558: 3555: 3552: 3549: 3546: 3543: 3540: 3539: 3537: 3533: 3526: 3525: 3521: 3518: 3517: 3513: 3510: 3509: 3505: 3502: 3501: 3497: 3494: 3493: 3489: 3486: 3485: 3481: 3480: 3478: 3474: 3470: 3465: 3461: 3454: 3449: 3447: 3442: 3440: 3435: 3434: 3431: 3424: 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Oxford: 2863:, Musfight 1871:References 1616:, and for 1570:Juno Award 1473:in London. 1312:RCA Victor 1287:Robin Hood 1224:tone poems 1100:Magic Fire 759:Robin Hood 310:film music 74:1897-05-29 4845:Biography 4380:Nino Rota 4272:Ken Darby 4200:Sid Ramin 4157:Ken Darby 4127:Ken Darby 3706:Deception 3674:Kings Row 3562:(1947–52) 3535:Orchestra 3306:required) 3052:March 24, 2936:August 5, 2902:. IMSLP. 2884:August 6, 2841:, Discogs 2830:Kings Row 2052:, 13:823. 2048:Carroll. 1823:Deception 1547:, in the 1500:In 1993, 1428:Kings Row 1376:Deception 1368:Kings Row 1329:Star Wars 1302:Composer 1162:Star Trek 1060:Deception 1030:Kings Row 1019:Kings Row 992:Kings Row 979:Kings Row 970:Kings Row 964:haunting. 863:La Paloma 819:Civil War 782:Star Wars 770:Star Wars 735:leitmotif 692:greatly. 531:operettas 506:same name 153:1909–1957 139:conductor 4461:Vangelis 3779:Category 3758:(Father) 3714:Devotion 3560:Symphony 3492:Violanta 3342:Location 3186:Archived 3155:Archived 3125:Archived 3098:Archived 3046:Archived 3023:July 28, 3017:Archived 2960:Archived 2930:Archived 2910:July 26, 2904:Archived 2878:Archived 2857:Archived 2835:Archived 2812:Archived 2788:Archived 2759:archived 2731:Archived 2705:Archived 2630:Archived 2598:Archived 2583:Archived 2559:Archived 2537:catalog) 2535:WorldCat 2190:Archived 2164:Archived 2134:Archived 2104:Archived 2074:Archived 1854:See also 1841:♯ 1831:♭ 1795:Tomorrow 1778:♭ 1749:♯ 1716:the play 1696:Violanta 1620:'s play 1593:Diapason 1491:Violanta 1450:In 1975 1142:libretti 1088:Symphony 1064:(1946), 1056:(1946), 1050:(1946), 1047:Devotion 1044:(1944), 1038:(1943), 847:Viennese 811:Carlotta 784:series. 578:The film 436:Violanta 297:(1938). 231:Violanta 161:Operas, 136:Composer 18:Korngold 4831:Portals 4645:Tan Dun 4525:Cong Su 3749:Related 3425:(IMSLP) 3421:at the 1893:YouTube 1865:Vugesta 1768:C major 1740:A major 1683:G major 1664:E major 1657:D major 1646:D minor 1555:Barber. 1551:series. 1147:During 829:Strauss 739:Puccini 537:by the 415:Hupfeld 368:cantata 202:German: 190:​ 182:​ 178:​ 142:pianist 119:Austria 86:Moravia 4819:(2023) 4813:(2022) 4807:(2021) 4801:(2020) 4776:(2019) 4770:(2018) 4764:(2017) 4758:(2016) 4752:(2015) 4746:(2014) 4740:(2013) 4734:(2012) 4728:(2011) 4722:(2010) 4701:(2009) 4695:(2008) 4689:(2007) 4683:(2006) 4677:(2005) 4671:(2004) 4665:(2003) 4659:(2002) 4653:(2001) 4647:(2000) 4630:(1999) 4624:(1998) 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Index

Korngold
Korngold (surname)

Brno
Moravia
Austria-Hungary
film scores
[ˈeːʁÉȘçˈvɔlfÉĄaƋˈkɔʁnɡɔlt]
Hollywood history
Hollywood films
Artur Schnabel
Violanta
Der Ring des Polykrates
Bruno Walter
Die tote Stadt
Johann Strauss II
Vienna State Academy
Max Reinhardt
Nazi regime
A Midsummer Night's Dream
Captain Blood
Errol Flynn
Anthony Adverse
The Adventures of Robin Hood
Max Steiner
Alfred Newman
film music
George Korngold
Violin Concerto in D, Op. 35
Austria-Hungary

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